Showing 4004 items
matching cloth
-
Tennis Australia
Racquet, Circa 1955
A Spalding 'Kro-Flite' model tennis racquet, featuring whipping around shoulders and shaft. Fibre reinforcement where throat meets shaft. Has perforated-leather wrapped around handle and embroidered butt cloth . Manufacter name features across base of head. Model name features on fibre reinforcement. Has 'SYNCRO/STROKE' decal/symbol on shaft. Wreathed 'S' logo on lower shaft and butt cloth. Materials: Wood, Metal, Lacquer, Glue, Leather, Vinyl, Ink, String, Paint, Adhesive tape, Cloth, Threadtennis -
Tennis Australia
Racquet, Circa 1962
A Spalding, "Pancho Gonzales" Tournament Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white leather butt cloth . Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cloth. Intials 'AB' on butt cloth in purple marker pen. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
National Wool Museum
Clothing - Shirt, 1925-1938
Male wool shirt made in Bradford, U.K. The shirt is cut from first fabric woven from 100% traceable Australian wool. Bradford Mills differ to Australian mills in that the entire process of producing worsted material does not take place at the one firm/factory. Rather it is split between many firm/factories specialising in their task in the production of worsted material. For example, the wool goes from merchants to combers to produce tops, the tops to spinners to produce yarn and then the yarn is sold to manufactures who weave it into cloth. After the weaving is done the cloth has to be sent to the dryers and finishers, who scour, dye and finish the cloth. Finally, the finished cloth is purchase by a fresh set of merchants, who will later sell the cloth elsewhere in England or abroad. At each these steps a new firm is handling the wool/cloth making it hard to track lineage of wool through this process and hence hard to guarantee 100% Australian wool. This shirt was purchased and worn by the donor’s husband, George H. Gerber, an Australian Wool Buyer. The shirt was purchased on one of George’s trips to Bradford in the U.K. on company business. Gerber was a second-generation Wool Traders in his family. His father, also named George H. Gerber, worked for Kreglinger & Furneau. He worked for them in Boston, U.S.A. before he died from the Spanish Flu in 1918. The company then promised a job to his oldest son (donor’s husband) once he finished school. Thus, George came to be trained as a Fine Wool Classer by Kreglinger & Furneaux (Aust.) Pty Ltd where he was employed as a Wool Buyer all his working life. He retired in 1969 as the head of their Australian office when the company was taken over Also of note, the shirt was sold with 2 add-on collars. Having additional collars was advantageous as changing only the collar increased the number of days the shirt could be worn without washing. Cream coloured shirt with black and red single thread verticle stripes.“Grandpa” collar (with 1 of its 2 supplied add-on collars included). French cuffs. Sold with 2 add-on collars, hence both ends of the collar have buttonholes to take a stud, and a partially-opened button-hole is at the centre of the neck on the outside of the collar for a second stud.Letering label on shirt: GENT’S OUTFITTER Herbert Winfield 23 CHEAPSIDE, BRADFORDbradford, u.k, kreglinger & furneaux (aust.) pty ltd, 100% australian wool -
Bendigo Military Museum
Memorabilia - CLOTH SOUVENIRS, EYGPT 1941, 1941
Variety of embroidered cloth panels depicting Egyptian scenes including the pyramids, sphinx, palms & camels. Made specifically for sale to Australian troops in 1941 as 3 panels depict the Rising Sun badge..1) Embroidered souvenir of Egypt, rectangular with black velvet with gold fringe. .2) Embroidered souvenir of Egypt, rectangular with black velvet with gold fringe. .3) - .4) Embroidered souvenir of Egypt, rectangular with black velvet with gold fringe. .5) Embroidered souvenir of Egypt, rectangular with black velvet with gold fringe..1) Souvenir of Egypt 1941 .2) Souvenir of Egypt with Rising Sun badge .3) Souvenir of Egypt 1941 .4) 1941 .5) Egypt 1941military history - souvenirs, manchester, eygpt -
National Wool Museum
Folder, sample
Weaving sample folder: "RANGE 4 1965" contains sheet detailing three "MOCK LENO LOOM No 19" patterns with 1 brown, 1 green and 1 blue checked cloth sample.DAVID DUMBRELL RANGE 4 1965 MOCK LENO LOOM No 19weaving textile industry textile design, weaving, textile industry, textile design -
National Wool Museum
Folder, sample
Weaving sample folder: JOHN YANG (1967) RANGE 2 and contains "LADIES COATING OR FURNISHING FABRICS" pattern sheet and 3 patterned cloth samples (light grey, medium grey, red).JOHN YANG (1967) RANGE 2 (ink) LADIES COATING OR FURNISHING FABRICStextile production weaving, textile production, weaving -
