Deakin University Museum Studies students of 1994-1997 at the Old Castlemaine Gaol to celebrate 20 years of Museum Studies, 1979-1998. Most attendees arrived at Castlemaine on board a Steam train. In the back row is Clare Gervasoni who was the curator of the Federation University Art and Historical Collection.Coloured photograph mounted in a presentation folder showing students of 1994-1997 attendees at the Deakin University Museum Studies. Names of people printed under the photographmuseum studies, deakin university museum studies, margaret birtley, anne kewshaw, chris keeler, clare gervasoni, castlemaine gaol, rachel faggoter

Associate Professor Meg Tasker was employed at Federation University Australia (formerly University of Ballarat) from July 1989 to September 2018 where she lectured in literary and cultural studies. She supervised one of the first PhDs in the University, and was one of the first University of Ballarat staff to be awarded an ARC Discovery Large Grant for on Australian Writers in Britain 2003-2006. Meg Tasker served as the General Editor of the Australasian Victorian Studies Association Journal from 2014 to 2018. She published a critical biography of Francis W.L. Adams, and is recognised as an authority in the field of 19th century Australian cultural studies. Copy of a photographic portrait of Dr Meg Tasker at her graduation in 1990 where she was awarded a PhD (English) from Monash University. Thesis: Multiple Voices in the Poetry of A.H. Clough meg tasker, doctorate, floppy hat, graduation, phd, federation university, university women

WHS Inc were presented with 10,000 glass plate negatives from Thelma & Vine Photographic Studios, Murphy Street Wangaratta from the 1860's - 1950's. The glass plate negatives depict mostly portrait studies of families, weddings and special occasions; there are a few outdoor studies.These studies are invaluable as they provide a record of fashion, family structures, significant people and events, buildings, streetscapes, transportation and landscape of Wangaratta & district from the 1860's - 1950's. These glass plate negatives provide the historical, fashion, cultural anthropological context of society from the time frame they depict.WHS Inc were presented with 10,000 glass plate negatives from Thelma & Vine Photographic Studios, Murphy Street Wangaratta from the 1860's - 1950's. The glass plate negatives depict mostly portrait studies of families, weddings and special occasions; there are a few outdoor studies. An example of a glass plate negative is featured above, this is a goat race from the early 1900's. Goat races were common in rural towns as entertainment at agricultural shows, sporting events and other celebrations. This local jockey is Bob Sloan, who had a Men's Wear business in Wangaratta.glass plate negatives

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.The ‘Eastlawn Estate’ was surveyed and ready for auction in March 1914, three months before the outbreak of World War I. Sixty-six allotments, created on the ‘order of Mr & Miss Preston’ surrounded the mansion of Woodlands in Harp Road. Woodlands formed part of the Estate, being advertised as lot 1. The allotments faced High, Station and Wright Streets, Harp and Normanby Roads, and Woodlands Avenue. Pru Sanderson in the Kew Conservation Study (Vol.2, 1988) wrote that the Eastlawn Estate ‘covered the western half of the failed Harp of Erin Estate’. Contemporary advertisements promoted the Eastlawn Estate as: ‘There will be no more convenient district nor pleasant Suburb than East Kew for the busy business man. When the Electric Tram is laid, he will be able to journey quickly and pleasantly direct from Collins Street to his home in the Eastlawn Estate in about 20 minutes’. The actual plans of subdivision were included in advertisements in The Argus and in the local newspapers."C" top left. Various annotations.subdivision plans - kew, station street, normanby road, high street, woodlands avenue, harp road, woodlands - kew

Stradbroke Park. Extent: Kilby Road to Harp Road at Burke Road. Historical Documentation: 1851 - Portion 91 purchased by Edward Glynn; 1888 - The Harp of Erin Estate (which included Section 91) offered for sale; 1896 - The area now known as Stradbroke Park was bisected by a creek that flowed from the Yarra via Hay's Paddock (q.v.) and extended through to Burke Road; 1943 - W.D. Birrell, Town Clerk of Kew, proposed that the creek be filled and a reserve created; 1954 - Entire area designated as 'open space' and named 'Stradbroke Park'. The line of the creek that ran through the Park created a further reserve on the north side of High Street, now known as 'Harrison Reserve'. Existing Condition: The park is largely of mown grass that has mature trees set into it It is possible that a number of these are remnant of the original vegetation, while there are also a number of exotic trees introduced, particularly at the northern end of the park. The southern end is dominated by playing fields. (Source: Sanderson, P 1988. Kew Conservation Study)Colour photographic positive (with colour degradation) of sporting teams at a civic event in Stradbroke Park in Kew East in May 1976. The event was officiated by the Mayor of Kew, Cr Alan Hutchinson. Sporting teams in uniform included: footballers, athletes, cricketers, hockey players. Stradbroke Park is situated on the western boundary of Kew at Burke and Harp Roads.stradbroke park, cr alan hutchinson, team sports -- kew (vic.)

