Women's Royal Australian Army Corps Headwear C 1980 complete with brass and white metal badge.Named to S.S.Hoey F 15621

Ruben John TYRER No V150812. Refer 1813.5 for his service history.Illustrated certificate with coloured illustration of servicemen & women, black print, British & Australian flags. City crest.“The Citizens of Bendigo express deep thankfulness To R J TYRER” Right lower corner: Red seal of Bendigodocuments- certificates, civic mementoes - presentations, bendigo, tyrer

Geoffrey MAINWARING (29 October 1912-13 April 2000) Born Adelaide South Australia Geoffrey Mainwaring studied at the South Australian School of Arts and Crafts before becoming an art teacher at Thebarton Technical School (1928-36). Mainwaring was adept at depicting a variety of subjects, from landscapes to portraits, and was very competent using a variety of media, including pencil, oils, and watercolour. He was a confident draftsperson, and completed many sensitively rendered portraits that give an insight into the character of the sitter. In June 1941 Geoffrey Mainwaring (SX13471) joined the 2nd Australian Imperial Force, and after five months was transferred to the Engineers and employed as a Sergeant-Instructor, specialising in demolitions. In late 1942, he was sent to New Guinea as an Australian army artist on probation. On 27 May 1947, Mainwaring was discharged from the Army, having served for five and a half years. He was appointed as an artist on a civilian basis until his paintings were completed in March 1948. In 1949 he was appointed Head of the Art School at the Ballarat School of Mines (now Federation University Australia). He continued to paint commissioned portraits for the Australian War Memorial until the late 1950s. Geoffrey Mainwaring died at Ballarat in April 2000. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A framed and triple mounted pastel portrait of Professor Shirley Randell. Shirley Randell is a long-time activist for gender equality and women's empowerment in education, employment, public service and civil society in Australia, the Pacific, Asia and Africa. She was the first female dean at Ballarat College of Advanced Education (later Federation University Australia). Her appointment as Dean of Academic Affairs made her the first woman to hold a senior management position at the college. In 2019 Shirley Randell is a Member of the Order of Australia, having received the Officer of the Order (AO) award in 2010 for her services to international relations through education, public sector, institutional reform and economic empowerment of women in Australia, the Pacific, Asia and Africa. She is a member of many important boards and committees including the Australian Government Women’s Alliance – Economic Security for Women and the indigo foundation. An Ambassador of Dignity Ltd, the Australian Centre for Leadership for Women, Women’s International Cricket League/FairBreak and The International Alliance for Women, Shirley Randell is also a member of the Independent Scholars Association of Australia Council, Graduate Women International Projects Committee, and sits on the several editorial boards including the BioMedical-Central Women’s Health Journal. Gift of Professor Shirley Kaye Randell, AO, PhD, Hon.DLitt, FACE, FAICD, FIML, first woman in the Executive Team of the Ballarat College of Advanced Education as Dean of Academic Affairs, 1989- 1990signature bottom right - "G. R. Mainwaring 1989."art, artwork, available, geoff mainwaring, geoffrey mainwaring, mainwarring, pastel, drawing, portrait, portraiture, woman, professor shirley randell, ballarat, g. r. mainwaring, shirley randell

This report presents the results of a project that looked at the attitudes to child protection of Pitjantjatjara women living on the AP lands in South Australia. It also looks at the implications of the views and experiences discussed by the women interviewed.colour illustrations, mapspitjantjatjara, child abuse, child welfare, social policy

Double sided A4 sheet, on plain paper, printed in colour, titled "Trams in the war years", looking at the service during the war years of the trams and their workers, trammies, women, conductresses. Three copies held. Notes The Hawthorn Tram Museum. Has numerous photos from the Australian War Memorial. Centenary of Melbourne electric trams. Has the Yarra Trams logo, RSL, Shrine of Remembrance. 2nd copy added 7-1-2015 from donation of Adam Chandler - 24-12-2015.trams, tramways, centenary, yarra trams, world war 2, world war 1, conductresses, hawthorn depot, 100 years of electric trams

Female Relatives Badge instituted in 1940. Issued to the nearest female relative. Each star represents a serving member of the Forces. Badge number 126191 relates to Frederick Victor Clive Lowery VX28403 2nd AIF. Badge number 2435 relates to the Ruby Hutchins, the mother of six brothers who served in the AIF: Donald (VX43028), Norman (VX10296), Leonard (VX683), Clifford (VX682), Charles (VX63583) and Ronald (VX681). "To The Women of Australia" badges. .1) Circular badge with map of Australia central and crown at top. Suspended by chain is a bar with one star centre. .2) Same as above..1) "126191" .2) "2435"numismatics - badges, female relatives, ww2

Corner of Fitzroy St and Lower Esplanade, St Kildacolour photograph, unmounted, good conditionThe Path of Duty Be the Way to Glory. To Commemorate Those Men and Women Who Served Their Country & Paid the Supreme Sacrifice During 1939-45 War'

Medium pencil drawing. People mainly women looking forlornly for their love ones to return from war. Drawing by Pamela Moulson 6 Cooma Crt Dandenong.