National Wool Museum
Folder, sample
Weaving sample folder: "JOHN YANG (1967) RANGE 6" contains "WORSTED LADIES SKIRTING RANGE" pattern sheet and 3 checked cloth samples (light brown, medium brown, grey).JOHN YANG (1967) RANGE 6 (marker) WORSTED LADIES SKIRTING RANGEtextile production weaving, textile production, weaving -
National Wool Museum
Book, cloth sample, Collins Bros. Pty. Ltd. Woollen Manufacturers Geelong Shades for Slipper Socking and Scrim Felts
Cloth sample book entitled "Collins Bros. Pty. Ltd. Woollen Manufacturers Geelong Shades for Slipper Socking and Scrim Felts" contains numerous coloured felt samples within two covers.Collins Bros. Pty. Ltd. Woollen Manufacturers Geelong Shades for Slipper Socking and Scrim Feltscollins bros mill pty ltd, felting -
National Wool Museum
Machine - Sock Knitting Machine
Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Griswold bench-type sock knitting machine hand operated by turning the handle.sock knitting machine, textile industry, wool, fashion, clothing -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - puggaree, 1912 circa
A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse soldiers.Seven fold puggaree with white band denoting Light Horse of the pre WWI (1914-1918) period and possible for a time following the war until superseded by the red band.puggaree, headwear, light horse, uniform -
8th/13th Victorian Mounted Rifles Regimental Collection
puggaree, 1925 circa
A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band often made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse or veterinary corps soldiers.Seven fold puggaree with deep maroon band denoting Light Horse or Veterinary Corps in the period between the wars.puggaree, uniform, light horse, headwear -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - puggaree, 1925 circa
A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band often made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse soldiers.Seven fold puggaree with red band denoting Light Horse of the period between the wars.puggaree, uniform, headwear, light horse -
Bendigo Military Museum
Uniform - JACKET, BATTLE DRESS, Oxford Clothing Pty Ltd, 1968
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki woollen battle dress jacket with cloth major's insignia with a queen's crown sewn on each epaulette. On top of each sleeve is a cloth badge with 'ROYAL AUSTRALIAN ARMY CHAPLAINS DEPARTMENT' embroidered in white letters on a purple background. A white calico manufacturer's label with laundering instructions, is sewn on the inside. A gold coloured metal cross is pinned to each lapel.uniform, insignia, army chaplain, major thomas b. williams -
Ballarat Ranger Military Museum
Jacket - Army Uniform, c1945
The jacket was issued to Private Edgar Uebergang, a member of the 8th Australian Infantry Battalion, who served in WW2 with the battalion. Edgar, who had been awarded a Military Medal during WW2, who went to London with Private Frank Partridge VC and Sergeant Norm Strange from Ballarat representing the 8th Battalion at the 1946 Victory Parade. The Jacket is an Australian Army 2nd AIF khaki woollen Service Dress jacket. On the top of each arm there is a cloth AUSTRALIA shoulder flash, a small 8th Battalion AIF Colour Patch and the Australian Victory Contingent cloth badge. On the lower right sleeve is a blue three-year war service chevron badge. On each collar is a Rising Sun badge.uniform, jacket, ww2, 8th battalion, australian victory contingent 1946 -
Tennis Australia
Racquet, Circa 1903
A Salmon & Webster 'Champion' tennis racquet, with solid convex throat, cloth tape shoulder reinforcements, and, a fine grooved handle with fish-tail butt and a rubber handle grip. Impressed inscription on handle grip: SALMON &/WEBSTER LTD./MAKERS OF THE/PARLOUR/SUPER STRONG/BAT. Materials: Wood, Lacquer, Glue, Metal, Gut, Cloth tape, Rubbertennis -
Tennis Australia
Racquet, Circa 1917
A Barker & Son 'The Invincible' tennis racquet with concave wedged throat and bevelled, oval head. Has cloth tape reinforcements around shoulders, and an octagonal handle with 'fishtail' shaped end. Model name imprinted across throat on obverse. Manufacturer's name printed across throat on reverse. Materials: Wood, Lacquer, Metal, Glue, Gut, Cloth tape, Inktennis -
Tennis Australia
Racquet, Circa 1925
A wooden racquet. Inscription across the throat of obverse: MERCURY. Inscription across the throat of reverse: HARRY C. LEE & CO./NEW YORK. Manufacturer details also along side of racquet stem. Company logo 'LEE' imprinted on red cloth butt cap. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Metal, Clothtennis -
Tennis Australia
Racquet, Circa 1929
