This card was used to identify Russian armed vehicles and provide verbal orders.Royal Australian Armed Corps Commanders Card. Featuring text and illustrations of military vehicles in black on a white background. DEPARTMENT OF DEFENSE / RAAC COMMANDERS CARD / OWG 136 / INTRODUCED MAR 83 NATO STOCK NUMBER: 7530-66 MADE IN AUSTRALIA / 117 / 2417raac, raac comannders card, card, russian vehicles

Robin and Patricia Boyd visited Russia in 1964. A pamphlet containing a map of the city.walsh st library

Black and white, portrait prints of 5 allied leaders with King George centre then, France, Servia, Russia and Belgium. Decorative yellow boarders on a yellow background, flags of each country in colour around King George’s print. Rear of the card has a marked position for a stamp and writing area.postcards, allies

The badge predates 1917 and was a fund raiser in Australia for the war effort. It is one of the many badges produced during World War One.This badge is retained as an example of badges made for gaining funds for the War effort during World War One.Circular painted, slightly concave, metal badge. The front features a cream map of Australia on a blue background. Inside the map is an image of six flags Belgium. France, United Kingdom, Australia, Russia and Italy and red text in a small scroll. Underneath the map is further text. There is a pin clip on the reverse.ALLIES FOR FREEDOM AND LIFEallies, world war one, war effort fundraising

One of a series of postcards from an exhibition of works by Australian Social Realist artists held in Russia in 1960. This postcard is significant to Ballarat as it links to the linocuts Counihan and others produced to commemorate the centenary of the Eureka Stockade in 1954. As this depicts a painting of an event at Ballarat significant in its context to protest for social equality that would be understood by the soviet audience. A link between Australian socialist artists and the Russian political sensibilities of the time.Black and white image of Noel Counihan's painting of Bakery Hill Ballarateureka stockade, ballarat reform league, socialism, australian art, ballarat, russia

One of a series of postcards from an exhibition of works by Australian Social Realist artists held in Russia in 1960. This postcard links to the linocuts Counihan and others produced to commemorate the centenary of the Eureka Stockade in 1954 and was exhibited in Moscow.eureka stockade, socialism, australian art, ballarat, russia

These notes were collected by Mr Alex Pracz who was a member of the Russian Army. He was a Prisoner of War in Germany.Two bank notes from Germany. 1 Mark which is small, square and green, blue and black. 10 Reichsmark is rectangular with white and green text and decoration.german currency, pow

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph

Congratulatory letter received by the Russian Welfare Society from John Landy, Governor of Victoria, on the occasion of the Society's Golden Jubilee.This letter recognises the service that the Russian Welfare Society has given to people in the Victorian community between 1955-2005. The then Governor of Victoria, John Landy (who was also the Patron of the Society) paid tribute to "the commitment, dedication and care for others provided by staff and volunteers".Beige A4-sized letter in a rectangular frame. Embossed gold crown at the top.Title: "From: John Landy, A.C., M.B.E., Governor of Victoria". Features the Governor's signature, dated August, 2005.john landy, governor, victoria, russian community.

A brass gift box with an embossed hinging lid which was presented to WW1 sailors and soldiers for Christmas 1914. The gift was at the initiative of HRH The Princess Victoria Alexandra Alice Mary the daughter of the then King George V and Queen Mary. This box is empty however the full story of the box and contents can be found at the following url < http://collections.iwm.org.uk/server/show/ConWebDoc.994/setPaginate/No >The lid is embossed with the bust of HRH Princess Mary in a wreath with the letter "M" to either side and the following words "IMPERIUM BRITANNICUM" and "CHRISTMAS 1914" and has the country names "FRANCE", "BELGIUM", "JAPAN", "RUSSIA", MONTENEGRO" and "SERVIA". box, ww1, brass, wwi, gift box, princess mary s gift box, present, christmas present

Eugene Onegin an opera in three acts was performed at the Arts centre, Melbourne, by Opera Australia singers, and chorus, sung in Russian with English surtitles. One page A5 double-sidedText on both sides. The King and I side one; Eugene Onegin side 2eugene onegin, opera, jacqueline dark, oa, arts centre, tchaikovsky, singers, nicole car, paulo szot, sian pendry, dominica matthews, kanen breen, james egglestone, jonathan mccauley, adrian tamburini, daniel sumegi, dean bassett, emily ranford, sam colbey

.1) Belgium Flag printed on canvas .2) Italian Flag printed on canvas .3) France Flag printed on canvas .4) English Flag printed on canvas .5) USA Flag printed on canvas .6) Australian Flag printed on canvas .7) Russian? Flag printed on canvas (horizontal white, blue & red stripes)flags, allied

This inkwell is part of a collection donated by Mrs. Jean Raper of Wodonga.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small inkwell with hinged lid. Inkwells such as these were used by naval officers during World War 1. The mark on the lid has been identified as being of either Austrian or Russian origin. KKA PRIV is an abbeviation for Kaiserlicher Konigslicher Adler Privilig – Imperial Royal Eagle Priviledge. This is said to be the Austro-Hungarian equivalent of ‘By Appointment to Her Majesty’.Engraved on inner cover `K.K.A. Priv" with double headed eagle and anchor.vintage inkwells, writing implements, naval equipment

In November 1914, an advertisement was placed in the British national press inviting monetary contributions to a 'Sailors and Soldiers Christmas Fund' which had been created by Princess Mary, the 17 year old daughter of King George V and Queen Mary. The purpose was to provide everyone wearing the King's uniform and serving overseas on Christmas Day with a 'gift from the nation'. The response was overwhelming, and it was decided to spend the money on an embossed brass box, based on a design by Messrs Adshead and Ramsay. The contents varied considerably; officers and men on active service afloat or at the front received a box containing a combinationof pipe, lighter, tobacco and 20 cigarettes and wrappers. Non smokers received a bullet pencil and a packet of sweets instead. Indian troops often got sweets and spices, and nurses were given chocolate.This box is on loan from the grandson of the soldier who it was given to.This box is on loan from Terry Phillips. It belonged to his Grandfather who served at Gallipoli.Princess Mary 1914 Christmas Gift tin. Decorative brass with Princess Mary's profile surrounded by a laurel wreath engraved in the the centre of the lid, with the letter 'M' on both sides. The names of the allied nations are engraved in the corners and on the sides. A sword and scabbard decorate the top side. The lower side is decorated with battleships..At the top a decorative cartouche contains the words "Imperium Britannicum" and one on the lower edge contains the words "Christmas 1914". In small roundels on the corners appear the names "Belgium", "Japan", "Montenegro" and "Servia". "France and "Russia" are written on the short sides.world war one, box, brass box, princess mary 1914 christmas gift, decorative box, anzac, 1914, christmas, gift, princess, mary, russia, belgium, japan, montenegro, servia, france

Cream card. Blue text. On front ' The Mayor of Bendigo and Mrs. W. Beebe, at home 3 - 5 p.m. Town Hall, Bendigo 24.11.15' In centre front elaborate assembly of countries' flags - Russia, Belgium, Montenegro, Canada, New Zealand, South Africa, Australia, Servia, Japan, Italy and France. On back of card ' Programme of music items.'bendigo, council, mayor w. beebe

The play was written in Russia after the revolution in 1928. A satire on Soviet life, productions were banned and after 1934 the play disappeared completely until the 1970s.Translated by Peter TegelThis program contains historical information about both the author and the play as well as reviews from previous audiences :good conditionthe suicide, russell street theatre, program, melbourne theatre company