Showing 2496 items
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Charles Douglas Richardson, End of summer, 1917
oil on canvasend of summer, landscape, trees, horses, charles douglas richardson, painting, cloud, farm, summer, grass -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Charles Douglas Richardson, Pathway of ignorance, c.1904
oil on canvascharles douglas richardson, figure, female, pathway of ignorance, path, veil, australian sybmbolism -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Charles Douglas Richardson, The undeveloped soul, 1901
Symbolismoil on canvasfigures, baby, charles douglas richardson, painting, star, cd richardson, c douglas richardson, australian symbolism, symbolism -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Charles Douglas Richardson, The Lodden at Laanecoorie, 1892
oil on canvaslandscape, lodden, river, laanecoorie, charles douglas richardson, trees, victoria, boat, cd richardson, c douglas richardson -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Charles Douglas Richardson, Still Life - Flowers, 1895
oil on canvasstill life, flowers, roses, violin, charles douglas richardson, painting, cd richardson, c. douglas richardson -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Margaret Baskerville, Two children in country, c.1913
oil on boardmargaret baskerville, landscape, bush, children, farm, barn, fence, tree -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Clarice Beckett, Cliff path, c.1929
Painted from Beaumaris Cliffs looking over to Mentone this work is a characteristic example of Beckett's ability to create a sense of place with an economy of means. The bands of floated colour create a flattened 'modern' space while still rendering a truthful impression of the location. oil on boardbeach, coast, cliff, path, tree, clarice beckett, beaumaris, beaumaris bay, bay, bayside, water, meldrum school, painting, mentone -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, LM Wallis, Beaumaris, 1932
Impressionismoil on boardbeaumaris, beaumaris hotel, road, vegetation, bayside, power pole, signs, landscape, building, hotel -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Jessie Constance Alicia Traill, Beach scene, early 20th century
This work depicts the coast at Black Rock. Figures in early 20th century outfits are dotted on the oxide rocky outcrops in the foreground and beyond the water the hazy Red Bluff cliff dominates the coast.Impressionismoil on canvasbeach, coast, figures, jessie traill, red bluff, bayside, black rock, bathers, port phillip bay, bay, water -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, A little bit more foliage should block out the Empire State bastard next door, 2016
oil on linenpainting, buildings, mother, baby, plants, apartments, rob mchaffie, high rise, parquetry, neighbourhood, foliage -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Robert Jacks, Out of the garden, 1993
oil on boardabstract, painting, robert jacks, garden, geometric -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Robert Jacks, Out of the garden, 1993
oil on boardabstract, painting, robert jacks, garden, geometric -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Robert Jacks, Out of the garden, 1993
oil on boardabstract, painting, robert jacks, geometric -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Jeremy Kibel, Point, 2000
Jeremy Kibel, Point 2000, oil on board, 40 x 50 cm. Bayside City Council Art and Heritage Collection. Donated through the Australian Government’s Cultural Gifts Program by Lion Capital Pty Ltd, 2013oil on boardpainting, abstract, point, jeremy kibel -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Dani McKenzie, Camp, 2019
Winner of the Bayside Acquisitive Art Prize 2019. oil on linendani mckenzie, camp, figures, painting, bayside acquisitive art prize, tent -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvasboard, Gregory Alexander, Ten Wednesdays at Rickett's Point, 2016-18
oil on canvasboardrickett's point, landscape, tree, vegetation, port phillip bay, bay, banksia, fence, beaumaris, bayside, gregory alexander, painting -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Stieg Persson, Duck and quail eggs, Italian herbs, 2015
With a career spanning over 30 years as a painter, Stieg Persson is a well known figure within the Australian and international art world. Persson’s work is celebrated for his distinct (yet eclectic) style, which consists of elements associated with abstraction, figuration and decorative art, as well as the artist’s deeply intellectual interrogation of Australian culture and society. In this work titled, Duck and quail eggs, Italian herbs, Persson reflects on contemporary parallels in changes of taste and the desire for decadence as a political and social drive. Inspired by Brighton’s iconic Church and Bay Streets, the artist addresses the social currency of luxury and high-end cuisine by depicting rococo style blackboards which offer the latest in fine dining, alcohol, exercise classes, skin treatments and lavish linens. Persson is presenting a subtle critique of the contemporary obsession with food; as contemporary society places greater significance on the connoisseurship of eating, it does so in lieu of engagement with culture as it is traditionally conceived (music, theatre, literature and art).oil on linenstieg persson, brighton, signage, graffiti, food, chalkboard, bayside, painting -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Miles Evergood, Beaumaris, 1888
oil on boardbeaumaris, bayside, coast, landscape, miles evergood, painting, rickett's point, bay, water, shrub, trees -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Margaret Baskerville, Winter pastures, 1910
oil on boardmargaret baskerville, painting, landscape, winter, rain, clouds, sheep, grazing, hills, farm, trees -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Craig Gough, Blues get bluer, 1978
Winner of the inaugural Sandringham/Beaumaris Acquisition Art Award, 1978, judged by Roger Kemp.Craig Gough, Blues get bluer 1978, oil on canvas, 152 x 121.5 cm. Bayside City Council Art and Heritage Collection. Winner of the inaugural Sandringham/Beaumaris Acquisition Art Award, 1978.oil on canvassandringham, craig gough, bayside, blue, abstract, painting, beaumaris art group, roger kemp -
Nillumbik Shire Council
Painting: Camilla TADICH, Camilla Tadich, 6.23am Kangaroo Ground, 2009
Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground -
Nillumbik Shire Council
Painting: David MOORE, Untitled (Landscape with Water), date unknown
oil on canvasek prac 2015 -
Geelong Gallery
Painting - The awakening, BROWNE, Andrew, 2017
Oil on canvas -
Geelong Gallery
Painting - A bush burial, DAVILA, Juan, 2000
Oil on canvas -
Geelong Gallery
Painting - Half caste woman, DRYSDALE, Russell, 1969
Oil on canvas -
Geelong Gallery
Painting - Nude (Edwardian nude), BELL, George, 1910
Oil on canvas -
Geelong Gallery
Painting - The hunt, BRACK, John, 1988
Oil on canvas -
Geelong Gallery
Painting - Circe and Uiysses, BUNNY, Rupert, 1919
Oil on canvas -
Geelong Gallery
Painting - On the Woods Point Road, BUVELOT, Louis, 1872
Oil on canvas -
Geelong Gallery
Painting - Mrs Margaret McArthur of Meningoort, DOWLING, Robert, 1856-57
Oil on canvas