An early advertising brochure for prospective homeowners to choose the style of home they would like built. House and land packages were available in the areas of Bundoora surrounding the Loyola and Parade College sites, which were monasteries in the 1960s. The aerial photographs show the open nature of the landscape from Bundoora across to Greensborough and Watsonia in the 1960s. Book of black and white photographs bound in brown card cover. Contains 14 photos of houses and shops and 14 aerial photos of Bundoora including the Loyola and Parade College areas. Includes notes from Gary Partington.In pencil inside front cover: 29/1/1960.houses, bundoora, greensborough, watsonia, loyola college, parade college, mitchell trading, aerial photography

This canvas golf bag dates from the early part of the 20th century; it has no manufacturer's marks. In the days before motorised buggies and matched sets of clubs, a few clubs would be carried over the shoulder in a bag like this.Canvas golf bag with leather straps and 2 zippered pockets.golf bags, golfing equipment, bags

Puts it as same date as B91.265 but note by T.H. Kneen 8 April 1992, "Mower operator looks like Philip Oppenheim (1967)." (?) Very similar photo appears in article by T H Kneen (1964) B93.655.2 copies black and white photograph. 2 students working in the Ornamental Gardens. one is using a mower and the other is sweeping the path. Wide view taken from the roof of the Administration Building looking over the lawns, Luffmann/Lily Ponds and Emily Gibson beds. Principal's Residence seen in the background.On reverse, "Photograph by Publicity Branch Department Of Agriculture Ref. No. D572.C.philip oppenheim, students working outside, emily gibson beds, principal's residence, mowing, principal's house, sweeping, luffmann ponds, lily ponds, publicity

Swish rules as authorised by the Victorian Swish Council on July 9, 1983. This book was part of the Braille & Talking Library collection in Commercial Road. Swish is a game played with a bat, ball and barriers on a tennis-table like court.1 spiral bound book of thermoform pagesrecreation, swish

Legacy raised funds from the sale of Christmas puddings for a few years. Cost of the puddings were $3.50. Large corporations like banks agreed to sell the puddings on Legacy's behalf. The photo was featured in a the President's highlights report.A record that corporations helped sell puddings for Legacy as part of their fundraising.Black and white photo x 2 of a bank teller selling Legacy puddings and associated order forms and promotional brochure.christmas, fundraising

Branding hammers were the most common way to control the sale and movement of hardwood timber produce like logs, railway sleepers, fence posts, and poles from Victorian State forests. Royalty was also paid on this basis.The hammer has a brand on one side and a magnetic face on the other to pick up the metal numbered tags that are held inside the tubular magazine and then belt them into the end of logs. The system was developed by Latschbacher, and the instructions are in German.forest harvesting

Long sleeved burgundy coloured coat - velvet fabric lined with ''dusty pink'' satin with woven floral pattern. Lining hand stitched to coat. Second layer of cotton lining across the shoulders and back( 39cmsLength). Sewn into neck and shoulder seams. Large uneven stitches attach the lining to side seams. Coat and lining have seven gored panels giving fullness to the coat. Fold over collar (14 cms). Front opening with ten velvet covered shanked buttons with fabric loops. Long sleeves gathered at shoulder and cuffs(2 cms), with six cms opening with press stud fastener.Owner of coat was Isabel Lilian Pegler (nee Mair) 1921-1997. The coat was worn to Saturday night dances. Isabel liked to point out that her coat had a double lining in the upper back for extra warmth as she liked to wear backless dresses to the dance.costume, female, long sleeved coat

This Miner’s Right was issued post the rush of the 1850s-60s but is testament to the ongoing interest in gold although the great rush had dwindled. Local papers continued to report on findings and hopes of success, including syndicates and explorations across the south-west district of Victoria and Otway Region, Victoria. The Warrnambool correspondent of the “Hamilton Spectator”, 31/1/1878, p4 attest to the price of a good season of potatoes comparing “favourably with the unsteady returns of any precarious gold-bearing quartz reefs in the colony.” The Miner's Wright is issued to -- Bryant. While it cannot be found who this Bryant is, the name Bryant is historical to the town of Warrnambool which has a street named after William Bryant the first head teacher of the Jamieson Street Primary School from 1876 to 1894. Numerous newspapers of the day reported the movement of local residents moving to other regions with varying success of gold prospecting. This item is significant in that it illustrates that people associated with the region were interested in taking their chances in prospecting for gold similar to many others. A lure that is still present for some today. Although the southwest region found it's source of wealth in other industries from whaling and fishing, wool and other agricultural pursuits.Top to bottom upright Miner’s Right. “Series I. Book No. 2. Five Shillings. No. 144. Colony of Victoria” Issued in Ballarat, date 16th June 1888 to “[looks like] J. V. Bryant”. A previous name is scribbled through and looks like Christine, second name not deciphered. The document is in force until “15th June 1889”. “The Mining Statute 1865”. Authorised signature last name Bennet. The paper is buff and has some slight ink markings and finger smudges. A coat of arms appears at the top centre. Another insignia related to mining with a pick and shovel, set of scales and the initial “VR” goes down the lefthand side of the page. This page has a serrated edge. The ink on the page is black, and the words “BALLARAT” are stamped in red ink, now faded. All hand writing is black script. There are no “particulars of registration” given in the spaces provided on the back of the document. Series I. Book No. 2. No. 144. Ballarat. 16th Jume 1888 to 15th June 1889. Colony of Victoria "The Mining Statue 1865, No. 291.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, james collins, australian goldfields, miner's rights, the history of ballarat, gold rush, bryant

