Congratulation note to both Patricia and Robin Boyd for Robin's Commander of British Empire honour. The signature is indecipherable. James Matheson was Vice-Chancellor of Monash University at this time, but the signature does not look like James's.

George Satori stands in front of his shop which was located at 711 Sturt Street but is now Ballarat Laundry. Examples of what the building looked like can be seen further along the Sturt Street.g.n. satori, george satori, building, commerical, manufacturing, sturt street, shop

Rabbit nets like this one were pegged over the openings of rabbit burrows, after which a ferret would be let loose down the burrow. The ferret would then chase the rabbit out of the burrow into the net.rabbit traps, ferrets

To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year

Purchased in Austria in 1937 by donor's father as a present for his wife. The vendors stated only two bags were made like this. The second bag was sold to Queen Mary, the mother of King George V1.Rural scenes both side of bag. Metal frame and handle.Frame is decorated with small green metal leaves and tiny pearls.Gusset is of flowers and a black ground,and black fine piping. Stitched in fine silk . Lined in apricot silk and containing a tiny purse and mirror.petit point, bag frame, pearls

Dance programme signs like this were used to indicate the order in which dances would be danced at a ball, as guidance for the participants and the musicians. They would probably have been inserted in a frame prior the start of the dance.Seven double sided dance programme signs. Hand painted in black ornate capital letters on white painted metal.Sign 1: EXINE QUAD/PARISIAN QUAD Sign 2: HIGH' SCOTTISCHE/STRATHSPEY & REEL Sign 3: BARN DANCE/THISTLE.C.D SIGN 4: CLUTHA.C./PETRONELLA .C.D SIGN 5: TRIUMPH. C.D/GRAND MARCH SIGN 6: FIRST SET, QUAD/ALBERTS.QUAD SIGN 7: SCHOTTISCHEdance

Looks like the photos were extracted from an English version of this book then translated into German. Original published by Dr. Franz Burda, Offenburg. Part of William (Bill) Thomason Collection. Refer Cat No. 4156P.Pictorial book of photos covering period from start of WW2 to defeat of Stalingrad. All photos in black and white and beside each is a description of the photo and the event it relates to. All writing is in German.Name: "Roger Munch" Written in front.collection of william (bill) thomason, ww2, book of photos, germany

The blanket fitted inside what was commonly called a “Silk”, the press studs fitted the Silk and could then be used like a sleeping bag. refer Cat No 3000. Peter Ball collection, refer cat No 4704Blanket Inner dark green wool, around the the edges are 18 nylon strips sewn on with press studs, one corner has a white tag with faint details on.On white tag, “Victoria 1964 (arrow up)”, in black texta pen, “PB”.blackest inner, equipment, sleeping

Long sleeved burgundy coloured coat - velvet fabric lined with ''dusty pink'' satin with woven floral pattern. Lining hand stitched to coat. Second layer of cotton lining across the shoulders and back( 39cmsLength). Sewn into neck and shoulder seams. Large uneven stitches attach the lining to side seams. Coat and lining have seven gored panels giving fullness to the coat. Fold over collar (14 cms). Front opening with ten velvet covered shanked buttons with fabric loops. Long sleeves gathered at shoulder and cuffs(2 cms), with six cms opening with press stud fastener.Owner of coat was Isabel Lilian Pegler (nee Mair) 1921-1997. The coat was worn to Saturday night dances. Isabel liked to point out that her coat had a double lining in the upper back for extra warmth as she liked to wear backless dresses to the dance.costume, female, long sleeved coat

