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Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY VEST
Salmon pink hand knitted woollen baby vest. Patterned yolk with rib pattern body. Cap sleeves with crocheted edges. Neckline with crocheted edge. Twisted wool tie around neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest -
Bendigo Historical Society Inc.
Textile - CUSHION COVER
Textiles, brown coloured cushion cover of tapestry fabric on one side and yellow cotton fabric on reverse side. Edged with 5 mm cotton cord with loops and pom poms at corners. Tapestry fabric side has a pattern of concentric squares of yellow embroidered lines, squares and leaf patterns.textiles, domestic, cushion cover -
Bendigo Historical Society Inc.
Clothing - MERLE BUSH COLLECTION: LADIES SCARF
Clothing. Cream coloured triangular ladies silk scarf. Mid blue border on two short sides with pattern of triangles and vine. Cream coloured centre has printed pattern of vines and leaves. Long edge of scarf is a raw edge that has been over locked. Old box 573.costume accessories, female, triangular silk scarf -
Bendigo Historical Society Inc.
Textile - Pillow cases
Pair of pin-tucked and cotton lace trimmed pillow cases. Cream linen fabric with a 3.5cm deep scalloped cotton lace on opening edge featuring a floral pattern. There is a ribbon insert of same pattern 6.5cm from the edge. There are four and five rows of pin-tucking either side of insert.favaloro, pin-tucks, cotton lace -
Flagstaff Hill Maritime Museum and Village
Ceramic - Amphora, mid-to-late 1800s
This amphora or jug, with a silhouette shaped like a woman with hands on hips wearing a long flared-out skirt. The design was used in ancient Greece for pottery storage jars, the neck being narrower than the body. The amphora was discovered by Joe O'Keeffe in 1934 in a sand blowout west of Levy's Point west of Warrnambool while he was planting marram grass for Mr Duncan. An article in the Warrnambool Standard newspaper of December 21, 1985, states that the amphora may be linked to the wooden sailing ship called the Mahogany Ship (also called the Ancient Wreck). Thermoluminescence testing indicates the relic was made in the mid-to-late 1800s and experts suggest it was of North African origin. The presence of the amphora in the sand dunes, and the amphora itself, are still a mystery. The amphora was donated to Flagstaff Hill on a long-term loan by the Duncan family and displayed to the public for the first time on December 21, 1985, until February 2023 when the display was returned to storage to rest with the redevelopment of the Assistant Lighthouse Keepers Cottage (Shipwreck Museum). An extensive search for members of the Duncan Family has been undertaken by Flagstaff Hill and stakeholders to resolve the loan term loan, but the family is not known. As such to properly care for the amphora, it has been registered until ownership can be determined.The object is significant for its possible link to one of Victoria’s and Australia’s maritime mysteries, the Mahogany Ship (also known as the Ancient Wreck). It is one of very few known relics that could give evidence of the existence and history of the vessel. It is listed on the Victorian Heritage Register S438 as it is one of Victoria’s oldest recorded shipwrecks. The identity of the vessel has the potential to change Australia’s history.Amphora or jug; earthenware, orange clay with areas of cream. The vessel has a wide mouth, a deep lip, two opposing handles between the neck and shoulder, and a bulbous body. The curved handles have a design of six bands between them. There are three rings of small dots encircling the body. The underside has concentric circles in the clay, uneven edge and pinhole markings. Pinhole patterns: [3 holes above 3 holes] opposite [3 holes above 3 holes], 1 hole] [ 1 hole above 2 holes]flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, amphora, jug, mahogany ship, ancient wreck, joe o'keefe, duncan, thermoluminescence, north africa, levy point, pottery, storage jar -
Coal Creek Community Park & Museum
Bottle, glass, Anglo American Drug Company
JEREMAH CURTIS & BENJAMIN A. PERKINS: BITTERS & MEDICINE In 1848 Jeremah Curtis and Benjamin A. Perkins would become partners in a medical business. The business was located at No. 1 West End Kepduakong Bridge Banger, Maine. The business was called Curtis & Perkins Proprietors. By 1849 they started bottling Jeremah Curtis's mother-in-law, Mrs. Charlotte N. Winslow's syrup which she compounded from sulfate or morphia, sodium carbonate, spirits fueniculi and aqua ammonia. Mrs. Winslow was a physician and a nurse for children for about 30 years. This medicine was made for infants and was named Mrs. Winslow's Soothing Syrup. In time the name was changed to Anglo American Drug Company and was then run by J. Curtis and his son George N. Curtis.Round slender aqua tinted clear glass bottle with embossed text on sides and monogram on base.'MRS WINSLOW'S SOOTHING SYRUP' 'THE ANGLO AMERICAN DRUG CO.' 'SUCCESSORS TO CURTIS & PERKINS PROPRIETORS' The monogram seems to consist of 4 triangular marks in a grid pattern.winslows, syrup -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 373
