Showing 622 items matching "push"
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Anglesea and District Historical SocietySaw Setting Tool - Atlas Brand, Atlas, Antique Vintage Pistol Grip Saw Setting Tool, Estimated 1920
... Two handles give pistol grip. Centre cylinder pushes against plate to set angle of saw tooth. ...Anglesea and District Historical Society 5B McMillan Street Anglesea great-ocean-road saw setting tool Atlas Two handles give pistol grip. Centre cylinder pushes against plate to set angle of saw tooth. ...Two handles give pistol grip. Centre cylinder pushes against plate to set angle of saw tooth. Two screw adjustments allow settings of angle and depth. "Atlas" brand stamped in top.Atlassaw setting tool -
Lakes Entrance Historical SocietyPhotograph - Fundraising, Lakes Post Newspaper, 1993
... Black and white photograph Peter Wilkinson and Jenny Wall volunteer members of the Rotaract Club pushing trolley fundraising for brain injury charity, as they passed through from Canberra to Melbourne. ...Lakes Entrance Historical Society 4 Marine Parade Lakes Entrance gippsland number in album 03346.02 Volunteering Fundraising Black and white photograph Peter Wilkinson and Jenny Wall volunteer members of the Rotaract Club pushing trolley fundraising for brain injury charity, as they passed through from Canberra to Melbourne. ...number in album 03346.02Black and white photograph Peter Wilkinson and Jenny Wall volunteer members of the Rotaract Club pushing trolley fundraising for brain injury charity, as they passed through from Canberra to Melbourne. Lakes Entrance Victoria volunteering, fundraising -
Ringwood and District Historical SocietyNewspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria, `
... Maroondah City Council is pushing to have several local reserves awarded "Land for Wildlife" status in an effort to protect local flora and fauna. ...Ringwood and District Historical Society 125A Warrandyte Road Ringwood North melbourne ` ` ` Maroondah City Council is pushing to have several local reserves awarded "Land for Wildlife" status in an effort to protect local flora and fauna. ...``Newspaper clipping from "The Mail", 4-7-95, P 6. NEWS WATCH- Scheme to boost land for wildlife Maroondah City Council is pushing to have several local reserves awarded "Land for Wildlife" status in an effort to protect local flora and fauna. A council reserve at the western end of Tereddan Drive in Kilsyth South was recently awarded Land for Wildlife Status` -
Flagstaff Hill Maritime Museum and VillageContainer - Bottle, 1840s to 1870s
... Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. ...Shoulder and neck are shiny. Push-up base with pontil mark. Uneven base. ...Shoulder and neck are shiny. Push-up base with pontil mark. Uneven base. ...This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck and shoulder. Low shoulder mould seam. Body is matt and tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark. Uneven base. Bubble on top of lip. Sediment on inside surfaces. White rubbing line and scratches on outside. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base -
Flagstaff Hill Maritime Museum and VillageContainer - Bottle, 1840s to 1870s
... Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. ...Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. ...Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. ...This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Rough applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck. Low shoulder mould seam. Body is matt, tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. Marks on heel, glass thickness varies. Uneven base. Bubble in glass. Sediment on inside surfaces. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base -
Greensborough Historical SocietyNewspaper Clipping, Heidelberg Leader, Mixed views on merger call, 30/07/2019
... Banyule Council says it does not support a strong push by neighbouring Nillumbik to merge, but the community is divided on the proposal....Greensborough Historical Society 34A Glenauburn Road Lower Plenty Lower Plenty melbourne Banyule Council says it does not support a strong push by neighbouring Nillumbik to merge, but the community is divided on the proposal. nillumbik council council merger peter clarke banyule city council News article 1 page, black text. ...Banyule Council says it does not support a strong push by neighbouring Nillumbik to merge, but the community is divided on the proposal.News article 1 page, black text.nillumbik council, council merger, peter clarke, banyule city council -
Orbost & District Historical Societyweaving tool, late 1940's - 1950's
... A metal Speedweve - a small darning tool.The slide at the top pushes back and forth making the 10 copper hooks rotate one way then the other. .... - This item was a common household item used a time when people still felt it worth the effort to darn socks. domestic weaving loom top - SPEEDWEVE A metal Speedweve - a small darning tool.The slide at the top pushes back and forth making the 10 copper hooks rotate one way then the other. ...The Speedweve is a tiny darning loom advertised as ‘Lancashire’s smallest loom’. It was manufactured by E & A Chesstok Ltd of Rusholme, Manchester in 1947/48. It is basically a little loom for mending socks and holes in clothing. - This item was a common household item used a time when people still felt it worth the effort to darn socks.A metal Speedweve - a small darning tool.The slide at the top pushes back and forth making the 10 copper hooks rotate one way then the other. There would have been a wooden disc for keeping the fabric flat. top - SPEEDWEVEdomestic weaving loom -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Functional object - Manufactured Objects, Perambulator, c1914
... Wicker Perambulator, baby carriage, c. 1914, with a lined, painted wicker body, iron spring scrolled frame with leather straps and 4 steel wheels with rubber tyres. The push handle is broken and hood is missing. ...The youngest Dorothy, who remembered sitting in this pram and later using it to carry papers, wood, vegetable etc., lived on the property in Jasper Road until her passing in 2016. ( Ronald Alexander Higgins, descendant , Helen Stanley CMHS 2017) The family of Dorothy Higgins 1928-2016, were early settlers in Moorabbin Shire establishing a dairy farm c 1873 in East Brighton ( now Bentleigh) dairy farms higgins james joseph simmonds ruth higgins dorothy poultry farms jasper road bentleigh City of Moorabbin Historical Society 1961 sheehy t.a. newsletters ashley r neville f blackman n moorabbin city council moorabbin roads board toll gates pioneers moorabin cheltenham bentleigh highett Wicker Perambulator, baby carriage, c. 1914, with a lined, painted wicker body, iron spring scrolled frame with leather straps and 4 steel wheels with rubber tyres. The push handle is broken and hood is missing. ...JAMES JOSEPH HIGGINS, was born in Dublin in 1821 and, at age twenty, emigrated via Liverpool in 1841 with his wife Ellen and baby daughter Margarete, on board the 'Intrinsic'. They lived in Little Lonsdale Street, Melbourne, for some years, where their son James John Clarke Higgins was born in 1850. JAMES JOHN CLARKE HIGGINS moved to Brighton East when he married Ruth Simmonds in 1873. The couple lived on Jasper Rd near the corner of Centre Rd for the rest of their lives, and produced eight children HERBERT JOHN HIGGINS was the sixth child born in 1886, to James John Clarke Higgins and Ruth Simmonds, and grew up in Centre Rd, Brighton East, now Bentleigh. He was renting and working a property on Jasper Rd from the time he was married in 1913 to Victoria Matilda Long, daughter of Charles John Long and Annie Matilda Allnutt. Herbert John bought his property on Jasper Rd in 1921. [Metropolitan Board of works plan 3220, Municipality of Moorabbin, shows that in 1928, Higgins Rd was planned (and probably built soon after). Herbert was a dairyman and market gardener. He bred and milked cows and sold milk, cream, butter and eggs to the locals. He supplied hay/corn to be made into chaff to J L Smith’s produce store. He also leased land from other farmers in the area and helped work their land. c1950 he sold the property in lots, some privately, others to the Municipality. Some lots became part of Hodgson Reserve, Higgins Road, Bentleigh, and another lot, the Bentleigh Bowling Club. Herbert and Victoria, known as Queenie, had five children between 1914 and 1928. The youngest Dorothy, who remembered sitting in this pram and later using it to carry papers, wood, vegetable etc., lived on the property in Jasper Road until her passing in 2016. ( Ronald Alexander Higgins, descendant , Helen Stanley CMHS 2017) The family of Dorothy Higgins 1928-2016, were early settlers in Moorabbin Shire establishing a dairy farm c 1873 in East Brighton ( now Bentleigh)Wicker Perambulator, baby carriage, c. 1914, with a lined, painted wicker body, iron spring scrolled frame with leather straps and 4 steel wheels with rubber tyres. The push handle is broken and hood is missing. dairy farms, higgins james joseph, simmonds ruth, higgins dorothy, poultry farms, jasper road bentleigh, city of moorabbin historical society 1961, sheehy t.a., newsletters, ashley r, neville f, blackman n, moorabbin city council, moorabbin roads board toll gates, pioneers moorabin cheltenham, bentleigh, highett -
NMIT (Northern Melbourne Institute of TAFE)Counter, PLUS Japan, Metal counter, c1990s
... Small push button counter used for manually counting, for example, people or enquiries. ...NMIT (Northern Melbourne Institute of TAFE) Small push button counter used for manually counting, for example, people or enquiries. ...Small push button counter used for manually counting, for example, people or enquiries. Source within NMIT is unknown.Small metal counter on round base. White numbers on black background.Manufacturer's name inscribed on side "PLUS Japan"counters, metal counters, nmit, -
Bendigo Historical Society Inc.Clothing - BROWN LEATHER ''BUDDY'' BAG, Leather Buddy Bag, 1930's
... Single leather handle with metal connectors. Push button single lock and clasp. No key. ...Single leather handle with metal connectors. Push button single lock and clasp. No key. ...Brown leather ''buddy'' bag, similar to a gladstone bag. Single leather handle with metal connectors. Push button single lock and clasp. No key. Leather tab on one side of lock. Two pockets in lining of bag.Purple stamp on both insides. Written in pen C.Martin ''FERMANAGH''Pompapiel, 33 keck st.,Bendigo, solid leather 101 imprinted on bottom of bag.costume accessories, male, brown leather ''buddy'' bag -
Bendigo Historical Society Inc.Newspaper - OLD VIOLET SHAFT - THE VIOLET STREET 'VOLCANO' IS NOW EXTINCT
... A front-end loader had been used to push copious quantities of sand and mullock over it....A front-end loader had been used to push copious quantities of sand and mullock over it. ...Newspaper article from the Bendigo Advertiser dated 13/5/67. Article mentions that the fire in the shaft is now out. A front-end loader had been used to push copious quantities of sand and mullock over it.newspaper, bendigo advertiser, old violet shaft, old violet shaft, the violet street 'volcano' is now extinct, bendigo advertiser 13/5/67, mines department, golden square fire brigade, mr frank vincent, violet street state school -
Flagstaff Hill Maritime Museum and VillageCamera
... Manual film changer and push button for shutter. Opens at back with catch to hold, and leather hand strap with "Made by Kodak Ltd London"....Manual film changer and push button for shutter. Opens at back with catch to hold, and leather hand strap with "Made by Kodak Ltd London". ...Camera rectangular "six-20 Brownie C" with wide and narrow angle lenses. Manual film changer and push button for shutter. Opens at back with catch to hold, and leather hand strap with "Made by Kodak Ltd London".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Hume City Civic CollectionBook - School Reader, Victorian Education Department, Playmates, 1952
... The front cover has a silhouette picture in purple, green and cream of a boy with a dog and a little girl pushing a pram. There are 72 pages with illustrations and text throughout....The front cover has a silhouette picture in purple, green and cream of a boy with a dog and a little girl pushing a pram. There are 72 pages with illustrations and text throughout. ...The reader was the second in the series commenced in 1951 and was the official reading text for Grade 1 in all Victorian schools. This series of texts replaced an earlier set of Victorian Readers that were used in schools from 1924. The were all produced and published by the Victorian Education Department and were gradually phased out in the 1980s when different methods of teaching reading were introduced.A school reader with a cardboard cover bound on the spine with two staples. The front cover has a silhouette picture in purple, green and cream of a boy with a dog and a little girl pushing a pram. There are 72 pages with illustrations and text throughout.non-fictionThe reader was the second in the series commenced in 1951 and was the official reading text for Grade 1 in all Victorian schools. This series of texts replaced an earlier set of Victorian Readers that were used in schools from 1924. The were all produced and published by the Victorian Education Department and were gradually phased out in the 1980s when different methods of teaching reading were introduced.victorian education department, school readers, playmates -
The Paynesville Maritime MuseumTool - Caulking irons
... Boat-builders use the irons to push caulking cotton ito the seams between the planks of the hull to prevent water leaking in...The Paynesville Maritime Museum Raymond Street Paynesville gippsland Boat-builders use the irons to push caulking cotton ito the seams between the planks of the hull to prevent water leaking in Set of steel caulking irons Tool Caulking irons ...Boat-builders use the irons to push caulking cotton ito the seams between the planks of the hull to prevent water leaking inSet of steel caulking irons -
Ringwood and District Historical SocietyNewspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria
... Maroondah Councilwill push for road improvements in the north eastern suburbs through a strategy group backed by Vicroads and five other councils. ...Ringwood and District Historical Society 125A Warrandyte Road Ringwood North melbourne Maroondah Councilwill push for road improvements in the north eastern suburbs through a strategy group backed by Vicroads and five other councils. ...Newspaper Clipping from The Mail, 19-3-96, P 5. Councils unite to improve our roads.Maroondah Councilwill push for road improvements in the north eastern suburbs through a strategy group backed by Vicroads and five other councils. The municipalities of Banyule, Nillumbik, Manningham, Whitehorse and Yarra Ranges are also members of North East Metropolitan Regional Roads Strategy Group. -
Ringwood and District Historical SocietyNewspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria
... The committee is pushing for $800 million in state and federal funding to build the road as soon as possible....The committee is pushing for $800 million in state and federal funding to build the road as soon as possible. ...Newspaper Clipping from the ""Mail", 12 May 1998 P5. "Ring road talks"Maroondah councillor and Eastern Ring Road steering committee member Neil Rose last week met State Roads Minister Geoff Craige to discuss funding for the project. The committee is pushing for $800 million in state and federal funding to build the road as soon as possible. -
Flagstaff Hill Maritime Museum and VillageContainer - Bottle, 1840s to 1910
... English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. ...Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. ...Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. ...This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and VillageContainer - Bottle, 1840s to 1910
... English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. ...Body tapers inwards towards base. Push up base has a pontil mark. Base is embossed....Body tapers inwards towards base. Push up base has a pontil mark. Base is embossed. ...This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from an unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, Tall slim gallon style. Applied double collar lip; upper is straight, lower is flared. Lip has bumps around the top. Neck has slight taper towards shoulder, which has a shoulder seam from the mould. Body tapers inwards towards base. Push up base has a pontil mark. Base is embossed.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Lakes Entrance Historical SocietyPhotograph - Street parade on Esplanade Lakes Entrance Victoria c1956
... Also black and white photograph of a horse drawn vehicle and Neil Stewart on push bike during same street parade 05167.1...Also black and white photograph of a horse drawn vehicle and Neil Stewart on push bike during same street parade 05167.1 Festival Transport Black and white photograph of Morris sedan decorated with royal crown and British flag during street parade on Esplanade Lakes Entrance Victoria Photograph Street parade on Esplanade Lakes Entrance Victoria c1956 ...Also black and white photograph of a horse drawn vehicle and Neil Stewart on push bike during same street parade 05167.1Black and white photograph of Morris sedan decorated with royal crown and British flag during street parade on Esplanade Lakes Entrance Victoriafestival, transport -
Bendigo Historical Society Inc.Photograph - KEN BICE COLLECTION: CENTRAL DEBORAH MINE
... Copy of photo: man pushing ore cart. Poor quality image. On back trucking ore in intermediate level below 1270 ft. on Rowe's lode, Central Deborah Gold Mine, Bendigo, 1952. ...History House 11 Mackenzie Street Bendigo goldfields BENDIGO Mining central deborah mine Bendigo Central Deborah Mine ore truck mining miners Copy of photo: man pushing ore cart. Poor quality image. On back trucking ore in intermediate level below 1270 ft. on Rowe's lode, Central Deborah Gold Mine, Bendigo, 1952. ...Copy of photo: man pushing ore cart. Poor quality image. On back trucking ore in intermediate level below 1270 ft. on Rowe's lode, Central Deborah Gold Mine, Bendigo, 1952. This is a digital only photograph.bendigo, mining, central deborah mine, bendigo, central deborah mine, ore truck, mining, miners -
Flagstaff Hill Maritime Museum and VillageContainer - Tin, McKenzies Foods, circa 1930s
... Used for selling McKenzie’s Excelsior baking powder. Container has push-on lid. Quantity of 1LB. NET. Made in Australia by McKenzie Ltd....Used for selling McKenzie’s Excelsior baking powder. Container has push-on lid. Quantity of 1LB. NET. Made in Australia by McKenzie Ltd. ...This tin once contained McKenzie’s baking powder, a cooking ingredient. It was donated with other similar tins that were used by the donor’s mother who was married in 1932. It those times in Australia all manner of household items, including food and drink, were sold by hawkers (salesmen) who travelled from door to door in both suburban and rural areas. The donor remembered the bicarb soda tin on her mother’s pantry shelf. The McKenzie’s Baking Powder label adds the information that the ingredients were “Prepared with Aerophos, Regd. Trade Mark, the finest raising ingredient. A product of Albright & Wilson, Australia Pty. Ltd.” It also says that it “Excels all others in use”. The company began in Melbourne in 1852 and continues today, now run be the fifth generation of descendants from the original owners. This tin originates in the early 1900s from an Australian company that is now managed by fifth generation descendants of the original family after its inception in 1852. The tin increases in significance for its use as a recognised object found in many Australian kitchens since early days. It gives a snapshot into domestic life and social norms of the pre and post war period in Melbourne The tin is significant for its association with a local family in the 1930s for the preparation of family meals. Tin container, cylindrical, with cream and green paper label with gold highlights, motif and text. Used for selling McKenzie’s Excelsior baking powder. Container has push-on lid. Quantity of 1LB. NET. Made in Australia by McKenzie Ltd.Text includes “CLIFFORD LOVE, McKENZIE PTY. LTD.” “McKENZIE’S EXCELSIOR / BAKING POWDER”. Motif: man’s portrait within oval frame with wheat sheaf border, placed below figures of sun, moon and stars. Information and instructions. flagstaff hill asset, baking powder tin, container, flagstaff hill museum, kitchen item, cooking ingredients, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tin, cooking ingredient, food container, grocery, cookery, rising agent, baking powder, mckenzie, mckenzie foods -
Flagstaff Hill Maritime Museum and VillageKnife
... Diver's Knife, rare first class ca. 1900 (wooden handle) Siebe Gorman diving knife, two edge blade, and a push-in brass scabbard. The leather carrying strap is missing. ...Flagstaff Hill Maritime Museum and Village 89 Merri Street Warrnambool great-ocean-road flagstaff hill warrnambool shipwrecked coast flagstaff hill maritime museum maritime museum shipwreck coast flagstaff hill maritime village great ocean road diver's knive knife siebe gorman The blade is imprinted "Siebe Gorman & Co" Diver's Knife, rare first class ca. 1900 (wooden handle) Siebe Gorman diving knife, two edge blade, and a push-in brass scabbard. The leather carrying strap is missing. ...Diver's Knife, rare first class ca. 1900 (wooden handle) Siebe Gorman diving knife, two edge blade, and a push-in brass scabbard. The leather carrying strap is missing. The blade is imprinted Siebe Gorman & Co The blade is imprinted "Siebe Gorman & Co"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, diver's knive, knife, siebe, gorman -
Ballarat Tramway MuseumPhotograph - Colour Photograph/s, Richard Gilbert, c2004
... Mounted colour print, digital printed, onto a foam backing of Alastair Reither, Garry Wood, Richard Gilbert pushing No. 12 back into the depot on 4 road c2004. ...Trams tramways BTM Depot tram 12 Mounted colour print, digital printed, onto a foam backing of Alastair Reither, Garry Wood, Richard Gilbert pushing No. 12 back into the depot on 4 road c2004. ...Yields information about the reconstruction of the body of ESCo 12.Mounted colour print, digital printed, onto a foam backing of Alastair Reither, Garry Wood, Richard Gilbert pushing No. 12 back into the depot on 4 road c2004. Print made 9/2009 for exhibition purposes and laminated.trams, tramways, btm, depot, tram 12 -
Flagstaff Hill Maritime Museum and VillageContainer - Bottle, 1840s to 1910
... English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. ...Uneven base with deep push-up centre with small pontil mark. Scratches and imperfections in glass. ...Uneven base with deep push-up centre with small pontil mark. Scratches and imperfections in glass. ...This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim, Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Neck is slightly bulged and there is a mould seam where shoulder joins base. Body tapers inward to base. Uneven base with deep push-up centre with small pontil mark. Scratches and imperfections in glass. Also encrustations on surface. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Cheese World MuseumTypewriter, 1918 (exact)
... The keys are white with black lettering and silver surrounds. 10 extra push-in keys are situated at the lower front with a decimal tabulator attached to the base. ...The keys are white with black lettering and silver surrounds. 10 extra push-in keys are situated at the lower front with a decimal tabulator attached to the base. ...Black metal typewriter with moveable parts, carriage with a rubber roller. The keys are white with black lettering and silver surrounds. 10 extra push-in keys are situated at the lower front with a decimal tabulator attached to the base. Black and red ribbons on a spool."11" in gold lettering on either side of the keyboard. RX80508 inscrtibed on a disc at the rear.uebergang, allansford, remington, typewriters -
Musculoskeletal Health Australia (now held by the Glen Eira Historical Society)Photograph - Solo photo, Circa 2004
... Everyone is standing up and pushing their fists together in front of their chests. ...Everyone is standing up and pushing their fists together in front of their chests. ...In the early 1990s, the Arthritis Foundation of Victoria began to develop educational programs that would be more accessible to Culturally And Linguistically Diverse (CALD) communities. In this photo, an elderly woman is taking part in an exercise session during a seminar held for the Vietnamese community. A cropped version of this photo appears on page 13 of the Vol 17 Issue 2, Winter 2004 edition of the Arthritis Foundation of Victoria's quarterly magazine, Update. It accompanies an article titled, "Cultural and Linguistically Diverse (CALD)". The photo is not captioned. In addition, a slightly cropped black and white version of the photo appears on page 11 of the 2004 Annual Report. It accompanies a report on the Cultural and Linguistic Diversity (CALD Program).COL close up photo of an elderly woman taking part in an exercise session, with other participants in the background. Everyone is standing up and pushing their fists together in front of their chests. In the background, there are several wooden honour boards up high on the wall.[Handwritten in black ink, then crossed out] NAW 04 [Handwritten in black ink and circled] 17 [handwritten in blue ink and circled] COVERarthritis foundation of victoria, afv, osteoporosis victoria, ov, culturally and linguistically diverse, cald, languages other than english, lote, migrant communities, vietnamese, seminar, c2004 -
Bendigo Military MuseumEquipment - AMMUNITION POUCH, 1967
... Australian Green medium size over the shoulder cotton carry bag used to carry 7.62 mm blank link ammunition, the closure flap has a push stud lock. The ammunition bag was considered a disposable item after use....Passchendaele Barracks Trust 256 Ammunition Cotton Carry Bag "100 On face: 7.62mm BLANK FIA LINK - BDR MF VQ/V67" On back - "Cross" Australian Green medium size over the shoulder cotton carry bag used to carry 7.62 mm blank link ammunition, the closure flap has a push stud lock. The ammunition bag was considered a disposable item after use. ...Australian Green medium size over the shoulder cotton carry bag used to carry 7.62 mm blank link ammunition, the closure flap has a push stud lock. The ammunition bag was considered a disposable item after use."100 On face: 7.62mm BLANK FIA LINK - BDR MF VQ/V67" On back - "Cross"passchendaele barracks trust, 256, ammunition, cotton carry bag -
National Vietnam Veterans Museum (NVVM)Photograph
... PTE John Bryant inspecting push bike 2. CPL Mancer in a BE2-Bomb Crater 3. ...PTE John Bryant inspecting push bike 2. CPL Mancer in a BE2-Bomb Crater 3. ...Three coloured Photograph in black frame with white matting 1. PTE John Bryant inspecting push bike 2. CPL Mancer in a BE2-Bomb Crater 3. FSB Coral clearing enemy bunker 25th May 1968photograph, pte john bryant, cpl mancer, b52-bomb crater, clearing bunker, battle of coral-balmoral -
Tarnagulla History ArchiveTelegram, 1860 (appears to be)
... Message reads 'Cannot move. _____. Push to off in town. but not quite'. ...Message reads 'Cannot move. _____. Push to off in town. but not quite'. Telegram ...A large lot of papers, including this and other telegrams, were apparently found in the ceiling cavity of the Sandy Creek/Tarnagulla Post and Telegraph Office in the later 20th Century, during building works. Donald Clark Collection. Telegram sent from Sandy Creek / Tarnagulla Telegraph & Post Office. From Willie / Nellie Coulter to H.A. Henty Esq, James Henty c/o Melbourne. Message reads 'Cannot move. _____. Push to off in town. but not quite'. -
Flagstaff Hill Maritime Museum and VillageContainer - Bottle, 1840s to 1910
... English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. ...Body with horizontal ripples tapers inwards to base. Push-up base with pontil mark and embossed inscription. ...Body with horizontal ripples tapers inwards to base. Push-up base with pontil mark and embossed inscription. ...This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied, double collar lip; square upper with flared lower. Neck has seams and shoulder seam from 3-piece mould. Body with horizontal ripples tapers inwards to base. Push-up base with pontil mark and embossed inscription. Tape over wire around mouth. Cork remnants inside mouth. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable
