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Surrey Hills Historical Society Collection
Book, Our Liverpool Boys, 2015
Sent to the collection as part of the Centenary of the ANZAC Gallipoli landing, 2015. This publication reveals the stories of everyday civilians-turned-soldiers who served in the trenches and on the front lines, highlighting their vast contribution to the war effort, including those who made the ultimate sacrifice.This publication reveals the stories of everyday civilians-turned-soldiers who served in the trenches and on the front lines, highlighting their vast contribution to the war effort, including those who made the ultimate sacrifice.world war, 1914-1918, miltary history, (mr) cecil alfred ashcroft, (mr) arthur percival attwood, (mr) thomas walter barker, (mr) george francis bell, (mr) lawrence robert hanna, (mr) charles elvin hyland, (mr) john frederick kammel, (mr) joseph harold kemp, (mr) harry boyland, (mr) james ashcroft braithwaite, (mr) walter henry brewster, (mr) william brown, (mr) charles alfred bull, (mr) william francis cloke, (mr) eric gladstone deadman, (mr) george leslie fullagar, (mr) joseph gomes, (mr) eric sydney walpole sealy-vidal, (mr) samuel kirkpatrick, (mr) nathan douglas lackie, (mr) joseph henry leach, (mr) harry learoyd, (mr) charles m mcfarline, (mr) joseph campbell mcmiles, (mr) robert mcmiles, (mr) james unison morn, (mr) edward hugh oprey, (mr) arthur salis, (mr) (henry) studley sealy-vidal, (mr) walter samuel shaw, (mr) walter samuels, (mr) samuel john southwell, (mr) geoffrey gordon steenson, (mr) eric andrew taylor, (mr) alfred charles thorn, (mr) andrew charles thorne, (mr) campbell throsby, (mr) william george waters, (mr) albert ernest wearne, (mr) thomas william garnet whitney, liverpool training camp, holsworthy internment camp -
Surrey Hills Historical Society Collection
Book, Some early influences on Australian Art
Although there was painting from the very early years of Australian settlement, for some time the artists experienced trouble with reproducing Australian conditions. It has taken an input of many artists from many places to form what has become "Australian Painting". A history compiled by SHHS member, Arthur Tonkin.Although there was painting from the very early years of Australian settlement, for some time the artists experienced trouble with reproducing Australian conditions. It has taken an input of many artists from many places to form what has become "Australian Painting". A history compiled by SHHS member, Arthur Tonkin.artists, (mr) theodore brooke hansen, (mr) thomas watling, j a horrocks, (mr) s t gill, (mr) conrad martens, (mr) sydney parkinson, (mr) john lewin, (mr) augustus earle, (mr) wilbraham frederick evelyn liardet, buxtons gallery, (mr) walter withers, (mr) giroloma ballatti nerli, (mr) joseph lycett, (mr) john glover, (mr) thomas bock, (mr) thomas wainwright, (mr) george french angus, (mr) william blandowski, (mr) gerard kreft, (mr) eugene von guerard, (mr) ludwig becker, (mr) william strutt, (mr) thomas clark, (mr) robert dowling, (mr) tom roberts, (mr) fred mccubbin, (mr) louis abrahams, (mr) charles condor, (mr) david davies, (mr) herbert daly, r e falls, (mr) douglas richardson -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Kew Historical Society Inc
Document, Draft of a Bill to constitute the Commonwealth of Australia : copy of federal constitution under the Crown, as finally adopted by the Australasian Federal Convention at Melbourne, in the colony of Victoria on the 16th March, 1898
The Australasian Federation Conference met in Melbourne from 6-14 February, 1890. The National Australasian Convention, met in Sydney, from 2 March–9 April 1891. Debates about the draft Australasian Federal Convention of 1897/8 took place over three sessions: First session, Adelaide, 22 March – 5 May 1897 Second session, Sydney, 2-24 September 1897 Third session, Melbourne, 22 January-17 March 1898This volume formed part of the private library of Malcolm Carkeek, former Archivist of the Royal Society of Victoria, and was donated by him to the Kew Historical Society.29 p. : coat of arms ; 21 cm.Adressed to "Mr Edwin McKereth (sic), Farmer, Avoca".australia - constitution, australia - political history - development -
Kew Historical Society Inc
