Used by conductors or conductors to retain and sell tickets from.Demonstrates the method of dispensing tickets by conductors, how the tickets could be arranged. Yields information about the style and printing of tickets used in Ballarat tramways and how they were presented.Sheet of leather, approx 2mm thick, stained brown with four pockets formed on each side with another sheet of leather, stitched on all sides to form pockets to hold eight blocks of tickets. Stitching is a white colour cotton. Has four blocks of tickets. 80c - blue - A 1016901 - Ballarat Vintage Tramway 30c - purple - A 69601 - Ballarat Tourist Tramway 10c - black - A 114000 - Ballarat Tourist Tramway 5c - red - A 137000 - Ballarat Tourist Tramwaybtm, ballarat tramway museum, ballarat tramways, tickets, ticket wallet, sec, conductors

Block puzzle set. Contains 35 wood blocks covered with printed paper that can be arranged to make 6 different scenes. Housed in custom wooden box with hinge lid. Hinge is cloth tape. Box also contains five picture guide cards (sixth picture guide appears on box lid). Complete set. Small swinging metal hook as box closure device. Materials: Cardboard, Paper, Ink, Wood, Glue, Cloth tape, Metaltennis

The wooden patterns are part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; a pair of blocks that form a rectangle with a carved centre hole and disc shape inside. The block is made from laminated pieces of wood with cut corners. Both sides have four drilled holes in a square configuration but in different positions. The cut faces and the space carved into them are painted red; one piece has two dowel pins that fit into two drilled holes on the other. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

Set of three photocopied plans or drawings on A3 sheet of Essendon Depot - c1937 to 1944 .1 - P? - Plan showing depot block and building plan with adjacent private houses and properties - dated 30-12-1944 .2 - P8008 - Plan showing depot block and building plan with adjacent private houses and properties - dated 27-4-1937 .3 - P8089 - Detail plan of depot and offices, dated 27-4-1937 - prior to new offices being built.trams, tramways, drawings, depots, property, essendon depot

Depot table sheet or block - roneo or spirit duplicated, printed on light card - for - "Sunday 14-1-1968 - Glenhuntly - North Fitzroy - Kew - Malvern - Doncaster" shows the various runs and crew tables for the day, has an index and notes. The block was prepared for the track work to realign Dandenong Road and the Chapel St intersection as part of the St Kilda Junction project. See page 96 of Timeline History of Melbourne's Government Cable and Electric Trams - Barry George et al.trams, tramways, table cards, glenhuntly tram depot, kew depot, north fitzroy depot, doncaster depot, malvern depot, drivers, conductors, st kilda junction

Block of tickets each - red ink on 60 gsm buff paper, denomination 5d (printed in blue), numbered F029003 - F029049 (six missing) headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 50 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "E" prefix is in red, the ticket number is in black. Ticket used as a Transfer, had day of issue to be punched on the left hand side and the validated destination in number on the right hand side. Tickets 012 to 017 have been removed from block. Thought to be used prior to 1950's around the second world war.trams, tramways, secv, tickets, parcels

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with four remaining tickets - red ink on off white paper, denomination 2d, over stamped in black "City Section" numbered D907396 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself and prefix is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See also Reg Item 4002 for another 2d City Section ticket - block of 100 tickets and larger font for the price. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 4 remaining ticket - orange ink on off white paper, denomination 3d, overprinted "Concession" in black, numbered A010646 - 49, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 50 tickets been stapled onto an off white, ruled on one side cardboard back with a heavy metal staple and an green coloured cardboard retaining strip at the top of the ticket. The ticket price is in orange ink while the ticket number itself is in black ink. On rear in orange ink is a diagonal criss cross or tartan pattern. See also Reg Item 3989 for another 2d Concession - block of 100 tickets. Note: "L.P.L." in bottom right hand corner of ticket. See Alan Bradley's notes "Fares in Ballarat" On the inside of the cardboard back are notes re City, Junc and To columns using the ruling on the ticket and notes. Not sure what the purpose of these are.trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 22 remaining tickets - red ink on off white paper, denomination 2d, over stamped in black "City Section" numbered C873578 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 100 tickets been stapled onto an off white cardboard back, ruled on one side with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself and prefix is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See also Reg Item 3990 for another 2d City Section ticket - block of 200 tickets and smaller font for the price. See Alan Bradley's notes "Fares in Ballarat" On the inside of the cardboard back are notes using two of the columns using the ruling on the ticket and notes. Not sure what the purpose of these are.trams, tramways, secv, tickets

The cupboard (containing 48 pigeon holes) was moved from Clerk's Office to 'block' the fireplace behind the Magistrate's bench in 2004eltham courthouse

Job 56M430 Contractor Hone Wash over road due to blocked table drain caused this wash out on embankmentRecord of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, bridge construction, 1959-09, heidelberg-kinglake road, road construction

Margaret & Charles Grayden owned blocks 33 & 34 from 1868, near George Ames Drive to Churchill Island. Sepia photograph of Margaret & Charles Grayden, possibly at Newhaven.margaret & charles grayden, bernard grayden