An open throat, wooden racquet. Inscription, across base of head of obverse: BLUE PHANTOM. Inscription across base of head on reverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Company logo 'NMCO STANDARD' is stamped into a blue cloth and leather butt cap. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Gut, Clothtennis -
Tennis Australia
Racquet, Circa 1924
A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Decal inscription on obverse: NEW/DAYTON/RACQUETS. Handle and shaft are patyially wrapped in cloth tape. Materials: Wood, Metal, Glue, Lacquer, Leather, String, Ink, Paint, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1905
A John Piggott 'The J.P. Champion' tennis racquet, with solid, convex throat, cloth tape shoulder supports, and fine-grooved handle with fan-tailed butt. Model name in decal features along throat on obverse. Impressed manufacturer's details feature across throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Cloth tape, Inktennis -
Tennis Australia
Racquet, Circa 1900
A wooden, oval racquet with a solid convex throat, cloth tape supports, and fish-tail handle. Model trademark is a stamped on throat on obverse, featuring a horned demon's head device, with the text: THE/DEMON. Inscription, probably place of manufacture, stamped across throat on reverse: MURTON/NEWCASTLE. Materials: Wood, Gut, Metal, Glue, Lacquer, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1915
A concave, wooden racquet, with white-painted cloth taped shoulders, with red and green whipping, diagonal stringing, and a fish-tail handle. On throat on obverse is the Slazenger trademark of a hexagram, with an 'S' in the centre. Barely legible inscription stamped along right side of handle: SL[AZENGER] LTD. Materials: Wood, Gut, String, Cloth tape, Metal, Glue, Lacquertennis -
Tennis Australia
Racquet, Circa 1959
A Wilson Strata-Jet racquet, with red-painted open throat, glass-fibre throat collar, rawhide reinforced shoulders, a Balmforth Fairway leather grip, and white cloth butt cover with red-stitched 'W' trademark. Materials: Wood, Nylon, Glue, Lacquer, Metal, Leather, Adhesive tape, Paint, Ink, Fibreglass, Hide, String, Clothtennis -
Tennis Australia
Racquet, Circa 1955
A Wilson, Alice Marble Tournament tennis racquet. Base of head features Wilson logo. Shaft and butt cover feature 'W' trademark. Leather handle is perforated. Handwritten name, in biro, across cloth butt cover: SUE/WARNER. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Paint, Ribbon, Clothtennis -
Tennis Australia
Racquet, Circa 1911
A Spalding 'Oval' model tennis racquet, featuring laminate convex throat & fine-grooved octagonal wooden handle. Leather end wrap and butt cloth. Model name printed on throat on obverse, and manufacturer logo printed on throat on reverse. Logo also printed on butt cloth. Materials: Wood, Metal, Lacquer, Glue, Gut, Ink, String, Leathertennis -
Tennis Australia
Racquet, Circa 1905
A Spalding 'Lakeside' model tennis racquet, featuring laminate convex throat & fine-grooved octagonal wooden handle. Leather end wrap and butt cloth. Model name printed on throat on obverse, and manufacturer logo printed on throat on reverse. Logo also printed on butt cloth. Materials: Wood, Metal, Lacquer, Glue, Gut, Ink, String, Leathertennis -
Tennis Australia
Racquet, Circa 1915
A wooden tennis racquet with cloth shoulder reinforcements, black whipping, and fine grooved handle. Inscription along throat on obverse: CHAMPION. Inscription across throat, on reverse: F.J. BANCROFT/PAWTUCKET/R.I. Manufacturing details also feature along left side of shaft. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, String, Cloth tapetennis -
Flagstaff Hill Maritime Museum and Village
Accessory - Bag, Daisy Welsh, 1928
In the words of the Donor, Betty Stone, "This shopping bag is part of a set of two items. The items were designed, hand sewn and embroidered with raffia by my mother Daisy Elvena (nee Dale) Welsh. Daisy Elvena Dale (born 27 October 1899) daughter of Ellis and Ann (nee Lees) Dale, of Latrigg, Wangoom, Warrnambool, married Raymond Welsh in 1922. A few years later – approximately 1928- Daisy made these two articles, which she used, particularly during the Depression years. The important factor concerning these bags is that they were made with hand-woven cloth cut from a pair of trousers that her grandfather, William Dale brought with him when he left the family farm Back o-the Low situated in Saddleworth, Yorkshire, England. He arrived in Australia in 1852 and seven years later was operating a quarry on land purchased in Wangoom, Warrnambool known as The Dale Bluestone Quarries. Dale forebears in Yorkshire were first recorded as "clothiers" ( ie weavers of cloth) in the