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Federation University Historical Collection
Photograph - Photographs - Colour, Renaming of the Wimmera Campus Library to Werrunangita larr Wimmerata, 2019, 11/2019
The dual-naming of the Wimmera Library took place in November 2019, and includes a name in local Wergaia language. The Horsham Campus is now known as “Werrunangity larr Wimmerata” (pronounced: Wherroon narn kitch – larr – wimmerartar) meaning “a quiet place in the Wimmera.” The official naming took place in the presence of Professor Helen Bartlett (Vice Chancellor who was joined by Aunty Jennifer Beer, Uncle Rob Fry, Geoff Lord (Horsham Campus Director) , Sue Owen (Library Director), Jasmine Graham (Manager of the Aboriginal Education Centre), Keith Caldwell (Facilities), Katrina Beer and artist Tanisha Lovett. This naming was the result of extensive teamwork and community consultation between local Aboriginal Elders, land councils, our Aboriginal Education Centre, as well as library and campus leadership. It is just one of the ways in which we are progressing our University’s Reconciliation Action Plan. Federation University librarians stand new artwork and signs for Werrunangita larr Wimmeratawerrunangita larr wimmerata, horsham campus, library, librarians, ann jardine, women -
Victorian Aboriginal Corporation for Languages
Map, Country Fire Authority, Region 17 rural directory : Wimmera area, 1997
mapshorsham, wimmera, west wimmera, hindmarsh, yarramback, grampians, fire protection, emergency services, victorian regional maps -
Orbost & District Historical Society
book, Wimmera Star, Memories of the Great War, 1916
This book of poetry was written by war poet, Violet Bertha Cramer. It is a record of an Australian civilian woman’s perspective on war. The initials are G. K. Cameron, for Grace Kerr Cameron - Grace Charlotte Kerr Cameron. She was the twin daughter of James Cameron and Jane (Jean) Moffat. Her twin sister was Agnes Helen (Nell) Cameron, and her one brother was Harry Purchase Cameron (Roma Smith's father). Another brother Archibald Peter CAMERON, died aged 7. There is a family photo of Mrs Jane Cameron and the twins in the garden of the family home "Carinya". Grace and Nell lived in the family home following the death of their parents. Grace and Nell both died in 1940, then Roma and Ron SMITH lived at "Carinya" after their marriage in 1944. Lorraine and Peter COULTON's home is now on the site. (information from John Phillips and Margaret Smith). There was a lot of material written by Australian civilian women during the First World War. Violet B. Cramer was one poet who contributed to a valuable record of Australian civilian women’s perspectives on war. A small book with a buff coloured cover, titled Memories of the Great War written by Violet B. Cramer. Print is black. The book contains poetry on WW1.on front cover - G.K. Cameron, Carinya, Orbost.ww1 great-war cramer-violet-bertha poetry -
Stawell Historical Society Inc
Book, Wimmera Design & Print, Pomonal Bushfires
Stories as told by those who were there. January 22-27 2006 Compiled by J.W. & S.G Copemt luba bushfire, bushfire environment -
Stawell Historical Society Inc
Book, Wimmera Mail Times, Stawell's Gift, Sprinting through 125 Golden Years, 2002
stawell athletic sport -
Stawell Historical Society Inc
Book, Ruth Pickering, William Perry Families 1779-1987 : Author Ruth Pickering, 2017
Cream & Green Soft Cover Insert Title in Orange with Black writing. A Short Family History by Ruth Pickering Includes family George &Christina Perry2017stawell, family history -
Stawell Historical Society Inc
Book, A.K. Campbell, The Fruitful Years - History of Marnoo 1873-1973 - Previously Cat No 3648, 1973
This book was authorised by the Marnoo Centenary Celebration Steering Commitee on the occasion of the Centenary of arnoo 1873-1973Blue cover with gold writing.on Cover in Gold: The Fruitful Years On Spine in gold: The Fruitful Years - Campbellstawell -
Stawell Historical Society Inc
Photograph, Stawell Ladies Cricket Club Premiers of the Wimmera District 1908
Stawell Ladies Cricket Team 1908 From Article Published Weekly Times, Sat 20 June 1908, P25Group portrait of ten ladies in matching white blowers with neck ribbon and older lady in darker dress seated at centre holding what appears to be a trophy. Two men at back.STAWELL LADIES CRICKET CLUB : PREMIERS OF THE WIMMERA DISTRICT FRONT ROW from left to right - M. Ross, M. Llewellyn SECOND ROW - J. Hawes, E. Heal (capt), Mrs Bush (pres.), Mrs Proctor, Mrs Neilson THIRD ROW - A. Lugar, E. Llewellyn, H. Hartley, H. Llewellyn, R. Heal MESSRS C. Proctor (scorer) W. Maddocks (umpire)stawell sport -
Bendigo Historical Society Inc.
