The letter is re Bill Jeffers handing the telegram to the lady as they passed through Sunshine for Sydney to embark. Bill Jeffers VX52782, refer Cat No 147 for his service details..1) Letter blue ruled lines, rectangular shape written in black pencil. .2) Telegram reddish brown colour, rectangular shape print in blue hand written entries in black pen..1) “4 Withers St Sunshine W.20, Yours sincerely Joy Smart”. .2) Main points, “Mrs W Jeffers Stanhope, left Darley Camp Friday night, Bill 11.40am, 26.6.1941”letters, telegrams

Printed postcard/ticket for the 16/9/1905 Railway Picnic by the Electric Supply Co of Victoria promoting Bendigo Tramways. Has three views of ESCo's depot and power station and one of a tram. Ticket priced at 6d. On the rear is an advertisement for Henderson & Goodisson's Beehive drapery, furniture, and Carpets. The letter has been sent to Mr Lewis Morgan of Pitfield Plains Vic, noting the trams. In the top right-hand corner is "B Deakin Engineer and Manager", following an English practice of providing details of the Manager;s name.Demonstrates an ESCo printed ticket for a specific event of 1905.Postcard - ticket - divided back used number 6188Hand written message written on the rear - see image 2tramways, trams, bendigo, esco, ticket, railway picnic

Melbourne Legacy from time to time found a need to review and up date rules if necessary. Section 4 top right hand corner - refer to attached memo Project Update.A record that if deemed necessary Melbourne Legacy would review and update their rules.White A4 paper with black type, x 14 pages of the rules of Legacy. Single hole punched through all pages except attached memo in top left hand corner.Rear page of attached memo in blue biro The Bulletin Editorial (underlined) 11th January 1996 (1996 underlined). rules, regulations

Carbon copy of a report or list written on 3 ruled Foolscap sheets, that were stapled in the top left hand corner., titled "Car used on 22/8/1969", listing the various runs by number for Kew Depot, time, destination, car used and car in time. On rear of first sheet has details of the day and night services. The cars used are only list on the first and part of the second sheet. Was this a record kept by the depothas in ink in the top left hand corner "60 crew"trams, tramways, tramcars, kew depot, tram services, records

The box was presumably made in Australia to be used as a gift container for Christmas gifts or greetings by people associated with the Mission or their acquaintances or family members. The box is dated and has the Mission to Seamen logo and description as a promotional way to describe and inform people of the Mission's purpose. The gift was sent by Mariner Merrylees to sister Marjorie in Manitoulin Island, CanadaThis everyday practical object represents in its function an acknowledgement by the Mission to Seamen organisation of the need for sailors and seafarers to stay in touch with friends and family at Christmas time and this sample box of a wartime Christmas marks a particularly difficult time in history for seafarers to stay in touch and connected with loved ones.Cardboard beige rectangular box in a small size, with blue stamped inscriptions on it detailing promotional information about The Missions To Seamen. The object also has a blue hand written inscription on it on the top side and also another hand written inscription at the back side detailing the recipient’s name "Marjorie". This object was sent to recipient with a coin bracelet inside (Reference: 600.2). Top side of the box, Christmas Greetings/1943/FROM/MELBOURNE/PORT MELBOURNE/WILLIAMSTOWN/THREE OF OVER TWO HUNDRED/CLUBS SCATTERED ALL OVER/THE WORLD TO SERVE/THE MERCHANT NAVY. Top right side of the box a flag crown and attached cord logo image, THE MISSIONS TO SEAMEN/MN Hand written inscription top side of the box, Jivaros Hand written underlined inscription back side of the box, for Marjoriecardboard box, christmas gift, mission to seamen, bracelet, canada, manatoulin island, seamen's mission, mission to seafarers, 1943, ww2, christmas, siblings, melbourne, port melbourne, williamstown, coins, robert leighton, marjorie merrylees, mn, merchant navy

The photo shows the construction of the first part of the Geelong tram depot, digging trenches for power cables or drainage, some track, wheel sets delivered possibly mid-1911. The power station chimney can be seen on the left-hand side. Many workers, horse-drawn carts, and materials can be seen.Yields information about Geelong late 1930s and tramway operations.Black and white photograph - plain back.geelong, tramways, mesco, construction, geelong depot, new tramways

This magazine holder is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A highly decorated wooden hand carved rectangular magazine holder. The back of it is plain. functional objects, magazines, magazine holders

The kerosene container was possibly used to fill slush lamps, hand lamps and train engine lights.Rusted, grey metal kerosene container with looped handle attached to the sides. A cork under the cap which has a metal chain attached to it, to secure the cap onto the container. Possibly used to fill slush lamps, hand lamps and train engine lights.metal, locomotive, railway, engine equipment, tin, kerosene

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of three men and a child. A man, Frank Wright, is bending down to shake the hand of a young boy who is seated on a small chair in the middle of a sports ground. Squatting next to him is another man, possibly his father and behind the child is a man dressed in a uniform. At the bottom of the photo, the head of another photographer can just be seen. In the background can be seen a large audience in the stands and several officials are standing watching the interaction between Frank and the child. The place is Kerkrade, the Netherlands.Hand written on the front of the mounting board - Foto Vindersfrank wright, foto vinders, kerkrade

Report or Project plan - 5 A4 photocopied pages, were stapled in the top left hand corner, titled "North South Light Rail Transit Project - Work Responsibilities by Division". Produced by Metropolitan Transit Feb 1986, Tram and Bus division, gives a description of the light rail project to St Kilda and Port Melbourne conversion from rail to tram, which division would undertake which part of the project - MetRail or Tram and Bus, Property Group and Road Construction Authority or the Road Traffic Authority.In ink on the top right hand corner "Feb 1986"trams, tramways, the met, metropolitan transit, st kilda, port melbourne, light rail

.1 and .2 - Set of two colour photographs of W7 1032, loaded on a truck for the Perth Tramway Museum leaving Preston Workshops - 11/3/2010 printed on Kodak Endura paper. Photographer unknown. On the rear is a note written by the photographer. The person was not aware that the tram was leaving for Perth. .3 - Postcard - "Melbourne Trams", with a hand written note from Kevin Tierney, the donor to Warren Doubleday dated 3/4/2010. Postcard by "Visit Gallery" - features 7 different types of Melbourne trams.See back of .1 and .3 for a hand written note.trams, tramways, w7 class, perth, preston workshops, postcards, museums, melbourne, tram 1032

Tender document - single foolscap sheet - "Supply and Delivery of Trip Slips Contract No. 86 - Tender form". Dated 4/3/1920. Delivery to Head Office. Tender for 8,000,000 trip slips. Tendered for the cost per 1000 of 3d Salmon 2d short white 2d "up" long white 2d "down" long white 1 1/2d pink 1d green Gives the various quantities to be supplied. No drawings provided. 4 copies held - pinned in top left hand corner.Handwritten notation in top right hand corner - "File"trams, tramways, tenders, contracts, mmtb, cable trams, tickets

Report - Foolscap - 8 sheets stapled in the top left hand corner, titled "Parliamentary Public Works Committee - Eastern Railway Inquiry No. 2 - Evidence on Behalf of the MMTB", dated 14/8/1974. Provides details of the MMTB schemes, high standard bus system and light railway style. Looks at the bus routes, possible light rail routes, advantages of each, patronage, costs and comparison of the schemes. Refers to figures which were not with report. See Reg Item for the detailed August 1974 original report.In top left hand corner "Mr Lees" in ink.trams, tramways, new tramways, doncaster, light rail, buses, parliament, submissions

Sister Augustine from the Baria Orphanage South Vietnam hand sewed these items for Geoff Murray for his help with the Orphanage on his 2nd tour of Vietnam with Survey Corp 15.10.69 to 15.10.70. Refer 594.2, 610.2, 1866.3 re Geoff and the Orphanage. His first tour was with 3 Cav Regt 27.11.67 to 22.10.68. Refer 638P..1), .2) Embroidered pillowcases, hand sewn with 2 Vietnamese women. .3) Handkerchief embroidered with green edge and figure of Vietnamese woman. .4) Handkerchief, white with pulled through design in one corner. .5), .6), .7), .8) Handkerchief, white on white with small design in one corner. All items are hand sewn.embroidery, vietnam, baria, sister augustine

Hand-carved oak bible box with key from the Governor's pew in the chapel at Port Arthur, Tasmania. Identical carving on all four sides. There is a card taped inside the lid.Card: "This hand-carved Oak Bible Box came from the Governor's pew in the Chapel at Port Arthur in Tasmania. It was presented to me by Dr. Arthur Clark."

The Archimedes drill, also known as a fretwork drill, is an old type of drill which works on the Archimedian principle; the drill rotates quickly as the barrel on the stem is worked up and down. This tool provides a quick and easy way to bore holes through ordinary fret wood and other substances, smaller versions are used in jewellery making where precision drilling is required. There were numerous different sized Archimedes drills made from various materials, usually a combination of wood and steel, some being all steel and some including brass parts. The fancier versions of these drills included parts made from Rosewood, Ebony, Ivory and decorative brass parts. Some of the later Archimedes drills had technological improvements such as a ratchet device and the inclusion of fly-weights. The ratchet device allows the drill to revolve continuously in the cutting direction. The fly-weights give momentum to maintain the speed of the drill during the upward stroke of the hand. Most old examples have no makers names.A vintage drilling tool, the item therefore could have been used in various industries or professions where precise drilling is required. Archimedean drill with Rosewood hand, brass grip and fittings Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, archimedean drill

Item in collection relating to Alfred G Ferris No 2156 AIF. Refer Cat No 4183.3P for his service details.Civilian issue Identity card, Form C.R.3, light khaki colour, rectangular shape, all type in black print, hand written and stamped details, date appears to be 14 APR 1942.Hand written, “4”, “87”, “4561”, “Amy Maud Ferris, Terrick Terrick, Private bag Pyramid Hill”. Stamped in purple, “BENDIGO”identity card, civilian, ww2

Picture shows the office of Frank Fisher & Co. Auctioneer who had an office and business in Blackburn from about the 1920s. The print was done by his son Bruce.Blackburn historypencil drawn picture of 'Frank Fishers & Co.' Auctioneers office in Blackburn. Black metal frame with pale grey surround. Picture has office building with a figure in doorway. An old car was out the front as well. Picture drawn by his son Bruce Fisherillustrations, pencil

Weaving is the interlacing of two yarns, one at right angles to the other. Yarns that run the length of the fabric are called the warp. Yarns that run across the fabric are called the weft. Most woven fabrics are produced on a loom. The warp yarns are raised to form an opening - the shed. The weft carrier, usually the shuttle, shoots through the shed. Then the warp yarns change position up and down. Finally, the weft is pushed tight against the previous yarns, gradually building up the fabric. Hattersley treadle loom (revolving box hand loom). Beam of loom was removed and sent to Foster Valley Mill in 1989 to be returned via Tom Crocker. The National Wool Museum gratefully acknowledges the contribution of Mr Fred Murgatroyd & Mr Bernard Tolan in making this Hattersley Loom Operational. Green painted Hattersley treadle loom (revolving box hand loom).weaving, george hattersley and sons ltd, weaving machinery, wool processing, loom, restoration

Two china plates/saucers from Tennis sets. 1. White with floral motifs in various colours with gold decoration and gilding on edges. Nosegay Royal Albert Bone China England PEG No 39142 2. White with gilded motifs. Hand painted made in JapanNosegay Crown Royal Albert Bone China England Peg No 839142 & Hand painted made in Japandomestic equipment, table setting, plate

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Representation of trees behind a picket fence.Signature bottom right hand cornerbookplate, keith wingrove memorial trust

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Large text on green background with indent and white line scrolls on both sidesR in bottom right hand cornerbookplate, australian bookplate design awards, keith wingrove memorial trust

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Naked woman leaning over an oversize book with an EXLIBRIS stamp pad on her back, all within an embossed rectangleSignature bottom right hand cornerkeith wingrove memorial trust, australian bookplate design awards, bookplate, life drawing, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Resting above a sign inscribed with the words 'John Gartner', a coin depicts a knight holding an upright sword and standing behind a shield. A sailing ship and castle are shown between the sign and the coin.. Signature bottom right hand corner.keith wingrove memorial trust, australian bookplate design awards, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Etching showing a reclining nude woman holding the letter E in the foreground and a printmaker in the background. Signature bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude