This Sister is working at the Control Centre at RDNS Headquarters, 452 St. Kilda Road, Melbourne where she is receiving a phone call which she will transfer to the appropriate staff member in Headquarters, or if appropriate pass the message onto an RDNS Centre to take action. Central Control was based in the Royal District Nursing Service (RDNS), Headquarters and the Sister working there took and directed all incoming telephone calls to persons in Headquarters or to the appropriate RDNS Centre. Each Centre contacted the Control Sister each morning for any messages received over night. She remained in contact with each RDNS Centre during the day, and in contact with Evening staff after each Centre was closed at 6 p.m. Evening staff contacted Central Control after completing their evening visits, and book work, so the Sister in Central Control knew they were safe and had completed their shift before leaving the RDNS premises. Of a weekend, when reduced staff numbers were working, the same procedure was carried out by the Sister working in each Center's office. In the centre of this black and white photograph is a Royal District Nursing Service, (RDNS), Sister, who wears glasses and has short curly hair, is wearing a watch on her left wrist and is wearing her grey short sleeved uniform with an RDNS cotton badge applied to the top of the sleeve. She is sitting behind a desk and is holding a telephone to her right ear; she has a pen in her left hand and is ready to write in an open white paged book. A typewriter is on the left hand side of the desk and a black telephone can be seen on a shelf adjacent to the desk, A framed rectangular mirror can be seen on the left hand side wall. A shelf, with several books on the left hand side, can be seen attached to the upper part of the wall behind the Sister. Below this a large chart is on the wall and a wooden shelf below itPhotographers Stamp. 'Quote No. GE 14rdns, royal district nursing service, rdns administration

A document regarding El Kanah in Marysville that outlines it's purposes. This paper was compiled for The Hon. Fran Bailey as a short outline of El Kanah's work when she opened the restored Tennis and Volley Ball Courts which was a work for the Dole program nominated for a John Howard Award.A document regarding El Kanah in Marysville that outlines it's purposes.This paper was compiled for The Hon. Fran Bailey as a short outline of El Kanah's work when she opened the restored/ Tennis and Volley Ball Courts which was a work for the Dole program nominated for a John Howard Award.marysville, victoria, australia, el kanah, accommodation, christian community, 2009 black saturday bushfires

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.This photographic is part of a series that is historically and aesthetically significant, in that they record the appearance of an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. This is a newspaper photograph, part of a series on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Annotation on reverse: "View showing side of mansion there is a wing running from left hand side. / Owner with her sister Silvia and "the Head".alice figuerola, australian artists, d'estaville, 7 barry street -- kew (vic.)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Window, D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.Annotation on reverse: "Bars on pantry window were for protection against raiding blacks. Retained for historic interest."australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

Black & white photograph of Addie Keating. She is sitting on a chair and is turned towards the camera. She is wearing a lacy, off the shoulder dress with foliage on the front. and holding a sprig of flowers in her hand. She is also wearing a very long, beaded necklace, long hair. The photo is on board. There is a light, drawn rectangle around her head and shoulders.Vincent Kelly. Bendigophoto, individual, female, photograph, addie keating, adeline may keating, vincent kelly

Colour tint photo of a girl. Her dress has 3/4 length sleeves. She is wearing a necklace and watch. She has short hair. In the background is a paling fence and some trees and ivy. She is holding a piece of ivy in her hands. Photo is mounted in a silver, plastic? Type frame with horizontal lines and engravings. The back is black.photograph, portrait, female, foster & wilson collection, photograph

Faded? Black & white photo of a young woman wearing a frilly white dress with a high neckline. She has long, dark hair in sausage curls. She has a necklace with a cross on it and a ring on her left hand. She is standing beside a railing holding a flower. Photo mounted on dark grey cardboard with an embossed frame 7mm from photo.W. Vincent Kelly Mitchell St. Bendigophotograph, portrait, female, foster & wilson collection, photograph, w. vincent kelly

Photograph of 100th birthday celebrations for Mrs Nelson in February 1994. She was being visited by Legatee Bill Smith and his wife Betty.A record of a widow reaching 100 years of age and Legacy marking the occasion with a visit and flowers.Colour photo of the 100th birthday of Mrs Voilet Nelson with L/- Bill Smith and Mrs Smith.Handwritten on reverse 'Mrs Violet Nelson with Legatee Bill Smith and his wife Betty, at her 100th birthday. Mrs Nelson was 100 on 11 Feb 1994. She now lives at the "Belvedere" nursing home, Princes hwy, Noble Park' in blue pen.widows, birthday

