A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

Sepia photograph 'View of Bendigo No. 48'. Depicts a view of Bendigo City from St Paul's Church Tower. Inscriptions: top margin, 'View of Bendigo, No. 48', 'Presbyterian Church, White Hills in the distance', 'Gravel Hill State School, Mollison Street' 'MP 163'. (Three copies) Nicholas CaireN J Caireplace, streetscape, bendigo

Photograph 12. Sepia toned photograph of Garden Gully Amalgamated claims. Printed below photo: Welch Type, Carlisle Company’s Claim, North Garden Gully Claim, Pass-by Company's Claim, J.W. Forbes, Agent. Purple stamp on back RHS of Victoria, Bendigo Branch, 1959, 157. Nicholas CaireN.J. Caire - Sandhursttopic, mining, garden gully

Sepia photo on cream board. Shows mostly houses in New Chum Gully from Specimen Hill. Inscription: 'Views of Bendigo No 36.'. Below, 'New Chum Gully as seen from Specimen Hill', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents' (Two copies) Nicholas CaireN.J.Caireplace, bendigo, new chum gully, see: 'views of bendigo' by n.j.caire, 'mp156'

Sepia photo on cream board. Shows a railway line from Big Hill in 1975 to Melbourne. Inscription: Above image, 'Views of Bendigo|No.44.'. Below, 'View from the Big Hill, Showing the Line of Railway to Melbourne', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents' (Three copies) Nicholas CaireN.J.Caireplace, bendigo, view from big hill over railway, see: 'views of bendigo' by n.j.caire

Photograph 10. Sepia photograph of View of North Old Chum Claim, showing surface Excavations. Printed below photograph: J.W. Forbes, Agent, Lansell's No. 180 Claim, Welch Expo. 'New Chum and Victoria Company's Quartz Crushing Battery', 'the dividing range between Happy Valley, Victoria Hill and Iron Bark'. Nicholas CaireN J Cairetopic, mining, old chum mine

Photograph No. 25. Sepia photograph of view from Camp Hill, looking North East. Printed on front below photo: Welch Type, Corporation High School, Police Office, County Court House, St Killian's R.C. Church, Forbes & Holmes, Agents. Purple RHS of Victoria, Bendigo Branch, 1949, 169. Stamped and written on back. Nicholas CaireN.J. Caire - Sandhurstcottage, miners

BHS CollectionSepia toned photograph. Photograph No. 5 - Battery of Stampers for crushing quartz. Printed on front of mount - 'The reduction of Quartz by means of Stampers, adopted on the Gold Fields of Bendigo. The most extensive Plants, being those at Koch's Pioneer Claim, Long Gully; The Great Extended Hustler's; also the Garden Gully United; and the Crushing Plant, New Chum Gully. Nicholas CaireN.J. Cairetopic, mining, battery

Sepia photo on a cram board. Shows a railway tunnel through Big Hill near Mt. Herbert. Inscription: Above, 'Views of Bendigo|No.39.'. Below,'View of the Railway Tunnel through the Big Hill near Mt. Herbert', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents',' The length of the Tunnel is about half-a-mile through the hill'. (two copies) Nicholas CaireN.J.Caireplace, bendigo, tunnel through big hill, see: 'views of bendigo' by n .j .caire. 'mp 157'

Sepia photo on a cream board. Shows houses viewed east from St.Pauls Church. Inscription: 'Views of Bendigo|No.41.'. Below, 'Scene taken from St. Paul's tower, looking Eastward.', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents',' This view represents the locality of the Back Creek gold digging, and though at present almost deserted, was once a scene of activity, in consequence of the rich patches of alluvial ground it contained'. Nicholas CaireN.J.Caireplace, bendigo, view east from st.paul's church, see: 'views of bendigo' by n.j.caire, 'mp?'