This Miner’s Right was issued post the rush of the 1850s-60s but is testament to the ongoing interest in gold although the great rush had dwindled. Local papers continued to report on findings and hopes of success, including syndicates and explorations across the south-west district of Victoria and Otway Region, Victoria. The Warrnambool correspondent of the “Hamilton Spectator”, 31/1/1878, p4 attest to the price of a good season of potatoes comparing “favourably with the unsteady returns of any precarious gold-bearing quartz reefs in the colony.” The Miner's Wright is issued to -- Bryant. While it cannot be found who this Bryant is, the name Bryant is historical to the town of Warrnambool which has a street named after William Bryant the first head teacher of the Jamieson Street Primary School from 1876 to 1894. Numerous newspapers of the day reported the movement of local residents moving to other regions with varying success of gold prospecting. This item is significant in that it illustrates that people associated with the region were interested in taking their chances in prospecting for gold similar to many others. A lure that is still present for some today. Although the southwest region found it's source of wealth in other industries from whaling and fishing, wool and other agricultural pursuits.Top to bottom upright Miner’s Right. “Series I. Book No. 2. Five Shillings. No. 144. Colony of Victoria” Issued in Ballarat, date 16th June 1888 to “[looks like] J. V. Bryant”. A previous name is scribbled through and looks like Christine, second name not deciphered. The document is in force until “15th June 1889”. “The Mining Statute 1865”. Authorised signature last name Bennet. The paper is buff and has some slight ink markings and finger smudges. A coat of arms appears at the top centre. Another insignia related to mining with a pick and shovel, set of scales and the initial “VR” goes down the lefthand side of the page. This page has a serrated edge. The ink on the page is black, and the words “BALLARAT” are stamped in red ink, now faded. All hand writing is black script. There are no “particulars of registration” given in the spaces provided on the back of the document. Series I. Book No. 2. No. 144. Ballarat. 16th Jume 1888 to 15th June 1889. Colony of Victoria "The Mining Statue 1865, No. 291.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, james collins, australian goldfields, miner's rights, the history of ballarat, gold rush, bryant

Used in kitchen to cut carrots, cheese slices, onions. boiled eggs, etc.Painted black guillotine on a wooden stand. An iron pole keeps the guillotine in vertical position at one end of the block. Driven by two wheels when a handle is turned. A tilting beam moves the guillotine up and down to cut vegetables, etc. Blade 18cm long by 6.5cm wide. Metal plate missing under blade. A rotatable drum to contain the food to be chopped, which is rotated by a cog at the base (also missing) turns the container. The upright holding chopper blade e is a modification made because of the missing container.|The following description is from Ken Turner Booklet referred to under 'Reference'. ----|The Starrett food chopper would certainly have to be considered one of the more interesting inventions, which incidentally is now considered the ultimate in kitchen collectables. Laroy Starrett in later years' told of how the design of his food chopper was inspired by the action of the walking beam engine used on the Mississippi steam boats. When the crank handle of the chopper is turned, this sets in motion a mechanism which is just fascinating to watch. The crank activates a flywheel which in turn, by a series of cogs and levers, simultaneously rotates a food holding container and raises and lowers within the rotating container, a guillotine like 'chopping blade - the action does not only look like that of a beam steam engine, it even in a way sounds like one, although somewhat noisier. Starrett produced seven different models of these choppers, ranging in size appropriate for domestic use to heavy duty models for butchers, restaurants and for hotel use. The small model was capable of chopping 3lbs in three minutes, and the largest had a capacity for chopping something like 100 lbs in an hour. The mechanical chopper, which became affectionately known as the 'hasher', was the first of some one hundred of Starrett's inventions, and these include a washing machine patented in 1865 which had a similar action to his food chopper, a food press patented in 1873, and a device for lacing shoes he patented in 1886.domestic items, food preparation

Historically, lasts were typically made from cast iron because this material retains its shape, even when in contact with wet materials (like leather) and subjected to the stresses of stretching and shaping shoes on them. This item is an example of the self-reliance shown by rural families when household necessities were not readily available.A cast iron boot last which can be used for three different sized sole placements boots / shoes.boot-last domestic shoes

