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Greensborough Historical Society
Folder, Rosalie Bray, Local Scene in Watsonia with Rosalie Bray 1994, 1994_
This local news column details events, people and places of interest as they occurred in Watsonia in 1994.This column was a means of advertising for local community groups and gives a snapshot of the Watsonia area at the time.Spiral bound plastic binder with 20 pockets. Blue title page. Contains photocopies of selected articles from Diamond Valley News 1994watsonia, rosalie bray, diamond valley news -
Greensborough Historical Society
Folder, Local Scene in Watsonia with Rosalie Bray 1995, 1995_
This local news column details events, people and places of interest as they occurred in Watsonia in 1995.This column was a means of advertising for local community groups and gives a snapshot of the Watsonia area at the time.Spiral bound plastic binder with 20 pockets. Blue title page. Contains photocopies of selected articles from Diamond Valley News 1995.watsonia, rosalie bray, diamond valley news -
Greensborough Historical Society
Folder, Local Scene in Watsonia with Rosalie Bray 1991, 1991_
This local news column details events, people and places of interest as they occurred in Watsonia in 1991.This column was a means of advertising for local community groups and gives a snapshot of the Watsonia area at the time.Spiral bound plastic binder with 20 pockets. Blue title page. Contains photocopies of selected articles from Diamond Valley News 1991.watsonia, rosalie bray, diamond valley news -
Federation University Historical Collection
Photograph - Photograph - Colour, Beach Scene, c1980, c1980s
Colour photograph of bathers on a beach, possibly in America. beach, bathers, holiday, coast -
Federation University Historical Collection
Photograph - Image, Scene in the Ballarat Zoological Gardens, c1923
In 1923 the Ballarat Zoo was open 2-5pm daily and 10-5 on Saturday. The entrance fee was 3 pence. When Ballarat pioneer citizen, Ben Jahan, died he left his fortune of nearly 11,000 pounds to the City of Ballarat for the purpose of establishing a zoo.Black and white image of the Ballarat zoo which was situated in the north-west corner of the Ballarat Botanical Gardens Reserve.ballarat zoo, ballarat zoological gardens, ballarat botanical gardens, ben jahn, parks and gardens -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Nicholas John Caire, Scene Watt's River, Fernshaw, 1858-1918
One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD This Space may be used for Correspondence (FOR ADDRESS ONLY) Orange one penny postage stamp with an image depicting Queen Victoria Date stamp/ 8.3.06/ 4AM/ MELBOURNE/ 14 7.3.06 My Dear Em/ I received your kind/ note and will be very pleased/ to go out & see you tomorrow/ but cannot say what/ train I will catch as/ I do not know how/ they run. I will try/ not to miss the train/ though. I heard Vic was/ down will be glad to see/ her love to you both/ Yours in health Mary. Mrs Tribeau/ "Hazel Dell"/ Connell Street/ Hawthornwatt's river, fernshaw, victoria, nicholas john caire, postcard, souvenir -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Nicholas John Caire, Brook Scene at Marysville, 1906
One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD This Space may be used for Correspondence. (FOR ADDRESS ONLY) Postmark/ Geelong/ 22/ Rest is illegible Glad to know you/ are keeping better/ & trust you will go/ on so doing accept/ love & best wishes/ for a happy Xmas/ we will be all/ thinking of you/ Yours M.P. Philip Mip Rittocto/ "Hospital"/ Lt Ryrie St/ Geelongmarysville, victoria, nicholas john caire, brook scene, souvenir, postcard -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, Fred Kruger, Scene on the Watts River near Fernshaw, Unknown
A copy of a black and white photograph on the Watts River near Fernshaw in Victoria.A copy of a black and white photograph on the Watts River near Fernshaw in Victoria taken by Fred Kruger. Fred Kruger (born Johan Friedrich Carl Kruger, 18 April 1831 – 15 February 1888) was a German-born photographer noted for his early photography of landscape and indigenous peoples in Victoria, Australia. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.fernshaw, watts river, victoria, fred kruger, photograph -