Saddleworth parish records dated 1764; following generations also continued the tradition of producing hand-woven cloth as a home industry. The cloth, from which these two bags were made, is evidence of a tradition begun by the Dale family in Saddleworth, Yorkshire more than two hundred and fifty years ago. My mother, Daisy Elvena (nee Dale) Welsh (granddaughter of William Dale) always referred to the cloth, which is at least 160 years old, as a homespun hopsack. (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)The homespun hopsack fabric for the set of bags was part of the clothing brought from England to Australia, an example of emigrant luggage. It also represents a traditional home industry of 'clothiers'. This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch.Embroidered shopping Bag, part of a set, the other part being a wallet (purse). Wooden handles and fabric is decorated with embroidered raffia flowers. The bags were made by Daisy Welsh (nee Dale) c. 1928 from homespun "hopsack' fabric of William Dale's trousers, brought to Australia in 1852. Part of the 'Chamberlain Dale Lees Collection' flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, clithier, william dale, daisy welsh, wangoom, hopsack, saddleworth, yorkshire, shopping bag, handbag, homespun, handmade -
National Wool Museum
Cloth sample, 1816-1821
Cloth sample from an opera cloak made in England c. 1820 from wool clipped from Macarthur's merino sheep in 1816. The cloak was passed down through the family to Harold Lethbridge with whom the main part of the cloak resides, in Narrandera. The fragment was passed to Lethbridge's niece who gave it to the donor's mother who passed it onto him and then it was donated to the National Wool Museum. The cloth fragment was tested by Gordon Institute of Technology in 1974 showing the wool to be very fine (15-16 microns) which is consistent with the pure lineage of Macarthur's sheep. The cloth fragment was framed in 1952 and remains in the original frame to this day. Cloth sample form an opera cloak made in England c. 1820. Wool for the cloak was clipped from John Macarthur’s merino sheep in 1816. Macarthur is recognised as the pioneer of the wool industry that was to boom in Australia in the early 19th century and become a trademark of the nation. Macarthur was responsible for the first bale of Australian wool to be exported. The British woollen mills were desperate for wool at the time because of the Napoleonic blockade, and the Australian bale sold for a record price. Australia needed a product to sell in European markets which did not perish during long sea-voyages and which offered high value per unit of weight. Wool also had a ready market in England because the Napoleonic Wars had increased demand and cut English cloth-makers off from their traditional source of quality wool, Spain. Australia's first $2 banknote featured John Macarthur thanks largely to his establishment of wool as the backbone of the early Australian economy. Red fabric sample folded in half and mounted in the centre of a brown metal frame.'ARCO' MADE IN ENGLANDmacarthur, wool industry, australian economy -
Orbost & District Historical Society
book, The Cost of a Promise, c 1914
In the early 1950's Lionel Nowlan had a Hairdresser & Billiard Room in Nicholson Street (where the Caltex Service Station stands today). A circulating library is a small library with books lent for a small fee to subscribers and was often inside an existing business. Circulating libraries were common before a more substantial local library was established. Circulating libraries offered an alternative to the large number of readers who could not afford the price of new books in the nineteenth century but also wanted new material. Circulating libraries rented out bestsellers in large numbers, allowing publishers and authors to increase their readership and increase their earnings. They were also profitable for those businesses that established them. Nowlan's, Marshall's and McCoys were circulating libraries which operated in Orbost in the first half of the 20th century.Circulating libraries offered an alternative to the large number of readers who could not afford the price of new books in the nineteenth century but also wanted new material. It was common for them to stock the latest novels.A red cloth covered hard back book with a repaired black spine. It is titled "The Cost of a Promise" and is a novel in Three Parts by Mrs Baille Reynolds.Stamped on some pages - McCoy's Circulating Library On inside front cover - No 249 Contains a sticker for Nowlan's Library Orbost Stamped - Marshall's Circulating Library McCoy's Circulating Librarythe-cost-of-a-promise reynolds-baillie libraries-orbost circulating-libraries