This object relates to Leslie James FIMMEL. He was born on 19/01/1922 in Warracknabeal, VIC. Leslie James served in the Army (V225108) enlisting on, 05/11/1941 in Warracknabeal, VIC before being discharged from duties with the 7 AUST INF BATTN as a Army Non-Commissioned Private (PTE) on 19/06/1946. Leslie James FIMMEL was not a prisoner of war. His next of kin is A FIMMEL.Dated Horsham, 28/10/1941second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to Leslie James FIMMEL. He was born on 19/01/1922 in Warracknabeal, VIC. Leslie James served in the Army (V225108) enlisting on, 05/11/1941 in Warracknabeal, VIC before being discharged from duties with the 7 AUST INF BATTN as a Army Non-Commissioned Private (PTE) on 19/06/1946. Leslie James FIMMEL was not a prisoner of war. His next of kin is A FIMMEL.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to Leslie James FIMMEL. He was born on 19/01/1922 in Warracknabeal, VIC. Leslie James served in the Army (V225108) enlisting on, 05/11/1941 in Warracknabeal, VIC before being discharged from duties with the 7 AUST INF BATTN as a Army Non-Commissioned Private (PTE) on 19/06/1946. Leslie James FIMMEL was not a prisoner of war. His next of kin is A FIMMEL.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to Leslie James FIMMEL. He was born on 19/01/1922 in Warracknabeal, VIC. Leslie James served in the Army (V225108) enlisting on, 05/11/1941 in Warracknabeal, VIC before being discharged from duties with the 7 AUST INF BATTN as a Army Non-Commissioned Private (PTE) on 19/06/1946. Leslie James FIMMEL was not a prisoner of war. His next of kin is A FIMMEL.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to Leslie James FIMMEL. He was born on 19/01/1922 in Warracknabeal, VIC. Leslie James served in the Army (V225108) enlisting on, 05/11/1941 in Warracknabeal, VIC before being discharged from duties with the 7 AUST INF BATTN as a Army Non-Commissioned Private (PTE) on 19/06/1946. Leslie James FIMMEL was not a prisoner of war. His next of kin is A FIMMEL.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

Museums are changing from being static storehouses for artefacts into active learning environments for people. New forms of museums, new ways of working with objects, new attitudes to exhibitions and above all, new ways of relating to museum publics, are emerging. At the end of the twentieth century, old structures are being replaced to prepare for a new century. Many social institutions are reviewing their roles and potentials, and museums and galleries are among them.incl. bibliographical references; 213p; endpaper: Susan Barnett museums

This booklet lists the Constitution and Rules of the Victorian Country Football League in 1955. The Victorian Country Football League was founded in 1927 and merged with AFL Victoria in 2012 to form AFL Victoria Country. In 1955 the Victorian Country Football League had eight delegates elected by the League and one District Councillor from each of the fifteen designated country districts. The object of the League was to promote the game in the Victorian country areas. This booklet is of some interest as it details the Constitution and Rules of the Victorian Country Football League in 1955. The Hampden League centred around the Warrnambool area was one of the districts covered at that time by the Victorian Country Football League.This is a small soft-covered booklet of 64 pages. It has a pale green cover with ruled black lines and printed information on the front and the name of the printer on the back. The pages have been stapled but the staples are now removed. The cover is torn at the spine and the cover is somewhat scuffed with some scribble on the cover edge. The back cover and one of the pages have biro annotations on them. The booklet has an index at the back and a couple of blank pages for notes. Back cover: ‘189936’victorian country football league, warrnambool

A hammer is a tool with a heavy head and a handle, often made of shock-absorbent wood or fiberglass that is used to strike an object. The most common uses for hammers are to drive nails, fit parts, forge metal, and break apart objects. Hammers vary in shape, size, and structure, depending on their uses. Hammers are basic tools in many trades. A hammer is composed of a head most often made of steel and a handle also called a helve or haft. Most hammers are hand tools. A traditional hand-held hammer consists of a separate head and a handle, fastened together by means of a special wedge made for the purpose, or by glue, or both. This two-piece design is often used, to combine a dense metallic striking head with a non-metallic mechanical-shock-absorbing handle -to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often hickory or ash, which are tough and long-lasting materials that can dissipate shock waves from the hammer head. A well used hammer with wooden handle and steel headpioneers, early settlers, market gardeners, moorabbin, brighton, cheltenham, tools, craftsman, carpenters, blacksmiths, builders, woodwork,