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for young children (aged 15 months to 4 years).No. / 373 / Patons KNITTING BOOK / No. / 373 / "ALEX" - See page 2. / P&B / WOOLS / 15 MONTHS TO 4 YEARS / 1'4d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 570
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for mens, womens and childrens garments. The knitting patterns are suggested as being suitable for making in front of the television (which dates it to c.1956).No. 570 Featuring PATONS JET TRIPLE KNIT / Patons / KNITTING BOOK 570 / WITH T.V. DESIGNS / 2'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
Bendigo Military Museum
Equipment - DIXIES, Department of Defence, 1) June 1980. .2) may 1970
Australian Army Pattern issue Mess tins, one fits inside the other..1) Small oblong aluminium tray with folding handles. .2) Large oblong aluminium tray with folding handles..1) Stamped on, “7350 - 66 - 014 - 5895 - SMP/Y 6/80” .2) Stamped on, “7350 - 66 - 014 - 5895 - SMP/Y 5/70”mess tins, dixies -
Eltham District Historical Society Inc
Book, Banyule City Council, Banyule Heritage Places Study - An Urban History, Volume 1 prepared by Allom Lovell & Associates, 1998 March
Describes the broad patterns of development across Banyule in the post-European contact period, 92 p, 30 cmbanyule history, greensborough history, montmorency history, heidelberg history, ivanhoe history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 545
This book was produced by Patons and Baldwins and contains knitting patterns for young childrens garments.PATONS / PATONYLE, 3 and 4 Ply . BEEHIVE Fg., 3 and 4 Ply . HIGHLAND SPORTS / BLUEBELL . SWIFTAKNIT . CAIRN . AZALEA . CATKIN . TOTEM . DOUBLE QUICK / No. 545 / Patons / KNITTING BOOK / No. 545 / FROM 2 TO 6 YEARS / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 577
This book was produced by Patons and Baldwins and contains knitting patterns for adults and childrens garments.No. 577 Featuring PATONS RIPPLE DOUBLE KNITTING / Patons / KNITTING BOOK 577 / WITH T.V. DESIGNS / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 539
This book produced by Patons and Baldwins and contains knitting patterns for adults and child's garments.No. 539 / PATONS PATYONYLE KNITTING YARN, 3 and 4 Ply / PATONS BEEHIVE FINGERING, 3 and 4 Ply / Patons / KNITTING BOOK / No. 539 / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 234
This knitting book was produced by Patons and Baldwins and contains knitting patterns for womens garments.Patons / KNITTING BOOK / No. 234 / "HOOPLA" / See page 12 / 7d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 315
This book was produced by Patons and Baldwins and contains knitting patterns for garments for young boys.Patons KNITTING BOOK NO. 315 / "VERNON" - See page 8 / P&B / WOOLS / 10 1/2d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 221
This knitting book was produced by Patons and Baldwins and contains knitting patterns for girls clothes.Patons / KNITTING BOOK / NO. 221 / "ELSIE" / See page 8 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 483
This book was produced by Patons and Baldwins and contains knitting patterns for young girls garments.No. 483 / Patons / KNITTING / BOOK / No. 483 / PATONS / FUZZY WUZZY / ANGORA / For Girls / from / 4 to 12 years / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 550
This book was produced by Patons and Baldwins and contains knitting patterns for young childrens garments.PATONS / PATONYLE, 3 and 4 Ply . BEEHIVE Fg., 3 and 4 Ply . TOTEM . DOUBLE QUICK / BLUEBELL . SWIFTAKNIT . CAIRN . AZALEA . HIGHLAND . CONFETTI FLECKS / No. 550 / FROM 18 MONTHS TO 7 YEARS / SIZES 20 TO 27 / Patons / KNITTING BOOK / No. 550 / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Folder, sample
Weaving sample folder: "FANCY WORSTEDS" patterns and 3 blue cloth samplesP. ARUSIC-GOLUB 1964 (ink) FANCY WORSTEDS.weaving textile industry textile design, weaving, textile industry, textile design -
National Wool Museum
Folder, sample
Weaving samples folder: 3 "Fancy Worsted" patterns with dark cloth samplesHUBERT H.C. LEE (ink) RANGE 2 (ink) Fancy Worsted (ink)weaving textile industry textile design, weaving, textile industry, textile design -
National Wool Museum
Folder, sample
Weaving sample folder: 3 "FANCY WOOLLEN" patterns with 3 cloth samples.5651 (ink/smudge) FANCY WOOLLENtextile production weaving, textile production, weaving -
National Wool Museum
Folder, sample
Weaving samples folder: WOOLLEN RANGE" pattern sheet and 3 cloth samplesK. NILA (ink) WOOLLEN RANGE (ink)weaving textile industry textile design, weaving, textile industry, textile design -
Orbost & District Historical Society
emu egg
Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft -
Flagstaff Hill Maritime Museum and Village
Pattern
Pattern-hanging bracket slightly pyramid shaped object with wide base. Has square attachment both painted white. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Warrnambool and District Historical Society Inc.