Small, head and shoulder portrait of a lady. She is wearing a high neck dress with a frilled lace collar with a brooch at the neck. She has a lace cap on her head. Her dress has embroidery on the front.Richard Keene, Repository of Arts Derby.photograph, portrait, female, portrait of a lady

Hilda was born in Wandin Yallock in 1899 and was the eldest daughter of William and Frances sebire.. She died on 14th August 2906. aged seven years in Wandin Yallock. She is buried at the Lilydale Cemetery.A framed photograph of Hilda Rihoy Sebire 1899 - 1906, taken standing next to a decorative stand with a pot plant fern on top of it. Hilda is wearing a frilly long sleeved white dress with a large collar and tie at the neck. She wears a very large frilled hat with ribbon ties. The decorative gold painted wooden frame has a cream cloth mount with a gold edge around the black and white photograph. Attached to the bottom of the frame is' Hilda Rihoy Sebire 1899 - 1906'. The framer has a sticker on the back, 'TW REF. 3006' portrait photographs, pictures, frames, photograph frames, photograph accessories, family life

This photograph is a visual record of Mrs Wilson who became President of Melbourne District Nursing Service in October 1964 and continued in this role until 1967. She retired from the Committee in 1970. Mrs. E.G. (Hazel Janet) Wilson was involved with fund raising for the Melbourne District Nursing Society (MDNS) from 1930, when she was on the Committee and held positions of Honorary secretary and Honorary treasurer in the Junior Auxiliary of the MDNS and in the MDNS Comforts Fund Branch. In October 1941 she was appointed Honorary treasurer of the newly formed Council of Auxiliaries of the MDNS and in 1943 was on the organizing committee of the Cafe, at No. 43 Victoria Parade, which was run by auxiliary members to raise funds for the MDNS and After-Care Hospital. Mrs. Wilson was appointed Honorary Secretary of MDNS in 1948 and served on the Committee of Management. In 1955 Mrs. Wilson was given a letter sent by Florence Nightingale to her niece - this is now in the RDNS Archives. In 1957 the MDNS and the After-Care Hospital ceased to function as joint organizations. The District Nursing division became the Melbourne District Nursing Service (MDNS) based at 452 St. Kilda Road, Melbourne and Mrs. E. G. Wilson was a member of the first Committee of Management of this organization. By 1963 she was a Senior Vice-president of MDNS. and in October 1964 became the President. She continued in this role until 1967 and retired from the Committee in 1970. Black and white photograph of the head and shoulder view Mrs. E.G. (Hazel Janet) Wilson. who is wearing glasses and has short, light coloured wavy hair. Part of her scooped neck grey frock can be seen and she is wearing a single strand of pearls around her neck.melbourne district nursing service, royal district nursing service, rdns, junior mdns auxiliary, letter from florence nightingale, mrs e.g. (hazel janet) wilson

Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Watercolour painting of a standing woman with short light brown hair, in a green striped sleeveless shirt, a dark green shorts, and green heels, she is at the beach and there are birds in the background.Watermark (1917 UNBLEACHED ARNOLD)alice watson, beach, cape, woman, ballarat technical art school, alumni

DOROTHY SHRIGLEY. MARRIED CRESWICK CHEMIST WILLIAM MAINEORIGINAL PHOTOGRAPH OF DOROTHY SHRIGLEY, SHE MARRIED CRESWICK CHEMIST WM. MAINEDOROTHY SHRIGLEYlocal history, photography, photographs, crick, shrigley, mc lennan, lazarus

Faded? Black & white photo of a young woman. She is standing beside a railing holding a flower. She is wearing a frilly white dress with a high neckline. She is also wearing a necklace with a cross on it and a ring on her left finger. She has long dark hair which is hanging down her shoulder in sausage curls. Photo is mounted on off white cardboard with embossed frame 6mm from edge of photo. Written on the back: With Compliments Yours sincerely Mary Foster 6/4/06.W. Vincent Kelly Mitchell St. Bendigophotograph, portrait, female, foster & wilson collection, mary foster, w. vincent kelly

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of "Sal" the Pier Pony on the Cowes Jetty. Trolley loaded with cargo. Sal had no bridle, no reins and no whip as she knew all there was for a pony to know about the jetty and trolley she pulled along it for fifteen years.local history, photography, photographs, "sal" the pier pony, transport, ponies, cowes jetty, john jenner, bryant west

Small portrait of a lady sitting in a chair beside a small pot plant stand? She has her left elbow resting on it and her hand up to her face. She is wearing a long dress with a jacket over it.Roberts Bros, Sturt St, Ballaratphotograph, portrait, female, portrait of a lady, roberts bros

