Document. Green Christmas Card with paper insert secured with red cord. Front of card has painted farm scene in the centre. Handwritten greeting inside ''To Mr G.Harris From E and A Hocking, Sunshine.performing arts, elocution, christmas card

Three Colour Photograph taken in Vietnam 1. Seven Khaki clad men in front of sign Royal Australian Survey Corps 1st Topographical Survey Troop 2+3. Scenes of building and treesphotograph, royal australian survey corps

Copy of a painting depicting storm conditions as soldiers crawl on their bellies firing and being fired upon. The picture is in an olive green mat and brown frame. The scene is of the Battle of Long Tan. Long Tan ActionBruce Fletcher - Original in Australian War Memorial 40758. Donated by - The Commander of the Battle of Long Tan. 18th August 1966. Signed by Major Harry Smith MC; Captain Morrie Stanley MBE; 2LT Geoff Kendall; SGT Bob Buick MM; 2LT Dave Sabben; LT Adrian Roberts; FLT LT Robert Grandin.battle of long tan

A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school. Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Nursery wallpaper depicting children playing. Picture scene for each month of the year. "12225 Sanitary Paper" stamped on back. Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..Verso: "12225 Sanitary Paper"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham, sanitary wallpapers

Celebrating Vegemite 95 year in October 2018One Vegemite jam 95 years Yellow lid with Australian bush scene printed by Claudia Moodoonughi. A picture of Claudia is on the lid of Jar. Two stencils, red one of a kangaroo and a yellow one of an emu.food technology, bottles

As St John ambulances are featured in this 1960s accident depiction, the event shown has occurred in either South or Western Australia.Water colour painting. Depicts car accident victim being treated on the road by ambulance officers. Two St John ambulances in scene and police officer (motor cycle branch). Full colour painting.

Nornie GUDE (1915-2002) Eleanor Constance (Nornie) Gude was the daughter of Walter Gude, a leading musician, and highly regarded teacher. She grew up in Ballarat and was educated at Loreto College. From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. Nornie Gude studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. In 1936 Nornie Gude was studying at the Ballarat Technical Art School, and the National Gallery Drawing School in Melbourne. She won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.commercial artA large, original goauche poster produced for one of the regular poster competitions held during the 1930s (the exhibition stickers are still evident on the lower left hand side). It depicts a scene in the Ballarat Botanical Gardens. Written verso "Nornie Gude Technical Art School Ballarat" Exhibition Sticker "Exhibit NO 8545 Class No 1736art, artwork, gude, nornie gude, eleanor constance gude, ballarat, ballarat botanical gardens, statue, ballarat technical art school, alumni

Olympic Games Melbourne 1956 Opening Ceremony. Green paperback Official Souvenir Programme. Soft cover with scene of Melbourne from the Yarra River. Olympic Rings at Top, yellow Opening Ceremony title. Olympic symbol: cities, altos, forties on the back cover.olympic games, booklets, olympic games 1956

Photos were taken from the Facebook page " Antique Post Cards". Permission was obtained form the administrator to use these.HistoricalA series of old sepia, black & white, coloured postcards, Rose, Robb brothers, Photo shop Series, Victorian Railways series, Valentines, Hislop, Punch, Airspy of Phillip Island and San Remo scenes.speke, genester house, newhaven, lover's walk, cowes baths, summerland beach, san remo pier, cowes beach, aerial photo, cowes 1950s, bridge 1940, san remo, shell tea rooms, ss genista, estelle star, churchill island, isle of wight hotel, lover's walk cowes

Victorian post office. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Picturesque postcard scene near Thomson's Hotel Kinglake Donor: Mrs. McMinn, Kinglake (Cross ref: 0017) This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kinglake, thomson's hotel, postcard

Scene - Two prints of Original Stawell Show Grounds in Lake Road (2) enlargements from Photo 3797stawell

Snow scene Stawell Hospital 23rd June 1981. Taken By Mark Dadswell. Framed Version in Photo Shelves. stawell hospital

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

One of 17 photographs donated by Olive BlameyColour postcard of shoreline with man and dog in foreground."Scene McCaffey's Reef, Cowes" Letter on back to Arthur Blamey from his cousin Keith and all at Heath Hill, Rhyll, Phillip Island wishing him many happy returns of the day.coastline phillip island

"Victoria the Golden" documents life in Victoria between 1850 and 1862 as viewed by artist William Strutt. Momentous events in the Colony’s history such as Separation Day (1 July 1851), the sitting of the first Legislative Council (13 November 1851), the death of Burke (June 1861) and the Black Thursday bushfires (6 February 1851) are depicted. In 1907 the Premier of Victoria Thomas Bent purchased "Victoria the Golden" from Strutt for £120 and presented it to the Library. The album depicts events in chronological order with what Strutt considered “fidelity to nature and accuracy”, so that present day Victorians may view the sketches “as records of what we may now look upon as the dim past in the rapidly progressive history of Victoria”. Victoria the Golden is celebrated as one of the Parliament’s great treasures. It is a testament to William Strutt’s skill as a draughtsman and contains over 100 assorted images which were executed between the years of 1850-1862. Strutt’s particular talent was to be able to step back and record each event with particular care to detail. Many of the pieces contained within this album are littered with notes, such as the correct resting position of a corporal’s sword or details about the cloth and cut of a subject’s jacket. Strutt also notes in one of his many sketches of the new Legislative Council chamber at Spring Street that the President, Sir James Palmer, is seated ‘a little too high’ (page 30). Throughout the album, Strutt’s illustrations bring to life the diverse nature and peoples of the new colony. His range of subjects is comprehensive and includes parliamentarians, lawyers, wives and daughters, merchants, labourers, police and military officers, indigenous communities, farmers, miners, prisoners and explorers. The everyday and the extraordinary are depicted with each turn of the page. 44 leaves heavy card, approximately 1mm thick. Sketches, watercolours and prints of varying sizes and papers are glued onto the pages. Full leather binding in blue leather with title and decorative border in gold. There are four raised bands on the spine, with gold decoration on the bands and at the head and tail of the spine. Marbled end papers and flyleaves. Gold on the edges of the book block. Card pages have a sheet of mottled blue paper on recto. Album leaf connection is a guarded system with stiff stubs and cloth hinges. Each page has a sheet of glassine paper attached at the binding edge to protect the images. Many pages stamped with "Parliament of Victoria" verso. Printed in gold, recto: "VICTORIA THE GOLDEN/ SCENES,/ SKETCHES,/ AND JOTTINGS FROM NATURE./ BY/ Wm. STRUTT/ MELBOURNE, VICTORIA./ 1850-1862" First pages include handwritten 'introductory remarks' and index of plates.parliament of victoria, colony of victoria, separation day, victorian legislative council, burke and wills expedition, wills, william john, 1834-1861, burke, robert o'hara, 1821-1861, strutt, william, 1825-1915, bent, thomas sir, 1838-1909, native police corps, fawkner, john pascoe, 1792-1869, black thursday bushfires, gold rush, princes bridge, melbourne

Photographs of scenes on the Western front France where the Australian troops were operating from September 1916 through 1917Three slim pamphlets with white fronts

Article of Sir Henry Bolte in Stawell Unveiling the Plaque for Lake Bellfield & Animated Scene on the Town Hall Clock TowerNewspaper page from Weekender October 17 1969. Pages 3 & 4lake bellfield, town hall clock

Ballarat's first post office was located in Ballarat East. The print is by S. t. Gill and depicts a busy street scene.Framed drawing - wooden frame with card backing and framing clips and foldout stand.ballarat, post office, gold fields, ballarat east

Borough Huts Scene of Norman and Margaret McDonald and some of their Family. There were 15 children of the marriage. Grampians mountains in background.stawell houses

Mafeking Goldfield Mt William Mining Scene c1900. Businesses in township. W Hale Photographer. Hairdresser and other buildings. stawell

Mafeking Goldfield Mt William Mining Scene c1900. Overview of settlement. Men in foreground with gold washing pans and shovels.stawell

Scene from Big Hill Area overlooking Stawell. Stawell Technical School Building near centre. 1970'sstawell

Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. These postcard scenes are from Bombay which is a stop on the route from Australia to Europe. India was often the first time young soldiers saw a different culture on their way to the first World War. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs (none of these have been written on or posted). J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', (which stopped in Bombay), arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1. These places in Bombay, India could have been visited by the first Legatees when they were soldiers in World War 1.Postcards x 7 with images from Bombay in India.01139.1 Bombay - A street scene, Pydowni Junction 01139.2 Bird's eye view of Fort from Taj Mahal Hotel, Bombay 01139.3 Cuffe Parade - Bombay 01139.4 General Post Office - Bombay 01139.5 Bombay - Queen's Road showing palms 01139.6 A woman tapping rubber tree (possibly from Sri Lanka as it was printed in Colombo). 01139.7 Bombay from Harbour Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one

The Grinton Collection. The village of Corbie on the Somme River showing war damage, the streets have been cleared. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper, depicting a village scene of buildings. A number of buildings show some war damage, Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War", "A. Corbie",framed accessories, camera on the somme, ww1, 38th bn, grinton, villages

The Grinton Collection. The village of “Bray” on the Somme showing some war damage. Refer Cat no. 1280 for Jack Grintons service details Photograph framed. Photograph - black and white photograph on paper, depicting a village scene with a road and buildings. A number of buildings show war damage, Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Buden of War". "B. Bray".framed accessories, camera on the somme, '38th bn, grinton, villages, ww1

The Hollonds' family were original settlers in the Kiewa Valley at Mulagong. Their descendants owned land in Tawonga, Tawonga South and between the East and West of the Kiewa river. Hollonds had a cattle run on Mt Fainter which was later given to the Hicks family.Members of the Hollonds family lived, worked and married in the Kiewa Valley. These papers describe the connection to the families and the Kiewa Valley.Typed papers donated by the Hollonds' family covering: The Hollonds Family History, Cattlemen, 'Snowy' Miller, Mrs Hollonds' Boarding house, SEC Depot at Tawonga, building of Bogong Township, Early Scenes on the Kiewa Scheme.hollonds family, tawonga station, cattlemen, mt beauty land, tawonga boarding house