Plan of Burnley Gardens showing P.R.I. (Plant Research Institute) and V.C.A.H. Buildings and Open Space areas. Map used - photogrammetric plot prepared for the V.C.A.H. By Stereometric Services from aerial photography taken 10-7-1988.vcah, burnley gardens, stereometric services, master plan

Private James Edward Matthews (3174) was one of four first cousins living in the Myrtleford district killed during World War 1. He was in the 60th Battalion, A.I.F. action at Fromelles, France, and was killed in action, aged 19 years, on July 19,1916. He was the son of Richard and James Matthews of Myrtleford and has no known grave, but is "Remembered with Honour" at V.C. Corner, Australian Cemetery and Memorial, Fromelles. James attended Myrtleford State School 955; his death is recorded on honour boards at the Uniting (formerly Methodist) Church, the school honour board and at the Soldier's memoral Square. A memorial window at the church includes names of the four cousins.The portrait reminds viewers of the youth of many A.I.F. volunteers, the outcome of actions such as that at Fromelles in 1916 and the impact on families in small communities. It also relates to the ongoing search for identifiable remains of those personnel without a known resting place. Framed original sepia photograph, head and shoulders, of World War 1 soldier in full dress uniform.James E. Matthews, 60th Battalion, Killed in Action, 19 July, 1916. Photography: Talma & Co., Melb.james matthews 60th battalion fromelles

This group of items is retained as a record of a typical project of the Ringwood Amateur Photography using multi-media facilities available in 1965 - ie slides and slide projector and an audio tape reocrding to accompany the slideshow. Project by the RIngwood Amateur Photography Club in 1965 - a slideshow entitled "Our City of Many Faces" cvoering Melbourne, the Dandenongs, Bayside beach etc. Originally donated as a tin box of Slides, and audio narration on reel of tape, and a handwritten booklet with the text and notation of slide number for each text comment. The slides were then scanned at RDHS Archives (2024), the audio tape was converted to a digital file by Aidem Media, and the slides and audio file combined into a digital movie by Ken Briscoe and Rob Carter (RDHS) which was subsequently shown to a meeting of RDHS. The speaker on the audio tape is not identified After conversion and cataloguing, the physical slides, audio tape and tin were disposed of. Only the handwritten script booklet is retained (along with the digital files). The final movie is not loaded to Victorian Collections (256Mb) but is available from the RDHS Archives. Attached is a pdf copy of the script booklet, the audio tape digital copy, a pdf table index to images, and images of the tin and each of the slides. Annotation to the Handwritten Booklet: "A record of Time and Tide in Ringwood, Melbourne, Australia".

Black & White studio Photograph. Young woman in graduation gown. Mortar board on knee. Printed Front. Duryea 158a Rundle Street Adelaide. Reverse. From the Studio of F Duryea, artist in Photography, No 158a Rundle Street Adelaide.F Duryea Adelaidephotograph, person, female

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street

A copy of an early black and white photograph of Marysville in Victoria taken by Nicholas John Caire.A copy of an early black and white photograph of Marysville in Victoria taken by Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. Photography - Caire, N.J. Town of Marysville In: Victorian Views 1905 - Album 224. P.24 National Library of Australiamarysville, victoria, nicholas john caire

Black and white photograph. Jersey bull standing in the Bull Paddock.On reverse, "Selsey Spotted Prince 2 yr old 1939," and, "Photography by W.R. Garrett Phone Hawthorn 3685 No. 4170."selsey spotted prince, 1939, w.r. garrett, bull, jersey bull, bull paddock

Green fabric covered wallet containing a lead pencil and diary with black and white plus coloured photographs and information on photography gold frontis piece with green unicorns and embossed with a unicorn on back, sealed with press stud, published by Burroughs Wellcome & Co London.Eagle pencil Co London. The Wellcome photographic exposure record and diary 1915photography, camera accessories

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.High Street West, Tower Place on the left. Businesses shown include Wodonga Warehouse Centre, Rob Lacey Photography, Vid Hire and East West Airlines . Tower Place was built by Arthur Dunstan, owner of A. Dunstan & Sons Hardware and timber mills. On sign above building "Tower Place", on front of building on left "WODONGA WAREHOUSE CENTRE"wodonga businesses, high st wodonga, wodonga warehouse centre, tower place

Percy Fairlam was an early 20th Century photographer living and working in Cheltenham. Fairlam captured important social and landscape scenes in and around the Cheltenham area including cliff faces, sea baths, and rock pools. With the outbreak of World War I (WWI), Fairlam began training in Seymour and documented preparations for war, comradeship and the voyage to France and war. Shrapnel to the shoulder, on 4 January 1917, saw Fairlam evacuated to England and resulted in him being separated from his personal possessions. As such, all these images have been lost. After the war, Fairlam moved into the family business and no longer pursued professional photography. However, he continued to take an interest in the art form capturing intimate family moments as well as continuing to capture social and landscape scenes.Black and white photograph of a Richard William Percy Fairlam (Percy Fairlam) standing in the doorway of a small wooden building. Above the doorway is a painted sign advertising it as the photography business of R.P. Fairlam. In the large window at the front of the shop a number of photographs can be seen.Handwritten in red ink on reverse: 115% Black printed text on a white round sticker on reverse: 71

