Grace Mitchell, a talented artist in later life and baker managed a pastry shop business near the corner of Mt Pleasant and Main Roads Eltham in the 1950’s. Shortly after her marriage to Arthur Mitchell in 1948 he had an accident that caused a head injury and was unable to work. Grace realised she needed to be home to care for her husband as well as earn an income. She managed the bureaucracy of council permits, made modifications to her home with savings to get the business off the ground without having to borrow money. Grace and Arthur were avid gardeners and would grow, wash and mince vegetables for pasties while Grace hand made and rolled the pastry. They cooked and minced their own meat for the pies and the fruit for the sweet pies came from their orchard at the rear of the property. She also baked scones and cakes. Grace operated her pastry shop for over 16 years. She supported the Shillinglaw Cottage Preservation Campaign to preserve the cottage through its Flavour of Eltham community cookbook published in 1964 and hosted cooking classes in the new Living and Learning Centre. Grace Mitchell passed away aged 95 years in 2011.Roll of 35mm colour negative film, 6 strips and associated colour print 10 x 15 cmFuji 100classes, eltham, living and learning centre, pottery class, eltham living and learning centre, grace mitchell, ursula dors, teaching, learning

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Roll of 35mm colour negative film, 6 stripsFuji 100classes, eltham, living and learning centre, pottery class

Hand thrown glazed pot. ceramics, studio pottery, rabbit

Rainbow Workshop TutorRainbow Workshop TutorLarge Ceramic Wall mounted plate - AR 0010

Rainbow Workshop TutorRainbow Workshop TutorLarge Ceramic wall mounted plate - AR0011

Rainbow Workshop TutorLarge wall mounted ceramic plategreg, daly ceramic

Early vase made by Doug Alexander, who started Springmount Pottery in 1970.A rare early piece, possibly made before he actually started Springmount Pottery. Doug Alexander became one of Australia's most respected potters.Pottery vase made by Doug Alexander about 1970.Potters impressed mark of "A"doug alexander, springmount pottery, creswick, ceramic, potter

Hedley POTTS (09/11/1936 - 01/06/2023) Hedley Potts studied ceramics at RMIT in the early 1960s. In 1974 he received an Australian Council Crafts Board grant to study overseas, and was visiting artist at the Goldsmith's College, University of London in 1979. He was appointed as Senior Lecturer in Ceramics at the Gippsland Institute of Advanced Education in 1972 when he introduced Ceramics into the program fo the first time. By the 1980s Potts he was a senior lecturer in Ceramics at Monash University's Churchill Campus (now Federation University). In 1995, Hedley Potts was appointed artist in residence at Kingston Arts Centre in Moorabbin. He was one of the artists represented in the Ceramics Victoria Inc 40th Anniversary exhibition in 2009. He incises his works 'Hedley Potts' on the base.Handbuilt raku fired earthenware.ceramics, blackware, jan feder, jan feder memorial ceramics collection, gippsland campus, moorleigh ceramic co-op, hedley potts

Early vase thrown by Doug Alexander who began Springmount Pottery in 1970.A rare early piece, possibly made before he actually started Springmount Pottery. Doug Alexander became one of Australia's most respected potters.Pottery vase, sloped, made by Doug Alexander about 1970.Impressed marker's mark "A".doug alexander, springmount pottery, creswick, ceramic, potter

a) 1 common, clear glass ink bottle with 'burst-off' straight finished neck and a groove on two sides upon which a pen would rest. There are variations of this largely English-made style glass inkwell made in cup base moulds. Cursory grinding smoothed out the sharpness of the rim. b) 2 cylindrical, plain, pottery inkwells These three inkwells were commonly used in homes, schools and Churches by pioneer settlers in Moorabbin Shire c1880 -1900 2 cylindrical pottery inkwells and 1 square, clear glass inkwell with a distinctive groove on 2 sides to rest a pen c 1800 - 1900education, inkwells, pottery, glasswork, craftwork, moorabbin, brighton, early settlers, pioneers

This plate is one of a collection of plates with the Asiatic Pheasant design from recovered from the wreck o the Loch Ard. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line ships that sailed from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. This plate is significant for its connection to the potters Minton. It is also significant for its connection with the wreck of the sailing ship Loch Ard. The Loch Ard shipwreck is significant for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The group gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.China dinner plate, scalloped rim. Floral arrangement with Asiatic Pheasant design, made by Middleport Pottery. Recovered from the wreck of the Loch Ard. Within cartouche "B & L / MIDDLEPORT POTTERY" and an 'L" handwritten in black pen.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, plate, minton, loch ard, asiatic pheasant design

Robin Pleydell looks on as an AFB worker reads from a Braille volume whilst sitting in front of a computer, and also with a vision impaired older woman working on a piece of pottery.Col. transparencies of Robin Pleydell in a pottery class and at a workdesk.association for the blind, robin pleydell

Miniature glazed pottery jug with handle, brown upper and cream bottom.domestic equipment, ornaments, pottery

Demi John previous catalogue number 83. The upper section is tan in colour and has the words ''PIERCE & PERRY WINE & SPIRIT MERCHANTS, BENDIGO'' stamped into the surface. A Bendigo Pottery manufacturer's stamp also appears on the side near the neck. It contains the words ''Bendigo Pottery Co. Epsom.'' The manufacturers' stamp also contains indistinguishable writing that may be the Potter's name? The base daimeter is approximately 15 cm and the height is approximately 25 cm.''PIERCE & PERRY, WINE & SPIRIT MERCHANTS, BENDIGO'' ''Bendigo Pottery Co. Epsom.''food technology, bottling, demi john

Douglas ALEXANDER (1945-1981) Born Skipton, Victoria Doug Alexander studied Ceramics at the Ballarat School of Mines. In 1968 he was employed as a thrower and designer at Bendigo Pottery leaving that position to work and travel to New Zealand. He settled at Kerri Kerri, Bay of Islands in New Zealand and operated the Red Barn Pottery. In 1970 Doug Alexander returned to Australia establishing Spring Mount Pottery at Creswick where he used local clays to produce his work. He moved to Tharwa, ACT, in 1976 and established the Cappucumbalong Pottery. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Slab formed stoneware platter with impressed decoration finished with slips and oxide made at Spring Mount Pottery, Creswick.art, artwork, ceramics, alexander, doug alexander, red barn pottery, ballarat school of mines, ballarat technical art school, kerri kerri, spring mount pottery, creswick, cappucumbalong pottery, springmount pottery

Pottery plinth/base dusky pink coloured glaze with circular base, hollow in centre.domestic equipment, ornaments, pottery

Miniature shoes belonged to Martha Edwards who died in 1957, married in 1897. Martha was donor's grandmother. Donor's uncles worked at Geal Bros. Pottery so possibly made there.A pair of miniature dark fawn coloured pottery shoes with some teal paintingceramics, earthenware, ornaments