This book was issued in 1960 and is an impression of the experience of the men who landed in the light of dawn on D Day. An impression of what it was like to be dropped from the sky at morning or ship to shore from a landing craft under fire.Historical recount of D-Day landings and subsequent battlesHardcover - dark blue Front Back and spine. The spine has the title printed. Inside front and back cover have illustrated maps by Charles Green. Photographs, maps and illustrations.wwii, d day, battle of normandy, air drop, american air drop, canadian troops, french civilians, invasion fleet, paratroopers, juno beach, invasion beaches, dropping zones, utah beach, omaha beach

Gold pans were used to separate gold flakes or particles from alluvial deposits by washing and discarding sand, gravel and the like. This pan is very small and may have been produced for demonstration or display purposes.Gold pans had widespread use wherever alluvial deposits were found an d water was available.Gold Pan. Smal size, as to have been galvanised. Diameter 240mmgold, gold pan, goldfields

Gold pans were widely used in alluvial gold fields for seperating particles or flakes of gold from gravel, sand and the like. This one is small and may have been used for demonstration only or for display purposes.Gold pans had widespread use in alluvial gold fields where water is available.Gold Pan, small. Diameter 240mm.gold, gold pan, goldfields

This is a ticket dating press which was used at Railway Stations to date and validate passenger tickets. This looks like those made by the company - Edmondson - and used all over the world. There is, however, no maker's mark or stamp on this machine.This tickets press was most likely used at Portland Railway Station.Black, metal cylindrical object. The bottom of the object has a base with a larger diameter than the main cylinder. Along the length on one side of the cylinder is a hinged opening. The flips upwards and sits on top of the cylinder when open. Inside are 3 brass spools on which there is wound black ribbon. The outside is damaged but it looks to have originally been painted green.trains, travel, railway, rail, portland, glenelg, transport, ticket, ticket press

The Fishburn, like the other storeships, disappeared from all records after returning to England from her epic voyage. She was skippered by Master Robert Brown and weighed 378 tons. Built at Whitby in 1780. Model of "The Fishburn"

Cornelli embroidery (or Cornely work) is a refined, decorative embroidery technique characterized by its lace-like, intricate, and raised texture. It involves applying a cord, braid, or ribbon to fabric in a continuous, flowing, and often swirling pattern.Beige linen pouch bag decorated with cornelly cord work in a grey/beige colour.embroidery, bags, 1920-40, cornelli work

Letter from Peter Ryan, Director of Melbourne University Press, to John Hooker at Penguin saying he liked the plans for the new edition of Robin Boyd's 'Australia's Home'. Patricia Davies was sent a carbon copy.Carbon copy

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. AAA is used to describe the best quality wool.Wool bale export stencil - AAAAAAwool - transportation, wool sales, wool class, wool classers

Spools used at Foster Valley Mill. Large bobbin to hold fine yarns like silk or mercerised cotton (slippery, shiny threads) Used in production ofmen's suiting fabric with a fine stripe or thread effect.

Estimated to be taken in the early 1900s, this photograph was likely taken in the federal Hall, Loch Street, Beechworth at a ball-like event. Depicted are 89 attendees dressed in formal evening wear, positioned in tiers and in front of the stage. This photograph provides insight into the lives and activities of residents of Beechworth during the early 1900s. Black and white rectangular photograph printed on matt photographic paper, mounted on card. Obverse: Frazer & Vallance PHOTOGRAPHERS Melbourne Reverse: A02487 / 1997.2952 entertainment album, beechworth, burke museum, regency house, ball, debutante ball, black and white photography

Cardboard postcard printed four colour process on front and black on verso.Undated handwritten message [in ink] on verso reads: 'Dear Nellie I am glad you found some eggs. Some day I should like you girls to show me where you find them. Lots of our eggs have hatched; the caterpillars are growing. See if you can find any on the trees. Your affectionate teacher C. Merritt.

