German Artillery Unteroffizier/Sergeant Epaulette for tropical uniform. Sand coloured with faded yellow braid and red piping.

Date made March 1978Colour photograph of the fishing boat William Rose in Cunninghame Arm, with sand hummocks in background. Lakes Entrance Victoriafishing industry, waterways, ships and shipping

Black and white photo of car in front of a sand dump. Possibly New Monument Gold Mine battery sands.photograph, landscape, mullock and sandy heap.

Black and white photograph showing sand dunes and Hopetoun Channel, Lakes Entrance, Victoria. Sand dunes near entrance Western Pier, hidden by trees. Schnapper Cottage just visible on shore. Bass Strait beyond dunes, trees and shrubbery in foreground Jemmys Point. Lakes Entrance Victoriaislands, topography, waterways

Colour photograph of transfer pump moored to north end of Eastern Pier. Dredged sand on beach showing pipe line from dredge across sand. Scrub on dune, flagstaff and weather station on dune - top left. Entrance and tip of western pier top right. Lakes Entrance Victoriaboats and boating, dredging, beaches

Cast steel Zinc?? alloy? with raised capital letters for use on Tram 760, when it was part of the "Transporting Art" program - "Transporting Art a project by the Victorian Ministry of Transport and the Ministry for the Arts / Tram 760 By Robert Jacks August 1986 Has six mounting holes. Letters were painted in black paint' Two copies held On rear: see belowon rear of one "Red Hot Urgent (S) 59878 Sand blasted" on rear of copy 2 - "(S) Red Hot urgent, 59878"trams, tramways, signs, transporting art, castings, tram 760

Back Lake track is near Metung, East Gippsland.This is a pictorial record of the Gippsland Lakes in the early 20th century.A black / white postcard photograph of a beach scene. Small groups of people are standing on a vegetated sand dune overlooking the water. on front - " Gippsland Lakes via Bairnsdale - the Back Lakes, S. Vogt"gippsland-lakes back-lake-bairnsdale

Photograph taken on the occasion of Back to Phillip Island Day about 1928. Taken from the Bryant West Collection.Black & White photograph of Bryant and Harry West with others. Bryant West on branch at back and Harry West in sand at front.As above plus: Back to Phillip Island Day about 1928.bryant west, harry west, back to phillip island, mary karney

Part of John Jansson CollectionLarge black and white photo of a large ship at, possibly, the Rhyll pier. Tide is out and several large logs are on the sand.Nilrhyll, shipping, photographs, rhyll pier, water transport

U.S. M1 Steel Helmet post WWIISteel with green painted surface of sand & paint with welded rim. Two cotton webbing chin straps with metal bucklesOn front of helmet reads SMILEYu.s. m1, steel helmet

This terracotta clay roof tile was part of a consignment of tiles in the cargo of ANTARES. THE ANTARES In mid-November 1914, after the beginning of the First World War, a young local man went one evening to fish near the Bay of Islands, west of Peterborough. He later arrived home hurriedly and in an agitated state declaring: "The Germans are coming!" His family laughed and disbelieved him, as this young fellow was prone to telling fictional tales. About a month later, on December 13th 1914, local farmers Phillip Le Couteur and Peter Mathieson were riding in the vicinity, checking on cattle. Phillip Le Couteur saw what he “thought was the hull of a ship below the cliffs.” He rode to Allansford and contacted police. The next day, two Constables and Phillip Le Couteur returned to the site, where they dug a trench near the top of the cliff and sank a log in it. To this they attached a rope, which they threw down the cliff face. Constable Stainsbury and Phillip Le Couteur then made the dangerous descent down the rope on the sheer cliff face. They found wreckage strewn around a small cove and a portion of a man's body under the cliffs. The hull of the ship could be seen about 300 metres out to sea. Some of the wreckage revealed the name Antares and the remains of the ship's dinghy bore the name Sutlej. During the next two weeks and with the help of the Warrnambool lifeboat and crew, two more bodies were found. Later investigations proved that the tragic wreck was indeed that of the Antares, reported overdue on the 207th day of her voyage from Marseilles, France, to Melbourne. She was a three masted, 1749 ton iron clipper, built in Glasgow in 1888 and originally named and launched as the Sutlej. Bought in 1907 by Semider Bros. from Genoa, Italy, she was refitted and renamed Antares. It was later realised that the local lad who a month earlier had declared he had seen German guns being fired, had probably seen distress flares fired from the deck of the Antares the night she was wrecked. She was last sailed under Captain Gazedo and wrecked at what is now known as Antares Rock, near the Bay of Islands. She had been carrying a large cargo of roof tiles from France to Melbourne, consigned to Mullaly & Byrne. Many of them are now to be seen amongst the battered and scattered remains of the wreck. Some of the timbers were found to be blackened by fire. An Information Board has been erected on the cliff top near to the site of the Antares wreck, at the end of Radfords Rd, west of Peterborough. (Ref: Flagstaff Hill Maritime Village’s “Antares” fact sheet, Victorian Heritage Database, Information Board at Peterborough, Flagstaff Hill Significance Assessment 2010) The Antares was one of the last of the 'tall ships' to be lost along the south west coast of Victoria, and is the only wreck that took the lives of all people on board. She is listed on the Victorian Heritage Register VHS S34. The Antares is significant as a sail trader carrying an international inbound cargo. It is part of the Great Ocean Road Historic Shipwreck Trail.Part of a terracotta roof tile from the wreck of the Antares Has sand encrusted to bottom of tile. Artefact Reg No A/6.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, antares, tall ship, peterborough, 1914 shipwreck, phillip le couteur, peter mathieson, constable stainsbury, sutlej, antares rock., bay of islands, terracotta tile, roof tile, clay tile, roofing material, building material

