p.56non-fictionA book of questions relating to railway mattersnew south wales government railways - publicity, railway questions

Ill, p.54.non-fictionA book of questions relating toTransport matterstransport questions, new south wales transport

Ill, p.58.non-fictionSouvenir booklet on aspects of the opening of the Sydney to Melbourne standard gauge line in 1962railways - australia - history, railway gauge - australia

Ill, p.50.Summary of a proposal to transport coal from Greymouth to Lyttletonmineral transport - new zealand, rail transport - new zealand

Ill, p.191.non-fictionAn illustrated history of the various trains used on the Sydney Metropolitan Railwaysuburban railways - sydney, electric trains - sydney

Ill, maps, p.168.A history of rail tram and ferry services north of Sydney harbour.suburban railways - sydney, tramways - sydney, ferries - sydney

Index, bib, ill, maps, p.130.non-fictionA history of the railways of Wellingtonhistory of railways - new zealand, railways - wellington

Ill, maps, p.23.non-fictionA history of Wellington trams - a pictorial and descriptive representation.tramways - new zealand, urban transport - new zealand, tramways - wellington

4.v. Ill, maps.non-fictionA history of the steam trams of Sydney in four volumes.tramways - sydney, steam trams - sydney

Ill, maps, p.79.non-fictionA pictorial description of the Melbourne tram networktramways - melbourne, trams - melbourne - history

Ill, map, p.96.non-fictionHistory of Melbourne trams from cable trams to the present with details of routes and vehicles.tramways - melbourne - history, tramways - melbourne

"Dalgety's Annual Wool Review for Australia and New Zealand: 1930-1931". Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies. Report, 181pp: Book, cream soft cover, maritime illustration printed blue.Dalgety's Annual Wool Review for Australia and New Zealand: 1930-1931wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

Training notes developed by Major K. J. Herdman for Exercise “New Look”conducted during 1977. Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.Light blue coloured foolscap sized manila folder containing pages of text printed in black type. Pages are secured with a metal adjustable clasp. Title on front cover in black type.Printed on front cover: “EX "NEW LOOK", Maj HERDMAN”.training noted, exercise new look, kevin john herdman, tactics

This photograph is part of series of colour photographs taken by Allan Quinn while sailing to Cape Town from New York on the S.S. Morgenster. This ship is mentioned in some of Allan's letters (such as Object 0152).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the ocean and the S.S Morgenster, sailing from New York to Cape Town.Date on verso: 19-2-48allan-quinn, colour-photograph, morgenster, cape-town, new-york

This is a very short review of Robin Boyd's book 'The Puzzle of Architecture'.This Clipping is attached to Cambridge University Press (New York).Handwritten in blue pen Melbournethe puzzle of architecture, walsh st library

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

271 pages, illustratedSubtitle; The mysteries of bee-keeping explained. A complete guide to successful bee-culture..publication, book, quinby's, bee-keeping, 1919, beechworth honey

Weekly Times Page with 5 photographs, dated. October 2, 1909 with main subtitle of "Grand Fancy Fair in aid of the new Hall at Ringwood".The five pictures are described as follows, '1. The New Mechanics' Hall. 2. Some of the "aboriginals". 3. Bush Drama-Black attacking the camp. 4. Spectators watching the display. 5. Group of stall-holders.'

The Guirguis New Art Prize (GNAP) is a biennial national acquisitive $20,000 contemporary art prize. It is for Australia's contemporary artists with works that explore new ways of artistic expression, utilising existing mediums as well as new technologies. It was initiated and supported by local Ballarat surgeon Mr Mark Guirguis. The art prize is administered by the Federation University Australia (FedUni) and displayed at the Post Office Gallery in Ballarat. The prize was managed and curated by Shelley Hinton. .1) Large purple promotional banner made of maroon synthetic fabric printed with white lettering, hemmed on the long sides and 8 cm wide pockets on the ends. .2) Feather Flag in maroon shiny synthetic fabric printed with white lettering, hemmed and with a black 6.5 cm elastic pocket around the long side.Printed with GNAP, Guirguis New Art Prize and the date 11 April - 31 May 2015guirguis new art prize, mr mark guirguis, federation university australia, post office gallery exhibition, contemporary art, contemporary art prize, mark guirguis, shelley hinton, herbert werner frederick de nully

Photo depicts the interior of a shearing shed with shearing taking place. The shed is located in New South Wales and this photo would appear to date from the turn of the century. Presumably the Philadelphia Museum inscription on the front indicates that either this photo is from their collection (unlikely) or that it was commissioned by them for selling / distribution.Photograph, 'Shearing Sheep', 1900-10 (Philadelphia Museum). Caption on reverse of photograph - 'Shearing Sheep', (Philadelphia Museum) c.1900-10.SHEARING SHEEP / NEW SOUTH WALES, AUSTRALIA / THE PHILADELPHIA MUSEUMshearing shearing sheds, philadelphia museum, shearing, shearing sheds

Photo depicts a flock of sheep being mustered in New South Wales. This photo would appear to date from the turn of the century, like the other, similar photo of sheep shearing. Presumably the Philadelphia Museum inscription on the front indicates that either this photo is from their collection (unlikely) or that it was commissioned by them for selling / distribution.Photograph of a flock of sheep, NSW, c.1900-10 (Philadelphia Museum). Caption on reverse of photograph - A Flock of Sheep (Philadelphia Museum), 1900-10.A FLOCK OF SHEEP / NEW SOUTH WALES, AUSTRALIA / THE PHILADELPHIA MUSEUMsheep - australian, philadelphia museum

Letter to the Editor by Robert Murphy of Kensington about the removal of 6 seats in the new Z3 class trams to provide an extra door to improve passenger flow. Notes that he drove trams in San Francisco and that single ended trams have better capacity. Compares the cost of a new MAN bus ($77,000) to the cost of a Z3 ($330,000)Yields information about the then new Z3 class trams and the provision of an extra door.Newspaper clipping - letter to the editor - "The $330,000 new tram wastes seating space and will not do the job" - The Age - 10-10-1979tramways, trams, z3 class, seats, passengers

The foundation stone of the New Classrooms was laid on 14 April 1899. In 2014 the building is part of the Federation University Australia SMB Campus and is known as the Administration Building Sepia photograph showing the laying of the Foundation Stone for the Ballarat School of Mines New Classrooms in Lydiard Street, Ballarat.ballarat school of mines, lydiard street, new classrooms, federation, masonic, freemasons, foundation stone, administration building, gas lamp, gauge tower

Bi-fold advertisement for sale of residential allotments - New Lincoln Estate, New Street, Ringwood, with summary of local facilities and services, locality plan, layout of sub-division, and price list. Also an ad from Ringwood Mail dated 12 July 1951.Subdivision includes New Street, Heywood Street, Barkly Street, Keith Grove, Maurice Avenue, Inez Avenue, Catherine Street, Neville Street, Neale Grove (later Heather Grove), and Sylvia Grove. Agent - Ringwood Real Estate Co., Station Entrance, Ringwood. (Phone) WU 6661, WU 6662.