Black folder of clippings, photos, newsletters, Extra Muros, history, relating the the Ballarat Teachers' College class of 1949. It includes a short biography on Frank Lord: Teacher and Soldier by Wal Wallballarat teachers' college, william ellwood, dana street primary school, monica miller, reunions, anniversary, meph mcewan, joe scarlett, john hogan gervasoni, john gervasoni, jack gervasoni, margaret bennett, queen elizabeth ii, buckingham palace letterhead, forty-niner rose, mattee hayes, peter fryar, tom turner, cynthia silver lewin, margaret reynolds bennett, harry cumming, peg aloreo harris, verna lees kaye, lesley latch frank, gladys white hogg, lindsay campbell, joan cool read, maureen godfrey fithall, grahame fithall, david collins, ron edmonds, a gladness found, graham bartle, frank lord, allan sonsee, cecil allan sonsee, john neville stewart obituary, john hogan gervasoni obituary, richard stowell obituary, rita butt campbell obituary, john blackie obituary, jack dridan obituary, wilma gardy byrne obituary, joan johnson binns obituary, lesley latch frank obituary, mattee hayes ilton obituary, margaret panther leask obituary, moyra ahern smith obituary, margaret blaby gledhill obituary, dana street primary school letterhead

This clock is of modern manufacture, replicating the design of early 20th century kitchen clocks.The kitchen wall clock is displayed as an example of an early 20th-century clock. It is used to demonstrate the progression of clock design over the past century. Clock, wall type, octagonal shape wood case, glass face, pendulum, Roman numerals, hinged door, battery operated. Inscription on dial and inside battery compartment. Japanese manufacture.On dial :"Security". Inside case "Made in Japan"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wall clock, replica, japan, kitchen clock, security, horology, time keeping, roman numerals

Drill press metal wall mounted self feeding belt driven. Embossed Buffalo Forge Co Buffalo N Y. Plate on front embossed 418. Black paint evidentflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Gas Light Fitting, Brass wall mount of a swinging armed gas bracket, with gate valve. Has heavy concretion. Artefact Reg No S/76. Recovered from the wreck of the Schomberg.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, gas light fitting, brass gas light fitting

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1967. Bendigo Institute of Technology, Engineering School, Applied Science. Walls well underway, crane and truck also in shot.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1967. bendigo institute of technology, engineering school, applied science. walls crane truck

Black and white image: shows two men, in suits, standing in tunnel, presumably under either the Anne Caudle Centre or the hospital site. Tunnel has concrete walls, arched ceiling.bendigo, buildings, hospital, bendigo, hospital, anne caudle, tunnel

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, 1888 memorial stone from original Seamen's Institute, set into interior wall outside doors to chapelmissions to seamen, built environment, alison kelly

Photograph - black and white. A group of either school children or Sunday school, 27 students and I female teacher. All together in front of a brick wall. Written on back Cat.No. 2000.199.01.organization, institution, sunday school/school children., portrait school children/sunday school.

'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art

Eberhard Schuster was a German wool buyer and interned in Camp 1 during WW2. He is standing in front the skittle alley which he operated at Camp 1. Photograph taken in 1991.Colour photograph of Eberhard Schuster, standing in front of a stone wall, behind which are gum trees. Mr Schuster is attired in brown strides, white jacket, black beret and walking stick.german wool buyers, eberhard schuster, camp 1, skittle alley

The Macedon Street Bridge over Jacksons Creek is important because it was built on one of Victoria's first important roads. It replaced a smaller lighter bridge in 1857 and continued to be used until the early 1970s.A black and white photograph of a two arched bluestone bridge over a creek. A wooden post and rail fence painted white has been constructed in front of the original stone wall of the bridge.bridges, bluestone bridges, jacksons creek, macedon street, george evans collection

Collection of Margaret ScarlettFlat, round Bakelite record. Hole in centre. Red sticker in middle - 'His Master's Voice'. 'Dinah' / reverse side 'Love to Whistle' - Fats Waller and his Rhythm . Speed 78Polydor - Allan's (see above)musical instruments, accessories

School 89 - 1977 - Group 1- Autographed photo of students nurses Black and White photo in Folder. 31 nurses in 3 rows. Front row is sitting and back two are standing. Male nurse is standing in the middle of the 2nd row. Brick wall at back 31 signatures on back of photsnursing history, nursing information, nursing training

Photocopies of Hume Weir photographs 1928-29One of two black and white photographs, photocopied onto a single sheet of A4 paper. This one is of construction work on a dam, showing lower part of dam wall, and featuring one of the valves.Written on paper next to photo: "Needle valve Hume Weir Albury Oct '29"hume weir, construction, dam construction

The post office business had recently been removed to the shop at Silvandale but the post boxes are still set into the wall. The post office building had been on this site for about 100 years.fiveways, kalorama, post office

The South Bendigo Methodist Circuit consisted of churches at Golden Square, Kangaroo Flat, Speciman Hill and LockwoodA4 Programme produced by the Golden Square Methodist Church and the Pastorate of Golden Square, Kangaroo Flat, Specimen Hill and Lockwood Churches; contains prayers and bible readings and dedication of a wall plaque.religion, history, lydia chancellor collection

Tin spice set & wall mounting holder 5 tins of spice with contents, labelled Nutmeg, Cinnamon, Ginger, Pepper & Mace, painted blue with dard blue & silver chequered pattern.Invicta brand Henry Berry & Co Pty Ltd Melbourne Adelaide Perth Sydney & Brisbane 2ozs netdomestic equipment, containers, tin, k223.1.2.3.4.5.6

BHS COLLECTION: KAY MACGREGOR BENDIGO JAIL DURING RE-CONSTRUCTION Colour Photo Part of gaol (Jail) interior of wall and guard tower during the re-construction to the Ulumbarra Theatre.photograph, building

In 1871, Victoria Park, beside the Boroondara General Cemetery was set aside as a public reserve. As the Park developed, exotic plants were added to existing specimens. In 1910, a photograph of ‘The Oldest Inhabitant: A Giant Red-gum Tree’ in the Park was included in the Jubilee History of Kew. Fifty-one years later the tree was re-photographed by Colin Campbell. A 2007 Master Plan developed for the City of Boroondara advises the retention of this now dead River Red Gum, including a ‘managed risk zone’ and planting under the heavily lopped tree.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small monochrome snapshot of the former giant River Red Gum that until it died was a major feature of Victoria Park, Kew. In the background is the red brick wall of the Boroondara General (Kew) Cemetery.Annotation verso: "Giant Red Gum. Victoria Park. Still there over 100 yrs old"dorothy rogers, victoria park (kew), river red gums

Colour photograph. North exterior wall of building facing south west. in 2015 is the QV square towards the QVWC office and the QVWC building's north entrance. Taken during restoration inspection. building construction, historic buildings, cultural structures and establishments

Colour photograph. In the dining area in the annex on the ground level of the QVWC building. Three unidentified women in frame sitting down. Taken facing south east. Black and white artwork on the wall. cafe, historic buildings, art exhibitions

Colour photograph. In QVWC building in level one locker room. Red metal locker taking up most of the rame. A sign on the wall in the background. This is a styled photo and was probably for Qmag newsletter.historic buildings

A4 page. Folded twice to create a pamphlet. Donation/nomination form for the shilling wall. A project to create an enduring tribute to Victorian women at the QVWC. Colour images on both side of the page. ticks in blue ink have been added onto the pamphletfundraising events, pamphlets

Group Portrait of Stawell Fire Brigade Members in Dress Uniform 1955 Framed: Back Row: (L to R) E. Walsh, E. Dickens, A. Smith, J. Miatke, A. Oliver, J.Hall, H. Dunn, C. Prosser, A. Parsons. Centre Row: J. Grainger, C. Richardson, F. Crouch, H. Chapman, R. Maddocks, R. Ledgar, A. Dunn, K. Floyd. Front Row: R. Phillips, S. WHelan, F.Court, G. Huse, R.Chapman, P. Fenwick, I. O'Neil, R. Rickard B.Thompson.B/W Photo: Three rows of males in dress uniforms; mix of navy and red uniforms with caps: Backrow standing in front of curtain and end wall, remaining two rows seatedStawell Fire Brigade 1955 Chapman's Studios Stawellstawell