Showing 847 items
matching weaving
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Morongo Old Collegians
Furniture, Before 1956
Purchased for 12 pounds from the Russell Family who owned a large grazing property between Geelong and Ballarat, by Miss Lucy Shaw. It was paid for by Miss Shaw and Miss Jean Rentoul. Miss Shaw paid for the re-covering which was organised by Mrs Isabel Dellar, Drama Teacher.A dark wood chaise lounge with a rolled back and arms. Re-covered in a dramatic plum and magenta tapestry weave.morongo -
Flagstaff Hill Maritime Museum and Village
Textile - Doily, c. 1910
CONTEXT Embroidered and Crocheted Items This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, oblong white floral pattern weave fabric with crocheted edging. From the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, needlework, crochet, handmade, craft, manchester, linen, haberdashery -
Uniting Church Archives - Synod of Victoria
photograph, c.1956 - 1959
The Girls' Club was led By Sister Lillian Mott 1956-1959 Colour photo of a group of girls and leaders doing basket weaving at the Errol St. Girls' Club North Melbourne. -
Friends of Westgarthtown
Doily
Large open weave diamond knit pattern doily, cream cotton material. Zigzag pattern at increasing intervals.handcrafts, crochet, needlework, doily -
National Wool Museum
Machine - Loom, George Hattersley and Sons Ltd, 1920 - 1935
... weaving ...Weaving is the interlacing of two yarns, one at right angles to the other. Yarns that run the length of the fabric are called the warp. Yarns that run across the fabric are called the weft. Most woven fabrics are produced on a loom. The warp yarns are raised to form an opening - the shed. The weft carrier, usually the shuttle, shoots through the shed. Then the warp yarns change position up and down. Finally, the weft is pushed tight against the previous yarns, gradually building up the fabric. Hattersley dobby loom. In working order, black painted cast iron.weaving, george hattersley and sons ltd, weaving machinery, loom, wool processing, textile industry -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: VERY FINE NET NEEDLE WEAVING EMBROIDERED DOYLEY, Early 1900's
Textiles. Oval in shape, with a scalloped edge trimmed with a fine picot edged braid. The floral ''needle weaving'' embroidery comprises two petalled flowers, with raised bulliow stitch embroidered centres. Leaves and buds on either side of the flowers are also fine examples of needle weaving. Eight tiny buds complete the centrepiece.textiles, domestic, needle weaving embroidered doyley -
Bendigo Historical Society Inc.
Decorative object - CHINA VASE
Blue china vase, 3 cornered basket weave pattern, 3 white china figurines holding vase and forming legs.ornaments, ceramic, vase -
Whitehorse Historical Society Inc.
Document, Camille de Stoop, 2010
Story of the de Stoop family who established a cotton weaving and spinning business in Belgium, then moved the business to Blackburn North (photos).Story of the de Stoop family who established a cotton weaving and spinning business in Belgium, then moved the business to Blackburn North (photos).Story of the de Stoop family who established a cotton weaving and spinning business in Belgium, then moved the business to Blackburn North (photos).de stoop, camille, de stoop, roger, de stoop aust pty limited, best, richard, belgians in australia -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/03/2001 12:00:00 AM
Colour photograph of LERHS member Uta Wohl weaving at her loom preparing for her textile exhibition Lakes Entrance Victoriaarts, businesses, exhibition -
National Wool Museum
Textile - 1992 Barcelona Olympic Games Official Occasions Shorts, c.1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8340.1 - A pair of men's green shorts made from a wool blend fabric. 8340.2 - Green sample fabric with labels attached. 8340.3 - Green sample fabric.8340.1 - on label - FLETCHER JONES 8340.2 - on label - Wool PE. 80:20 PLAIN WEAVE SULZER LOOMolympics, 1992 barcelona olympics, olympic uniforms, wool, fletcher jones, wendy powitt, shorts -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Dish - Portland, Victoria, n.d
White china dish with basket weave sides, gold line rim; view of harbour and baths. 'Portland' in black print above images.Back: Base: Stamp 'Made in Germany'souvenir of portland, portland harbour, public baths -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PHOTOGRAPH OF HANRO WEAVING MACHINE
