62 pages, typewritten, on white paper with a brown paper cover. Bound along one side by 3 brass metal fasteners.non-fictionA detailed account of Pte Price's experience of WWI from his embarkation to his return. Sections include: Description of Journey (Arrival at Albany WA; From Albany to Cape Town; Cape Town to Vincent, Verde Island; The Village Blacksmith; Four Days Holiday in London; Back at Camp; Second Visit to London); Review by King George; Zeppelin Air Raids; Embarking for France; The Idea of a Raid; St Omer; Battle of Messines; Bombardment Prior to Advance on Messines; A Visit to France by King George & Prince of Wales; Five Days March from Senlicques; First Battle of Ypres; Preparation for Second Battle of Ypres; 14 Days Leave from France to England; 14 Days Sick Leavewwi, world war i, f g price

Discusses Kenzo Tange's plans for the national Gymnasium for the 1964 Tokyo Olympic Games and his use of tensile construction.Original manuscript of an article published as ‘Olympic Buildings in Tokyo’ in "The Architectural Review", Vol.139 no.830, April 1966 pp. 262 - 270 Typewritten, carbon copy, quarto, 13 pages. A second copy is a photocopy, 14 pages. (Two copies)tensile movement, olympic buildings, tokyo olympic games, 1964, architecture, kenzo tange, national gymnasium, tensile construction, robin boyd, manuscript

Discusses the work, design techniques and career of first recipient of the Essington Lewis Award (for Industrial Design) - Frederick Ward. Ward's work introduced all the essential principles of the best Australian furniture: functional form; use of Australian materials; respect for the nature of all materials; suspicion of ornament and a sense of purposeful proportions.Review of Fred Ward’s Award by the Industrial Design Council.Typewritten (c copy), quarto, 2 pagesfrederick ward, industrial design, australian furniture, function, form, australian materials, essington lewis award, robin boyd, manuscript

Boyd discusses Graeme Gunn's Plumbers & Gasfitters Employees Union Building; indicates it is unusual for Australian trade unions to be a patron of the arts; discusses the angular design and its raw concrete, which Boyd praises as internationally fashionable; suggests that the last great piece of union-commissioned architecture was the Wharf Labourers' Union building, a 1916 Art Nouveau building by Robert Haddon.Original manuscript of an article published in "The Sunday Australian", 06.06.1971 (Review of Graeme Gunn’s Plumbers and Gas Fitters Building, Victoria Parade, Carlton).Typewritten (c copy), quarto, 7 pagestrade unions, plumbers and gasfitters employees union of australia, graeme gunn, brutalism, concrete, robert haddon, wharf labourers' union building, flinders st, robin boyd, manuscript

Boyd praises Reyner Banham's book titled "Los Angeles: The Architecture Of Four Ecologies" published in 1971. Boyd describes Banham's unconventional, positive attitude toward Los Angeles as an architectural love story. Boyd notes that Banham is somewhat idealistic about Los Angeles but declares the book a successful and interesting balance between history and architecture.Original manuscript of an book review published as 'Los Angeles: architectural love story' in "The Sunday Australian" on 04.07.1971.Typewritten (c copy), pencil edits, quarto, 7 pagesreyner banham, los angeles, historian, modern architecture, age of technology, robin boyd, manuscript

Discusses the new brutalism, as a revival of the rebellious spirit of early modern architecture, in the context of Reyner Banham's book "The New Brutalism", with the subtitle ethic and aesthetic. Boyd discusses the arguments of Banham and the new brutalism in the context of the subtitle. It concludes with a code to characterise the modern movement.Original manuscript of an article published in Architectural Review Vol 142, No 845, July 1967. pp. 9–11 and reprinted as ‘El triste fin del Nuevo Brutalismo’ in 'Cuadernos Summa Nueva Vision' (Buenos Aires), No’s 24/25, May 1969, pp. 51-53.Two copies. One typewritten (c/copy) pencil edits Second typewritten (p/copy). Both quarto, 14 pagesle corbusier, reyner banham, smithson, peter and alison smithson, modernism, brutalism, robin boyd, manuscript

Boyd argues that modern architecture has triggered a necessity for greater harmony between architects and engineers. Boyd describes the architectural qualities of tension structures through an analysis of several case studies including projects by Frei Otto and Boyd's own house at Walsh St. Being a relatively new concept, Boyd criticises the neglect towards smaller buildings in this structural system, and also highlights some of its shortcomings. A 2-page letter from 'Arthur' (surname unknown) at the University of Melbourne's Department of Civil Engineering provides feedback to Boyd on his analyses of the chosen case studies.Original manuscript of article published in The Architectural Review Vol.134, No.801, November 1963, pp. 324 - 334. This draft was returned with covering letter from: ‘Arthur’ (AJF) Melbourne Uni. Dept Civil Engineering. Typewritten (c copy), foolscap, 14 (+2 quarto letter) pagesMinor handwritten editsengineering, tensile structure, master-designer, bernard lafaille, zagreb french pavilion, matthew nowicki, livestock pavilion, frei otto, paul rudolph, florida house, bill irwin, kevin borland, peter mcintyre, john and phyllis murphy, yuncken freeman, sidney myer music bowl, eero saarinen, yale hockey rink, edward d. stone, brussels u.s. fair pavilion, boston arts centre, walsh street, robin boyd, manuscript

Critique of Donald Leslie Johnson's book on Griffin. Boyd does not think it compares well to the first such book, written by James Birrell called "The Architecture of Walter Burley Griffin".Original manuscript for a book review of "The architecture of Walter Burley Griffin" by Donald Leslie Johnson. However, this is puzzling as the book appears to be published in 1977 (perhaps a 2nd edition)Typewritten (c copy), foolscap, 6 pagesUnderlining of Walter Burley Griffin on second pagejames birrell, donald leslie johnson. a yankee in the kangaroo's court, prairie school review, robin boyd, manuscript

Critique of book and works by Herbert Bayer, who was part of Bauhaus movement and he moved to Aspen Colorado in 1946.Book Review for Architectural Forum, vol 130, no .2, March 1969, pp.76 - 77Typewritten (p/copy), quarto, 4 pagesherbert bayer, bauhaus, robin boyd, manuscript

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