Book, David Meagher, Fashion speak: interviews with the world's leading designers, 2008
The world of fashion is both highly artistic and highly challenging, with top designers balancing delicately between the cutting edge of creativity and the necessity of running a viable business. In this enthralling collection of interviews, David Meagher talks to top designers the world over, the people whose vision shapes the contemporary and future fashion. The designers—among them Marc Jacobs, Karen Walker, Martin Grant, Christopher Bailey of Burberry, and John Goot—talk about where they've come from, where they're headed, and their philosophy of design. Gorgeously illustrated throughout with full-color photographs from the catwalks of London, Paris, Milan, and New York, this is a fascinating insight into the minds shaping fashion today.North Sydney, N.S.W. : Random House Australia, 2008 281 p. : col. ill. ; 21 cm.non-fictionThe world of fashion is both highly artistic and highly challenging, with top designers balancing delicately between the cutting edge of creativity and the necessity of running a viable business. In this enthralling collection of interviews, David Meagher talks to top designers the world over, the people whose vision shapes the contemporary and future fashion. The designers—among them Marc Jacobs, Karen Walker, Martin Grant, Christopher Bailey of Burberry, and John Goot—talk about where they've come from, where they're headed, and their philosophy of design. Gorgeously illustrated throughout with full-color photographs from the catwalks of London, Paris, Milan, and New York, this is a fascinating insight into the minds shaping fashion today.fashion - history, fashion - interviews, fashion designers -
Kew Historical Society Inc
Book, Cyril Pearl, Australia's Yesterdays: a look at our recent past, 1974
Cyril Pearl provided historical guidance and contributed much of the textSydney : Readers Digest Services Pty Ltd, 1974 360 p. : ill.(some col.), facsims., maps, ports. ; 31 cm. non-fictionCyril Pearl provided historical guidance and contributed much of the textaustralia -- social conditions -- 20th century, australia -- social life and customs -- 20th century, australia -- biography., australia -- social conditions 1901-1970 -
Kew Historical Society Inc
Book, Sydney University Press, Aborigines in Colonial Victoria 1835-86, 1979
General account of pre-contact Aborigines; white colonisation and violent conflict; racial attitudes of early settlers; native police; government policy; mission work; foundation of reserves; Coranderrk.Sydney : Sydney University Press, 1979 viii,227p., 12p. of plates : maps ; 22cm. non-fictionGeneral account of pre-contact Aborigines; white colonisation and violent conflict; racial attitudes of early settlers; native police; government policy; mission work; foundation of reserves; Coranderrk.aboriginal australians -- victoria -- treatment -- history., aboriginal and torres straight islander -
Tatura Irrigation & Wartime Camps Museum
A folder, Memorial to HMAS Sydney Geraldton Western Australia
history of the memorial dedicated to HMAS Sydney. at Geraldton WAA folder containing descriptions and history of the memorial at Geraldton W.A. Also A4 sized photos of various aspects of the memorial.hmas sydney, world war 2, memorial -
Tatura Irrigation & Wartime Camps Museum
DVD, John Burgan, Friendly Enemy Alien, 2006
... for Berlin TV History Channel. Filmed in Sydney, Melbourne, Narua... by John Burgan, an English documentary maker for Berlin TV History ...Filmed by John Burgan, an English documentary maker for Berlin TV History Channel. Filmed in Sydney, Melbourne, Narua, Dunera Jewish refugee internees and Afghan illegal boat people. Discussing circumstances and treatment of coming Enemy Aliens coming to Australia in 1940 and 2001.Clear plastic large DVD case. DVD is sky blue with silver pattern and textjohn burgan, berlin tv history channel, jewish refugees, afghan illegal boat people, documentaries -
Tatura Irrigation & Wartime Camps Museum
Folder, Camp 13 Murchison. Archival material, 1991