Stradbroke Park. Extent: Kilby Road to Harp Road at Burke Road. Historical Documentation: 1851 - Portion 91 purchased by Edward Glynn; 1888 - The Harp of Erin Estate (which included Section 91) offered for sale; 1896 - The area now known as Stradbroke Park was bisected by a creek that flowed from the Yarra via Hay's Paddock (q.v.) and extended through to Burke Road; 1943 - W.D. Birrell, Town Clerk of Kew, proposed that the creek be filled and a reserve created; 1954 - Entire area designated as 'open space' and named 'Stradbroke Park'. The line of the creek that ran through the Park created a further reserve on the north side of High Street, now known as 'Harrison Reserve'. Existing Condition: The park is largely of mown grass that has mature trees set into it It is possible that a number of these are remnant of the original vegetation, while there are also a number of exotic trees introduced, particularly at the northern end of the park. The southern end is dominated by playing fields. (Source: Sanderson, P 1988. Kew Conservation Study)Colour photographic positive (with colour degradation) of sporting teams at a civic event in Stradbroke Park in Kew East in May 1976. The event was officiated by the Mayor of Kew, Cr Alan Hutchinson. Stradbroke Park is situated on the western boundary of Kew and bordered by Burke and Harp Roads.stradbroke park, cr alan hutchinson, team sports -- kew (vic.)

Stradbroke Park. Extent: Kilby Road to Harp Road at Burke Road. Historical Documentation: 1851 - Portion 91 purchased by Edward Glynn; 1888 - The Harp of Erin Estate (which included Section 91) offered for sale; 1896 - The area now known as Stradbroke Park was bisected by a creek that flowed from the Yarra via Hay's Paddock (q.v.) and extended through to Burke Road; 1943 - W.D. Birrell, Town Clerk of Kew, proposed that the creek be filled and a reserve created; 1954 - Entire area designated as 'open space' and named 'Stradbroke Park'. The line of the creek that ran through the Park created a further reserve on the north side of High Street, now known as 'Harrison Reserve'. Existing Condition: The park is largely of mown grass that has mature trees set into it It is possible that a number of these are remnant of the original vegetation, while there are also a number of exotic trees introduced, particularly at the northern end of the park. The southern end is dominated by playing fields. (Source: Sanderson, P 1988. Kew Conservation Study)Colour photographic positive (with colour degradation) of sporting teams at a civic event in Stradbroke Park in Kew East in May 1976. The event was officiated by the Mayor of Kew, Cr Alan Hutchinson. Stradbroke Park is situated on the western boundary of Kew and bordered by Burke and Harp Roads.stradbroke park, cr alan hutchinson, team sports -- kew (vic.)

'Berrington' in Sackville Street was built in 1888 for Job Smith, builder, who was the first owner of this substantial two-storey house. The property was given an initial N.A. V. of £125 3 and it is possible that Smith was the contractor for his house.By the turn of the century 'Berrington' was identified as having thirteen rooms and an N.A.V. of £13 while the house remained in the hands of the Smith family until the late 1930s. The new owner at that stage was a Mrs Pederson who convened the house into three flats 6 while in 1951 it was further subdivided to become seven units. (Kew Conservation Study, 1988)Colour photographic positive of one of 'Berrington'. The building is a large two storeyed house typical of the late Victorian period. It remains substantially intact with a cast iron verandah dominating the front and side facades, that has the added distinction of a fine cast iron frieze that at ground floor level has two tiers. Behind the verandah, the facade is asymmetrical. There is a central six panelled door with a fine semicircular fanlight, and segmentally arched windows to the ground floor and on one side of the door there is a polygonal bay window that extends up the two floors. The eaves and chimneys are decorated with Italianate brackets. (Kew Conservation Study, 1988)berrington -- sackville street -- kew (vic.), job smith

Documentary evidence records that in 1888 Henry Eeles, stationer, was the first owner and occupier of this two-storey mansion. At that date the building was given an N.A.V.of £275 and Eeles was recorded as the owner of the house until at least 1910, when the thirteen-roomed mansion attracted an N.A.V. of £190. The house is quite typical of time, and it bears a remarkable resemblance to 3 Molesworth Street, the architect of which has not been established. (Kew Conservation Study, 1988)Colour photographic positive of one of 'La Verna' (formerly 'Heathfield'). The house is two storeyed and clad in render. It is ltaIianate in styling and is dominated by a two storeyed loggia that spans two facades. At ground floor level it has rounded arches supponed on cast iron colonettes, and above, has colonettes that support stilted segmental arches. (Kew Conservation Study, 1988)heathfield -- sackville street --- kew (vic), la verna -- sackville street -- kew (vic.)