Sepia photo on a cream board. Shows Bendigo NW from St.Pauls church in 1875. Inscription: Above Image, 'Views of Bendigo|No.42.', Below, 'View of Sandhurst from St. Paul's Tower, looking North West', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents',' Roman Catholic Church Odd Fellows Hall. Road to Huntly in the distance.'. On Back, RHSV stamp, Bendigo Branch '1959|185'. (Two copies) Nicholas CaireN.J.Caireplace, bendigo, nw from st. paul's church, see: 'views of bendigo' by n.j.caire, 'mp160'

Sepia photograph on cream board. Shows Bendigo Flat houses from Wattle Hill. Inscription: Above, 'Views of Bendigo No.34'. Below, 'Bendigo Flat as seen from Wattle Hill'. 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn Print Forbes & Holmes, Agents', 'This Flat twenty years since, was a busy seen with it's thousands of Diggers, breaking the native soil in search of Gold. The canvas tents then used have long since giving place to more solid and comfortable domiciles constructed of wood and bricks. Nicholas CaireN.J.Caireplace, bendigo, bendigo flat, see, 'views of bendigo' by n.j.caire, prev. ref.: 'mp154'

Sepia photo on cream board. Shows westwards view over Bendigo from St. Pauls church tower. Inscription: Above image, 'Views of Bendigo|No.45.'. Below, 'View from St. Paul's church tower looking Westward.', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents',' Mitchell Street, Forest Street in the distance',' View Point, View Street, Charing Cross with lamp in the centre. Knipe's Castle on the hill'. On Back, RHSV stamp, Bendigo Branch '1959|70' Nicholas CaireN.J.Caireplace, bendigo, view west from st.pauls church, see: 'views of bendigo' by n.j.caire

Sepia photo on cream board, copy of original. Shows scene near Big Hill from Mr. Buick's residence. Inscription: Above image, 'Views of Bendigo|No.47.'. Below, 'Scene near Big Hill ranges, taken from Mr. Buick's Residence.','N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents',' Mount Alexander in the distance. Mr.Moffit's Sheep Station, Ravenswood, |can be seen this side of Mt. Alexander.'. On Back, 'RHSV stamp, Bendigo Branch '1959|70'. (Two copies) Nicholas CaireN.J.Cairecottage, miners, see: 'views of bendigo' by n.j.caire

Sepia tones photograph. Streetscape of Mitchell Street, Sandhurst. Street plantation with protective barricades. Horse drawn vehicle on roadway. Inscriptions: 'Views of Bendigo No. 50'. 'NJ Caire, Photo, Sandhurst', 'Casey & Wenborn" print', 'Forbes and Holmes, Agents', 'Royal Historical Society of Victoria, Bendigo Branch', '1959', '193' in circular stamp on back. Top margin - 'Views of Bendigo, No. 50', Below image - 'View of Mitchell Street, Sandhurst', 'NJ Caire, Photo, Sandhurst', Bottom margin - 'Casey & Wenborn's print, Forbes & Holmes, Agents'. In image ' C H Hoffmeyer', 'Building Materials'. Nicholas CaireN J Caire, Sandhurstplace, streetscape, mitchell street, bendigo

Photograph 11: Sepia photograph of View as seen from the Camp Hill, near the Lodge. Noted in print below photo: 'Shamrock Hotel', Camp Hill Rotunda', Bank of Australasia', 'City of Sandhurst Claim', Williamson Street, St James' Hall, St Paul's Church, Welch Type, J W Forbes, Agent. History of photo: written in blue ink on back: 'See photo 1959/198 taken from same spot before St Paul's spire was erected. W Davey? 24.10.59. Purple stamp of RHS of Victoria, Bendigo Branch. 1959, 156. Nicholas CaireN J Caireplace, landscape view, bendigo

An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Beater Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia photograph of the wooden trestle Zig-Zag Bridge across the River Yarra. The bridge was built in the 1870s to transport stone from the west side of the Yarra to the east side. The stone was used in the construction of the Kew Asylum. The bridge continued to link the two asylums on each side of the river. yarra river -- kew (vic), zig-zag bridge -- kew (vic.), henry beater christian, christian-washfold collection

