Original water colour painted by Glunker an internee at Camp 3Hoefer Familywatecolour of camp 3. 2 half huts half obscured, 2 posts, 9 wire strand fence with an electric powerline. Tall gum tree left hand side, gardens. I. (Note : Glass windows had replaced fly wire by 1941 in the huts.) Glunker 42painting, watercolour, huts, glunkler, hoefer family, camp 3, tatura, ww2 camp 3, illustrations

Our Lady of Mt. Carmel Church was designed by the architect William Wardell. Prior to the construction of the church, mass was conducted at the Daniel Home 'Narbonne'. The foundation stone was laid on 13/11/1804 by the Catholic Bishop of Melbourne, Rev. Dr. J. Goold and the church opened in 1875 with later additions erected in 1890.A coloured photograph of Our Lady of Mount Carmel Church. It is an image of the front on west end of the church which highlights the rose window above the door and shows the skillion roofed room on the south side of the church. On the LHS of the photograph there is a board giving details of the mass times and clergy.wardell, william, our lady of mount carmel church, catholic church, george evans collection

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Railway Signal Box No1 under Demolition situated by boom gates, Seaby Street Stawell. Photos of the demolition show workmen carrying out the work outside and inside of the signal box.Two colour photos of the demolition of wooden building. One photo is the outside of a signal box beside a railway line with a person on the roof. Windows of the building have been removed and stacked near the building. The other photo is taken inside the signal box with a person working on the building. stawell

Brick Ticket Box built around c 1937. This photo of the Ticket Box is located in Lower Main St, and on the right side of main gates to Central Park.Colour photo of Brick Ticket Box, Lower Main St, at Central Park located right side of main gates. Photo taken in 1999. Photo shows the tile roof with moss growing all over the tiles. The three windows are covered with a white security mesh.stawell central park

Private residence built 1925c for Frank Harbeck|Also Two other colour photographs showing two brick chimneys left standing until site cleared for construction of holiday accommodation.Colour photograph of a dwelling at 55 Church Street, prior to demolition. Weatherboard building, iron roof, gable projection. NW and SE corners, gable ventilator in centre roof, veranda on two sides. Bay window across corner of front room. Lakes Entrance Victoriahouses, township

Built post WW2 as home for Rev Canon Albert E Clark. The decorative brick and stone work on house and in garden built by Canon Clark with assistance of wife and daughter Ruth. Ruth Clark, noted botanist, with particular interest in the ground orchids of East Gippsland, continued living here until her death in Septemebr 1997.Colour photograph of a timber dwelling. Tiled gable roof, sash windows, decorative stone work on chimney, base of house, veranda, paths, garden and front fence. Attractive wrought iron railings atop stone fence, at 7 Williams Road, Lakes Entrance Victoriafences, houses, heritage study

The congregation gathers outside the newly built church. All are well dressed, most wearing hats.There appears to be 14 women, 8 men (one the pastor) and 9 children.The elderly lady appears to be Mrs Eliza Hand, though no lace collar or hat. There is no window in the porch.eliza hand, fiveways, kalorama methodist church, methodist church

Framed watercolour titled: "After the Rain" by Julie Lundgren Coulter. Set in cream window mount with engraved brass plaque affixed to lower edge. Brown painted wood frame. Features five bathing boxes on beach with grey clouds in sky and water pools in sand.

Colour print of Caribbean Art painted by Gilly Gobinet. Features a man on a donkey, woman with child, goat and chickens on a road near a village. Sea and sky in background. Set in cream card window mount. Sealed in cellophane bag with blue sheet containing a description of the artist.

Framed pastel titled: "Fauna in the night" painted by Dorothy Turnball. Features a possum perched on a branch amongst red blossoms. Set in grey card window mount with red and grey trim. Grey painted wood frame. Brass engraved plaque affixed to lower edge.

Colour photograph: single storey hotel, white painted façade, brown trim. Foundry Arms Hotel, situated on corner of Old High Street and Shamrock Streets, Golden Square. Arched windows, flat roofed extension at rear of hotel. Potentially early 1980's?bendigo, hotel, foundry hotel, golden square

Colour photograph: Reservoir Hotel, Condon Street, Kennington. Image shows brown brick modern structure, brown and taupe awnings over windows, ladder leaning on wall. Reservoir Hotel, Kennington, on small sign near front door. Could be early 1980's?bendigo, hotel, reservoir hotel

Colour photograph. White painted, single fronted hotel, small pediment on top with '1884' printed. Name of hotel, Railway Station Hotel, in brown paint on front façade, brown and white striped awnings over doorways and windows in front. Appears to be early 70's ?bendigo, hotel, railway station hotel

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of a window of the Kew Post Office and Court House at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival

Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.Apart from it association with the Surrey Hills Golf Club which is long gone, this image documents the landscape of pre-urban Surrey Hills.Black and white photo of a rectangular timber building with a slate hip roof and brick chimney on the LHS. The one visible window appears to be boarded up and has a door to its right. The building is fenced by posts and wire. A (?) street sign bearing the letters FLINT is at the right of the picture."The gate-keeper's shed was used as a clubhouse from 1895-1900."sports grounds, surrey hills golf club, riversdale golf club, timber building, john arnold

This building was damaged by fire and was subsequently demolished before June 1983. From 1901-1917 it was the site of the Surrey Hills Post Office. In later years the part of the building with frontage to Windsor Crescent was used as the dental surgery of Dr David Ellis; the Union Road part of the building was occupied by a barber and tobacconist for many years. At the time of the fire the building was used by a business supplying hydroponics requirements. This moved to (?) 119 Highbury Road, Burwood.The image is significant because it documents a building which was an important community facility which no longer exists.Black and white photo of a single-storey corner building with a corrugated iron roofed veranda and a single, 4-panel timber door. There is a sign with '109' mounted on the veranda of the building. There are multiple advertising signs on the walls of the building. Two of the windows are boarded up with corrugated iron sheets.shops, barber shops, tobacconists, surrey hills post office, dentists, union road, windsor crescent, hydroponics supplies, businesses, union road shops, dr david ellis

A photograph showing the interior of a libraryBlack and white photograph of a library interior. A display shelf faces outward, with a table and chairs at the left hand end adjacent to a pillar. A notice advertising Storytime sits atop the display shelf. Further shelves run along the left hand wall under large windows. library, libraries

The M.B. John Building (Building K), a three storey, face red brick, restrained Late Twentieth Century International styled building with an elongated, cuboid form (defined by the parapeted facades) that is offset by projecting exposed concrete framed, round‐arched entrance and stair wells on the east (Albert Street) elevation (the centrally located entrance breaking the brick façade with glazing). The facades are also characterised by banks of aluminium framed, horizontal ribbon windows, which wrap around the building corners. Metal shades project beyond the windows, while post‐supported bullnosed verandahs and hoods and projecting concrete stairs are other features. On the west elevation, the cuboid façade is punctuated by projecting curved concrete and glazed, elongated bays at first floor level. (David Rowe/Wendy Jacobs)Colour photograph of a red brick building on Albert Street. It was build to house trade workshops and Ceramics at the Ballarat School of Mines. m.b. john, m.b. john building, ballarat school of mines

Tynong North former Methodist Church, originally known as Christ Church, Berwick, has been an important community meeting place from c1870 and is significant to the Cardinia and Casey Shires as a major and early public building in both districts. The church may be the oldest (in part) public building in Cardinia Shire. This is a simple gabled church, clad with weatherboards and roofed with corrugated iron. It has a gabled porch with finial and distinctive arched openings (windows and doors) which may be indicative of its reputed early date (c1870), as linked with its classical styling. The windows have multi-paned glazing and the roof gable retains its finial. The concrete stumps and lack of mature planting around the church confirm that it has been moved to the site and restumped. Ref: https://vhd.heritagecouncil.vic.gov.au/places/30143/download-reportColour exterior view of the Tynong North Uniting Church, Clarke Rd. Tynong. The image shows a timber church with a porch.tynong north uniting church

Tynong North former Methodist Church, originally known as Christ Church, Berwick, has been an important community meeting place from c1870 and is significant to the Cardinia and Casey Shires as a major and early public building in both districts. The church may be the oldest (in part) public building in Cardinia Shire. This is a simple gabled church, clad with weatherboards and roofed with corrugated iron. It has a gabled porch with finial and distinctive arched openings (windows and doors) which may be indicative of its reputed early date (c1870), as linked with its classical styling. The windows have multi-paned glazing and the roof gable retains its finial. The concrete stumps and lack of mature planting around the church confirm that it has been moved to the site and restumped. Ref: https://vhd.heritagecouncil.vic.gov.au/places/30143/download-reportColour exterior view of the Tynong North Uniting Church, Clarke Rd. Tynong. The image shows a timber church with a porch.tynong north uniting church

Stawell Post Office on corner of Wimmera and Main Streets. Erected 1875. Telegraph pole and streetlamp in foreground. Akins store visible at right of photo. The building has 3 arched doors & 6 arched windows on the ground floor and 8 square windows on the top story. Two chimneys on the roof and a wrought iron square fence on the roof. The outside of the building has not changed while the interior has been remodelled several times. The early Postmasters and their families lived upstairs. The main room originally included the Telegraph office where operators worked at machines, sending and receiving Morse code messages. Later alterations were made for a telephone switchboard room downstairs, with trunk line equipment upstairs. In 1965 the telephone system was converted to automatic.Black & white photo of a two story building on the corner of Wimmera & Main St. The building the Stawell Post and Telegraph Office. Out the front of the Post office is a telegraph pole and a light post. Next door in Main St is a single story building with a sign over the building Argus Australasian, underneath Akins, Age/Leader possible a newsagent. stawell

Digital imagesst brigid's crossley, st brigid's, catholic church, catholic, church, religion, celebrations, christmas, christmas carols, carols, stained glass, window

The photograph portrays the main hall of the Mission to Seamen as it was used c.1950.The photograph is documents a moment in history that reflects how the main hall of the Mission to Seamen was used around the 1950s. The photograph also portrays one of many events held by the Ladies Harbour Lights Guild as one of the services provided for visiting seafarers.A black and white photograph inside the Mission to Seafarers Melbourne main hall. In the foreground there are two couples; on the left side of the photograph the couple are facing the left side, a man in a suit, vest and tie and a lady to the right in a mid-length skirt, jumper and short hair. The couple on the right of the photograph are facing each other - the lady has her back to the camera, and the man facing more toward the camera, he is also in a suit and is balding. A couple are standing in the mid ground, central in the photograph; a lady is on the left in a light coloured cardigan, mid length skirt and short dark hair; the man on the right is wearing a dark suit and tie, and a light coloured shirt. There are a number of people in the background that are partly concealed by the couples in the mid-foreground. An archway is visible to the left, that leads to the 'cafeteria', and an arch window can be seen on the right side of the photograph in the background, The hardwood floorboards are visible, as is the wainscote (wood panelling) on the walls in the background. A clock is situated right of centre on the back wall.collar, clock, vest, window, suit, 1950s, main-hall, tie, wainscote, cardigan, jumper, skirt, arch, bald, lhlg, dance, socialising, events, entertainments, mission to seafarers, mission to seamen, seamen mission, flinders street, ladies harbour lights guild, hardwood, floorboards, wood panelling

This hand tool would have been used either in the home for making small items of furniture or small building projects or it could have been used by a tradesman working on small jobs in the building industry – window sills, doors, cupboards etc. Planes are still used today to whittle down wood. This tool has no known local provenance but it is a good example of hand tools of the past and will be useful for display. This is a metal plane used for shaving wood. It has a rectangular base curved at the ends and the end of a steel blade is visible near one end of the base. The handle is dome-shaped and attached to the handle by a screw is a ridged metal wheel that rests on the blade which has been inserted on an angle. This wheel can be turned to adjust the blade, keep it in place or remove it for replacement. The plane is much rusted (it may have been painted black) and no manufacturer’s marks are visiblhousehold tools, wood plane

When the Free Serbian Church was established in Wodonga it was the only one in a country centre and the third Serbian Church established in Australia. It had a congregation of approximately 40 members. The Church was originally the first Presbyterian Church in Wodonga. It is a rectangular brick building with a red Colourbond gable roof to the nave area and a domed roof to the rear of the nave. Many features of the architecture from the original building remain. However, changes were made during the refurbishment by the Free Serbian congregation. The original façade red brickwork was rendered and painted white and it was modified to include two round arched relief panels. The upper relief panel was divided into three blocks of colour - red, pale blue and grey, with a centrally located gold cross. The relief panel above the double timber front doors has a gold cross and Serbian iconography. A cross was located on the wall at the apex of the gable and a cross rising up from the gable. The original pointed gothic style windows were replaced with round arched windows. The window hardware now includes wrought iron decorative features. A domed roofed area was constructed to the rear of the nave. The perimeter fence and gates included decorative wrought iron elements. The gates are particularly decorative with floral emblems and Serbian and English text in wrought iron. These photographs are significant because they provide evidence of the changing nature of religious worship and groups in Wodonga.A collection of black and white and coloured photographic images depicting the Free Serbian Orthodox Church, Wodonga. The Church was originally the first Presbyterian Church in Wodonga. It was extensively modified in 1961-62.free serbian orthodox church, wodonga churches, presbyterian church, religion wodonga

Passengers hang out the windows of the vintage steam train as it travels along the Hurstbridge Railway Line. Regular trips travelled from Montmorency to Hurstbridge and return as part of the Shire of Eltham centenary program. The train also stopped at Eltham, Diamond Creek and Wattle Glen stations on the afternoon of Sunday 18th April 1971. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, shire of eltham, shire of eltham centenary, centenary celebrations, steam train

Mr Keith Stratton, Mr Stekelenburg and Mrs Hamill awaiting transportation for the day centre. To assist people in accessing service, volunteer drivers were used to facilitate transport to and from Kelaston. They were provided with a sticker for their front window to advise other people of this service when they were collecting people from their homes.1 x col. photographs1984association for the blind, kelaston home (ballarat)