Photograph.Black and white photo. Car and truck below sand heap. Possibly New Monument Gold Mine battery sands.photograph, landscape, old mullock heap

A report in "The Spectator" May 4 1927 noted that 300 - 400 men and boys attended the Easter camp.B & W photograph mounted on buff card of a large group of men and boys gathered on sand dunes at Ocean Grove. Young Men's Methodist Camp 1927 Ocean Grovemethodist, camp, ocean grove

One of the activities the children enjoyed at their Williamstown Beach excursion was a snd castle competition, which they are busy constructing.A non-digital photograph of a group of children at a beach by the water's edge and digging in the sand. A rocky breakwater is across the middle distance.school excursions, bulla primary schooil, williamstown beach, sand castles

'Nelly Ruth' came here from NSW by Tom Russell, used for drop lining, later prawns.Colour photograph of the fishing boat Nelly Ruth on the slips at Eastern Wharf, sand hummocks in background. Lakes Entrance Victoriafishing industry, ships and shipping, jetties

Colour photograph of the fishing boat Pamela Star in Cunninghame Arm, vegetation on sand hummocks in background, Lakes Entrance Victoriafishing industry, boats and boating, waterways

04315.1 and 04315.2 15 x 11 cm and 11 x 15 cmBlack and white photograph of part of the township taken from shore of sand hummocks looking across Cunninghame Arm Lakes Entrance Victoria. Also two black and white photographs of Western part of township taken from sand hummocks across Cunninghame Arm cm and 11 x 15 cmboats and boating, fishing boats, houses, township

The photograph is one of a series of photographs taken by Mike Rosel. Photographs P000027, P000028.2, P000029.3, P000030.2, P000031, P000032 are all held by Mike Rosel. This photograph shows Helen Coulson, the first Manager of the Port of Echuca, dressed in period costume, conducting a guided tour for a group of tourists, in the early 1980's. In the background another tour group is being guided through the Echuca Wharf Railway station. Shackell's Bond Store can be seen in the background. Echuca Hotel in High Street can also be seen in the distance. In the foreground there is a pile of sand bags.These photographs are significant because it shows Helen Coulson as a tour guide. It also shows that High Street could be seen from the wharf in the 1980's. These photographs also show the state of the wharf then.2 black and white photographs exactly the same,of tourists standing around a row boat which is sitting on top of the Echuca wharf. The tourists are listening to Helen Coulson, who is dressed in period costume. In the foreground is a pile of sand bags. More tourists can be seen in the background involved in a tour of the Echcua Wharf railway station. Shackell's Bond Store can be seen in the middle background, and Echcua Hotel, in High Street can be seen in the distance.There are no inscriptions or markings.helen coulson, shackell's bond store, echuca hotel, tourism, rosel, mike, echuca wharf