Photograph of Hanro Weaving Machine: Black and white photo with white border. The photo has two men standing behind the weaving machine showing pulleys and wheels as finished fabric is rolled out at the end. Top left hand side hand printed in blue ink is *MP 360*. On the back is a circular stamp in blue ink of the Royal Bendigo Historical Society of Victoria. Hand printed in black ink is *MP 360 Weaving Machine Hanro Mills Bendigo*. Bottom left is hand written in pencil is the word *Hanro* with a line under it. Box 116Aphotograph, building, hanro, hanro -
Flagstaff Hill Maritime Museum and Village
Ceramic - Vase, 1921-1932
This Japanese ceramic vase was recovered from the wreck of the S.S. Casino (1882 – 1932) between the late 1960s to early 1970s. It is one of the shipwreck artefacts in the John Chance Collection. The design is an example of vintage basket weave pottery. The base of the vase is stamped ‘MADE IN JAPAN’ , which dates its probable manufacture to circa 1921-1932. The vase has side seams indicating that it was made by joining two moulded sides of the vase together, then adding the round base. The coastal trader SS Casino (1882–1932) had a run of almost 50 years along the coast of Western Victoria. She traded goods and food as well as carrying passengers from port to port on her many voyages. This vase may have been included in her cargo or could have been amongst the personal luggage of the people on board. The ceramic vase is an example of ceramic pottery in Victoria the 1930s. The vase is also significant as it was recovered by John Chance, a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The vase is also significant as it is associated with the S.S. Casino, which played an historical role in Western Victoria, providing transport, communication and trade along the coast between Melbourne and Portland in the late 19th and the early 20th century, visiting the ports at Apollo Bay, Warrnambool and Belfast (Port Fairy). The S.S. Casino was the only regular trader with normal passenger accommodation along the West Coast and the only Western District steamship that was in service between 1854 and 1939, and to be represented in the Victorian Heritage Shipwreck register, and to have been wrecked in the Western District, and to have the wreck located, and to be accessible to divers. The wreck of the S.S. Casino, and its associated relics, is considered an important part of Victorian and Australian cultural heritage and is now protected as a Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). Vase, round, cream coloured, unglazed ceramic, basket weave design. Wide mouth, short neck that tapers out to wide shoulders and straight down to round base. Seams on each side, mouth to base. Small handle on each side of vase between mouth and shoulder. Front and back of vase have a plain oval space bordered by a floral design. Inscription stamped onto base. Made in Japan. Stamped onto base in black ink "MADE IN / JAPAN"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, japanese vase, s.s. casino, john chance, vintage pottery, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, west coast trader, apollo bay, captain middleton, basket weave, ceramic -
National Vietnam Veterans Museum (NVVM)
Uniform - Scrim, sweat rag
Standard issue cotton scrim/ scarf was used by soldiers in Vietnam. Colloquially known as a sweat rag.Olive green loose weave, cotton scarf. Material open square pattern uniform throughout with border in tighter knit on both sides of scarf.scarf, soldier, cotton, sweat rag, uniform, vietnam -
Wangaratta Art Gallery
Sculpture, Tulla Carson, Gathering - Desert Tracts and Straight Lines, 2017
Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery CollectionA contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with alpaca fibre, mounted upon a limestone base.tulla carson, sculpture -
Wodonga & District Historical Society Inc
Domestic object - Vintage cane basket
This handmade basket is typical of baskets used for domestic purposes for many years in the early to mid 20th century. It was produced in Australia by Graf's. Wicker baskets were popular at this time as they were light but durable. They were made in a wide range of shapes and sizes, including laundry baskets, storage items in the home, in shops and by travelling hawkers. Wicker was also a common material used for furniture. Vintage baskets by Graf's are still in demand by collectors.This item is significant as it is representative of basketry items popular throughout Australia in the 1960s. This basket was hand-made in Australia and used by a resident of the Wodonga district.A woven cane shopping basket with a wooden base and single bamboo handle. The basket is made from mixed weaving of cane and light-blue strips. Underneath basket: Original GRAF'S Basket Hand made in AUSTRALIA On metal attached to handle: GRAF’S HANDLE BINDING, PAT.PEND vintage cane wear, vintage basket -
Bendigo Historical Society Inc.
