Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of the rear of a brick building with corrugated iron water tanks on the roof. There is an attached roofed area, probably to protect deliveries from weather.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of a group of brick buildings, one of them with a tower, viewed across a body of water.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of a group of brick buildings, one of them with a tower, viewed across a body of water.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of a group of brick buildings, one of them with a tower, viewed across a body of water.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of a group of brick buildings, one of them with a tower, viewed across a body of water.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of two adjacent brick buildings, with different styles of roof lines.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of brick buildings, one with a tower.Typed at top of photo: "Mt. Ophir. Rutherglen"mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of two adjacent brick buildings of different styles, with a group of people standing in front of it, listening to a speaker. The building on the right has "1891" written below the centre, upper floor window.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of a number of brick buildings, one of them with a tower, viewed across a body of water.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of brick buildings, one of them with a tower. A number of people are walking about in front of the buildings.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of brick buildings, one of them with a tower. The tower has the word "Office" written above the doorway.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of brick buildings, one of them with a tower. To the right in the foreground is a building with a domed roof, the roof in poor repair.mt ophir, mount ophir, wine industry

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of the interior of a shed with two people tending a bed of young grapevine cuttings.mt ophir, mount ophir, wine industry, viticulture, grape vines

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph, mounted on cardboard and enclosed in a folder, showing several brick buildings with different roof styles, one of them a tower. The building on the right has a dome shaped roof. mt ophir, mount ophir, wine industry

Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour of Mt Ophir winery by the North East Branch, 1st combined meeting.Black and white photograph of a rural area with gold mining mullock heaps in the background. In the foreground is a shallow depression that appears to be a dried wet-land.Written on back of photo: "Rutherglen | Wod. Hist. Soc. | 1st N. E. Region Meeting?"mt ophir, mount ophir, gold mining, mullock heaps

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of a number of brick buildings, one of them with a tower, viewed across a body of water.mt ophir, mount ophir, wine industry

Black and white postcard photograph of railway station, goods yard, siding and a steam train.Written on back of card: "The Railway Station Rutherglen | Dear Alice, Just a card to wish you all a Bright and Prosperous New Year. With Love From. Cousin Ellen. | Miss Barnard, 144 The Parade, Ascot Vale."railway stations, rutherglen railway station, rutherglen railway yards, steam trains

Believed to be of St Stephens Anglican Ball, late 1970s or early 1980sPhotocopy of a newspaper clipping (newspaper unknown), showing a group of young ladies in debutante gowns.Caption at foot of photo: "Debutantes presented to Archdeacon of Wangaratta are back row, left to right: Misses Helen Briggs, Linda Neilson, Denise Trimble, Carmel O'Callaghan, Cathy Cody, Annette Smith, Rhonda Woods, Marita Meyer, Heather Briggs. Front row: Kerry Miller, Margery Mitchell, Maree Milthorpe, Sharon Bartel, Rosemary McQuade, Ruth Allan. Page boy Cameron Maden, flower girl, Andrea Miller -- Photo by G. Brown Corowa."st stephens church, debutantes, helen briggs, linda neilson, denise trimble, carmel o'callaghan, cathy cody, annette smith, rhonda woods, marita meyer, heather briggs, kerry miller, margery mitchell, maree milthorpe, sharon bartel, rosemary mcquade, ruth allan, cameron maden, andrea miller

Black and white photograph of "The Hit or Miss Stores"hit or miss stores, shops

A computer screen-print, from the eBay website, advertising this postcard for sale, was found filed with our photographs. Not recognising it as one already held, Martha Valentine purchased the card from eBay and donated it to the collection.Early black and white photograph of Rutherglen Park, printed on a postcard. A horse and cart and a bicyclist are on a path between large trees, with a very large pine tree at the centre of the photograph.At foot of photo: "The Park Rutherglen." On back of card, in the space for a message, is written: "Springhurst, Monday May 15th", and the card is addressed to "Miss Ivy Blackwood, Castella St, Healesville, Victoria"rutherglen park

Black and white group photograph, mounted on grey cardboardOn mount below photograph: "Front Row (left to right). - Miss E. Stringer (Rutherglen), Miss S.A. Browne (South Corowa), Mr. P.F. Ewers (Rutherglen), Mr. S.D. Pitt, Pres. C.D.T.A. (Howlong), Mr. A. McKean, M.A. (Corowa), Mrs. McKean, Miss A. Thomas (Rutherglen). Middle Row. - Mrs. L. Pearse (Corowa), Miss M. Mason (Gt. Southern, Vic.), Miss E. Lette (Corowa), Miss V.S. Russell (Rutherglen), Miss F. Malcolm (Corowa). Back Row. - Mr. R. Wade (Hopefield), Mr. F.R. Oulton (Rutherglen), Mr. A. Boorman (Balldale), Mr. R.O. Smith (Hon. Sec. C.D.T.A., Corowa), Mr. T.S. Barling (South Corowa), Mr. C. Kennedy (Oaklands), Mr. W. McLoghlin (Wahgunyah), Mr. J. Noonan (Rutherglen), Mr. W. Thompson (Gt. Southern), Mr. O.A. Broderick, Hon. Sec. Albury D.T.A. (Bungowannah). teachers, corowa district teachers association, stringer, browne, ewers, pitt, thomas, mckean, pearse, mason, lette, russell, malcolm, wade, oulton, boorman, smith, barling, kennedy, mcloghlin, noonan, thompson, broderick