Also 1x Miniature postcard 6cmx8.5cm ' A Glimpse of Lakes Entrance' 01153-4Black and white miniature photographic postcard showing the North Arm Bridge prior 1937; post and rail fence around Kalimna road; township, Club Hotel and stables; jetties in Cunninghame Arm, Methodist Church; and sand hummocks. Telegraph line around hill and across sand flat. Lakes Entrance Victoriabridges, hotels, fences, public utilities

Cult Australian surf travel documentary made by Stefan Hunt and Jonno Durrant as they endeavour to surf 50 states of the United States of America in 50 days (32 without an ocean). Music by Spiderbait, The Wahas and many more. World Premier at the Hayden Orpheum Picture Palace, Cremorne, Sydney on 15th October, 2008.On of the most popular independent surf travel documentaries ever made. Unique insight into surfing and popular culture.Colour cover art of an American flag over a sand, movie title and colour photograph of Johnno and Stefan with the infamous Hurley Van.Movie title, one line synopsisjonno durrant, stefan hunt, surfing 50 states, spiderbait

Black and white drawing of sand dunes. If you are able to provide information on this artist or artwork please use the comment link below. signed lower right "D. Cossar"artwork, sand dunes, drawing, asian, d. cossar

Sepia copy of original. Accompanying text : sunbathing on sand dump at 'The Blue Mine Dam', off Breen Street, Bendigo 1938person, individual, cliff binks, binks, blue mine

This glider type was designed by Jim Maupin in United States in the 1970s. The prototype first flew in 1978. It is a design intended as suitable for amateur construction using wood (principally Douglas Fir and Birch plywood). It is understood that hundreds of sets of plans have been sold. It is not known how many Woodstocks have been built but there are at least 3 flyable examples in existence in Australia. Over time the design has been altered increasing the wingspan from 11.9 metres to 12.6 metres and then to 13.1 metres for Types 1, 2 and 3 respectively. Some builders of Woodstock gliders have also made their own changes to the Jim Maupin design. The construction of the Museum’s Woodstock (a “Woodstock 1”) was commenced by Ken Davies who, due to age related health difficulties, was unable to finish the project. The project was taken over by James Garay and was completed in 2001. It is registered with the Gliding Federation of Australia as GFA/HB123 and allocated letters VH-IKL. It is practically a new aircraft with very few flying hours logged. VH-IKL differs from the original Woodstock 1 design in one respect in that the rear fuselage has been modified to enable the tailplane to be removed for de-rigging. The Museum holds technical drawings prepared by Ken Davies in relation to this feature of the glider. James Garay kindly donated VH-IKL to the Australian Gliding Museum in March 2013. An example of a successful glider-sailplane design for amateur construction from the 1970s.Home built single seat sailplane of wooden construction finished in a light desert sand colour with aboriginal art theme markings.Marked with registration – VH-IKLaustralian gliding, glider, sailplane, woodstock, maupin, davies, garay, woody roo

In May 1968, in the western jungle of Vietnam near Laos, led by Australian Captain J White, 11th Mobile Strike Force Company (MSF) occupied an old French fort on a hill named Ngok Tavak tasked with improving allied intelligence-gathering capabilities in the area. However, with enemy activity increasing, on May 4th, 44 US Marines, 35 CIDG (Civilian Irregular Defence Group) and two 105mm Howitzer field guns arrived as reinforcement from the Special Forces base at Kham Duc. By May 9th, Captain White’s company numbered about 200 men. Although in a good defensive position, coming towards them was the Iron Brigade of the 2nd Division of the North Vietnamese Army (NVA). At 03:00 on May 10th, the attack on Ngok Tavak began. The NVA, led by Major Dang Ngoc Mai, poured through the entrance at the eastern wall quickly occupying most of the fort. By midday the next day, Captain White had lost 40 Nung soldiers and 11 Marines with over 70 others badly wounded. Realising he could not withstand another attack, Captain White decided to abandon Ngok Tavak. Once the wounded were evacuated, Captain White ordered strike aircraft to blast a ‘corridor’ through the surrounding enemy cordon using napalm. By early afternoon, what remained of the defenders escaped through the ‘corridor’ and helicopters eventually flew them to Kham Duc. Colour image of edge of Ngok Tavak fort with soldiers sitting on & walking around sand-bagged foxholes. Jungle & mountains in background.battle of ngok tavak, john white