UNK Woman with rose bushphoto/pictures, ballarat rsl, ballarat

Stone Sculpture of a woman's head.Nonematcham skipper, sculpture, stone, woman

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a nude woman. art, artwork, neville bunning, bunning, nude, available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Pen and ink portrait of a woman.art, artwork, portrait, woman, neville bunning

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of a woman with hair braids.graeme drendel, printmaking

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Painting of a woman holding a flower signed: CM Pattenden 2006 (lower left)

Photograph of a older woman in a hatellen sammon, ellen salmon

Heidelberg Golf Club: 75th anniversary - Josie, HGC staff. 16 August 2003.Colour photograph of woman dancing75th anniversary celebrations, 75th year, heidelberg golf club - history, office staff

Vera Frost in AWL Uniform later married Gil Gunning 1939 -1945Woman in uniform with AWL on sleevePost Card W. J. Chapman Photo Stawellstawell ww2

A covered folder containing short stories relating to dogs. Sources are 'Woman's Journal,' 'Woman's Realm,' Woman's Pictorial,' 'Woman,' 'The New Idea,' 'The Australian Journal,' 'Wife and Home,' 'Shell House Journal,' 'The Sun Weekend Magazine,' 'Australian House and Garden' and 'New Zealand Home Journal.' 1928-1959.lydia chancellor, collection, ephemera, animals, dogs

Sepia Photograph: A man and a woman playing chess, the woman is moving a piece. Written on back 'Mum and Daddy on verandah, Cairns.person, group, family portrait, elma wells (mum and dad)

Compendium used for correspondence during WW2This may have belonged to noted war correspondent and journalist Denis Ashton Warner 1917-2012. See notes section.Brown leather writing compendium containing two Japanese occupation $100 notes, three postcards, one newspaper clipping and 34 photographs of various subjects.Six of the photographs have writing on the back in two different hands. The postcard of a young woman is also inscriped.world war 2, ww2, second world war, postcards, photographs, military, japanese currency

Murray Comrie Collection. Murray Comrie's information about Renshaw's to be added. The Golden Age Hotel is visible to the right of Renshaw's store. This photograph is a fair copy created from an older original.Monochrome photograph of people standing outside Renshaw's Manchester House Store in Tarnagulla. A woman at far left, small group with elderly woman and man with woman and two small children. A young man at far right.'Renshaw's Manchester House Commercial Road TARNAGULLA' handwritten on front. On reverse, several handwritten captions including: 'Taken over some time prior to 9.1.1886' and 'Photo about 1905 - Golden Age on right, orig. with A.M. Renshaw'.tarnagulla, renshaw's, renshaws, renshaw, shops, businesses, commercial road

Sepia photograph: man and woman sitting on a verandah, the man is reading while the woman is sawing. On the back Mum and Dad on verandah, Cairns.person, group, family portrait

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Pictured is the former Churchill Island curator and FOCIS member, Christine GraydenColour photograph of woman in pink jacket posing for a photograph with a woman in period costume with blue skirt, in front of a 'Victorian Collections' bannerFLAGSTAFF HILL VOL GUIDE IN/COSTUME WITH CHURCHILL ISLAND/CURATOR AT MUS AUS VIC/CONFERENCE 2/4/2014 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, christine grayden

An original coloured painting of a young Asian woman with a child on her back, the woman is carrying a cane basket. Painting is oil on canvaspainting, vietnamese children

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this 1920s studio portrait is as yet unidentified. The photograph was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Oval convex portrait of an as yet unidentified member of the Henty family. The unsigned photograph mounted on a metal backing is sepia tinted. It shows a woman, photographed at an oblique angle, gazing at the photographer. Her dress and hairstyle allow us to date the portrait to the 1920s.henty family, australia - early settlers

Army Nurse Tropical Aust Woman'suniform, 1944, army

Studio portrait of unidentified female, taken circa 1880. From the Partington collection.Sepia studio portrait of unidentified woman."Stevenson Todmorden" (ie: West Yorkshire, England)partington family, studio portraits

Uniform Womans White dress with beltuniform, 1990, ran

Photograph, black and white. Portrait of a woman.Bartlett Bros. Sandhurst.person, individual, portrait female, photograph. portrait of a woman. unknown family collection.

A sepia coloured portrait of a woman on card. On back 'KEMP, PERRY & CO/Artists and Photographers./81 BOURKE ST. EAST./2 doors East of/THEATRE ROYAL/MELBOURNE' / 'PHOTOGRAPHIC COPIES & PORTRAITS IN OILS & WATER COLORS/CAN BE HAD FROM THIS CARD.' deaf children australia, victorian deaf & dumb institution

Colour slide in a mount. Woman and seaMade in Swedenslide, robin boyd

SEPIA PHOTOGRAPH MAN WOMAN + CHILDlocal history, photography, photographs, early citizens

Magazine with woman in head scarf on front.The Wartime Australian Women's Mirror.books, magazines