Buildings- Decoration, Plaster fragment from Criterion Hotel, Circa late 19th century
The Criterion Hotel was located on the western side of Kepler Street near the corner of Lava Street. John Tate of Woodford was the first licensee of the Criterion Hotel in 1873. The Humm family and the McGennan families were licensees for a considerable amount of time in the late 19th and 20th centuries. It was one of the last venues in the town to host live music. The last publican, John Palmer remembered it as a workers pub popular with local truckies and football clubs, in particular, Bushfield, Russell’s Creek and South Rovers. The Criterion closed in 2008 with the aim of turning it into office space but it was burnt beyond repair in 2010 and the remains were demolished in 2013.The Criterion Hotel was one of the earliest and longest licensed hotels in Warrnambool. As such it has local historical significance. The original building was an impressive landmark and the hotel itself has significant social importanceWhite plaster fragment with floral pattern enclosed within two plain borders. It is roughly five sided but edges are broken.criterion hotel, history of warrnambool, warrnambool hotels -
Warrnambool and District Historical Society Inc.
textile, Crocheted Fillet Lace Warrnambool Centenary 1847-1947, Circa 1947
The Centenary of Warrnambool in 1947 drew crowds of 20000. It was generally felt that the celebrations excelled anything that had been seen in the city in the last 100 years. There were numerous activities held over the weekend including an elaborate street parade which was followed by joining the 4500 children at sports and picnic celebrations at the showgrounds. The Warrnambool and District Turf club also held a race meeting to aid the Hospital and raised 740 pounds. It was estimated that 20000 attended the finale bonfire and fireworks in Albert Park. This is a hand made item to commemorate the occasion. This item has local historical, artistic and social significance as it relates to a major event in the history of the city.Crocheted rectangular with angled corners, doyley with Warrnambool centenary 1847- 1947 worked in pattern in centre of piece. Cream linen.Warrnambool 1847 Centenary 1947warrnambool, warrnambool centenary , warrnambool centenary 1947, centenary doyley 1947, -
Warrnambool and District Historical Society Inc.
Functional object - Glass Lamp Base, c. 1920
This lamp base would have had a glass chimney clipped to the burner. It is a portable kerosene lamp used in the 19th century and the early 20th century for household lighting before the advent of electricity.This item is retained for display purposes as an example of household lighting a hundred years ago.This is a clear glass lamp base with a metal burner attached to the top. The bottom of the base is hollow. The glass on the stem and bulb is patterned. A BLIXTENvintage household lighting, kerosene lamps -
Bendigo Military Museum
Uniform - SLIDE SHOULDER BOARD
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Four slide shoulder boards in camouflage pattern. Each has three pips embroidered in black signifying the rank of captain.army chaplain, rank insignia, major thomas bruce williams -
Ballarat Clarendon College
Book, Half hours with the best authors, Vol 1
According to the Ballarat College Report, Prize list and Prospectus published 1875 Miss E Rees was Dux of the school 'Ladies Department' and winner of the Mr R F Glover's Prize Essay. This book was awarded to Miss E Rees the following year by the Ballarat Ladies College associated with the ballarat Grammar School, Principal F J Thomas. Thomas had been appointed principal of Ballarat College in 1874 following the untimely death of the school's first principal Robert Oliver McCoy. However Thomas's credentials were questionable and he left the school under a cloud during 1875. Thomas established a rival college. This action had a devastating impact on Ballarat College because many students enrolled at the new college. This book is evidence of just one such transition. Ornately decorated book with calf spine and cover detail, marbled covers and end-pages, gold lettering and patterns on spine; Book plate inside front cover: Ballarat Ladies College / in association with the Ballarat Grammar School / CHRISTMAS 1878 / University Class / SPECIAL PRIZE / the gift of / the pupils of the Ballarat Gr. Sch. / for / 'the favorite girl' 2 vol. / awarded to / Miss E Rees / F J THOMAS, PRINCIPALe-rees, f-j-thomas, ballarat-ladies-college, grammar-school, 1876 -
Bendigo Military Museum
Equipment - MATTRESS SECTION, OUTER, 1967
Used by 3789179 Pte Frank FRIGERIO, 7 RAR, South Vietnam, 1967 - 1968.Australian Army pattern mattress outer. Green nylon. Divided into 3 sleeves that are held shut by the aid of press studs.equipment, mattress, outer