A large collection of events in regard to Camp 13. Documents include the names of 983 German POW's in Murchison August 1941 - January 1947. An interesting collection confiscated intelligence report. No 94 included 26 gall of wine, 9 drums of fruit in an advances state of fermentation, flex copper wire, clothing, petrol motor and miscellaneous cameras and wireless parts. A letter by the German Naval Commander to all families of the Kormoran crew. History of German POW's in WW2 by H. Wolf. Both in German. Map 13 B. the 21 September 1942 disturbance in D compound; report in German Sydney-Kormoran; weekly rations; dimensions of a tunnel 15 June 1942. Drawings by Heinz Dohmen - Arandora Star; royal Oak both sunk by u boat ace Gunther Prien, Collins gunner Kloppe; Kormoran at the memorial service for HMAS Sydney; Red Cross reports in German as are letters; Rudi Pruckners escape; the general conditions and the recently found tunnel.Foolscap size folder with pillar box red 3 cm wide flap which extends to the back. On the front red flap is the inscription below. Prominent centre left is Australia with gum trees and sentry box and anti clockwise POW 1941-194. A kangaroo and emu on the top right hand corner. Prison of war and beneath Murchison - Australian.Camp 13 Murchison. Archival material.gustav pohlig, camp 13, murchison victoria, hmas sydney, hsk kormoran, heinze dohman, rudi pruckner -
Tatura Irrigation & Wartime Camps Museum
Booklet, Shipwrecks - diving into history, 2006
Shipwrecks club founded in 1999. This is the final issue - No 25 spring 2006.White paper cover, black and white picture of 2 sailors looking through binoculars on the front.shipwrecks club, hmas sydney -
Tatura Irrigation & Wartime Camps Museum
Document, Eric Eckstein, Dunera News- August 1990, August 1990
The planning of the 50th anniversary of the Dunera Boys and a look back of the history to be held in September in Melbourne, Sydney and Hay.In a clear plastic folder - Dunera News Number 17 August 1990. Above drawing of the Dunera 1940 - 1990, 50th Anniversary. Hay. Fred Lowen A.M on what would be the back page - a drawing of an internment camp Taturaas abovedunera, 50th anniversary reunion -
Tatura Irrigation & Wartime Camps Museum
Folio, Chronicle of the German Internment Camps in Australia, Part 2, 1940 (original)
The original document was written by two German internees from Camp 1, and was found left in the London Club Hotel, Sydney. The document was handed in to the authorities where it was translated and copies forwarded to all Australian Army CommandsRed plastic two ring folder containing 23 photocopied type written sheets.camp 1 organisation, books, history, local -
Tatura Irrigation & Wartime Camps Museum
DVD, History of HMAS Sydney, Nov-13
... History of HMAS Sydney...) in Nov. 2013, regarding history of HMAS Sydney....DVD inside black dvd case. DVD presentation of history... Tatura the-murray DVD History of HMAS Sydney DVD inside black dvd ...Presentation given to U3A meeting (Western Australia) in Nov. 2013, regarding history of HMAS Sydney.DVD inside black dvd case. DVD presentation of history of HMAS Sydney, and sinking by HSK Kormoran. Original lecture presentation given by Commodore Bob Trotter at a U3A meeting.Case front - HMAS Sydney, The Grey Gladiator/Stormy Petrel, Her Story - November 2013|DVD - The HMAS Sydney Story, DVD-Video, Recorded on DVD-R|( Back of case - Description of dvd contents.)tatura, hmas sydney, kormoran, hsk kormoran, audio, visual, technology, accessory, military, history, navy -
Tatura Irrigation & Wartime Camps Museum
DVD, Interview given during a lecture tour aboard the MV Dawn Princess on HMAS Sydney, Jun-13
DVD inside white paper sleeve. DVD recording of interview given during a lecture tour aboard the MV Dawn Princess, June 2013, by Commodore Bob Trotter.'Gone but not forgotten'|HMAS Sydney Cruising June 2013; Commodore Bob Trotter OAMtatura, hmas sydney, kormoran, hsk kormoran, audio, visual, technology, accessory, military, history, navy -
Tatura Irrigation & Wartime Camps Museum
DVD, slideshow presentation of photos of wrecks of HMAS Sydney & HSK Kormoran, 2009
... ) in Nov. 2013, regarding history of HMAS Sydney...., regarding history of HMAS Sydney. tatura hmas sydney kormoran hsk ...Presentation given to U3A meeting (Western Australia) in Nov. 2013, regarding history of HMAS Sydney.DVD inside black dvd case. DVD slideshow presentation of photos of wrecks of HMAS Sydney & HSK Kormoran.Case front - HMAS SydneyII, Photography, Finding Sydney Foundation|DVD - HMAS SydneyII, Photography, Finding Sydney Foundation|( Back of case - Description of DVD contents.)tatura, hmas sydney, kormoran, hsk kormoran, audio, visual, technology, accessory, military, history, navy -