A clamp is a fastening device used to hold or secure objects tightly together to prevent movement or separation through the application of inward pressure. In the United Kingdom the term cramp is often used instead when the tool is for temporary use for positioning components during construction and woodworking; thus a G cramp or a sash clamp but a wheel, screw or surgical clamp. There are many types of clamps available for many different purposes. Some are temporary, as used to position components while fixing them together, others are intended to be permanent. In the field of animal husbandry, using a clamp to attach an animal to a stationary object is known as "rounded clamping." A physical clamp of this type is also used to refer to an obscure investment banking term, "fund clamps." Anything that acts to hold two surfaces together may be called a clamp, so this gives rise to a wide variety of terms across many fields. The subject item is a wooden-handled screw clamp used in cabinet or woodworking projects to hold two surfaces together while glueing or fixing. An item that has not changed in shape or use since its inception hundreds of years ago. These types of clamps are still produced today in many sizes by many woodworking tool companies.Wooden hand Screw Clamp two lengths of wood each beveled at one end and standing parallel. Two long wooden screws with handles and predominant thread that fits through wood lengths.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden screw clamp, carpenters tools, cabinet makers tools, clamp

A clamp is a fastening device used to hold or secure objects tightly together to prevent movement or separation through the application of inward pressure. In the United Kingdom the term cramp is often used instead when the tool is for temporary use for positioning components during construction and woodworking; thus a G cramp or a sash clamp but a wheel, screw or surgical clamp. There are many types of clamps available for many different purposes. Some are temporary, as used to position components while fixing them together, others are intended to be permanent. In the field of animal husbandry, using a clamp to attach an animal to a stationary object is known as "rounded clamping." A physical clamp of this type is also used to refer to an obscure investment banking term, "fund clamps." Anything that acts to hold two surfaces together may be called a clamp, so this gives rise to a wide variety of terms across many fields. The subject item is a wooden-handled screw clamp used in cabinet or woodworking projects to hold two surfaces together while glueing or fixing. An item that has not changed in shape or use since its inception hundreds of years ago. These types of clamps are still produced today in many sizes by many woodworking tool companies.Wooden hand Screw Clamp two lengths of wood each beveled at one end and standing parallel. Two long wooden screws with handles and predominant thread that fits through wood lengths.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden screw clamp, carpenters tools, cabinet makers tools, clamp

Black and white photograph, four young females in costume dancing on stage, in a park. Large crowd under trees watching. Inscription: In image on board on stage 'Nuggets, presented by Dr Backhaus by Bendigo Diggers'. History of object - previous Acc. No. '185'. James Lerk 'Centenary of Gold?'. In image 'Dr Bacchaus's chair, stump from which? Dr Backhaus preached. First ordained preacher or minister on Bendigo Goldfields. On back 'MP 185'. Purple circular stamp 'Royal Historical Society of Victoria, Bendigo Branch', '1960', '97', 'CD 279'. 'Copyright, Bendigo Advertiser, 'Bendigo Advertiser Photographic Service. For re-order quote CD 279'Bendigo Advertiserperson, group, centenary, see also 2000.511.01, 2000.512.01, 2000.513.01, 2000.514.01, 2000.515.01, 2000.517.01, 2000.518.01, 2000.518.01, 2000.519.01, 2000.520.01, 2000.521.01, 2000.522.01, 2000.524.01.