Black and white photographs of a family of 3 at 27 Good Governs Rd with a paddock in the background Approximately 1969On rear of Photo: This was the paddock at the back of No 27 Good Governs Street at one stage Approx 1969 (Now no 12 Irvine St Development of 27 units0 Land was sold for $3.5 million in 2009 by estate of Mr Murray Jones who was the original owner of this parcel of land He purchased the remaining land from the mortgagor of Miss Linda Roberts. John Hay is the boy with his cousins from Ringwoodgood governs rd no 27, irvine st no 12, jones murray

The evening bag belonged to Miss Love who bequeathed it to Catherine Primrose Mary Mactier (nee Wilson). Miss Love died in 1950 aged 88 years.Crocheted lime green with a white metal clasp and chain. Embroidered with white metal beads in a circular pattern front and back, Beading on lower edge.

Given to Major and Mrs Rathven on their 25th wedding anniversary from the people he worked with at Dhurringile Mansion during WW2.Black leather case with gold embossed patterns around top edge of lid. Two brass decorative catches on front. Inside of the top of the case is lined with cream satin. The base is lined with black velvet. Six silver plated spoons with a green enamel bead on tip sit on the velvet base. Handwritten note loose in the top."Twenty five years of married bliss. Do your stuff - give the misses a kiss". Congratulations and best wishes from all at Dhurringile. To Major and Mrs W Rathvenmajor rathven, mrs rathven, 25th wedding anniversary, dhurringile mansion, silver plate spoons

Black and White photograph of Flanagan's Store staff at front door of shop. Standing G. Huggard, Miss Moore, Alice Lazarus, Roma Baher. Sitting Ted Horne, Jim Harford. Possibly 1950's.

Red tartan material covered book with gold emblem in centre front. Emblem is rectangular with Scottish thistle on top and emblem of lion at bottom. Title of book inside this rectangle.scottish songs, valentine and sons ltd, gem selection, alfred w tomlyn

This clock originally belonged to Mrs Helen Cross of Tatura. It may have been a wedding present in 1880. It was handed down to her daughter Mrs W Dick (1933) of Harston, then to her daughter Mrs Ruby Williams (1952) of Tatura and then to her son Brian Williams in 1997. Mrs Cross was formally Miss Brideson of Rushworth. China Mantle Clock with brass face. Decorative edging. Olive Green glaze with pink trim. Floral decorations on front.128 on baseharston, tatura, rushworth, clock

History of Bendigo Performing Arts 1870 - 1963. Presented by Charles Murray Bendigo Historical Society Inc. (13 pages,paper clipped). Performers and Palaces November 24, 2000 at the Bendigo Bank Theatre BRAC View Street Bendigo. Negative of The Bendigo Liedertafel in Opera, the performance of 'Pinafore' in 1888. Names of the cast(negative) are: Back row - Miss A Gellmiek(Josephine), Mr F. Macoboy(Ralph Rackstraw), Miss Forsyth(Hebe), Mr. M. Macoboy (Sir Joseph Porter), Miss E. O'Flaherty (Little Buttercap), Mr. L. Germann(Captain Corcoran). Front Row: - Mr. C,. Pallett (Bill Bobstay), Mr. H. Monaghan(Conductor), Dr. Penfold (president), Mr. H. M. Marks(Stage manager), Mr. A. Tawse (Dick Deadeye). The Bendigo Lieddertafel waqs extablished in 1884 by MNr. A. T. Crook. Mr. William Brown, the well known solicitor, took and active part along with his brother, Mr. T. Brown, in its inauguration. Mr. W. Brown always took a warm interest in matters musical, and for many years was one of the most prominent singers in the district. Contemporary with him in the sixties were Mrs. Betham and Mrs. Ellis, and in the seventies, Mrs. E. E. Casey. Negative of halla's Premier City Band. Standing ,from left to right - H. Middleton, T. Ash, J. Graham, G. Foster, W. Hicks, S. Mauley, J. Eaton, V. Byrne (Drum Major), - Sullivan, R. Lindsay, C. Crawford, R. Meakin, D. Westphalen, W. Hall, G. Hunter, B. Broadbent, W. Higginbotham. Sitting, from left to right - T. Sayer, R. E. Crawford, C. Foster, J. Mappin, G. Meakin, G. Coleman, F. Lindsay, Nat. Hallas (Bandmaster), J. Swift, C. Anderson, J. Armstrong, W. Mappin (at back), I. Moore (in front), W. Bannister, J. Whitlam, J. Daley, Bert Daley. Negative of Mr. W. J. Dillon as 'Hamlet'. Negative of Mr. Tone and Mr. Nalder, The Grave Diggers in 'Hamlet'. Negative of Amy Castle. Negative of Mr. E. A. Bindley, Conductor. Negative of miss Pauline Bindley as Hamletta. Negative from 'Boccoccio' 1909. Mr M. Gallagher (Lotteringhi), Mr. G. Brayshaw (Scalza), Mr. A. E. Sayer (Lambertuccio). Negative of Kob Samuels.bendigo, tourism, theatre history 1870-1963

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece pale green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. 1860-70. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece olive green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s