Photograph of old hitching post located in Mountainview Road Briar Hill. The post is located in the front garden of a residential block.Digital copy of colour photograph.mountainview road

Chellowdene was demolished c1996, and four units were built on the block. It has two owners. The Wood Family and the Gervasoni Family.A cream brick house in Wills Street, Kew. It was known as Chellowdene. chellowdene, 37 wills st kew, architecture

Chellowdene was demolished c1996, and four units were built on the block. It has two owners. The Wood Family and the Gervasoni Family.A cream brick house in Wills Street, Kew. It was known as Chellowdene. chellowdene, 37 wills st kew, architecture

Chellowdene was demolished c1996, and four units were built on the block. It has two owners. The Wood Family and the Gervasoni Family.A cream brick house in Wills Street, Kew. It was known as Chellowdene. chellowdene, 37 wills st kew, architecture

Photograph - on photographic paper in colour, corps badge with crown and with silver laurel wreath and dark blue inner circle. Silver writing. Paper adhered to mount with varnish finish. Mount - timber, block shaped.Information on badge. - "ROYAL.AUSTRALIAN.CORPS.OF.TRANSPORT" "E11R" - “PAR ONERI”photographs, mounted, transport corps

The outer envelope is addressed Mr E. Fielding which is believed to be Richard Edward (Eddie) Fielding. It is understood from Tom Fielding, that this item was collected by his Uncle Bill Teagle when visiting Japan in the 1920s whilst serving in the Navy. It is further understood that Bill always made efforts to collect souvenirs from his travels to give to family members. William George Teagle, more commonly known as Bill, was born 2 August 1899 at Sandringham, Victoria. Bill, a milk carter first attempted to enslist in the AIF in October 1917 but was rejected on the grounds of being too small. On a second attempt he was successful and his application was accepted 1 June 1918. He embarked in November 1918 for overseas with the 17th Reinforcements. He was discharged a year later in December 1918. On 6 May 1919 he enlisted in the Royal Australian Navy for a period of 7 years service with the rank of Stoker however he remained with the navy throughout till the end of the Second World War, and was finally discharged 14 November 1945 with the rank of Petty Officer. This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection

Donated by N. M. & J. D. Archibald. April 1973Black & White Photograph. Chicory Kiln. Cowes, Main Road - Mr. G. Stoppa. Cement blocks with Iron, Wood & Fibro. Built late 1940's or 50's. Chicory Kiln Album.local history, photography, photographs, agriculture buildings, historic, chicory kiln, cowes, phillip island, g stoppa, n & j archibald

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man standing beside a train carriage. His hand is against a sign on the side of the carriage, blocking out some of the letters. What can be seen is 'Frank'. The man is Frank Wright.frank wright, train carriage, conductor, train, railway

Found by Keith Walton, Portland. From the 1840 wreck of the sailing boat "Constant" in Portland Bay near long pier. The sheave came to Flagstaff Hill from Carl F Kurtze, The Museum, South Portland. Block wood sheave, from the wreck of the sailing boat CONSTANT, 1840 . One side weathered, other side covered with rusty deposits, with iron bearing corroded away. Sheave has tag attached.Tag on sheave from "Carl F Kurtze, The Museum, South Portland. Found by Keith Walton, Portland. "flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, block wood sheave, constant, portland bay

Ink on paper student's technical drawings: .1) 6 ton Bottle Jack general arrangement .2) 6 ton Bottle Jack details .3) 10 ton block and tackle general arrangementstechnical drawing, engineering drawings, g. murrowood, s. j. chambers, bottle jack, h. smith

Colour photo of house on corner block. Ownership or significance is unknown. Could this have been the home of Basil Miller. Inscription on reverse side stamped vertically on right side in black FQ 2k 431:person, individual, basil miller

Photograph - black and white. Tram tracks being laid. Also bluestone blocks are used. On back on photo is the word 'Long Gully ?'. Park on left of photo then a building in middle of photo says 'A.Cornwell, Baker'.W.H. Robinson, Mundy Street, Bendigo.place, transport, tram, tram tracks. long gully.

Beige sheet of paper of Block Diagram Showing the Plan of Development as Applied to Part of one Anticline. The diagram goes down for 20 levels. Also mentions the Napoleon Line and the G. G. Consolidated Shaft.place, mining site, carshalton mine, carshalton main shaft, napoleon line, g. g.consolidated shaft, block diagram showing the plan of development as applied to part of one anticline

The Rays' badge was was adopted by the General Grand Council in Melbourne in 1935 from a design submitted by South Australia.The shape of the badge represented the love with which every child of God is encircled. The ivy leaf was for friendship and the lines represented the good deeds which go out from each young life as rays of light to bring sunshine in others. This meaning was adopted in 1948. In 1966, General Grand Council in Sydney, decided to discontinue the use of the Rays' badge in favour of the one badge for the whole organisation. Wooden cube shaped block with a metal printer's die attached. The die is a replica of the Methodist Girls' Comradeship Rays' Section round badge emblem of an ivy leaf from which emanates the sun's rays. "R"methodist girls' comradeship rays' section, methodist church of australasia, printing