Cream colour case box. 11007.1 - cream box with 3 sections varying sizes. 11007.2 - nail buffer cream white with two bumps on top. 11007.3 - cream container - empty. 11007.4 - sharp object with carvings - cream colour. 11007.5 - cream stick with two flat sides, one carved, on pointy. 11007.6 - cream handle with hook - metal 11007.7 - nail file with cream/yellow handle - file is rusted with sharp point on top. 11007.8 - long handle cream with curved and flat/straight surface. 11007.9 - same as above, but handle is a darker cream. 11007.10 - pocket knife - two blades - cream - has loop on top - DOES NOT OPEN.11007.3 - says England on bottom

Object. (a) A circular metal disk, slightly convex with six tiny crosses spaced around the outer rim. Shaped like a funnel at the rear, the handle extends into a 16 cm stem which would fit over the walking cane. Eight raised circles decorate the stem, giving a .8 cm decorative ridge. Four circles impressed below the lower edge. A hallmark is impressed below these circles, xo.... with remainder unreadable. (b) Circular rounded top, decorated with concentric small circles, raised slightly, and each centred with a tiny blue gemstone. A larger Royal Blue, circular raised gem stone is at the centre. This knob is 6 cm in diameter.costume accessories, female, ladies walking cane

Has a strong association with the tours to mark the closure of the Ballarat Tramway system and Graeme Breydon.Edmondson pasteboard railway ticket, No. 741, dated 21 august 1971, for use on an ARHS / TMSV joint tour to Farewell Ballarat Trams - the first day of the closure of the system. Ticket base is white with three vertical green stripes, which is printed in landscape format. Has been over stamped "Farewell Ballarat Trams" and "Tramway Museum Society of Victoria". From memory, these tickets were bulk printed by the Victorian Railways for the ARHS and the over stamped for use on particular days/events, meals etc. Would have been used as the tram ticket on the day. Ticket used by Graeme Breydon on the day of the tour. See History of the Object for further details.trams, tramways, arhs, tmsv, tickets, closure

Two part object. (1) A metal Chemold 'Tony Roche Autograph' tennis racquet with double shaft and metal bridge. Black plastic shaft casing and butt cap. Adhesive label on butt has Chemold name & logo. Logo stickers also on shaft casing. Handle wrapped with brown leather grip tape. Autographed on handle by Tony Roche. (2) White vinyl racquet head cover with zipper. Signed in black marker: 'TO ROLF/I'M A GREAT MATE/TONY ROCHE'. Also has manufacturer name/trademeark printed in red & blue. Materials: Metal, Adhesive tape, Leather, Plastic, Adhesive label, Vinyl, Inktennis

Two part object. (1) A Wilson 'Jimmy Connors C-1' metal tennis racquet, with double shaft; metal shaft bridge; plastic shaft casing featuring 'W' logo and metal whipping; and a handle wrapped in brown leather. Net anchored to metal wire wrapped around head frame. Green plastic butt cap with adhesive label featuring manufacturer's 'W' logo in red. Model name printed onto adhesive label on shaft bridge. (2) A green & white vinyl racquet head cover, with zipper, printed with manufacturer and model name. Materials: Metal, Plastic, Adhesive tape, Nylon, Vinyl, Leather, Adhesive labeltennis

Two part object. (1) A Seamco Ken Rosewall-endorsed metal tennis racquet, with double shaft, metal shaft bridge, plastic throat bridge; black plastic shaft casing embossed with 'ACRO'; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring manufacturer's 'S' logo and name. Manufacturer name on label on throat bridge (reverse). Endorser name on troat bridge (obverse). (2) A white & blue vinyl racquet head cover. Printed in red on cover is maunfacturer name and endorser signature (both sides). Materials: Metal, Plastic, Adhesive label, Leather, Adhesive tape, Nylon, Vinyltennis

Two part object. (1) A Seamco Ken Rosewall-endorsed metal tennis racquet, with double shaft, metal shaft bridge, plastic throat bridge; black plastic shaft casing embossed with 'ACRO'; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring manufacturer's 'S' logo and name. Manufacturer name on label on throat bridge (reverse). Endorser name on troat bridge (obverse). (2) A white & blue vinyl racquet head cover. Printed in red on cover is maunfacturer name and endorser signature (both sides). Materials: Metal, Plastic, Adhesive label, Leather, Adhesive tape, Nylon, Vinyltennis