Small portrait of a lady standing beside a desk? She is wearing a long dress with a high frilled collar and has beads embroidered onto it. She has a small posy of flowers in her hands which are resting on the desk.Humphreys, Paternoster Buildings, Castle Square. Carnarvon.photograph, portrait, female, portrait of a lady

Black & white portrait of a girl holding a Tamborine. She is wearing a white blouse with a dark skirt, stockings, shoes, fingerless gloves and bolero. She has long curly hair. Photo is mounted on dark grey cardboard.W. Vincent Kelly, Mitchell St., Bendigophotograph, portrait, female, foster & wilson collection, photograph

This photograph shows a Melbourne District Nursing Society (MDNS) Trained nurse, 'Nurse' in the 1890s who is giving care to a patient who has collapsed in the street. It depicts the type of conditions the Nurses faced in that era and the uniform she wore It shows the help the Nurses received from the Police in that era and also the style of uniform worn by the police. In 1885 it was recognized that nursing care was needed for the sick poor in inner Melbourne. The Melbourne District Nursing Society (MDNS) was founded in February of that year, the first District Nursing Society in Australia, and it was decided only Nurses who had attended a Hospital Nurses Training School and were fully qualified would be employed by the Society. In those days even though they were trained they were called 'Nurse'. The Society began with one Nurse, and a second employed six months later, working in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. From its inception the Society was at the forefront of health care and liaised with Doctors. They provided high quality nursing care; educated their patients in the curing and prevention of disease; teaching the importance of cleanliness and good nutrition, both by verbal instruction and demonstration, even supplying soup and milk when needed. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bag containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses as necessary. They provided nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered by a Doctor, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. They educated their patients, and their Carers, in the curing and prevention of disease; teaching the importance of hygiene, cleanliness, ventilation and good nutrition. They taught them, by verbal instruction and demonstration, how to make poultices, to make and apply bandages, apply medical appliances such as splints; and the Nurses supplied milk, beef tea and cooked soup when needed. As the work increased a third Nurse was employed but this was arduous work, particularly in the heat of summer and many Nurses only remained with the Society for several months. Black and white photograph of a Melbourne District Nursing Society (MDNS) Trained nurse, known as 'Nurse' in those days, wearing a white apron over her full length grey uniform with white collar seen; she is wearing a white cap. She is sitting on a step at the front of a weatherboard house attending to a man, who is dressed in dark clothing and is wearing a brimmed hat. He is lying on his side on the pavement with his head close to the Nurse and his face turned towards the road . A policeman, wearing his dark uniform and helmet, is kneeling beside the man. mdns, melbourne district nursing society, mdns uniforms, rdns, royal district nursing service, nursing care

Sepia photo of a girl taken from an angle. She is standing in a garden with a paling fence and some plants behind her. She is wearing a dress with 3/4 length sleeves and holding a piece of ivy. She has short hair and is wearing a long necklace. Photo is mounted on beige cardboard with a brown border with darker brown edges then the beige with a darker edge.photograph, portrait, female, foster & wilson collection, female portrait

Sepia photograph of a lady. She is wearing a long, dark dress with a bustle. The bodice is tight and the skirt is pleated. She is carrying a handbag and an umbrella. She is also wearing a feathery type hat which has tie ribbons under her chin. In front of her is a plant. The photo is mounted on cardboard and has a gold line around the photo. 2035 written on the back.J Weller, Maryborough, Victoria. Australiaphotograph, portrait, female, foster & wilson collection, photograph

Letter, dated 31 March '89, from Mary Bachman to Peter Ellis. She enclosed the music to the Sedgwick Quadrille. It was put together by an old violinist who played at dances in the town hall at Bendigo over seventy years ago. She thought his name was Gusler? He also made violins. She also asked the names of some tunes.person, individual, peter ellis oam, peter ellis collection, peter ellis, mary bachman, grisler?, sedgwick quadrille

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.Parent file of the items in the Viola Annie Ayling collection of 1940s, 1950s, 1960s and 1970s ceramics. This parent file includes digital copies of a photograph of the ceramicist and also of her home at 128 Pakington Street, Kew, in 1951 where she practiced her art.128 pakington street -- kew (vic.), ceramics -- victoria (australia), viola annie mcvicars, viola annie ayling