A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires.A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires. Bruno's Sculpture Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville. This book is a new edition of a book that has been published as a symbol of the re-birth of both Marysville and Bruno's Sculpture Garden. Hardback. Front cover has a photograph of a sculpture of a large hand with a waterfall flowing from it. There is also a sculpture of a girl kneeling by the waterfall capturing water in her hands. The back cover has a photograph of a sculpture of two figures holding hands, one of whom is carrying a water jug.To this wonderful planet Earth/ Our experiences and stories are the colours of our life Acknowledgement/ I would like to express my gratitude to Iris and Andrew for their great work and enthusiasm toward this project/ and to all the people who have inspired me, especially my wife Marleen. Also many thanks to Jerome and Linda/ for all their generous support and to Ron Patterson for making it possible./ Bruno Torfsbruno torfs, bruno's art and sculpture garden, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, 2009 black saturday bushfires

Hardcover w/ Dust Jacket2 Cards inside front cover - Card 1: "Dear Mrs Davies - Please find enclosed some notes that may be useful to the conservator - I thought you might like this card, it is the newest addition to our range - please do not hesitate to contact me about the watercolour - Your Sincerely, Ainsley Gowing" Card 2: Birthday note to John from Penleigh, 2000.australian biography, australian history, politics, government, walsh st library

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Waterfall scene near the Buchan River’ : Views of Victoria (General Series), No.39 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buchan River is a tributary of the great Snowy River, which extends itself from Port Ricardo, on the Gipps Land coast, to considerably beyond Mt. Kosciusko, in New South Wales. It is comparatively but a stream, but, like most of the smaller rivers in Victoria, it contains some beautiful scenery, peculiar to itself. Our present illustration is characteristic of its scenery, and is taken from a creek close to the River.’nicholas caire (1837-1918), buchan river, landscape photography - victoria

Vol. 6, No. 3, Jul-Aug 2001 CONTENTS Vale Robert Klippel 1920 – 2001 2 John Young Making sense of the spirit of our times 3 Bud Tingwell's magnificent obsession 18 Winter Dreaming A concert for reconciliation 6 Short Story A mop of gardens by Gillion Mears 8 The Celts invade Brunswick Folk music at the East 12 Book Review John Jenkins on Les Murray 14 Abdullah Ibrahim and the Dollar Brand Trio 21 Heidelberg to Heide Streeton and Nolan: the common ground 22 Australian classical music Elizabeth Scarlet 23 Art Therapy Possibilities for change 24 Artin' about 26 Wining & Dining 30 Artists' Services and Teaching 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, winter in banyule, john young, aboriginal reconciliation, the great darebin music feast, gilian mears, montsalvat, st andrews hotel, kinglake hotel, folk song & dance society of victoria, bulleen art & garden centre, plenty views golf park, dynamic vegies, bud tingwell, eltham wiregrass gallery, abdullah ibrahim, willy wonka's ice cream gourmet food, heide museum of modern art, heidelberg artists' trail, heidelberg school artists' trail, heidelberg school, art therapy, jody kernutt, thompson's pharmacy

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The picking bag was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Picking bag known as 'Sacco'. The bag was used as a liner to the collecting bin in front of each of the 4 pickers on the picking machine. The bag was then hooked closed and held the leaf together for transport to the shed. Brown hessian woven length with 2 thick wires at 1 end hooked through 'bag' 100 mm from each side and hook on other end. Shaped in 1 rectangle rather than like a bag.Edges rough with wear and tear. A couple of holes where weave in 1 direction has torn.tobacco. picking bag. mongans bridge. kiewa valley. sacco. parmesan. rossaro. lorenzi brothers.

Black and white photograph mounted on grey frame. 16 Police Officers mounted on Horses. Black and white (sepia) photograph mounted on brown frame. 38 police officers on photo. 1 is mounted on horse on the right of frame; 2 pehraps superior level officers like sit on the middle and 35 other compose on 3 row structure. They are in full uniform (no insigmnia) with helmets - most of them have fair mustahces.Handwritten: EP 1victoria police museum, police officers, police academy, police force, victorian police association, police council