Colour photo of a statue of Simpson & his donkey carrying a soldier wounded in action. Statue is mounted on a granite pier. Guilded timer frame with cream coloured cardboard mount & glass.Printed label on back: “Man with the Donkey Melbourne, Victoria Natural Beauty Photography by Val Morris (03) 5443 4088 16”photography - photographs, frame accessories, simpson

Black and white photograph: image shows woman dressed in dark coloured dress, holding book in right hand. On bottom of image : ' extra copies, 1s. Academy of photography, Send number. Hansen Bendigo. Enlargements from this or any photo from 5s. To 25s.'Hansen, Bendigoperson, individual, female portrait, bendigo, sandhurst, hansen, academy of photographersz

Group photo of 9 employees. Bendigo works part crew, August 1973. On rear of photo is a stamp that reads I.A.P. Member Rick Altman Photography Suite 5, 564 St Kilda Road Melbourne, 3004 PH. 519343, Ref. No. 341.F12.lbusiness, retail, gas and fuel

Bellows are the accordian-like pleated expandable part of a camera which allows the lens to be moved with respect to the focal plane for focussing. These bellows are used for macro photography. Bellows also provide a flexible extension between film and lens. They may be part of the camera or come as an optional extra (as these are).Back of support rails: "SAGA - Made in Japan".bellows, photography, macro photography

Sepi print mounted on cardStamped on reverse: A.J. Spark Collection Photos 1900-1930 Photography Late Albert Jones Diamond Valley Tel: 83 - 3561henley bridge, yarra river, row boat, uniden, unidentified

Written on back of photograph, 'Mr. Burgess, President Ringwood Jaycees welcoming new Australians'. Stamped on back of photograph, 'John Gallagher, Photography...'

Black and white photograph. Female student, Elspeth Newman, empyting pears out of canvas bag, attached to her with a harness, into wooden packing case. Pear tree and wooden ladder behind her.On reverse, Athol Shmith Studio Illustrative Photography 125 Collins Street, Melbourne, C.1. Cent 27. No. 17701 Position E.elspeth newman, pears, canvas bag, packing case, athol shmith studio, students working outside, orchard, pear tree, ladder, publicity

Is on the site of the Oriental Bank Corporation, but in a different building. 18cm x 12.5cm black and white photograph of the Senior Citizens Club Rooms at 7 Sydney Street Kilmore. Single story brick building with an access ramp on the south side of the building. Two cars are parked on the street, one on each side of the road. Printed on glossy standard photo stock. Possibly the same cite as the Oriental Bank Corporation. Stamped on the back of the item: John Squire Photography 633 Rathdowne Street N. Carlton - Phone 347 4922 NEG No. B4049-16banks

Black mand white photographWritten on back of photograph: "Major General Beavis, c1960." Back of photograph reads, 'John Gallagher, Photography, 4 Benares St., Mitcham'.

The new Ringwood North State Bank premises on the south-east corner of Dickson's Crescent. Showing customer service area. Opened 23 August 1982At the corner of Dickson's Cresent and Warrandyte Road, Ringwood North. Photographer - Les Gorrie Photography, 28 Waldemar Road, Heidelberg. Negative #82334

The new Ringwood North State Bank premises, November 1979 on the north-east corner of Dickson's Crescent. Exterior view.At the corner of Dickson's Crescent and Warrandyte Road, Ringwood North. Photographer - Les Gorrie Photography, 28 Waldemar Road, Heidelberg. Negative #2389

Photo of the new Ringwood North State Bank premises, opened 23 January 1983At the corner of Dickson's Crescent and Warrandyte Road, Ringwood North. Photographer - Les Gorrie Photography, 28 Waldemar Road, Heidelberg. Negative #82335

Copy of a newspaper article titled Colonial Bendigo on display. Date written at the top of the page Dec 1 - 1984. Article mentions an exhibition organised by the Bendigo Art Gallery of the early photographers on the gold field. Wet plate photography was used. Other mediums were also used such as engraving, artists drawings, lithography, water colours and diorama. Artists mentioned are George Rowe, S T Gill, Alex Fox, Nicholas Caire, Wet Plate Photography, Thomas Ham, Edwin Stocqueler and Ludwig Becker. There is also a photo by Nicholas Caire, taken 1875. showing the excavation of quartz reef and mine buildings near Iron bark Hill.bendigo, history, long gully history group, the long gully history group - community focus - colonial bendigo on display, bendigo art gallery, george rowe, s t gill, alex fox, nicholas caire, wet plate photography, thomas ham, edwin stocqueler, the advertiser, ludwig becker, burke and wills expedition, mine buildings near ironbark hill, victoria hill