Photo of Unknown Person in Front of a White Board Wearing a Gas Mask - Location and Date UnknownPolaroidorganisation, industry, gas and fuel

Used as part of the signalling system by the SEC in Ballarat, see reference for a detailed history of the signals and its use. This item was manufactured by the SEC itself when the system was extended.Demonstrates a SEC Ballarat signal system head or box.Rectangular steel box with two cylindrical headlight masks. Light covers are plastic red and blue. btm, forest city signals, lights, secv, signal box, signals

Used by German Soldiers to protect against chemical weapons WWI German Gas Mask made of Tan rubberised canvas, with metal canister and cellophane eyes. Elastic straps for the wearer to fit to head and a long cotton strap to wear around neck when mask is not in use. Hand written text on head straps.Hand written text on head straps - indescribable. ww1, german, gas mask, wark vc club

Slovenians love Shrovetide carnivals. People come dressed in costumes and masks, dance, select the best masks and are preparing for the LentBlack and white photograph Masquerade ball held at Broadmeadows Town hallpustovanje, pustni ples, shrovetide carnival, slovenian club melbourne, carnival masks

Old Slovenian book of Essays, by P. Miklavec, printed at Novo mesto in 1886. The book was donated to the HASA archive by Book is very damaged and poorly cared for with masking tape holding the fragile pagesbook, spisje

Possibly WWIIThere is a maroon canister, flotation bladderMake of mask is "NOMAD" and stamp on bottom of canister says No.4A WILLOW 1942

Round tin approx. 5cm wide hinged lid, When open, displays mirror on inside of lid Max Factor Hollywood & Co Dry Rouge - underneath Actors mask - on lidmake-up, face powder,

On the front cover of this programme is a picture of a woman and the word 'Programme.' Underneath this are the words 'German Mask Ball.' On the inside cover is written ' German Mask Ball, Masonic Hall, Bendigo. Tuesday, August, 6, 1901. On the opposite page is the programme which consists of a list of the dances and the names of booked partners. Brockley, Printer. Attached to the card is a yellow ribbon. Enclosed is a grey envelope addressed to ' Bendigo Historical Society Programme German Mask BallVarious names pencilled in for each dance. Also written, 'A souvenir of one of the happiest nights of my existence,' in pencil on back coverclubs and associations, sport, german, lydia chancellor, collection, entertainment, clubs and associations, organization, dancing, clubs, program, programme

Sir Frederick William Hewitt was a great advocate of nitrous oxide anaesthesia, mainly for short procedures. In 1885, he reviewed the methods of administration and concluded that accurately fitting valves were essential at the commencement of the inhalation, in order to ensure the rapid washout of air from the lungs; and there was a distinct advantage in allowing some rebreathing of nitrous oxide towards the end of inhalation. He thus devised the stopcock. The stopcock consists of a cylinder with two rotating sleeves and two rubber flap valves. The arrangement allows air to be breathed either through the valves or rebreathed to and from the bag; nitrous oxide to be breathed either through the valves from the bag and out to the atmosphere or rebreathed to and from the bag. Soon after the introduction of this stopcock, there was an increased interest in administering oxygen in combination with nitrous oxide.Amber coloured ether inhaler, with leather mask, celluloid shield and inflatable cushion with attached Hewitt's stopcock.hewitt, stopcock, celluloid, ether, inhaler, mask, rebreathing

Founded in 1958, members of the Kew Historical Society have gathered to celebrate end of year functions and important anniversaries.Ten photos of masked revellers at the Kew Historical Society Christmas Party, held at the Greenacres Golf Club. In the age of Covid, members were invited to make masks to wear. The prize winner for best mask was won by Jan Walker. Photos were taken by Noel Kelly. kew historical society - members, xmas parties, greenacres golf club, covid-19 masks

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr. R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 percent of the reading population. The collection of books was made up of around 60 percent reference and 40 percent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items has become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850’s to the late 1950’s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr. R. Pattison. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Warrnambool Mechanics' Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, and to reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. As with many Mechanics' Institutes in Australia, the one which operated in Warrnambool was established and overseen for many years by key individuals associated with the development of the city itself. The WMI publication collection is historically significant because of its association with local people, places and the key historical themes in the development of Warrnambool of rural development, industry, farming, education, and community. The collection documents and illustrates the changing interests, focus and tastes of Victorians, especially those in regional cities. Generally the individual items in the collection are not particularly rare, as examples of all probably exist in other public collections in Victoria. It is primarily because there are so very few surviving Mechanics' Institute collections in Victoria, which lends this overall collection its significance. Many items in the WMI Collection have the potential to support further research, both as individual objects and through the collection in its entirety. This material is significant for its ability to assist in the interpretation of the history of the area and adds to the general understanding of the development of the township. Many components of the WMI publication collection complement and reinforce the Flagstaff Hill Maritime Museum Collection, the Warrnambool Art Gallery Collection, and that in the Warrnambool Historical Society, and also contribute to a clearer understanding of the original Warrnambool Mechanics' Institute collections. This will greatly enhance the appreciation of the few surviving Mechanics' Institute collections across Victoria, and also in New South Wales. The similarities and differences between the small number of collections that have survived can provide further insights into how the people of Victoria in general, and Warrnambool in particular, constructed a civic culture of adult learning to foster an informed citizenry. The Warrnambool Mechanics' Institute publication collection is of both local and state significance. The Man in the Iron Mask Author: Alexandre Dumas Publisher: Collins Clear Type Press Date: 1847-1850Label on spine cover with typed text PAT 843 DUM Pastedown front endpaper has sticker from Warrnambool Public Library Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service Flyleaf has a stamp from Warrnambool Mechanics Institute warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the man in the iron mask, alexandre dumas