Two part object. (1) A Seamco Ken Rosewall-endorsed metal tennis racquet, with double shaft, metal shaft bridge, plastic throat bridge; black plastic shaft casing embossed with 'ACRO'; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring manufacturer's 'S' logo and name. Manufacturer name on label on throat bridge (reverse). Endorser name on troat bridge (obverse). (2) A white & blue vinyl racquet head cover. Printed in red on cover is maunfacturer name and endorser signature (both sides). Materials: Metal, Plastic, Adhesive label, Leather, Adhesive tape, Nylon, Vinyltennis

Artist Leonard French said of this work:- "The centre panel suggests a tree of knowledge growing out of a jewelled fish (a spiritual accompaniment is intended), and from the tree birds rise, spreading out through the cloud shapes of the other panels. Hands and figures rise from the earth, reaching for the birds. The left hand panel depicts the journey of figures in a boat, the seeking after or journeying to the source of knowledge. The far right hand panel is the garden, figures in a primitive state, a sort of evolution of figures from a primitive garden (the first garden). Visualization, verbalization, music and dance are tools we have to express a concept. The analysis of an art work is a delicate and sensitive task and great harm can be done in an attempt to become verbal about a form which relies upon elements peculiar to itself for intrinsic meaning." Leonard FRENCH (OBE) (08 October 1928 - 10 January 2017) Born Brunswick, Victoria Died Heathcote, Victoria Known for his enormous dalle de verre (concrete and slab glass) ceiling in the Great Hall of the National Gallery of Victoria Leonard French produced a large body of work throughout his lifetime. French won the Sulman Prize in 1960, and the Blake Prize for Religious Art in 1963 and in 1980. He was also awarded a Harkness Fellowship in 1965. In the Queen's Birthday Honours of June 1968 he was appointed an Officer of the Order of the British Empire. In early 1959 Leonard French was commissioned by the Ballarat Teachers' College students to paint a mural. The students were responsible for the payment of the work. When unveiled artist George Bush remarked: "the 1959 students have left something not just to 'oooh' and 'ah' at, but something that is thought provoking, arresting and interesting. This work of art keeps something in reserve and draws you to search for deeper meaning behind the splendour of colour. This mural is not one which will not fade the interest of its beholders, but one which will provide intrigue for generations to come." Originally French intended the mural to be five panels, each entitled (left to right) 'the Journey', 'Man', 'The Tree', 'The Earth', 'The Garden'. The finished mural was reduced to four panels with the central tree incorporated into the panels 'Earth' and 'Man'. Ballarat Teachers' College Art lecturer Arch Cuthbertson explained that the artist:- "Aims at evoking emotional flashed, opening doors to simultaneous thinking and feeling. To accomplish this he juxtaposes the threads of conscious and unconscious images, thus effecting a tapestry that allows many points of reference to converge upon his singular images. Whether the colours offer metaphysical sensations or convey a literal meaning will depend upon the breadth and depth of the viewer's experience. Similarly with the bird - we might well ask is it a defiance of gravity, a metaphysical ascension or the elusive winged knowledge? Again the answer could well be that these three associations have a singular purpose. " This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A four panel mural by Leonard French, commissioned and gifted by the Ballarat Teachers' College Student in 1959. Art lecturer Arch Cuthbertson was highly involved in this commission. Artist Charles Bush unveiled the mural at the Ballarat Teachers' College in Gillies Street, Ballarat. At that time he said:- "You have left behind you on object which will be full of interest to a lot of people. A work of art, so long as it is in existence, is constantly under review. Most of the good things that keep on going are usually to the uninitiated a little worrying. Many of you will be worried by this, because it does not make its message immediately clear. But come back and assess it again and again." art, leonard french, french, artwork, mural, ballarat teachers' college, class of 1959