'There are also a number of framed portraits, including those of...Dr. John Wilkinson, a doctor who started a practise in Bright in the late 1880's and helped develop the tourist potential of the Mount Buffalo Plateau. " (Pg 84, Historica, 2011) Dr John .F. Wilkinson was a significant figure in the pioneering of tourism at Mt Buffalo. A Doctor and resident of Bright, he and W.A. Staker were the founder members of the Bright Alpine Club formed in 1887 to promote the natural attractions of the Buffalo plateau. " They form the Alpine Club and charge a membership fee for guiding people up the mountain (led by official guides Bill Weston and Edward Carlisle). this is matched by a grant from the local shire council.... They advertise in the Argus and promote the Australian Alps, Bright district as "The Switzerland of Victoria'. Mt Buffalo, with the railways nearby, is the most accessible snowfield and becomes 'the cradle of skiing in Victoria'." (Pg 179 Historica . 2011) The initial funds raised by the Alpine club funded the Staker's walking track, the first easily accessible route up the mountain. . They engaged the services of early Victorian photographer Nicholas Caire, whose scenic photographs helped to promote the beauty of the mountain. The efforts of these gentlemen culminated in securing 2.800 acres for the one of the first National Parks in Victoria, 1898. Listed in Draft Inventory of significant Items. Framed sepia photograph. Grey mount in wooden frame. Portrait of Dr.J.F Wilkinson. Brass name plaque at base of frame. Hand finished / highlighted in places." DR J.F.WILKINSON"

Sepia photo on cream board. Shows the Great Extended Hustlers Co's. Quartz Mining Claim. In photo, there is an Office, Battery House, Mine Shaft. Three large 'A' frames running a line down to the battery house from the poppet head. Inscription: Above image: 'Views of Bendigo|No.43.'. Below, 'The Great Extended Hustlers Co's. Quartz Mining Claim.', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents',' Office Battery House Main Shaft',' The famous Quartz Claim covers on area of 24 acres, and has six shafts which represent 4000 feet of sinking; there are no less than 13 level and 16 crosscuts, giving a total of 12,000 feet in length. The total amount expended in labour by this Company £228,000. The Quartz raised amounts to 144,500 tons, and it has yielded 188,000 oz's of gold. The amount paid in dividends is £585,600 being nearly £20 per share, employment is given to nearly 200 men. It is stated that this rich mine changed hands in early days for the small sum of £30.'. On Back, RHSV stamp, Bendigo Branch '1959|186'. Nicholas CaireN.J.Caireplace, mining site, great expended hustler quartz mine, see: 'views of bendigo' by n.j.caire

Sepia photo on cream board. Shows the Bendigo Benevolent Asylum and Industrial School, with people standing out the front and on the balcony. Inscription: Above, 'Views of Bendigo No.33'. Below, 'The Bendigo Benevolent Asylum and Industrial School', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn Print Forbes & Holmes, Agents', 'This noble Institution was Founded in 1857; it contains 26 rooms, and accommodation is provides for 100 Adults and 150 Children. Outdoor aid is afforded to 220 families weekly. The average expenditure is £9,000 per annum. The cost of it's erection is established at £20,000. The Hon. J. F. Sullivan, M.L.A, was the first President. The Office Bearer for the year 1875, are --- Patron---His Excellency Sir George Ferguson Bowen, G.C.M.G. President --- William Steane. Vice-president --- Matthew O'Brien, J.P. Trustee---The Hon. Angus Mackay, M.L.A. James Boyd, M.D., J.P. James Burnside. Hon. Treasurer --- Andrew Williamson. Hon. Secretary --- James Burnside. Medical Officer --- Harry Leigh Atkinson, M.D. Committee of Management --- M. O'Brien, J.P., P.Hayes, William Steane, James Quin, Geo. Tait, G. F. Walter, J. Osborne, A. Williamson, m. Meagher, Edward Hurst, H. Birch, The Mayor of Eaglehawk. Committee of Management --- M O'Brien, ex officio --- His Excellency Sir George Ferguson Bowen: G.C.M.C. The Mayor and Junior Councillor of the City of Sandhurst. James Boyd, M.D., J.P., The Hon Angus Mackay, M.L.A. James Burnside. Auditors--- John Hasker, Hugh Sutherland. Superintendant --- William Dorman. Matron --- Mrs. W. Dorman.'. (Two copies) Nicholas CaireN. J. Caireplace, bendigo, bendigo benevolent asylum, see, 'views of bendigo' by n. j. caire