Slide - MOUAT CRAWFORD COLLECTION: FARMING IN THE WIMMERA, c1960s
MOUAT CRAWFORD COLLECTION - Farming in the Wimmera. Cropping with a Massey Ferguson header. Used as a teaching aid.Perutzagriculture, farm, wimmera -
Nhill & District Historical Society Inc.
Book - Wimmera Shire Centenary
Includes brief history of tribes (esp. Jardwa) in the Wimmera area; contact with settlers and decline of Aborigines; place names. Wimmera Shire Centenary: An historical Account. complied by Leslie James Blake, K. H. Lovett; 104 pages.jardwadjali language s27, language - vocabulary - place names., settlement and contacts - settlers., economic sectors - agriculture and horticulture - pastoral industry., settlement and contacts - colonisation - 1788-1850., politics and government - local government., wimmera (vic.) -- history., western victoria -
Bendigo Historical Society Inc.
Document - The Wimmera Forest Nursery
This document was part of a media campaign to have Mr. Gray, the boss, of the nursery at Wail reinstated to that position after being forced to retire. the media campaign was successful.A five pages typewritten document titled: The Wimmera Forest nursery and what it has to offer to Northwestern tree growers by L. John Ellison. The document was sent to the editor of the Educational Magazine in Melbourne. Part of the Aileen and John Ellison collection.On front page in pencil: Mr. Graywimmera, wail nursery -
Flagstaff Hill Maritime Museum and Village
Clothing - Chemise, Eliza Towns, Late Victorian era
This chemise is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This chemise is machine sewn by Eliza Towns and she has added pintucks and broderie anglaise lace as a decorative element. A chemise was usually a sleeveless garment made of linen or cotton (so they could be easily washed) and its shape was much like a modern day nightgown. The name comes from the French word for "shirt" or "shift". Women wore chemises next to the skin (under the corset) to keep stains and odors away from the less washable corset and gown.This item is an example of the needlework skills of women in the mid to late 19th century - combining machine stitching with hand embroidery to personlise and embellish an item of clothing. It is also significant as an example of a practical solution to the difficulties of needing to regularly hand wash a bulky outer garment or gown in the Victorian era.A white cotton, short sleeved, knee length chemise. The fabric at the front is gathered on a yoke which is decorated with bands of five pintucks alternating with broderie anglaise lace and embroidered strips lined with pink ribbon. A different broderie anglaise design decorates the sleeve edges, neckline and center broderie anglaise strip. The back of the chemise is gathered on to the neckline. There are two bands of pintucks on each sleeve. The fabric around each armhole has been strengthened with another layer of cotton and a length of cotton has been added (from the left shoulder to the hem) to increase the width of chemise.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, south west victoria, victorian era, victorian era undergarments, chemise, victorian era chemise, undergarments, pintucks, victorian chemise, eliza towns, nhill, wimmera, home sewing, machine sewn, hand made -
Flagstaff Hill Maritime Museum and Village
Clothing - Nightgown, Eliza Towns, circa 1890's
This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing -
Flagstaff Hill Maritime Museum and Village
Clothing - Child's dress, Eliza Towns, Late 19th century
This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns -
Flagstaff Hill Maritime Museum and Village
Clothing - Corset cover, Eliza Towns, Mid to late 19th century
This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover -
Federation University Historical Collection
Photograph - Group portrait, World Skills Australia Ballarat/Wimmera Team, Sydney 2008, 2008