Marion Anne McKellar, the daughter of William Gilbert McKellar and Maria Jones was born in 1838. She married Henry Henty in 1859 and they had 9 children. She died in June 1919. Henry Henty and his wife Marion had ‘Tarring’, Kew built for their family in 1872. The Henty family resided at ‘Tarring’ until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ in honour of its original owners. Full length, sepia toned studio portrait of Mrs Marion Henty (b.1838-d.1919). Mrs Henty is standing, hold holds a book in front of her while looking to her left. She is wearing a lace cap on her head and has a cameo broach around her neck.marion henty, henry henty, tarring, selbourne road, marion mckellar, ruyton girls' school, kew (vic), woman, book, cameo, studio portrait, 1890s

Alice Anderson was Australia’s first female garage proprietor when she opened her all-female business in Cotham Road (Kew, Victoria) in 1917. An authentic, rare original photograph of Miss Alice AndersonOriginal 'snap' of the Kew identity Alice Anderson in her touring car.Inscribed on mount: "Alice Anderson in her Humba - perhaps 1916. She took passengers between Melbourne and Narbethong. KH-40." Inscribed on reverse: "Sports Torquay 1917." and "1918 Miss Alice Anderson The Kew Garage ** Cotham Road. Car hire and service to motors." alice anderson, motor mechanics - kew (vic), motor mechanics - women

Daughter of Herman Strom, a Swedish sea captain and Mary Edington Rule Pyatt with 2 siblings: Eric Strom and Elsa Rule Strom. Born 1892 in Ascot Vale; died 1984. Christine trained as a nurse at the Royal Women’s Hospital for 4 years and enlisted on 24/5/1917 as an Army Staff nurse. Enlistment papers give her religion as Unitarian. Her letters written to her family (“Letters from Salonika”) and her WW1 diary are held at the Australian War Memorial. After marriage she lived at 12 Lock Street from 1923-1981. Married Walter Hugh Bonwick and had 2 sons William James (Bill) and John Edwin. Pastimes: Joined the Scout Movement and became ‘Akela’ to the cubs of Yooralla, Balwyn; wrote prose and poetry and had a book of verse published; entitled “We came in a Freighter”. A black and white photograph of a lady, wearing a long dark coloured dress. She has short fair hair. There is a table beside her and a picture hanging on the wall behind her.nurses, scouts, mont albert, surrey hills, world war, 1914-1918, writer, loch street, miss christine erica strom, mrs christine erica bonwick, assoc prof william (bill) bonwick, mr john bonwick, walter hugh bonwick

Mrs Florence Margaret Tacey (nee Edwards) was the mother of Albert Arthur Tacey. She was born in 1863; died in 1943 in Camberwell. Her husband was William Tacey born in the Buckland Valley near Bright in 1857. There were many members of the Tacey family who were butchers. Various members of the family were associated with Tacey's Butchers at 629 Canterbury Road, Surrey Hills. According to a Context P/L heritage assessment of the property the land on which the business was built "was purchased by Edward Tacey on 16 September 1889. Edward Tacey was a butcher and the Sands & MacDougall street directory indicates that a butcher’s shop had been constructed on the site and was operating by 1890. It seems that the family lived for some time at a house located next door to the shop at 627 Canterbury Road (visible on the 1909 MMBW plan, but since demolished). On 15 June 1920 Edward Tacey transferred all three blocks of land to Joseph Tacey, most likely his son * and also a butcher, who carried on business from the same premises. Joseph Tacey died on 20 February 1933, after which administration of his estate (which included the three blocks of land) passed to his widow, Mary Dorothy Tacey." Edward Tacey (1863 - 1952) was the brother of William Tacey (1857 - 1920). The property passed to Joseph Charles Tacey (1887 - 1933), his nephew and son of William, not his son. His wife was Mary Dorothy Coates. Albert Arthur Tacey was a brother of Joseph Charles Tacey. The SHNCHC has a large framed photo collage of the Tacey butcher's shop at 629 Canterbury Road. It hung in various Tacey family-owned butcher's shops around Victoria before coming back to Surrey Hills. The donor was the daughter of Albert Arthur Tacey (1902-1959). A black and white photograph of an older lady. She has greying hair, is wearing rimless glasses, pearls and a jacket over her dress.surrey hills, butchers, mrs florence margaret tacey, miss florence margaret edwards, william tacey, joseph charles tacey, albert arthur tacey

Small, oval head and shoulder portrait of a lady. She is wearing a high neck dress with a brooch at the neck and a long necklace? Her dress has embroidery and flowers? Sewn onto it. She also has a floral head-dress.T. M. Cleaves, Photographer, View Point, Eaglehawk.photograph, portrait, female, portrait of a lady