Cardboard postcard printed four colour process on front and black on verso.Undated handwritten message [in ink] on verso reads: 'Dear Nellie I am glad you found some eggs. Some day I should like you girls to show me where you find them. Lots of our eggs have hatched; the caterpillars are growing. See if you can find any on the trees. Your affectionate teacher C. Merritt.

A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires.A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires. Bruno's Sculpture Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville. This book is a new edition of a book that has been published as a symbol of the re-birth of both Marysville and Bruno's Sculpture Garden. Hardback. Front cover has a photograph of a sculpture of a large hand with a waterfall flowing from it. There is also a sculpture of a girl kneeling by the waterfall capturing water in her hands. The back cover has a photograph of a sculpture of two figures holding hands, one of whom is carrying a water jug.To this wonderful planet Earth/ Our experiences and stories are the colours of our life Acknowledgement/ I would like to express my gratitude to Iris and Andrew for their great work and enthusiasm toward this project/ and to all the people who have inspired me, especially my wife Marleen. Also many thanks to Jerome and Linda/ for all their generous support and to Ron Patterson for making it possible./ Bruno Torfsbruno torfs, bruno's art and sculpture garden, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, 2009 black saturday bushfires

Hardcover w/ Dust Jacket2 Cards inside front cover - Card 1: "Dear Mrs Davies - Please find enclosed some notes that may be useful to the conservator - I thought you might like this card, it is the newest addition to our range - please do not hesitate to contact me about the watercolour - Your Sincerely, Ainsley Gowing" Card 2: Birthday note to John from Penleigh, 2000.australian biography, australian history, politics, government, walsh st library

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Waterfall scene near the Buchan River’ : Views of Victoria (General Series), No.39 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buchan River is a tributary of the great Snowy River, which extends itself from Port Ricardo, on the Gipps Land coast, to considerably beyond Mt. Kosciusko, in New South Wales. It is comparatively but a stream, but, like most of the smaller rivers in Victoria, it contains some beautiful scenery, peculiar to itself. Our present illustration is characteristic of its scenery, and is taken from a creek close to the River.’nicholas caire (1837-1918), buchan river, landscape photography - victoria

Used in kitchen to cut carrots, cheese slices, onions. boiled eggs, etc.Painted black guillotine on a wooden stand. An iron pole keeps the guillotine in vertical position at one end of the block. Driven by two wheels when a handle is turned. A tilting beam moves the guillotine up and down to cut vegetables, etc. Blade 18cm long by 6.5cm wide. Metal plate missing under blade. A rotatable drum to contain the food to be chopped, which is rotated by a cog at the base (also missing) turns the container. The upright holding chopper blade e is a modification made because of the missing container.|The following description is from Ken Turner Booklet referred to under 'Reference'. ----|The Starrett food chopper would certainly have to be considered one of the more interesting inventions, which incidentally is now considered the ultimate in kitchen collectables. Laroy Starrett in later years' told of how the design of his food chopper was inspired by the action of the walking beam engine used on the Mississippi steam boats. When the crank handle of the chopper is turned, this sets in motion a mechanism which is just fascinating to watch. The crank activates a flywheel which in turn, by a series of cogs and levers, simultaneously rotates a food holding container and raises and lowers within the rotating container, a guillotine like 'chopping blade - the action does not only look like that of a beam steam engine, it even in a way sounds like one, although somewhat noisier. Starrett produced seven different models of these choppers, ranging in size appropriate for domestic use to heavy duty models for butchers, restaurants and for hotel use. The small model was capable of chopping 3lbs in three minutes, and the largest had a capacity for chopping something like 100 lbs in an hour. The mechanical chopper, which became affectionately known as the 'hasher', was the first of some one hundred of Starrett's inventions, and these include a washing machine patented in 1865 which had a similar action to his food chopper, a food press patented in 1873, and a device for lacing shoes he patented in 1886.domestic items, food preparation

In the days before battery powered torches many used a slush lamp to provide the light they needed to carry out their duties. It held a flammable liquid like paraffin. When the wick was lit the slush lamp provided sufficient light.Slush lamps were designed to be carried around but they could be dangerous because they have flame as a source of light. This is an example of a portable lighting device in common usage before the use of batteries.A black metal slush lamp with two glass panels and a stock. At the back is a hinged door. There is a hole on top caused by rust or being burned through. Kerosene or oil was probably the fuel used.On top of light - Serial No 339220slush-lamp lighting kerosene oil