Federation University Historical Collection
Photograph - Colour, "NIght Scene" by Almis Podenas, c2000
Winner of end of year print competitionMounted landscape including the night sky.landscape, stars, night -
Kiewa Valley Historical Society
Photograph from Lake Guy, Bogong Village, Scene from shores of Lake Guy to Mountain range, 1930s to 1950s
In 1940 Field Headquarters for the Kiewa Scheme were established at Bogong with office, workshop facilities and accommodation for workmen, staff and some families constructed. (There had been a 'tent camp' on this site in 1939 but was destroyed by bushfires) Construction of accommodation continued until 1947. A total of 40 houses plus a hostel for single staff, post office, police station, medical centre and primary school all with water and sewerage and electricity supply. The staff hostel was known as Kiewa House and is now occupied by the Education Department. Lake Guy was named after Mr. L.T. Guy who was the Resident Engineer in charge of construction work and associated activities on the Kiewa area. He held this position from 1939 to November 1946 when he was transferred to Head Office.The Bogong Township was developed firstly as an accommodation centre (base camp) for construction workers employed under the Kiewa Hydroelectric Scheme. Due to the influx of European workers into the Township the beautification of the immediate surrounds(gardens etc.) had a distinct European flavour. This environment has been very beneficial for tourism in later years. Strict environmental control has not allowed for any extensive redevelopment in tourist accommodation and basically restricted it to the accommodation initially built for the construction workers. Activities such a bike riding, snow skiing, restricted horse riding and bush walking on the Alpine plains and mountains are now a viable part of the Kiewa Valley Tourist Industry. The lake is one of the many water storage storage reservoirs used to supply the power stations their main power to run the huge turbines generating the final product, electricityThis black and white photograph shot from the shores of Lake Guy toward the mountain range of the Victorian Alps details the early construction of the construction worker's accommodation of the Bogong Village. The paper is of 200gms and is not photographic paper and can be assumed to be a reproduction of an original photobogong village circa 1930 to 1950, kiewa hydro-electricity scheme, victorian alpine region mid 1900s -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Photograph, A snow scene at Lebanon, in Syria, showing Australians among the famous cedars. January 1919, Jan 1919
Black and white photo, Eleven soldiers are relaxing on rocks on a hillside with cedars behind.Photograph No B839photo, lebanon, ww1 -
Ringwood and District Historical Society
Painting, Margaret Robbie, Bush scene near East Ringwood sports oval, 1952 - Water colour on paper by Margaret Robbie, 1952
"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Newspaper Clipping, Snow Scene in Ringwood, 1951 - from Ringwood Mail 1954
Written on edge of picture, "'Mail' 13/5/54". Caption reads "Taken from cnr. Wonga and Warrandyte Rds., looking east to East Ringwood" -
Ringwood and District Historical Society
Painting, Olive Vass, "Ringwood Scene 1920" - oil on canvas by Olive Vass, 1920
Framed oil painting on canvas panel depicting railway station and view looking north across main street of Ringwood 1920.Bottom of frame marked "Ringwood 1920". Written on back - "Early Ringwood about 1920" and "Mrs. Olive Vass 27 James Street Ringwood 8701528". -
Eltham District Historical Society Inc
Photograph, Sketch study of street scene
Pencil drawing from a sketch book by Walter Withers. Photograph of pencil sketchwalter withers, walter withers sketch -
Robin Boyd Foundation
Document - Script, Robin Boyd, The Moving Scene: A Piece of Ribbon
