See ND2991 for history of kindergarten.Sepia photograph of people stacking hay on a cart at the Forest Hill Residential Kindergarten. Two women with two children standing by with and a man standing on top of hay.forest hill residential kindergarten, kindergarten

Beech Forest railway yards, 1907. Passenger carriage; good's van; boy (half hidden; NQ goods wagon; stacks of timber awaiting loading.beech forest; railway; yard; passenger car; timber; goods wagon;

Wooded debris piled in stacks along foreshore, wooden-post fence separating beach from shrubbery along beachblack and white photograph, copy, unmounted, poor conditionSt. Kilda Baths destroyed by a storm, November, 1862. (Report of storm is illustrated Melbourne Post, 22.11.1862)

Copied from a glass negative; original photo taken by Ian Barkla's father, Frank Leslie Barkla of 37 Grovedale Road. He was a keen amateur photographer and member of the Melbourne Camera Club. There is also a copy by Ken Hall. Date is approximate. The shops between Croydon and Guildford Road were built at the end of the 1920s and occupied immediately. Next north of Whitty's was H Wichell (bootmaker at 146), J T Poynton (butcher at 148), Mrs A Wardell (confectioner at 150), R J Skinner (grocer at 152), W Ives (fruit and vegetables at 154) and W R Latchford (hardware at 156). Black and white photo of the interior of Bill Whittingham's grocery shop at 144 Union Road, Surrey Hills. There is a counter on the RHS behind which there is a man in a white coat. The counter is stacked at one end with goods and at the other there is a glass case. The shelves at the rear of the shop are stacked high and there are multiple advertising signs, including ones for Perservene soap, Ovaltine, Bourn-vita cocoa and Brockhoff biscuits.Label: "I R Barkla. Collection / Location SURREY HILLS / Date ....... / Neg. No 284"whitty's, advertising, shops, grocers, businesses, union road shops, bill whittingham, frank leslie barkla

Front: Tarragal (portside front, paint).port of portland archives, model ship, tsmt tarragal tug

Slide. Specimen Hill, Eaglehawk, west of Sailor's Gully Road. Image taken about 1906. Poppet head, chimney stack, mullock heaps, ore bins.No. 22 on bottom of slidemine, gold, specimen hill (eaglehawk )., bendigo mines-jack hattam collection

Photograph - black and white. - A copy of a photograph. Written on the back of the photo - Victoria Hill - Ballerstedt Claim in centre foreground. Poppet heads in background. Two chimney stacks.place, mining site, victoria hill, mine - victoria hill. ballerstedt

Photo of the Australian Tesselated Tile Co. Pty Ltd Chimney Stack before demolition - looking eastward towards Mitcham Road - interesting view of rails into kiln.brickworks, australian tesselated tile co. pty ltd, chimneys

This slide is part of a collection of visual resources used by Stuart Ascough while conducting training and technical advice at mills in China, India, Russia and Australia. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing wool bales stacked in a warehouse. A man wearing a shirt and tie is standing on the ground in between the bales.wool, industry, australia, australian wool board international wool secretariat, factory, wool bales, training

RAILWAY LINES IN BACKGROUNDSEPIA PHOTOGRAPH OF A GROUP OF 9 MEN, ALL WEARING HATS - CHIMNEY STACK AND CLOTHES LINE AND PROP IN BACKGROUND. MACHINERY TO RIGHT OF PICTURE- SMALL DOG IN FOREGROUND.On Reverse:Church of England - Clunes (crossed out) St. Thomas Aquinas Catholic Church written in pencil. Stamped with Shire of Talbot and Clunes local history, photography, photographs, railway

The photograph taken by either Reverend or Mrs Weller depicts the interior of the Manse: sofas, rugs, artworks on the walls, and a barrister stacking bookshelf.chaplain, manse, sofa, bookshelves, rugs, wood floor, reverend john reginald weller (1880-1969), weller album