At the bottom of the 2nd page, there is text that reads "Geologically and topographically surveyed in 1909 by W.H. Ferguson, Assistant Field Geologist. Published 1940."Rectangular geological map edged in masking tape showing Steiglitz, Victoria. Scale 48 chains to 4 inches.steiglitz, geology, geological map, north albion, moreep, mining, mine, caribald reef, durdidwarrah, gilbraltar hill, mount pleasant gully, township of steiglitz, w.h. ferguson, garibaldi reef, yankee gully, kinglock mine engine shaft, herbert werner frederick de nully, albion gully, virago reef, mulrooney's reef

This anaesthetic mask has a screw missing from the right hand side. Made of stainless steel with light tarnish. mask, surgery, anaesthesia

White metal box with rubber attachments and oxygen mask in a black carry case. Yellow instruction booklet inside.Siebe Gorman Automan (on carry case)resuscitator, resuscitation, oxygen

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the "Astrology Zodiac Cancer the Crab" necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Aztec/Mayan style pendant design, featuring alternating crabs and masks on a long, looped silver toned chain. On makers mark tag: "MADE IN/CANADA". On reverse of tag: "SC".sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces, zodiac

A death mask is a plaster or wax mould made of a human face shortly after death (around 30 minutes after the execution). The intention was to capture the likeness of the individual and maintain their facial expression and features before these became distorted in death. They differ from their counterparts the life masks which were made to preserve the likeness of an individual while alive. Death masks were often replicated and sold to various institutions and private buyers. Death masks were created for a variety of reasons. Organisations like museums and scientific institutes collected these masks to support the study of phrenology. Phrenology is the study of the conformation of a skull in an effort to understand the mental faculties and traits of an individual. This was undertaken in a period in which it was argued that the shape of a head could provide detailed knowledge into personality. In addition, death masks were also created to aid effigy making, as tools for sculpture and as objects of veneration. Death masks were often placed on display as objects of curiosity. Edward “Ned” Kelly was convicted of murder on the 29th of October 1880 and executed by hanging on the 11th of November that same year. In the 1800s it was common practice for authorities to make a death mask of an executed criminal. In Kelly’s case, there were multiple copies made of his death mask, one of which is in the collection of the Burke Museum. Copies of the official death Mask (attributed to Maximilian Kreitmayer) have been made by artists including Max Meldrum (1875-1955). It depicts the head, neck and partial right shoulder of Ned Kelly. Whilst generally considered to be a ‘pseudoscience’ today, phrenology and the study of the reception and use of artefacts like Ned Kelly’s death mask, can provide valuable insight into a past era’s views of personality and the human body. This mask presents a unique three-dimensional depiction of Ned Kelly shortly after his execution which is unlike any other depiction of him. It can provide vital information as to the use of death masks in Victoria and their popularity in the 1800s. These masks were mostly done of criminals and used for exhibition purposes alongside phrenological study. Phrenologist AS Hamilton used Kreitmayer’s replication of the mask (displayed in Kreitmayer’s Bourke Street waxworks the day after Kelly’s death) to report a detailed phrenological analysis on Ned Kelly and concluded from his research that the deceased had an “enormous self-esteem”. Portraits of living people represent the way they themselves and/or the artists wished themselves to be remembered. The death mask contrasts this and therefore, creates a likeness of a person in their entirety and not just an ideal representation. Therefore, the study of such artefacts and their history of use and disuse can provide interesting information valuable to understanding the past. Colour rectangular photograph printed on gloss photographic paper.Obverse: Reverse: AGFA kelly album, ned kelly, death mask, kreitmayer, old melbourne gaol, phrenology, craneology, 1800s, pseudoscience, burke musuem, max meldrum

This inhaler appears to be a modification of the original Rendle's inhaler, developed in 1867 by Richard Rendle for use with bichloride of methylene. Rendle's original design was criticised as there was no clear way to regulate the dosage of anaesthetic and it was difficult to clean. Nevertheless, the inhaler was available until 1915. Richard Rendle was the second son of William Rendle (qv), Medical Officer of Health for St George the Martyr, Southwark, London, SE, of whom there is an account in the Dictionary of National Biography. Richard Rendle studied at Guy's Hospital, where he held the posts of House Surgeon, Surgical Registrar, and Demonstrator of Anatomy. He was afterwards House Surgeon at the Seamen's Hospital, Greenwich, and at the Waterloo Road Royal Infirmary for Women and Children, and then Resident Medical Officer at the Brompton Consumption Hospital. Resigning that post, he was put in medical charge of an emigrant ship to Australia, where he remained. He held several posts there: Resident Medical Officer of the Government Hospital, Fremantle; Medical Officer of the Lying-in Hospital and Hospital for Children; also Health Officer at Brisbane. In later years he practised at Taringa, near Brisbane, and died at Taringa, Queensland, on Aug 10th, 1907. The mask for the administration of bichloride of methylene was named after him in the instrument-makers' catalogues. (Source: RCS England, Plarr's Lives of the Fellows)Leather inhalational face mask in a cone shape covered with red flannel on the outside natural coloured linen lining the inside. There is a natural sea sponge inside the cone. A perferated ring sits at the top of the cone, surrounding a circular opening which is formed from metal. There is also a circular opening on the side.richard rendle, bichloride of methylene, guy's hospital, taringa

Cowes Public Hall was formerly the Cowes Mechanics’ Institute and Free Library, established in 1882. Photographer was Oxford Photos, Russell Street, Melbourne.HistoricalLarge, black & white photo of a large crowd of adults and children, some in fancy dress and wearing masks, in a wooden hall.Fancy Dress Ball. Reopening of the Library Hall, Cowes, Vic. 1925fancy dress, cowes library, lifestyle, cowes hall

Gas mask which includes face covering with two eye pieces, metal casing and flexible hose connecting the twomilitary-equipment, military history, protective gear, gas

Carry case containing rubber bag with 2 plastic with rubber seal, face masks. Instuctions and sales docket inclosed.Case - AIR cig VIVA RESUSCITATOR Inside Lid - (Expand photo to read)

Frank Mashek Co. Chicago ILL.

The De Ford Inhaler was introduced in 1913 and was designed to allow anaesthesia to continue through the nose while dental surgery was happening.This inhaler is composed of metal and rubber. The oral mask and rubber covered nasal mask are connected to a curved rubber covered support that was placed on the patient's forehead to hold the inhaler in place. The gas was administered via a long tube; the terminus designed to allow for the placement of a vial containing the anaesthetic drug and a rebreather bag mount. Inscribed on the back of the mouth inhaler: 'Dr De Ford's Universal Inhaler for Somniform Nitrous Oxide etc. E. De Trey & Sons Phila. PA U.S. Pat. Pending.'anesthesia, dentistry, somniform, surgery, medical instrument, de ford, 1913, e de trey and sons, vial, rebreathr bag mount, inhaler

Green case with lock at the front and plastic green handle on top with a manufacturer's label stuck on top. Inside the case is divided into three separate section, one containing a clear plastic mask with latex cushioning, the second containing a grey resuscitation bulb and the third containing a smaller clear plastic mask with latex cushioning, still in original packaging.Green manufacturer's label on top of case: THE CIG AIR-VIVA RESUSCITATOR Inside case: Original label 'Operating Instructions'ambu, resuscitator, cig air-viva

Trophy awarded to winning house at the House Perfoming Arts festival 2004-2009. Superseded by plaque from 2010.Wooden platform with tall rectangular wooden back to gold coloured plate and gold coloured cast image of two harlequin face masks. Inscribed on tall rectangular plate: 2004 ELLIOTT / 2005 ELLIOTT / 2006 CAIRNS / 2007 CAIRNS / 2008 HENDERSON / 2009 CAIRNShouse-performing-arts, trophy, elliot house, cairns house, henderson house

A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph

'Inspired by the iconic character of the Cowardly Lion in the story 'The Wonderful Wizard of Oz' and his contemplation of what it means to possess the courage to be yourself, no matter who you are.''Courage' honours the contribution, culture and diversity of the Gay, Lesbian, Bisexual, Transgender, Intersex and Queer (GLBTIQ) community, and is dedicated to the legacy of Ralph McLean (1957–2010), Australia’s first openly gay elected official (City of Fitzroy, 1982) and Mayor (1984), an advocate for gay rights and social justice, and a champion of the arts.Bronze statue of a male figure half dressed in a lion costume holding a medal of bravery with a lions head/mask resting on his foot. Accompanying plaquelgtbqia+, wizard oz, ralph mclean, eicholtz