Showing 1095 items
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Latrobe Regional Gallery
Print, SPOWERS, Ethel Louise b.1890 South Yarra, Victoria d. 1947 Melbourne, Victoria, The Works - Yallourn, 1933
Coloured linocut printSigned and dated along bottom of print.yallourn, landscape, linocut -
Unions Ballarat
Enemies within : Papua New Guinea, Australia and the Sandline Crisis: the inside story, O'Callaghan, Mary-Louise, 1999
Julian Chan's government attempted to resolve the Bougainville Civil War using diplomatic means and eventually by military force. These attempts brought down the Chan government.Relevant to the political history of Papua New Guinea and the region. Paper; book. Front cover: black background; black and white military photograph; black and white text.Front cover: author name and title.btlc, ballarat trades hall, ballarat trades and labour council, chan, julian, chan, sir julian, prime ministers - papua new guinea, sandline crisis, sandline affair, civil wars, politics, history, bougainville civil war, papua new guinea -
RMIT GSBL Justice Smith Collection
Folio, Kennedy, Louise St John, Consultation draft : court perspectives : architecture, psychology and Western Australian law reform : project No. 92, 1999
Project no. 92courthouses -- western australia, architecture -- psychological aspects -- western australia, architectural criticism -- western australia -
Geelong Gallery
Sculpture - Yellow Fort United Bank, PARAMOR, Louise, 2011
Plastic and mirror -
Geelong Gallery
Sculpture - Moon shadow (black hare), WEAVER, Louise, 2019
hand crocheted synthetic film, Japanese bamboo tape, plastic thread over high density foam, synthetic polymer emulsion, cotton rag paper, wire, hidden talismans -
Geelong Gallery
Sculpture - Moonlight becomes you (silver fox), WEAVER, Louise, 2019
) fox: hand crocheted cotton, lamb�s wool synthetic yarns and reflective tape over high density foam, papier mache, wire, mirrored acrylic, cotton fabric and synthetic fabrics, synthetic polymer emulsion and glass beads; 2 5) various fibres; 6) base: enamel gloss paint on fibreglass -
Geelong Gallery
Painting - Silvering (Moon dust), WEAVER, Louise, 2020
Synthetic polymer emulsion and glitter on linen -
Stawell Historical Society Inc
Book, Louise Darmody, The George Seaman Story, 2017
stawell -
Surrey Hills Historical Society Collection
Book, A Very Amazing Life : The Biography of Dr. Edna I.Gault, 1993
A biography of Dr Ted Gault (husband) titled : An Amazing Man (published 1987) . Dr Edna Gault's biography is taken from oral history, family letters, memories of children, friends, relatives. Compliments her husbands biography, An Amazing Man. Dr Edna Gault (nee Baylis) Other author names : Mary Elizabeth McLaughlin. The Gaults practised in Surrey Hills.Biography of the life of Dr. Edna I Gault (nee Baylis). Records and describes her life as a physician and medical missionary working in India. Covers her life 1904-1992.Biography of the life of Dr. Edna I Gault (nee Baylis). Records and describes her life as a physician and medical missionary working in India. Covers her life 1904-1992.(dr) (mrs) edna gault, doctors, women doctors, (mr) (dr) ted gault, women missionaries - india, missionaries -
Federation University Art Collection
Sculpture - Sculpture - Installation, 'Dead Still Standing' by Lou Hubbard, 2015
Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork -
Federation University Art Collection
Ceramic - Ceramics - slip caste earthernware, In Me It Bides I
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two ceramic artworks.art, artwork, ceramics, earthenware, louise curtis -
Federation University Art Collection
Artwork, Untitled
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, louise miller -
Federation University Art Collection
Acrylic on lace, Saxton, Louise, Lace fragments, 2002
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, louise saxton, saxton, lace, mixed media -
Wodonga & District Historical Society Inc
Book - Arnold Albury - A Family Fruit & Vegetable Success Story, Louise Arnold et al, 2009
A history of Arnolds Fruit Market established by J.G Arnold in 1892.non-fictionA history of Arnolds Fruit Market established by J.G Arnold in 1892.j.g. arnold, arnolds wodonga, arnolds albury, businesses wodonga -
Darebin Art Collection
Mixed media - Louise Grant, Louise Grant, Helmeted Honey Eater, 2004
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Linton Mechanics Institute and Free Library Collection
Book, Ouida [Maria Louise Rame], Under two flags, [n.d.] [1901?]
608 p.fictionfiction -
Merri-bek City Council
Photographic mixed media collage, Carmel Louise, Suicidal Tendencies, 2017
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Flagstaff Hill Maritime Museum and Village
Book, A Dog of Flanders
This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A Dog of Flanders Author: Ouida - Maria Louise Ramé Publisher: George Robertson Date: 1873 The label on the spine cover with typed text 843 Front loose endpaper has a stamp from Corangamite Regional Library Service The Flyleaf has the name "Louise Ranie" written in blue ink. Pastedown front endpaper has a sticker from Warrnambool Public Library covered by a sticker from Corangamite Regional Library Service flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, a dog of flanders, ouida, maria louise ramé, marie louise de la ramée -
Ringwood and District Historical Society
Photographs, Marie Ricardo, New Ringwood Bowling Green, Loughnan's Road in 1996, 2-Dec-96
B&W Photos -
Warrnambool and District Historical Society Inc.
Book - History of Friends of Warrnambool Botanic Gardens, Marie Johnstone and Pat Varley, Friends of Warrnambool Botanic Gardens - Their History 1989-2020, 2022
Friends of Warrnambool Botanic Gardens historyThis is a book of 48 pages. The cover is white with a colour image of a water fountain. The pages contain printed text and small images of the front cover fountain.non-fictionFriends of Warrnambool Botanic Gardens historywarrnambool botanic gardens, history of warrnambool gardens, friends of warrnambool gardens -
Glenelg Shire Council Cultural Collection
Book, The White Rose of Deerham, c. 1878
Novel, hard cover, burgundy, black print and decoration -
Glenelg Shire Council Cultural Collection
Book, Charlotte Marie Tucker (ALOE), The Giant Killer or The Battle Which All Must Fight, c. 1885
Cautionary tale for the youngNovel ' The Giant Killer' by A.L.O.E. Hard cover, blue black decoration, gold illustrations and print on front cover and spine. Gold edge on pages. 40 black and white engravingsCautionary tale for the young -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne beach front from Station Pier, February, Marie Hillier, Feb 1960
Digital image taken from Station Pier, in February 1960, looking east along beachfront. Image shows part of Centenary Bridge; Swallow and Ariell buildings including chimney (since demolished); London Hotel; Princes St drain pier; Graham St gasometer in background; Sandridge Bay Towers; rotunda. Station pier shows raised pedestrian walkway, vehicle on lower level and rails that extend from station.built environment - commercial, built environment - industrial, natural environment - beaches and foreshore, piers and wharves - station pier, centenary bridge, london family hotel, band rotunda, swallow & ariell ltd, gasometer, sandridge towers, piers and wharves - miscellaneous -
Port Melbourne Historical & Preservation Society
Poster - Port Melbourne Community Festival, At Home in Port, Marie Menzel, Feb 2002
Poster and program promotes the two day festival organised under the auspices of the Port Melbourne Neighbourhood House. Rosalie Kent (Stranks) 1st from leftPoster for the Port Melbourne Community Festival. Artwork depicts the theme 'At home in Port' showing a house with the city in the background, A3celebrations fetes and exhibitions, port melbourne neighbourhood house, maree menzel, pat grainger, rosalie stranks nee kent -
Port Melbourne Historical & Preservation Society
Programme - Port Melbourne Community Festival, At Home in Port, Marie Menzel, Feb 2002
Program promotes the two day festival organised under the auspices of the Port Melbourne Neighbourhood House. Rosalie Kent (Stranks) 1st from left.Souvenier Program for the 2002 Port Melbourne Community Festival. Artwork depicts the theme 'At home in Port' showing a house with the city in the background, A3, 3 foldcelebrations fetes and exhibitions, port melbourne neighbourhood house, maree menzel, pat grainger, rosalie stranks nee kent -
National Vietnam Veterans Museum (NVVM)
Book, Jordens, Anne-Marie, Conscientious Objection and the Vietnam War
this Working Paper series seeks to provide readers with access to current research dealing with peace and security issues - particularly in the Pacific regions.this Working Paper series seeks to provide readers with access to current research dealing with peace and security issues - particularly in the Pacific regions.vietnam war, 1961-1975 - conscientious objectors - australia, conscientious objection - australia -
Benalla Art Gallery
Painting, Marie TUCK, Girl resting, Not dated
Born: Mt Torrens, South Australia, Australia 1872; Died: 1947ImpressionismLedger Gift, 1988Figure in blue dress lying on grass under trees reading. Gold painted frame.Recto: Signed "M.Tuck" in brown paint l.r.c of composition; Not dated; Not titledlandscape, figure, reading, trees, blossom, spring, australian art -
Tatura Irrigation & Wartime Camps Museum
Document, Biography of Heinrich Walter Fuchs MD, 1991
Biography of Heinrich Walter Fuchs MD, an internee in Persia and Camp 3 Australia. Written by his daughter. Presented to the Society by his daughter.Plastic folder with red back.heinrich fuchs, internment camps, camp 3, persia, medical personnel -
Victorian Aboriginal Corporation for Languages
Report, Marie Hansen Fels, These singular people : the Ovens Blacks : supplementary report 28 July 1997, 1997
waveroo, waywurru, bangerang, taungorung, taungurung, george augustus robinson, moieties, victorian history -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Mary Jane Norris, Endangered languages beyond boundaries : community connections, collaborative approaches and cross-disciplinary research =? Langues en pe?ril au-dela? des frontie?res : connexions communautaires, approches collaboratives, et rechecrche interdisciplinaire : proceedings of the 17th FEL Conference Carleton University, Ottawa, Ontario Canada 1-4 October 2013, 2013
Session 1: Collaborations with language and cultural organizations, and governments Session 2: Collaborations with universities, researchers, institutes and schools Session 3: Strategies/issues across language, culture, geography, place and generations I: standardization and dialects Session 4: Strategies issues across language, culture, geography, place and generations II: Minority languages, regions and rural/urban areas Session 6: Language and culture connections: Health, well-being, and educational outcomes Session 7: Strategies/issues across language, culture, geography, place and generations III: Generations and families Session 8: Language assessment, documentation and diversity: Indicators of vitality, endangerment and the implications of data collection Session 5: Poster sessions I: Hard copy: Community connections, collaborative approaches, cross-disciplinary research Session 5: Poster session II: Electronic: Collaborative approaches with information and computer technologiesmaps, b&w photographs, colour photographs, illustrations, graphscollaboration, community involvement, cross disciplinary research