The late 19th to early 20th century stone cottage with weatherboard extensions. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. The dome roof in the background indicates a lighthouse, in which case the cottage would have been the living quarters for a lighthouse keeper and assistant keeper. The narrow poles could have been for signals and antennae. The object on the rock stack looks like a large metal milk can.The photograph shows a typical late 19th to early 20th century cottage, abandoned at dilapidated for many years. Black and white rectangular photograph mounted on card. The image shows a dilapidated stone cottage with an old picket fence. Extending behind the stone cottage are gabled roofs above weatherboard walls. The cottage has corrugated roof sheets of different colours, and four chimneys, three with chimney pots. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. Near the fenceline on the left, a corrugated water tank is positioned below a pipe joined to the roof gutter. Nearby are a timber shed and timber walls or screens. In the background are two tall narrow poles with spheres on top, higher than the cottage, with one pole on each side, the left one attached to the building. A domed roof with a knob on top is on the right behind trees. Several angular shapes appear on the horizon on the left, one almost hidden by the trees. The foreground is rocky and slopes uphill on the right. At the foot of the slope is a stack of closely fitted rocks with an object shaped like a milk can on top and an object to its left that is like an open grid. Handwritten Inscriptions are on the reverse side of the photograph.Pencil on board: " D9 / 200 x 150" Pen on sticker: "52"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, cottage, lighthouse, iron roof, stone building, picket fence, water tank, weatherboard building, 19th century cottage, early 20th century cottage, abandoned cottage, antenna, chimneys, milk can

Possibly Station pier Port Melbournesmall b&w landscape photograph featuring a steamship moored at a railway pier, rail siding in foreground and shedding between rails and vessel. The smoke stack is faintly steaming.Handwritten in black ink on album page beneath image: SS Huntingdonss huntingdon, fan album

Stack of Cohns receipts dating from 1893 -96 fastened together. Diverse business houses and companies. Majority have one penny stamp duty stamps attached.bendigo, industry, cohn bros brewery

Slide. Catherine Reef United Gold Mine, Eaglehawk. On LH side, poppet head with elevated tramway . Chimney stack in centre, mine buildings and large shed in background.No. 15 on bottom of slidemine, gold, catherine reef mine., bendigo mines-jack hattam collection

Murrup Laarr translates as 'Ancestral Stones' in Wadawurrung. This artwork by Dr Deanne Gilson is located in the North Gardens Indigenous Sculpture Park. The park is a significant project for the City of Ballarat and features works by Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming, memory, ceremony.The artwork is of aesthetic and cultural, social and spiritual significance to the people of Ballarat and to Wadawurrung peopleA traditional hut made from river stone and stacked rocks, with the hut surrounded by large basalt rocks with plaques featuring unique designs on stoneware plates imbedded into them. Murrup Laarr (Ancestral Stones), 2019 / By Deanne Gilson / Wadawurrung people have always used stones to mark places of ceremony and important business. The stones are the holders of memory and knowledge, Country and Spirit. They mark the cosmos and seasons. They follow the sun, marking the summer and winter solstice, important dates for planting and harvesting and telling stories of past, present and future. / The stones are alive and still present. Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. I am very honoured to have had this opportunity. An Aboriginal stone circle existed in Ballarat pre-colonisation; by putting back what was lost throughout colonisation I pay homage to my ancestors, past, present and emerging”/ – Deanne Gilson, March 2019 murrup laarr, wadawurrung

A black and white photograph of a man shearing a sheep with shears in a farmyard with water tanks in the background with a stack of feed bags. The property if Bayview Farm, Davis Road, Diggers Rest.on back: BAYVIEW / DAVIS ROAD / DIGGERS RESTcullinan, uraina, eileen, diggers rest, bayview farm, chris, davis road, farmers, shearers, george evans collection

Also one other copy same sizeBlack and white photograph of the eastern wharf, known as Harbecks Wharf. It shows stack of filled sacks on wharf, Burrabogie and Wyrallah moored at end of wharf. Lakes Entrance Victoriajetties, waterfront, ships and shipping

Magdala cum Moonlight Mine. Two boys in front of view of mullock heap and mine site with poppet head and smoke stacks in rear of photo.Mine and waste heap with two boys and fence in foregroundstawell gold mining

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The tobacco 'stretcher' was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.The 'stretcher' was used for carrying dry tobacco from kiln to stacking shed and later from stacking shed to the grading benches. 2 tree logs parallel to each other with 2 hessian bags cut into a piece each to overlap down the middle and starched between and held by a plank of wood nailed along at each end. The tree logs are held in position across the middle and behind the hessian by a thick plank of wood.Holes. One piece of hessian has painted in green:- Albury NSW and 5 green rectangles printed on it at the top partly covered by wooden plank.tobacco. mongans bridge. kiewa valley. kiln. shed. parmesan. rossaro. lorenzi brothers.

Photo of four story brick building with brick chimney stack and overhead tramway. Fountain Head Brewery Armstrong. Established by Jens Kofoed Brewery Armstrongstawell industry ararat

Known to have run between London and New Zealand.small landscape sepia photograph of two vessels in the foreground a ferry or coaster moored at small wooden quay and in the distance moored at a pier an ocean going steamship with one stack or funnel.handwritten inscription on album page beneath image: Huntingdonss huntingdon, fan album, ships, port melbourne