This volume is like a veteran 'gong' - winner with years of tough going and breathless incidents to draw from. The service and the blokes in it have been able to dig into this pile of gen. and present some amazing stories, pictures, poems, graphics and cartoons.Personal recounts from RAAF service personnel by way of stories, poems, cartoons, illustrations and portraitsSoldiering On - The Australian Army at Home and Overseas. Red hardback front and back with light coloured text of title. The rising sun badge, with text under it - The Australian Army at home and overseas. Inside front and back cover show illustrations of RAAF personnel dressed in the uniform which depicts their job i.e. females in nurse uniforms. raaf,, wwii, new guinea, malaya, middle east, bethlehem, south west pacific, bab-el-mandeb, doughboy, royal womens army service, syria, cairo, singapore battle, jungle ambush

This volume is like a veteran 'gong' - winner with years of tough going and breathless incidents to draw from. The service and the blokes in it have been able to dig into this pile of gen. and present some amazing stories, pictures, poems, graphics and cartoons.Personal recounts from RAAF service personnel by way of stories, poems, cartoons, illustrations and portraitsRAAF Saga - The RAAF at War, green hardcover front, back and spine with black Text of title and a black silhouette picture on front cover showing aircraft. Front and back inside cover is a green sepia background with the RAAF insignia and a range of bombers being maintained.Message from Air Vice Marshall Chief of air staff C Jonesraaf, wwii, beaufighters, waafs, partisans, parachute, middle east squadron, kitty hawk, flying nurses, medical air evacuation unit, wewak, new guinea, jungle diary, the p24

This Dolphin Motor Club, or DMC, overlay belonged to Jasper Laybutt, a highly active member of the Sydney LGBT community of the 1980s and 1990s, co-founding organisations like Wicked Women, Girls and Guys of Disgrace (G.O.D.), and Boys Will Be Boys. Sleeveless blue denim jacket with light and dark blue ribbon trim on the sleeve holes, with cotton patches and metal and enamel badges on the front, and a large club patch on the back.motorcycle club, transgender, gay

Cotton doilies, possibly hand made in the 1950s for domestic use. Doilies like this were used to protect furniture from scratches and for ornamental use. This doilie is crocheted using fine cotton thread in a six-point star design..1 cotton doilie (small ornamental mat), cream crochet cotton. doilies, crochet

Containers like these were used to hold water for miners working underground. In mines the word "crib" refers to a meal break time. A crib tin would have accompanied the crib bottle. The word "crib" is probably of Cornish origin.A metal container 38 centimetres high and 16 centimetres wide made in three sections with a half centimetre thick metal handle that extends ten centimetres above the container. the bottom section is an oval shape 16 centimetres by 12 centimetres and is 18 centimetres high it is reinforced with two two centimetre wide straps crossing the bottom and extends six centimetres up the sides and is secured with rivets. The next section is a conical shape that extends for eight centimetres and finishes forming a four centimetre circle. A four centimetre tube extends for 12 centimetres.The handle is a 27 centimetres high loop of half centimetre round metal and is attached to the conical section of the container. metal container, crib bottle, miner's water container

The Kooyong Military Hospital in Kooyong Road, Caulfield was established for the care and rehabilitation of soldiers injured in World War 1. Many events like carnivals were held by the Red Cross to raise funds for the war effort and entertain the patients.This badge is a reminder of the Community support for injured soldiers when they returned from WW1 conflict and were hospitalized at Kooyong Military Hospital Caulfield 1914 - 1948 This badge was displayed at the GECC 'Wounded Soldier WW1 1914-1918 Exhibition" 2016 at Glen Eira Town Hall Caulfield A small tin button, with pin attachment at the back. The button was produced and sold as a fund-raiser for the Kooyong Military Hospital during the World War1, 1914-18, at that organisation's Carnival held on March 18th 1916. The front of the button is white with a blue perimeter. A copy of the City of Caulfield's Coat-of- Arms and the words, City of Caulfield, is written on the front of the button, as is the date 18th March 1916. Both the above are written in red. Kooyong Military Hospital is written in blue. ww1, 1914-18, kooyong military hospital, war casualties, caulfield, moorabbin, bentleigh, carnivals, fundraising, patriotism, anzac, australian commonwealth military forces

This is an extract of a Memorial book regarding a conveyance of land in Prahran on 16 September 1857. It is very difficult to read and this information may be incorrect. Names on it look like John Nightingale Alexander, John Edward, Irving Dickson and Henry Jennings.Photocopy

A large flag with the Legacy logo. It was made in the 1950s possibly for use at events like the annual demonstration. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country.An example of the Legacy logo being used on a flag in the 1950s.Cream coloured flag. Commercially made by Gairs Melbourne for Junior Legacy Club featuring the Legacy torch logo.legacy promotion, logo

Smiths Beach is a popular coastal spots in Phillip Island, Victoria. Known for surfing, swimming, rock pooling, and family-friendly vibes with amenities like cafes and resorts. The Phillip Island location offers consistent waves for all levels.Colour photographs of Smith's Beach.smith's beach, sea, beach, phillip island