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available

Boyd proposes to apply art criticism techniques to architecture; claims architectural criticism in Australia is "all but dead" because of the 'schizophrenic nature of architecture" (i.e. building a socio-economic object as well as art). Boyd compares Kevin Borland's design of The Legend restaurant (Lonsdale St) with a recently designed residential apartment block (15 Collins St); claims that both are schizophrenic but The Legend is masterfully so whereas the apartments are aesthetically lacking.Original manuscript of an article published as ‘The schizophrenic style’ in "The Sunday Australian", 14.3.1971Typewritten (c copy), quarto, 11 pagesTop of page 1 handwritten where and when published. The last page credits photographer Mark Strizic, so images may have been attached.architectural criticism, art criticism, melbourne architecture, the legend restaurant, lonsdale st, leonard french, legend milk bar, tivoli theatre, clement meadmore, kevin borland, colonial architecture, 15 collins st, robin boyd, manuscript

Advertising notice for a sheep sale at the Woolbroker's Stock Department. Involves Strachan and Co. Ltd and Dennys Lascelles Ltd who were the agents in conjunction. (NB: According to the original record, this object acquired with the purchase of property from Myer Properties Ltd and was acquired 6/8/86. It is not known what this property was or if anything else was acquired at the same time. Until further details are know, no accession record has been created.)STRACHAN & CO. LIMITED / DENNYS, LASCELLES LIMITED / Agents in Conjunction / "OSBORNE" / 6 YR. EWES. / For Information Only. But not Guaranteedsheep sales, dennys, lascelles limited strachan and co. limited, sign

This object relates to James William FINN. He was born on 29/07/1914 in Ballarat, VIC. James William served in the Army (VX87969) enlisting on, 05/08/1942 in Ballarat, VIC before being discharged from duties with the 2/2 AUST RWAY CONST COY as a Army Non-Commissioned Sapper (SPR) on 27/11/1945. James William FINN was not a prisoner of war. His next of kin is A FINN.second world war (ww2), 1939 - 1945, personal items, ballarat rsl, ballarat

This object relates to Ian Grant GRAHAM. He was born on 13/05/1912 in Ballarat, VIC. Ian Grant served in the Army (VX115742; V52949) enlisting on, 12/08/1942 in Ballarat, VIC before being discharged from duties with the 8 AUST INF BATTN as a Army Non-Commissioned Sergeant (SGT) on 12/12/1945. Ian Grant GRAHAM was not a prisoner of war. His next of kin is Gwen GRAHAM.medals, ballarat rsl, ballarat

This object relates to Lindsay Ross MANCER. He was born on 08/12/1923 in Tatura, VIC. Lindsay Ross served in the AIF (VX82219) enlisting on, 01/08/1942 in Tatura, VIC before being discharged from duties with the 2/43 AUS INF BATTN as a Army Non-Commissioned Private (PTE) on 22/07/1946. Lindsay Ross MANCER was not a prisoner of war. His next of kin is Charles MANCER.With Rising Sun Emblem "VX82219 Private Lindsay Ross Mancer 2/43 Infantry Battalion Died 9th September 1982 Aged 60 Lest We Forget"collectables, ballarat rsl, ballarat

This object relates to William David WILLIAMS. He was born on 23/05/1907 in Ballarat, VIC. William David served in the Army (VX139193 V103196) enlisting on, 10/05/1943 in Ballarat, VIC before being discharged from duties with the 2/9 FLD COY as a Army Non-Commissioned Sapper (SPR) on 30/01/1946. William David WILLIAMS was not a prisoner of war. His next of kin is W WILLIAMS.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to William David WILLIAMS. He was born on 23/05/1907 in Ballarat, VIC. William David served in the Army (VX139193 V103196) enlisting on, 10/05/1943 in Ballarat, VIC before being discharged from duties with the 2/9 FLD COY as a Army Non-Commissioned Sapper (SPR) on 30/01/1946. William David WILLIAMS was not a prisoner of war. His next of kin is W WILLIAMS.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat