Port of Portland Authority archivesFront: WORKSHOP NO. 1. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/17 Neg. No 148/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: WORKS AREA AT SAND-SPIT. 6/8/52/ SHOWING WORKSHOPS' SITE & STORES BUILDING UNDER CONSTRUCTION (lower centre) Back: P.H.T./ Print No. 3/3 Neg. No // Date taken 6-8-52./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: Workshop No. 1 under construction and New Store Building. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/16 Neg. No 149/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre) Partial fingerprint in purple ink, lower centre.port of portland archives

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/22 Neg. No 170/ Date taken 2.9.53./ SUBJECT./ Workshop No. 1. (Ink stamp with blue pen and pencil additions, centre) Partial fingerprint in purple ink, lower centre.port of portland archives

Illustration. Taken and cut from a book. A page of text including three illustrations. The largest is a view of front of Richmond Hotel and gardens. Woman in a wicker chair with small girl. The woman is holding a parasol and the girl is wearing a hat. To the top right of main image is an image of a weatherboard building with two men outside. Underneath is written - First House Built in Victoria. To the bottom right of main image is an image showing a weatherboard building. Underneath is written - First Hotel in Victoria. Front: 'RICHMOND HOTEL The First Built Residence in Portland' - printed, beneath illustration

Port of Portland Authority archivesFront: (no inscriptions) Back: 6 1/2 (upper centre, red pen) 8036 (upper right, blue pen) 0 (centre, blue pen) 12.16 5/8 (lower right, pencil) 4 1/2 (centre right, red pen)port of portland archives

Port of Portland AuthorityFront: (no inscriptions) Back: 177 (top right, pencil)

Port of Portland Authority archives.Front: (no inscriptions) Back: Poles in the background. Timber treatment plant in middle. Mills at background. Photography by the Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt. Gambier. (purple stamp, lower right) (upper left, pencil), 22 (lower right, pencil).port of portland archives

NoneView of a quarry. In the centre of the image a conveyor belt runs up from a pile of rubble to a small hut on tall stilts. A conveyor belt runs down from this hut to an orange truck. Below and to either side of the stilted building are two wooden buildings with tin rooves. A stilted tower is depicted in maroon to the left, and another in the distance to the right. Mounds, painting in brown, yeloow, grey and shades of blue run across the centre of the image, below a sky washed with blue and highlighted with orange. Mounted in a decorative matt, in wooden frame with glass.Front: N. W. Jones 74 (lower left, blue paint) Back: 1974 (upper left, pencil)

Port of Portland Authority archivesFront: (no inscriptions) Back: 12-8 Items date & 25½ [each ?] (blue pen, centre) 4572 (lower centre, pencil) Page 11 (lower right, blue pen) Film No. I.98/ Neg. No. 3/ Date 21-12-64/ (Portland Studios, 11 Julia St, Portland. Tel. 858 (blue stamp & pencil) (centre)port of portland archives

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features various images on a blue and green background. The images from the top are: high tension wires and supports; numerous 'Coca-Cola' cans that descend in size; a war memorial statue; bluestone building; several orange sheep with one black sheep.Front: (no inscriptions) Back: 30