2 photographs of residents (one unknown with a volunteer and the other of Evelyn Grace Bryant and Terry Fraser, and 1 photograph of Terry Fraser and Carole O'Reilly at the launch of the Australian Large Print cookbook. Terry Fraser was the manager of Baringa and Carole O'Reilly a public relations officer with the AFB.3 black and white images of various sizesnon-fictionelizabeth maxwell, neil maxwell, association for the blind, terry fraser, carole o'reilly, evelyn grace bryant

A woman perches on the edge of a chair as she fingerspells on the palm to an older, deaf-blind woman who is seated. In the second picture, an older female pulls a thread taut as she sits in front of a long table. It is unknown where these images were taken, however assumed to be at Elanora.2 black and white photographs of elderly female residentselanora home (brighton), recreation, association for the blind

‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available

BookThe Australian Home Front in the second World War. - Documents and Commentary

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Book

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This would have been a display for the annual fruit pruning demonstration. Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried.Colour photograph. Display board with brochures about fruit and vegetable growing attached and some examples of apples and pears on the table below.On reverse, "Photograph by Publicity Branch Victorian Department of Agriculture Ref. No. D.144.D."display board, vegetables, green grows our garden, a.p. winzenried., fruit pruning demonstation, brochures, fruit, apples, pears, publicity

cottage, building, home, house, william rutledge, sydney

paintingcottage, building, home, house, belfast close, jake mcinnes

p.253.fictionThis novel is a spirited melodrama set in Westmorland, in which the writer's love of the county and its cultural peculiarities is rather more convincing than her stiff-upper-lipped characters' love for each other.england - fiction, romantic fiction

Index, ill, map, p.232.A description of the county of Middlesexmiddlesex - description, middlesex - travel

Discover NW promoting the City of Meltoncouncil

Melton and Moorabool Leader article about Sophie Ramsay local identities, council

Documentation of site-specific intervention (Wyndham, Victoria) Edition 1/5 + 2AP

Signals [AT HOME] Development Drawing was conceived as a conceptual illustration during the early stages of the AT HOME project in early 2023. Collaborating with Common Collective and the [AT HOME] team, this drawing served as a practical instructional tool, aiding in conveying the installation's intention to the broader team, technicians, and homeowners. As such, it functions both as an artwork and a practical artifact stemming from this site-based project.Documentation of site-specific intervention (Wyndham, Victoria)

A British family magazine for Sabbath reading. Various religious themes.Red cloth-bound hardcover book. Front and back covers detached from spine, spine torn and very worn. Title and date (1875) in gold print front cover & spine. Fly leaf, title page and pp. 1-2 missing. last pages & back flyleaf missing. Foxing throughout, torn/ragged-edged pages. Pages gilt edged. 826 pp. Very poor condition.Nil.british family magazine, whitburgh cottage collection, sunday reading