Mack Jost Bequest, 2001oil on board

Gift of Mack Jost, 1983oil on board

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1998oil on board

Purchased through the Horsham Art Gallery Trust Fund, 2006oil on canvaswimmera related

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground

oil on canvasek prac 2015

Oil on canvasVerso: Signed l.r. scratched "W.B. McInnes". Not datedlandscape. seascape. coastal view.

Oil on canvasSigned l.r. cnr., blue paint "FORBES".boy, river

Oil on canvasSigned lower right corner 'Jungwirth'. Not dated

Oil on canvasSigned, dated and inscribed verso

Oil on canvas

Oil on canvasSigned, titled and dated versofactory, industry, power, landscape, industrial

Oil on canvasSigned R. Forbes in lower left corner. Verso: 1989 upper corner.

Oil on canvas-

Oil on canvasSigned and dated 'Bellany '83' top right corner of painting.

Oil on canvas-

Oil on linen-gippsland, view, twilight, suburban, sky

Oil on linen-gippsland, twilight, local, suburban, sky, urban structures, shadows, clouds, street lights

Oil on canvasSigned top left corner of work.

Oil on canvasSigned top left of painting.

Oil on canvasSigned 'James R Jackson' in lower left corner of painting.

Oil on canvas Signed 'Geo. Colville' lower right corner of painting.

Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting.

Oil on canvas.Signed and dated upper right corner 'Armstrong '76'

Oil on canvasSigned and dated on reverse.

Oil on canvasSigned and dated on reverse top left "Euan L Heng 85"

Oil on paperSigned lower left of paint "Serwan"

Winner of the inaugural Sandringham/Beaumaris Acquisition Art Award, 1978, judged by Roger Kemp.Craig Gough, Blues get bluer 1978, oil on canvas, 152 x 121.5 cm. Bayside City Council Art and Heritage Collection. Winner of the inaugural Sandringham/Beaumaris Acquisition Art Award, 1978.oil on canvassandringham, craig gough, bayside, blue, abstract, painting, beaumaris art group, roger kemp