Domestic Object - JAMES LERK COLLECTION: BENDIGO POTTERY WICKER COVERED STONEWARE
Pottery brown demi-john, covered in basket weave cane. Basket weave covers entire object, with top visible with cork (broken off) visible. Donor comment: the wicker covering was applied by the pottery's blind workers, they being very efficient at their task. These workers were believed to have been paid piece work. Two gallon capacity Bendigo Pottery product.domestic equipment, containers, bendigo pottery demi-john -
Warrnambool and District Historical Society Inc.
Book, The Romance of Craft, 1929
This book belonged to Mary Norman- Bail (1883-1962). She came to Warrnambool in 1901 and studied art and became an art teacher and artist. She moved to Echuca and then Ararat where she set up a school called The Pathfinder. She became well known as an artist and exhibited her work in the Victorian Artists Exhibitions. In 1922 she married Jesse Bail and had one child named Jessica . Several of her paintings are in the Warrnambool and District Historical Society collection.This book is of considerable interest because of its connection to a Warrnambool artist.This a soft covered book of 88 pages. It has a blue cover with black printing and an image of a weaving loom. It contains printed material and many illustrations and diagrams. The Pathfinder School Ararat St. Andrew's M NORMAN - BAIL Principal and Proprietormary norman- bail, warrnambool -
Sir Reginald Ansett Transport Museum
Hat, unknown
Unknown at this stageAnsett Hostess hat. Navy blue basket-weave nylon narrow-brimmed sunhat style with rounded crown. 1.5cm interior grosgrain ribbon bandNo inscriptions or identifying marksansett airlines of australia, hostess / stewardess, sunhat, navy -
Federation University Historical Collection
Photograph - Black and White, Warren Tiller and the All Purpose Band Graduation, c1995
The All Purpose Band Graduation with the conductor Warren Tiller. Lloyd Stinton is on the cornet, back row, fourth from the right.Formal grouping of students and conductor Warren Tiller. They are standing on the stage in the Mt Helen Campus Founders Hall, with the Ballarat College of of Advanced Education weaving in the background. all purpose band, warren tiller, lloyd stinton, music, band, brass instruments -
Uniting Church Archives - Synod of Victoria
Accessory - Woven bag, c1850s
From the collection of the Rev James Watkin. From the collection of the Rev James Watkin. The Rev James Watkin, 1805-1886, was a Pioneer Wesleyan missionary. He was born in Manchester, UK, in 1805. In 1830 was accepted as a candidate for the Wesleyan Ministry and married Hannah Entwistle. They sailed with a missionary party to Tonga. The work of the mission was jeopardised by prolonged and involved struggles between Christian and non-Christian Tongan chiefs. He left with his family for Sydney in September 1837. He was offered a free passage for a missionary appointed to Waikouaiti, New Zealand and arrived there in May 1840. He established the first mission station in the South Island of New Zealand. Watkin established schools at Waikouaiti and Matanaka, and stationed partly trained Maori teachers at Stewart Island and at Moeraki. He had a natural flair for languages, preached in Maori four months after his arrival, and compiled an elementary reading book to be printed in Ngai Tahu. Watkin was relieved by Charles Creed and inWatkin finished his posiion in Waikouaiti in June 1844 when he sailed for Wellington, leaving 227 church members in Otago. In 1855 Watkin settled in New South Wales, Australia, and was president of the National Methodist Conference at Adelaide in 1862. He retired in 1869 and died on 14 May 1886, at Ashfield, New South Wales. Source: https://teara.govt.nz/en/1966/watkin-jamesMid nineteenth century cylindrical woven carry bag with a lid attached and a platted handle. The bag has a brown pattern within the weaving at the top and bottom.rev james watkin, pioneer wesleyan missionary -
Wangaratta Art Gallery
Sculpture, Tulla Carson, Gathering - How to Walk in Two Worlds, 2017
Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery Collection. Purchased with funds from the Friends of Wangaratta Art Gallery.A contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with raw cotton fibre mounted upon a limestone base.sculpture, textile, tulla carson -
National Wool Museum
Creel
Used in the weaving process. -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: DOUBLE DAMASK TABLE RUNNER/COVER WILL PULLED THREAD EMBROIDERY, Early - mid 1900's
Textiles. Damask weave fabric, with a design of a rose, with buds, and two stems of leaves, and a lovely soft sheen. Two bands of six zig zag peaks, are made by using pulled thread embroidery, and form a border either side of a row of pulled threadwork diamond shapes, 7 cms x 7 cms. This decorative border is at each end of the runner, which also is completed with a 12 cm deep fringe. A geometric patterned weave forms the background to the pulled thread embroidery, while a single rose and bud weave is tucked into each zig zag, and a scroll design features at each fringed end.textiles, domestic, double damask table runner -
Bendigo Historical Society Inc.