Copies of Photographs from - Views of Bendigo by Nicholas Caire Originals in Box 13 No.1 Sandhurst east/ City Reserve x 2 No 2 New Chum Line of Reef No 3 Sandhurst to North from top of Masonic Hall No.4 Hustler's Line of Reef No.5 Battery of stampers for crushing quartz x 2 No.6 View Sandhurst from top of Masonic Hall x 2 No.7 Excavation Quartz Reef, Ironbark Hill. No 8 St. Paul's Church. No.9 View Camp Reserve from Court House. No.10 View of Nth. Old Chum. No.11 View Camp Hill near the Lodge x 2 No.12 Garden Gully. No.13 Shamrock Hotel, Sandhurst. No.14 View from Court House, east end Pall Mall. No.15 Wesleyan Church, Golden Square x 2 No.16 Savings Bank, Sandhurst No.17 Bendigo District Hospital. No.18 Interior Wesleyan Church x 2 No.19 View Golden Square township. No.20 The Town Hall, Sandhurst. No 21 The City Hotel,Sandhurst. No 22 Pall Mall Sandhurst, No 23 Sandhurst City Market No 24 Pall Mall looking west x 2 No 25 Camp Hill x 2 No 26 Charing Cross No 27 View Sandhurst. x 2 No 28 Long Gully. No 29 Railway station and sheds No 30 Cemetery Back Ck. No 31 Kock's Pioneer Quartz Crushing Plant Long Gully. No 32 Masonic Hall. No 33 Bendigo Benevolent Asylum. No 34 Bendigo Flat. No 35 Old Chum Hill x 2 No 36 New Chum Gully No 37 Township of Eaglehawk No 38 From St Paul's tower looking west No 39 Tunnel Big Hill. No 40 From St Paul's tower looking south x 2 No 41 From St Paul's tower looking eastward x 2 No 42 From St Paul's tower looking north west x 2 No 43 Great Extended Hustlers Quartz Mining Claim No 44 Big Hill Rail line x 2 No 45 From St Paul's tower looking westward x 2 No 46 From St Paul's tower looking north west No 47 Big Hill Ranges Buick. x 2 No 48 St.Paul's Tower x 2 No 49 Eaglehawk township. No 50 Mitchell Street No 51 Botanical gardens, White Hills x 2 No 52 View Point, Sandhurst. .N.J. Caire.place, bendigo, bendigo area., views of bendigo.

A book of photographs taken by John William Lindt of locations and scenery throughout the world.A book of photographs taken by John William Lindt of locations and scenery throughout the world. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.Hardcover. Front cover photograph-Log Bridge at the Hermitage c1910photography, artistic, john william lindt, la trobe collection, shar jones

A book of photographs taken by John William Lindt of locations and scenery throughout the world.A book of photographs taken by John William Lindt of locations and scenery throughout the world. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.Hardcover. Front cover photograph-Log Bridge at the Hermitage c1910photography, artistic, john william lindt, la trobe collection, shar jones

A book of photographs taken by John William Lindt of locations and scenery throughout the world.A book of photographs taken by John William Lindt of locations and scenery throughout the world. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.Hardcover. Front cover photograph-Log Bridge at the Hermitage c1910photography, artistic, john william lindt, la trobe collection, shar jones

Photograph No. 28: Sepia photograph of Township of Long Gully. (Two Copies) Nicholas CairN J Caireplace, landscape view, golden square

Photograph No. 29: Sepia photograph of view from St Paul's Tower towards Railway Station. (Two Copies) Nicholas CairN J Caireplace, landscape view, golden square