A group portrait of twenty University of Ballarat TAFE students who competed in World Skills Australiaworld skills australia, alumni, tafe -
Federation University Historical Collection
Booklet, Wimmera Institute pf TAFE Financial Statement for Year Ended December 1996, 1996
A4 stapled reportwimmera institute of tafe -
Bendigo Military Museum
Book, Horsham Historical Society Inc, Wimmera - Mallee Volunteers To The Boer War 1899 - 1902, 2001
Book, soft cardboard cover, brown colour print on front & spine, sepia colour photographs of soldier in uniform - CORPORAL JOHN LIVINGSTON on light grey background. Black ink stamp front flyleaf, contents, book cover inside: RSL Stampbooks, local military history -
Federation University Historical Collection
Plans, Wimmera College of Technical and Advanced Education, 1983
.1) 14 pages bound printed plans: Developed Sketch Plans for Horsham Technical School .2) Duplicate as above wimmera college of tafe, horsham technical school, plans, architectural plan -
Federation University Historical Collection
Booklet, Central Highlands/Wimmera Regional TAFE Board Annual Report, 1986-87, 1987
Brown soft covered booklet of 16 pages. tafe, central highlands/wimmera regional tafe board, annual report, glen ludbrook -
Federation University Historical Collection
Booklet, Student Connect: Ballarat and Wimmera Campuses 2015, 2015
Small booklet introducing student services and support at Federation University. Information included" * Careers and employment * Scholarship and Financial Aid * Chaplaincy * Student Counselling * Student Health Centre * Disability Liaison Unit * Student Advisory Service * Student Legal Service * International Students * Culturally and Linguisitic Diverse Support * Leadership and Volunteering * Clubs and Societies * Events and Activites * Sport and Recreationsfederation university, ballarat campus, wimmera campus, student support, jeannie king, chaplaincy, scholarships, financial aid, disability liaison unit, international students, clubs and societies -
Federation University Historical Collection
Booklet, The Progress of Planning for Wimmera TAFE College, 1979, 01/1979
White soft covered book. Ballarat School of Mines Planning Document 6.79ballarat school of mines, wimmera tafe college, wimmera college of tafe, j.l. turner -
Horsham Regional Art Gallery
Photograph, Polixeni PAPAPETROU, Wimmera #1 1864, 2006
Purchased through the Horsham Art Gallery Trust Fund, 2006 -
Horsham Regional Art Gallery
Print, Heather BURNESS, Journey to the Wimmera (night driving) / layers in the sand / skin, 2007
Purchased through the Horsham Art Gallery Trust Fund, 2008 -
Horsham Regional Art Gallery
Print, Heather BURNESS, Journey to the Wimmera / layers in the sand / skin, 2007
Purchased through the Horsham Art Gallery Trust Fund, 2008 -
Horsham Regional Art Gallery
Painting, Sidney NOLAN, Wimmera, Mt Arapiles, 1942
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1984 -
Horsham Regional Art Gallery
Photograph, Barry KIRSTEN, Wimmera River, Quantong, 1984
Gift of Mrs B. Meagher, 1985 -
Horsham Regional Art Gallery
Painting, Arthur BOYD, Wimmera farm, 1950
Purchased through the Horsham Art Gallery Trust Fund with the assistance of a number of local businesses and individuals, 1985 -
Stawell Historical Society Inc
Photograph, Belmont College Stawell on the corner of Campbell & Wimmera Streets
Belmont College - Group near See Sawstawell -
Stawell Historical Society Inc
Photograph, 1985 & 1997 Renovations to 28 Wimmera Street. Stawell Medical Centre
1985 Addition of new wing 1975 Modification and Reception Area Two Photos show Dr Norman Castle One showing the modifications to waiting room. One showing the reception area The other showing some of the staff of the Medical centre Red photo album with Gold Embossing. A Selection of 5 Photographs from the album