Documentary evidence records that in 1890 William H. Jarman, accountant, was the first owner and occupier of 'Kalimna', a substantial rwo-storey residence; it having an initial N.A.V. of £1503. In the following year the N.A.V. for the eleven-roomed property had increased to £2504 indicating that the building had been completed. Jarman is recorded as owning and occupying 'Kalimna' until at least 1910,Colour photographic positive of one of 'Kalimna'. The house is typical of the late Victorian period with polychromatic brick walls, a two storeyed, cast iron decorated verandah that spans two facades, and a polygonal bay window extending to the front. The eaves and chimneys are decorated with Italianate brackets executed in render. The slate roof remains intact, including its cast iron finials. (Kew Conservation Study, 1988)kalimna -- sackville street -- kew (vic.), preshil

Documentary evidence records that the first occupier of this substantial two-storey residence was Harry Karlbaum, a sharebroker and although the owner's name is not listed in the Rate Books for this first year, it appears in 1893 as Robert Crawford Anderson, a merchant, The property was given an initial N.A.V. of £150 in 1892 while by 1900 it was listed as having eleven rooms. (Kew Conservation Study, 1988)Colour photographic positive of one of 'Prague House'. The house is clad in render and is typical of the late Victorian period with an asymmetrical composition that has a loggia of stilted segmental arches at both levels that turns the corner of the house, and a polygonal bay window on one side of the front facade. The application of colonettes across the facade, the square piers to the loggia. and the lift in the eave to form a gable unit are less typical. (Kew Conservation Study, 1988)prague house -- sackville street -- kew (vic.), dunboe -- sackville street -- kew (vic.)

Documentary evidence records that the first occupier of this substantial two-storey residence was Harry Karlbaum, a sharebroker and although the owner's name is not listed in the Rate Books for this first year, it appears in 1893 as Robert Crawford Anderson, a merchant, The property was given an initial N.A.V. of £150 in 1892 while by 1900 it was listed as having eleven rooms. (Kew Conservation Study, 1988)Colour photographic positive of one of 'Prague House'. The house is clad in render and is typical of the late Victorian period with an asymmetrical composition that has a loggia of stilted segmental arches at both levels that turns the corner of the house, and a polygonal bay window on one side of the front facade. The application of colonettes across the facade, the square piers to the loggia. and the lift in the eave to form a gable unit are less typical. (Kew Conservation Study, 1988)prague house -- sackville street -- kew (vic.), dunboe -- sackville street -- kew (vic.)

The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.)

The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.)

The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.)

Frederick J. Robinson, a manufacturer, was the owner and occupier of a nine-roomed brick house by at least 1934. At that date the N.A.V. for the property was £270 while in the following year the N.A.V. increased to £350 with a note of 'additions' being made, recorded in the Rate Books. By December 1936 Robinson's house was being described as having twelve rooms and an N.A.V. of £295. The works were undertaken for Robinson by the leadng architect, Harold Desbrowe Annear, and appear to have been a comprehensive remodelling of the Victorian house on the site, the outline of which was clearly depicted in the MMBW plan of 1903. 'Fairview' is of significance as a comprehensive remodelling of a Vietorian house undertaken in the 1930s by the leading architect of the time, Harold Desbrowe Annear. The 1930s are integral to the significance of the whole. (Kew Conservation Study, 1988)Colour photographic positive of Cluny Convent (formerly 'Fairview') remodelled by the architect Harold Desbrowe Annear in the mid 1930s. cluny convent -- kew (vic.), fairview -- 34 wrixon street -- kew (vic.), harold desbrowe annear

