Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Probably sugar cane field burn off, far north Queensland, AustraliaMade in Australia / 17 / AUG 66M3 / 6 (Handwritten)queensland, slide

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tea set comprising of teapot, sugar bowl and milk jug. Wheel thrown and decorated with botanical designs. art, artwork, bev wilkins, tafe ceramics collection, tea set

Sugar Works Sandridge 1870. Charles Nettleton photo showing factory building and yard with two chimney stacks.built environment - industrial, sugar works, sandridge

Robert Cochrane, 1843 - 1935, regarded as the "father" of Congregationalism in Victoria was chairman of directors of Brooks Ttnhinsnn Ptv.. Ltd.. and one of the leading personalities of the Congregational Union of Victoria. After having spent two years in Victoria as a member of Brooks Robinson Pty., Ltd., Mr. Cochrane returned to England in 1869. In 1883, he returned to Melbourne. On His return to Victoria he became interested in the work of the Congregational Church, and joined the Augustine Church, at Hawthorn in 1886; he was senior deacon when he died. For many years Mr. Cochrane was a senior member of the committee of the Congregational College of Victoria, and he took a leading part in the development of Congregationalism in this Victoria. Many benefited by his generosity and philanthropy, and his interest in the work of the church was combined with a generous assistance to child welfare organisations, including the Sunday School Union, the Kindergarten Union and the Boys Brigade. [Source: The Argus 4 Mar 1935, pg 8.]Silver plated brass double handle, lidded art nouveau-style sugar bowl with engraving on the front of the bowl."To Mr and Mrs Robert Cochrane A token of high esteem on the occasion of their Golden Wedding 1871 January 31st 1921 From the Firm of Henry Brooks & Company, with whom are associated two senior members from the London Staff Henry Aldridge and Walter Wiles"congregational union of victoria, brooks robinson pty ltd, melbourne chamber of commerce., robert cochrane 1843-1935

Ollie Meritan was the manager for Whiteheads who bought Sloanes Mulwala station on the Murray River. I D Forbes was the Weir Manager at the time and a member of the rifle clubSilver sugar basin. Round bowl with petal shaped edges on a small stand. It has two handles attachedYarrawonga rifle club 1950. Donated by O. Meritan won by I D Forbes

Article from Nunawading Gazette, 24 August 1988 on scarcity of sugar glider possums at Blackburn Lake Sanctuary.wildlife, possums, blackburn lake sanctuary, walters, bryan

C 1960's- Two Brown paper bags with red printing. - "Castor sugar -1 lb net weight when packed"See abovecontainer, bulk purchase, food purchase

Belonged to Mrs. Dorothy Adamson in the 1950'sCut glass (diamond pattern) sugar bowl with two handles and matching milk jug. Two piece set.milk jugs, sugar bowls

Silver Plate with "Presented to PMC and Members 5/6 RVR SGT Mess by WO2 LT Sugars 1985"

House hold item, owned by V. Emmettpewter, sugar, basin

Set of 6 food canisters, with hinged lids and a metal carry handle.1. Flour 2. Sugar 3. Rice 4. Sago 5. 'illegible' 6. Coffeecanisters, food storage containers

Benola Singers Collection, EPNS sugar bowl, part of a set, double handled, hinged lid with black plastic knob.trophies & awards, public events, music

Charles Nettleton photo of Sugar Works at Sandridge in approx 1860. Slightly different view to the 1870 photo cat. no 4093built environment - industrial, sugar works, sandridge

Photographic copy of sketch: Fire at the Victoria Sugar Co. Australian Sketcher 12 July 1875 (digital image on database)'B2' and '13' on backfire and fire services, built environment - industrial, victoria sugar co

Circular net sugar bowl cover. Wire frame. Blue crocheted netting holding crystal, blue and white beadsdomestic items, crockery

Blackburn Lake Sanctuary: Sugar Glider breeding and re-introduction programme. September 1985. Nunawading Parks and Recreation information.blackburn lake sanctuary, wildlife, sugar gliders

These samples were displayed at the Sugarbeet factory. A glass jar of seeds from the same series has also been catalogued.A set of 15 clear glass jars with samples from the sugar making process. They are labelled in order; Cossettes, Pulp, Diffusion Juice, First Carbonator Juice, Lime Scum, Second Carbonator Juice, Thin Juice, Thick Juice, Standard Syrup, Green Syrup, Raw Massceute, Raw Sugar and Molasses.sugarbeet

Paddy Fordham Wainburranga (1932-2006) Area: Arnhem Land Country: Bamdibu (Bumdubu) near Bulman Station As a child, Paddy grew up in Maningrida an Aboriginal community on the top end of the Northern Territory. He started working as a boy around cattle yards, which finally led him to working as a stockman for 20 years. Before this, he spent much of his time hunting and learning culture and customs from his father and uncles. He could remember being taken to a sacred location where he was told many Dreamtime stories of how customs came to be and why Aboriginal people practice them. Paddy was part of the movement for equal rights for all Aborigines, actively involved in claiming Bumdibu as his traditional land for his clan. He resided over this land as Jungai (caretaker, policeman). Paddy was taught to paint by his father but did not begin to paint seriously until the early 1970s. He was also recognized as a story teller, bark painter, sculpture, dancer, singer and musician. He was familiar with Central Arnhem Land rock and bark painting traditions; however he developed an idiosyncratic style which fused the figurative schema of western Arnhem Land with the narrative capacities of the north-east producing dense pictorial paintings divided into sequential segments. A suite of seven limited edition prints using the sugar lift aquatint technique. .1) Yalk Yalk Woman Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .2) Walga Walga Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .3) Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .3) Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .4) Mun Gruk Gruk Woman Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .5 Mun Gruk Gruk Man Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .6) Mun Gruk Gruk Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .7) Lightning Man Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, paddy fordham wainburranga, paddy fordham, wainburranga, printmaking, aboriginal, indigenous, churchill, dreaming