Domestic Object - JAMES LERK COLLECTION: BROWN POTTERY DEMI-JOHN, WICKER COVER
Bendigo Pottery brown demi-john, covered in basket weave cane. Basket weave covers sides of object only. Donor comment: the wicker covering was applied by the pottery's blind workers, they being very efficient at their task. These workers were believed to have been paid piece work. One gallon capacity. Missing. Unable to be located at History House. 27/08/23 -
Federation University Historical Collection
Document, Waller and Chester, Ballarat School of Mines and Industries Ballarat: The Art School, c1948, c1948
... Weaving ...Entrance requirements for a full-course student was an Intermediate Certificate of equivalent. The Certificate of Art was a two year course of basic study to enable students to undertake a further two years of specialised training in a chosen field of art. The Diploma of Art was a two-year course of specialised training available to students, who have passed the Certificate of Art Examination or its equivalent. Candidates of the examination must be at least 19 years of age, must have completed two years' full -time training or not less than three years' part-time training, and must present for the Matriculation examination for English Expression. Part-Time classes at the Ballarat Technical Art School c1948 were: Day: Dressmaking, Weaving, Leatherwork, Pottery, Metalwork, Painting, Sculpture, Junior Art. Evening: Dressmaking, Weaving, Leatherwork, pottery, Metalwork, Painting, Sculpture, Ticket Writing, Lettering, Figure Drawing. Two fold, 6 page information flyer on classes held at the Ballarat Technical Art School. The Art school offered Diploma of Art, Certificate of Art and Part-time classes.ballarat technical art school, art, diploma of art, certificate of art, part-time classes, syllabus, design, scholarships, diploma of art in pottery, diploma of art in advertising, art education, dressmaking, weaving, leatherwork, pottery, metalwork, painting, sculpture, junior art, dressmaking, weaving, leatherwork, pottery, metalwork, painting, sculpture, ticket writing, lettering, figure drawing -
National Wool Museum
Machine - Loom, George Hattersley and Sons Ltd, 1920 - 1925
... weaving ...Weaving is the interlacing of two yarns, one at right angles to the other. Yarns that run the length of the fabric are called the warp. Yarns that run across the fabric are called the weft. Most woven fabrics are produced on a loom. The warp yarns are raised to form an opening - the shed. The weft carrier, usually the shuttle, shoots through the shed. Then the warp yarns change position up and down. Finally, the weft is pushed tight against the previous yarns, gradually building up the fabric. Hattersley treadle loom (revolving box hand loom). Beam of loom was removed and sent to Foster Valley Mill in 1989 to be returned via Tom Crocker. The National Wool Museum gratefully acknowledges the contribution of Mr Fred Murgatroyd & Mr Bernard Tolan in making this Hattersley Loom Operational. Green painted Hattersley treadle loom (revolving box hand loom).weaving, george hattersley and sons ltd, weaving machinery, wool processing, loom, restoration -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Scarf
Green cotton open weave wide scarf used by soldier as a sweat rag. Gold trimmed blue material insert badge used to secure scarf together.scarf, clothing -
Stawell Historical Society Inc
Textile - Costume and Accessories
Fine Cream Woven Woollen Stole. Fine weave edges hemmed. Tassel finish at ends. Woven silver thread. Two groups across each end.stawell clothing material -
Whitehorse Historical Society Inc.
Leisure object - Knitting Bag
From the Till collectionCream open weave knitting bag. Pleated front, over covered wooden bar, button and loop to close. Embroidered in cream cotton material with inside pocket.costume, female, handcrafts, knitting