Frederick J. Robinson, a manufacturer, was the owner and occupier of a nine-roomed brick house by at least 1934. At that date the N.A.V. for the property was £270 while in the following year the N.A.V. increased to £350 with a note of 'additions' being made, recorded in the Rate Books. By December 1936 Robinson's house was being described as having twelve rooms and an N.A.V. of £295. The works were undertaken for Robinson by the leadng architect, Harold Desbrowe Annear, and appear to have been a comprehensive remodelling of the Victorian house on the site, the outline of which was clearly depicted in the MMBW plan of 1903. 'Fairview' is of significance as a comprehensive remodelling of a Vietorian house undertaken in the 1930s by the leading architect of the time, Harold Desbrowe Annear. The 1930s are integral to the significance of the whole. (Kew Conservation Study, 1988)Colour photographic positive of Cluny Convent (formerly 'Fairview') remodelled by the architect Harold Desbrowe Annear in the mid 1930s. cluny convent -- kew (vic.), fairview -- 34 wrixon street -- kew (vic.), harold desbrowe annear

What is now Kew East Primary School was opened on its current site in Kitchener Street in 1923. The Kew East and Mont Albert Heritage Gap Study (August 2020) established that: 'Kew East Primary School No. 3136 is historically significant for the evidence it provides of an early phase in the development of Kew East which gathered momentum from the 1920s, as housing developed rapidly and the population increased in response to the extension of the High Street tram to Harp Road then Burke Road then improved tram connections between the area and the city.'A rare and early photograph of the school taken four years after its construction. Small, sepia coloured photographic positive of East Kew State School. The two storey red brick building was opened in 1923. This view, three years after its construction shows preliminary fencing and undeveloped playing grounds.schools -- kew east (vic.), government schools -- kew -- kew east, strathalbyn street

This photographic exhibition was developed by the Federation University-led Community Wellbeing research stream of the Hazelwood Health Study in collaboration with Morwell Neighbourhood House and Gippsland Centre for Art and Design at Federation University Australia. It highlights people's hopes for the future of Morwell has its roots in two unexpected places: the Hazelwood mine fire in 2014 and an academic study into community recovery from that fire. In late summer of 2014 a bushfire spread to the coal mine near the town of Morwell in the LaTrobe Valley, in south-eastern Victoria. The Hazelwood mine fire burned for 45 days, shrouding communities - especially Morwell - in smoke and ash. Strong calls by the community for an investigation into the health impacts of the Hazelwood Mine Fire led to the Department of Health's (Know the Department of Health and Human Services) decision to fund a ten year study of the potential health effects of this smoke event (Known as the Hazelwood Health Study). This exhibition came out of work undertaken by the Community Wellbeing Stream of the Hazelwood Health Study during 2016 and 2017. Based at Federation University Australia's Gippsland Campus, just a few kilometres from where the fire took place, one of our Study's main aims has been to find out from the community how the smoke event impacted on community wellbeing. We also planned to talk to community members about the effectiveness of community rebuilding activities, and find our how these have aided recovery following the smoke event. In 2017 we began working with community organisations on a project to foster community recovery and wellbeing. What emerged from these discussions was the idea for a photographic exhibition, on the theme of 'Our hopes for the future of Morwell'. Invitations to participate were extended to up to 50 members of various community groups. The groups were asked to think of some object that symbolizes their hopes for the future of Morwell. Individuals were then invited to attend a photographic session kindly hosted by the Morwell Neighbourhood House. Each individual was to hold this object while it was photographed, as well as explain what the object represented in terms of Morwell's future. Out of this process twenty nine photographs with their captions were produced, enlarged and framed for exhibiting. The photographs were taken by Clive Hutchison of the Gippsland Centre for Art and Design at Federation University Australia.Twenty nine framed original photographs.morwell, our hopes for the future of morwell, clive hutchison, photography, morwell neighbourhood house, hazelwood health service, gippsland centre for art and design, hazelwood mine fire, haxelwood health study, morwell neighbourhood mine fire, neale stratford, tracie lund, ian brown, susan yell, sue whyte, ainsley ja, ainsley james, michelle duffy, shaun mallia, valerie prokopiv, morwell art and framing

Gertrude Perry was born in California Gully in 1917. Her singing skills were recognized at an early age. She later sang with local choirs and sang on radio. She was involved with the Bendigo Operatic Society for many years. Gertrude began her working life in sales. After studying book keeping she worked at the Bendigo Ordnance Factory during WW2 and then worked for local solicitors and accountants. Gertrude was involved with many community and sporting organizations.Gertrude Perry Collection - Reg V. Brock of Bendigo three-part brochure for prints and framing. Studio at View Point P. O. Box 132, phone Bgo. 1888. Advertising and pricing brochure for photographic work and framing with beige light card with brown printing. Miss G. Perry on outer coverphysical culture class, fitness, exercise