Tatura Irrigation & Wartime Camps Museum
Booklet, No Survivors, 1991
Booklet printed to Commemorate the 50th Anniversary of the sinking of HMAS SydneySoft cover off- white coloured booklet with a picture of HMAS Sydney on the front cover and picture of 2 medallions on the back cover. Black text.ww2, camp 3, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, The Search for the Sydney, 2009
Written by the author to tell full dramatic story of his search for both the Sydney and the KormoranDark blue dust cover with plans of HMAS Sydney on reverse side. Silver and gold text picture of Sydney front and back of cover. Grey/green hard cover book with silver anchor inside a rope circle 26 14 31S 111 12 48Ehmas sydney, mearns d, tatura, ww2, kormoran, books, maritime, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, The Sinking of HMAS Sydney, 1997
... Tatura the-murray Book The Sinking of HMAS Sydney White soft ...Describes all Commonwealth Government archival records that were known to exist on the loss of HMAS Sydney.White soft cover with teal strip down the edge. Picture of HMAS Sydney on front cover together withminute dated 25 November 1941. Black textww2, hmas sydney, camp 3, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, HMAS Sydney. Fact Fantasy and Fraud, 1991
Much had been written about the incident between the HMAS Sydney and Kormoran that was incorrect and the author began to investigate it thoroughly. This book was completed seven years later.Mottled grey/black soft card cover with a picture of HMAS Sydney on the front cover and a wreath laid by members of the Kormoran crew on the back coverhmas sydney, winter b, tatura, ww2, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Booklet, HMAS Sydney, 2000's
Commemorative booklet written about HMAS Sydney II from the time it was lauched, until it and the Kormoran were found on the 16 March 2008 and 12 March 2008 respectively. Australia's biggest wartime mystery was finally laid to rest.Brown/Grey lightweight cardboard with picture of HMAS Sydney II memorial and some crew on a ship on the front and picture of HMAS Sydney II on back.hmas sydney ii, geraldton, kormoran, camp 13, tatura, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Folder - autobiography, The First Eighty Years. Book 2, 1991
History of early Hospital life in Mooroopna, then Melbourne and SydneyFolder containing autobiography of Miss May Wilson 1911 - 1991. Book 2wilson family, documents, biography -
Melbourne Athenaeum Archives
Video - ABC 7.30 Report: The Athenaeum 's 170th birthday, Australian Broadcasting Corporation, Melbourne, Athenaeum building celebrates 170 years, 11/11/2009
Transcript: Athenaeum building celebrates 170 years Australian Broadcasting Corporation Broadcast: 11/11/2009 Reporter: Lisa Whitehead Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth. Transcript KERRY O’BRIEN, PRESENTER: Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne's Athenaeum building has, in one form or another, provided education and entertainment. For the Victorian colonies it became a city and along the way documented its growth. The building's original library and theatre still draw devotees and as Lisa Whitehead reports, a loyal band of volunteers. KEVIN QUIGLEY, ATHENAEUM PRESIDENT: There's nothing like us that has been here from day one, four years after the boat pushed ashore, here we are. It's a thread that runs through the life of Melbourne. LISA WHITEHEAD, REPORTER: In the heart of Melbourne's CBD, the Athenaeum is a celebrity in disguise, the oldest cultural icon in the city, but barely noticed. MARJORIE DALVEAN, VOLUNTEER HISTORIAN: People of Melbourne walk past this area and they have no idea what it is. RAY LAWLER, PLAYWRIGHT: It seemed to me to be a place that absolutely, or breathes Melbourne, I suppose, culture. LISA WHITEHEAD: Just four years after Melbourne was founded, the colony built a Mechanic's Institution, one of the first in the world, a place where the working class could meet and learn. KEVIN QUIGLEY: People think of it as Wild West sort of place where these hearty types drank and rushed