This display is situated on the RH side of the front entrance to the Bendigo District RSL in Havilah RoadSix metal sculptures representing the. Australian Army, Navy, Airforce, Women in the Forces over time during War & Peace. Consists of 4 figures standing, 1 kneeling with a child standing. Plaque black colour on a stand with white text re the Artist and Donor. The dimension shown is an average of the standing figures.As per the photo of the plaque.brsl, smirsl, bdrslinc, sculpture

Pictorial record of incidents that occurred during both World WarsLarge Green Leather covered book with Gold Australian Coat of Arms on front.Reproduced from Official and other photographs of the two World Wars. Published under the auspices of the Board of Management of the Australian War Memorial. Contains Dedication - To the men and women of the Empire who in every hour of danger , face the storm … who in their willing sacrifice are bearing the brunt of a struggle for the peace and security of all peoples.world war 1, ww1, world war one, world war 2, ww2, world war two

In 2005 the children of Grades 4,5 and 6 of Milawa Primary School researched and compiled personal stories, photographs and service records to honour those listed on the Milawa State School WW1 Honour Board. Inside rear cover contains a colour patch index to the following:- Andrew Robert BARRIE 3757/ Ralph Augustus CECIL 1677/ John COLEMAN 4089/ Arthur John Victor CULPH 896/ Edward Heathcote CULPH 2629(1447)/ Henry John CULPH 3108/ Thomas Wilson CULPH 34A/ Edward Frederick DOIG 3991/ Ernest Hugh DOIG 2937/ John Harold FOWLER 4488/ William Joseph FOWLER 3233/ Howard Fraser GRANT 7077/ Joseph Henry HOWELL 7247/ Frederick John HUMPHREY 2472/ Stanley Gordon HUMPHREY 3553/ Roy Curtis KENNEDY 5401/ Charles James KETTLE 29741/ Michael McGRORY 5390/ Ernest Phillip McPHEE 50339/ Stanley Charles McPHEE 3741/ Thomas MURDOCH Lieut/ William Lawrence PURDON 3223/ Ludin James ROBERTSON 980/ William Francis ROBERTSON 981/ Harold Ernest THOMAS 966/ George Ernest Vincent WOODBERRY 2173.White and red book with blue wording and photograph of school children at a cenotaphBook is dedicated to all the service men and women in the Australian Armed Forces who continually strive to protect the Australian way of life.ww1, honour board, milawa state school

.1) Blue Felt Pennant with the Australian Commonwealth Military Forces Badge. .2) Women's Auxiliary RSL 1989."AEME" written in red with AEME field units colour patch.flags - military, badges, womens auxillary

Certificate and score card awarded to Agnes May Elliot in the Empire Knitting Competition, Womens Centenary Council, Melbourne Australia. Donated by Agnes' daughter Pat Bell, along with knitting example [8335].Certificate with gold printed text and hand written black text. Score card has black typed text and hand written black text.Certificate front: EMPIRE KNITTING COMPETITION \ WOMEN'S CENTENARY COUNCIL \ MELBOURNE, VICTORIA, AUSTRALIA. \ HONOURABLE MENTION \ Awarded to Mrs A. M. Elliot Lawloit Via Nhill Victoria \ Section A \ LILLIAS M. SKENE, \ ORGANISING SECRETARY, \ 245 LT. COLLINS ST. MELBOURNE. Score card front: Award Possible \ Tension 49. 50% \ Gen. Appearance 18. 20% \ Shape 10. 15% \ Finish 14. 15% \ 91

The contents are mainly War news, maps, advertising and sports, rear page has photos of Women volunteers in the “WANS” Women’s Australian National Service.Newspaper, AIF news, Issued by the Australian Imperial Force Middle East, classed as 8 pages, yellowed, all print in black, illustrated with maps and photos.“The AIF News - Saturday June 7 1941”the aif news, middle east, 1941

The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, peter blizzard, prisoner of war, ballarat north gardens

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, prisoner of war, ballarat north gardens, peter blizzard

The Hands of Cormac Joyce is from a novel by Leonard Wibberley about the families in the Aran islands of Galway, Ireland. The film was made by Crawford Productions for the NBC network.HistoricalLarge magazine article with coloured photos from The Australian Women's Weekly April 26, 1972. Pages 4-5There's a little bit of Ireland ...in Westernport Bay, Vic."the hands of cormac joyce" film, crawford productions, film making

Coloured photograph of four women and two men standing with an Australian flag near the plaque erected to commemorate school No. 1012.education, bendigo, shelbourne east

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a photocopy of Women's Day article on Australian nurses serving in Vietnam, written and photographed by Denis Gibbonsphotograph, nurses - vietnam, denis gibbons, gibbons collection catalogue

Female Relatives Badges were issued to the wife and/or mother (or nearest female relative) of those on active service overseas during the First World War Probably issued to the Mother of Henry Claude RoussacSterling Silver (marked) oval badge with blue enameled oval surrounding stylized letters AIF sumounted by a crownAIF ISSUED BY THE DEPARTMENT OF DEFENCE TO WOMEN OF AUSTRALIA FOR DUTY DONE 28735 STG SIL Nm McLEANroussac henry claude, female relatives badge, for duty done

These packs were Australian army issue to service men and women during World War 2.Many Orbost men served in World War 2. Three field dressing packs made from cloth or waterproof covering and with a black printed label on one side of each pack. The words FIRST FIELD DRESSING and instructions TO OPEN and CONTENTS are printed on each pack. On the bottom of the print area are JOHNSON & JOHNSON PTY LTD, SYDNEY. One pack has the date May 1942, and the other two are December 1943. australian-army first-field-dressings world-war-two