This document appears to be a script to be accompanied by music, perhaps for radio, to run for 15 minutes. It relates the story of Fisher's Ghost, starting with housemaid Margaret (later married to John Farley) before her sentence to transportation for life from Britain to Australia. (See items D519 and D520.) Typewritten, quarto, 6 pagesHeavily notated in pencil and black and red pen.fisher's ghost, john farley frederick fisher, george worrell, john georg lang -
Robin Boyd Foundation
Document - Script, Robin Boyd, The Moving Scene: A Piece of Ribbon
This a single page of the first page of the script of Fischer's Ghost story (item D518). Typewritten, quarto, 1 pageSome editsfisher's ghost, john farley frederick fisher, george worrell, john georg lang -
The Dunmoochin Foundation
Oil Painting, Untitled (Mining Scene), 1967
Thick impasto painting depicting a landscape with three male miners. Signed (L.r) 'Eric Stewart 67'.eric stewart, painting, landscape, miner -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - pastel, Margaret Baskerville, Coastal scene, 1912
pastelbeach, coast, margaret baskerville, pastel, bush, tree, landscape -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Jessie Constance Alicia Traill, Beach scene, early 20th century
This work depicts the coast at Black Rock. Figures in early 20th century outfits are dotted on the oxide rocky outcrops in the foreground and beyond the water the hazy Red Bluff cliff dominates the coast.Impressionismoil on canvasbeach, coast, figures, jessie traill, red bluff, bayside, black rock, bathers, port phillip bay, bay, water -
Castlemaine Art Museum
Painting, Albert Hanson, River Scene, 1892
Gift of June Davies, 2004 -
Castlemaine Art Museum
Painting, Ethel Carrick Fox, (French Beach Scene), c. 1910
Gift of Major Basil R.F. MacNay -
Benalla Art Gallery
Painting, Clarice BECKETT, Beach scene, Not dated
Born: Casterton, Victoria, Australia 1887; Died: 1935TonalismGift of an anonymous donor, 1978Seaside landscape with trees, grass and rocks. Old gold coloured timber frame.Recto: Signed “C Beckett” in brown paint l.l.c of composition; Not dated; Not titledseascape, landscape, trees, water, australian art -
Benalla Art Gallery
Painting, Ethel CARRICK, Beach scene, Sydney (Manly Beach), c. 1910
Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Pamela Davies, 2005Seaside landscape with seated figure and figures on sand and in the water.Recto: Not signed; Not dated; Not titledbeachscape, figures, summer, sand, waves, umbrella, australian art -
Benalla Art Gallery
Painting, Charles CONDER, The banqueting scene, Not dated
Born: London, Middlesex, England 1868; Arrived: Sydney, New South Wales, Australia 1884; Lived and worked: France and England 1890-1909; Died: Virginia Water, Surrey, England 1909Heidelberg SchoolGift of Wooleen Pty. Ltd., 1980Architectural setting with figures, food, water and buildings. Unframed.Recto: Signed "CONDER" in red pastel in l.r.c of compostion; Not dated; Not titledpainting, interior, figures, women, feast, table -
Benalla Art Gallery
Watercolour, Nicholas CHEVALIER, Swiss scene, 1886
Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902RomanticismGift of Mrs E.E. Ledger, 1985View from rustic house with two figures overlooking lake surrounded by mountains and trees. Grey brushed stained timber.Recto: Signed and dated "N.Chevalier. / 1886" in brown watercolour in l.l.c of composition; Not titledwatercolour, landscape, waterscape, building, trees, mountains, water, cabin, sunset -
Bendigo Art Gallery
Photograph - Work on paper, Nicholas CAIRE, Scene Taken From St. Paul's Tower, Looking Eastward, 1875
(on mount) l.l; N.J.CAIREwork on paper, photograph, photographer, albumen, sandhurst, bendigo, central goldfields, street, town city, victoria, regional victoria -
Horsham Regional Art Gallery
Painting, Clifton PUGH, Scene, Sturt National Park, 1968
Gift of Mack Jost, 1992 -
Nillumbik Shire Council
Painting: Marjorie SHATTOCK, Untitled (River Scene)
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University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Garden Scene With Pavilion in the Background, 1913
One end of the ponds with a glimpse of the Pavilion on the right, looking in the direction of the Orchard.On reverse, "1913."ponds, pavilion, orchard, 1913, luffmann ponds