about, but Melbourne was freely settled. It was a city of people who wanted to better themselves - entrepreneurs. And the Mechanic's Institution was that innovative idea that had grown up in Edinburgh and London about providing an opportunity for education for the working people. LISA WHITEHEAD: Mark Twain lectured there. Later, other buildings were added and a theatre to host classic plays. And it adopted its more bourgeois friendly title of the Athenaeum. Crucially from the start there was the library, the first to offer affordable lending to the working man. And it still attracts devotees. Former University lecturer Margaret Bowman, 89, comes in every Wednesday, along with her dog to join an enthusiastic band of volunteers sorting through the archives. MARGARET BOWMAN, FORMER UNIVERSITY LECTURER: Doing research is something that I find actually I enjoy more than anything. Every old lady needs to have a project and now I've got a project. MARJORIE DALVEAN: Margaret, Christine has just found out that Alfred Deakin was a member here from 1874 to 1877. This place is not flashy, we've never been flashy. But book lovers walk in here and they know this is the place for them. ARCHIVAL FOOTAGE: Old times and old names. The Athenaeum theatre in Melbourne for more than 40 years has been one of the city's best known cinemas. LISA WHITEHEAD: In the 20th century, the theatre surrendered to the new craze of talking pictures, and one particular fan was famous Australian playwright Ray Lawler. At 13, he dropped out of school to work in a Footscray factory and two years later his first trip to the glamorous Athenaeum cinema hinted at the education he was missing. RAY LAWLER: It just had a style about it which I responded to, I think. I was looking for something and this seemed to be part of it. Ray Lawler went on to write "Summer of the Seventeenth Doll" and found literary fame overseas. About a century after it had started as an educational place for the working man, Ray Lawler had, in effect, become an Athenaeum graduate. RAL LAWLER: If they had been looking for the sort of person that they were hoping to encourage along the way, I suppose I would have been somebody that might have fitted the mould, you know. LISA WHITEHEAD: In time, the cinema was returned to its theatrical roots. FRANK THRING, 1977: It has a great resemblance to the Theatre Royal in Hobart which Larry Olivier has called the best theatre he's ever worked in. And it's almost identical. It is the true Victorian playhouse. The horseshoe shaped thing: stalls, dress circle and gallery. And you're close to the audience and they're close to you. Marvellous feeling. LISA WHITEHEAD: Today, it's still a theatre. But time has brought compromises. The once vaunted art gallery has now covered its windows and become a comedy club and performance space. TV and suburban life have eaten away at the library membership. It offers an online service now, and a recent federal government grant will pay for the upkeep of its gracious interior, including the 1930s elevator Ray Lawler used to ride. For him, it's money well spent on history quietly made and discreetly observed. RAY LAWLER: It's the lack of awareness, I think, that people don't know what they've got here. They've really got the whole history of Melbourne almost. KEVIN QUIGLEY: It was a similar organisation in Sydney but we are the only one that's got a continual lineage on the same spot. We started here and we're still here and we'll be here for another 100 years. KERRY O'BRIEN: Lisa Whitehead on a great Melbourne landmark. © 2010 ABC | Privacy Policy Beginning as the Melbourne Mechanics' Institution in 1839, the Melbourne Athenaeum has a long history that reflects the cultural and social development of Melbourne. It continues to be managed as a not-for-profit organisation by a volunteer board, with a subscription library (maintained since 1839) and a leased theatre.Video broadcast ABC 7:30 Report for 11/11/2009. "Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth."athenaeum, australian broadcasting corporation, kerry o’brien, kevin quigley, lisa whitehead, marjorie dalvean, ray lawler, margaret bowman, frank thring. -
Melbourne Athenaeum Archives
Theatre program, The Doll Trilogy: Kid Stakes/Other Times/Summer of the Seventeenth Doll (play) by Ray Lawler performed by Sydney Theatre Company for The Melbourne Theatre Company at the Athenaeum Theatre commencing 26 July 1985
Cast includes Ruth Cracknell Steve Bisley and Harold Hopkins Sydney Theatre Company Production restaged for Melbourne by Wayne Harrison Program includes a history of previous productions from 1937Coloured programathenaeum theatre, program, programme, the doll trilogy, kid stakes, other tmes, summer of the seventeenth doll, sydney theatre company, melbourne theatre company, ray lawler -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard - Williamstown Botanic Gardens, circa 1900-1924
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard is evidence of the placement of two of the cannons relocated from Fort Gellibrand in 1906 and that they were in place in the Gardens in 1924. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. The image also shows the original Elm Avenue plantings. A sepia scene looking west towards statue of Alfred Thomas Clark, with cannons on either side of statue pointing east down what is known as the Palm Avenue. The statue is surrounded by a white fence consisting of posts and a top rail. The top of the statue is hidden by the branches of the elm trees. It appears that the elms are in the process of either losing their leaves or new leaf growth. A cactus plant can be seen beneath the lower branches of the elm tree of the right closest to the camera. The cannons were moved from Fort Gellibrand to the Gardens in 1906.Front: VALENTINE’S, M.356 ELM AVENUE WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Melbourne, Sydney & Brisbane’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES / POSTCARD’. Top right hand corner is stamped ‘BRANCHES (enclosed in a scroll) / SYDNEY / LONDON / DUNDEE / DUBLIN / CAPETOWN / MONTREAL / TORONTO’ The card is dated ‘29/12/24’ and addressed to ‘Dear Leah Alf & Dad’ signed by ‘Margaret’. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, statue, clarke, alfred-thomas-clarke, cannon, elm, cactus, 1924, fort-gellibrand, 1906, armstrong, clark -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, The Crown Studios, Sydney, c1900-1920
The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A sepia image looking across a path bordered with rocks of a house (the Curators lodge) behind a fence. In front of the fence there is a young girl sitting on a rock with a young boy standing beside her. The house is timber with two brick chimneys, the right hand one half hidden by foliage. The house is federation style with timber battening above the front window. A timber frieze is above a verandah supported by three posts and light coloured brackets. Front: ‘Williamstown Gardens. Vic.’ ‘0457/1’ THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, federation style, crown studios, lee heap furniture warehouse -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, The Crown Studios, Sydney, c1900-1920
The lake was built in 1904, during the curatorship of Mr Thake. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Sepia image of the ornamental lake and part of the Curator’s Lodge in the background on the left side of card. The small island with a succulent is in the centre of the image with a similar plant on the right side of it. The water is edged with rocks. Reflections of the plantings and lodge can be seen.Front: ‘The Artificial Lake, Williamstown Gardens. Vic.’ ‘0457/3’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, ornamental lake, crown studios, lee heap furniture warehouse -
Clunes Museum
Magazine - AUSTRALIAN WOMENS WEEKLY, CONSOLIDATED PRESS LTD. SYDNEY, 17/02/1951
IT WAS FOUND IN THE HOUSE WHERE MRS L. HUDSON USED TO LIVE.THE AUSTRALIAN WOMENS WEEKLY 17.FEBRUARY 1951 WITH PHOTOGRAPH SARA QUADS. PRICE 6 PENCE [5 CENTS]local history, magazine, hudson laura -
Clunes Museum
Magazine, AUSTRALIAN WOMEN'S WEEKLY, Jul-1950
COLOURED MAGAZINE, THE AUSTRALIAN WOMENS WEEKLY JULY 15TH 1950 PRICE 6 PENCE [EQUIVALENT TO 5 CENTS]local history, book, magazine, hudson laura -
Clunes Museum
Artwork, other - LABEL
LABEL , USED ON NECK OF SAUCE BOTTLE.BLUE LABEL, GREY BORDER, WHITE -M- ON RED BACKGROUND.BUYERS HOT (AUST.) LTD. GUARANTEED FREE FROM ARTIFICIAL COLOURINGS ADELAIDE MELBOURNE SYDNEY BRISBANE PERTH CANBERRA A.C.T.10 FL. OZS. NETT.local history, commerce, labels