These articles were compiled by Mary Gilbert who was the first curator of the Orbost Museum and a prominent historian / teacher in Orbost. The 1971 floods at Orbost were the worst on record. At Jarrahmond the river rose to a height of 11 metres and on the flats spread to one and a half kilometres wide. Considerable damage was done to railway infrastructure, roads and farms. More information from the APRIL, 2008 newsletter by John Phillips. (see orbosthistory.com.au)These articles are contemporary records of a significant historical event in Orbost.A manila folder containing black / white newspaper clippings from various publishers. They all relate to the 1971 floods in Orbost. (Details of contents in catalogue 735-900)floods-orbost-1971

These articles were compiled by Mary Gilbert.They have been cut from The Argus, The Age and the Snowy River Mail.These articles are contemporary reports on the transport system in Orbost and as such are useful research tools.A manila folder containing black / white newspaper clippings from various newspapers. The articles are related to transport in Orbost - rail and shipping. (details in Catalogue 735 - 900)

A sensitive optical levelling instrument in a polished timber carry case. Instrument to be mounted on a tripod with 3.5 cm male thread. Matches Tripod Catalogue Number 4111.scientific instruments, level, contractors level, ballarat school of mines, surveying, mining

Booklet, Victoria's First Government House 1839 - 1854 Commentary and Catalogue Fourth edition 1974 National Trust of Australia. Contains black and white photographs and a map.australia, history, government, australia - history - government

A catalogue titled ' Arthur Boyd: seven persistent images. Regional Gallery Tour 1986-87. Published by the Australian National Gallery 1985. 16 pgs. Ill.person, individual, arthur boyd, aurthur boyd, person, individual, male, artwork, australian art, artist, australian national gallery, exhibition, regional gallery tour, arthur boyd gift, paintings, drawings, landscapes, painter, painting

ROCK SPECIMENS WITH DISPLAY heading 'ROCK SPECIMENS COMMON TO BENDIGO GOLDFIELDS' Displayed on open tray. Removed from display case as glass was considered unsafe. To be catalogued.cottage, miners

La Trobe cottage, Victoria's First Government House 1839 - 1854, commentary and catalogue, produced by the National Trust Of Australia (Victoria) with a map and black and white photographs.National Trust of Australiaaustralia, history, heritage places

Photocopy of undated W Wotherspoon catalogue. Business Cnr of Barnard and Wattle Streets established in 1859. Beds, Mattresses, chairs, chest of drawers, blinds, etc sold.commerce, advertising, furniture, bendigo 19th century business.

J.H. Abbott & Co. Light Brown paper, 4 page Illustrated Advertising Catalogue for Leather, oils, saddlery, boot and Shoes. Printed by Bolton Bros. Bendigo

Provenance unknown, found in a box with five other pelvimeters, marked "PELVIMETERS ( not accessioned)" in the hand of the previous curator, Melissa Campbell pre 2006.Martin's pelvimeter,external, graduated to 50cm and 20 inches. fer to Down Bros. catalogue 938/1, page 938.Manufactureer's statmp "W. & W. on arm.pelvimetry

Coloured postcard with a photo of Christina Cock and two views of the Lake Park Nursing Home.|Christina is the oldest Australian. Born in 1887 and at time of cataloguing is still alive.cock, christina, blackburn, lake park nursing home

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Swedes from Jazzville. LP 33RPM vinyl, Catalogue Number: B 08200 L, Record cover, plastic sleeve, back cover notes (no author listed).Penleigh Boyd' handwritten on top left back coverlp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.West End Revue - Fox Trot. LP 33RPM vinyl, Catalogue Number: 401816 A 2964, 1 vinyl disk, plastic sleeve, no cover. Louie Armstrong.J. Albert & Son Royalty Stamp on both sideslp, sound recording

Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet a Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Catalogue for an Exhibition of Watercolors by Thomas H. Bone. Held in the Advertiser Lounge, View point, Bendigo Sept 10th to the 13th, 10am to 5pm. A list of 31 watercolours.history, amy huxtable, bendigo, watercolour exhibition bendigo

Collection of photographs found in a box. Probably Burnley Student Association. Include recreation activities, camps, student café, sport. See attached list in paper catalogue.burnley, student association, recreation activities, camps, student café, sport, plant science laboratory construction, amenities building, arboriculture, football team

Donald Clark Collection. A poem typed onto a sheet of paper. Titled 'The Oak'. Written by John Hurford of Llanelly in 1922. Found together with a photograph of an oak tree (catalogued as THA-2019.0450).

Hardcover book, 298 pages. Book has a dark blue cover with black text. Title page missing, information for catalogue record from cover and spine.fictionRomance novel.james payn, romance, fiction

Post Office Gallery exhibition catalogue,Theatrical traditions stage & screen in Bendigo, 27 pages with black and white & colour photographs. 2 copies to Specimen Cottage.books, catalogues, post office gallery

Paper catalogue for Francis Chapman, sons & Deekes, Hopetoun House, Lloyds Avenue, Fenchurch Street London. 18 pages with the cover torn and separate from the rest of catalogue.. Contains Illustrations, B&W hotographs and listing for metal related products It also has the shipping and freight costs from London, Liverpool,Bristol and Glasgow to various ports around Australia. There are two metal staples in the spine.

Two Auction catalogues for a sale on 20th March, 1946 of Mining Machinery, Battery, Plant, Tools, Buildings & Equipment at the Bradshaw Gold Mines Syndicate No Liability at Ballan, Vic. Sale by Order of the Mines Department, Melbourne. J. H. Curnow & Son were the auctioneers. Contains a description of some of the machinery and buildings. Also gives location of the Bradshaw Gold Mine. The Prahran Telegraph Print were the printers of the catalogue.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - bradshaw gold mines syndicate no liability, mines department, j h curnow & son, j l jamieson, w g wedd, mr r graham, the prahran telegraph print

Mustard coloured auction catalogue for a sale of Machinery, Plant and Equipment of the New Chum Gold Mines at Maldon on 26 October, 1937 and at 3.00 p.m. sale of Residences for Removal or otherwise, Household Furniture, Mess Equipment,etc. at Allendale. Sale by Order of Gold Mines of Australia Ltd. Auctioneer was J. H. Curnow & Son. Catalogue has £, s. d. columns down the right side of the pages.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - new chum gold mines, gold mines of australia ltd., j h curnow & son, j l jamieson, bolton bros

Bluish catalogue with gold print on the front cover for a Demolition Auction Sale of Fortuna Under Instructions from Bendigo Mines No Liability on the 29th and 30th June, 1938. J. H. Curnow & Son were the Auctioneers.For sale were out buildings, household items, garden plants, skirting boards and floors. Catalogue has a black and white photo of Fortuna taken from the other side of the lake.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - fortuna, j h curnow & son, cambridge press, bendigo mines no liability

The Australian Hobby is a medium-sized falcon of the Falconidae family, similar in look to the larger sized Peregrine Falcon. This species is widespread and can be found across most of mainland Australia and Tasmania, preferring lightly wooded areas such as timbered wetlands, open wooded farmland, and some urban areas. Their diet consists of small birds, bats, and flying insects, which are caught mid-air. They sometimes hunt cooperatively to catch their prey. This specimen is an accurate depiction of an Australian Hobby. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australian Hobby has a dark brown cap and cream-coloured half-collar. The back feathers of the bird are also a dark brown colour, while the neck is a cream with lighter brown streaks. The flank is a dappled dark brown, rufous-brown and cream, which transitions back into cream with brown streaks near the legs. The underwing feathers appear to be a banded dark brown and cream. The tip of the hooked beak is black which recedes to light blue-grey and then to yellowish near the head join. The legs are also yellow. The specimen is perched on a wooden perch mount with a swing tag tied around its left leg.23. / Australian Hobby / See catalogue, page, 6 / taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian hobby, australian birds, little falcon

The Tawny Frogmouth, although often mistaken for an owl, is a nocturnal Australian bird of the Podargidae family that is more closely related to the nightjars. They are widespread in terms of distribution and can be found all across mainland Australia and Tasmania in a diverse variety of habitats from woodlands, forests and urban areas. Masters of camouflage, the Tawny Frogmouth sleeps during the day on tree branches in a stiff upward facing position (as with this specimen) to mimic broken tree branches, their feathers assist in this deception as the mottled grey and brown colours blend into the environment seamlessly. This specimen differs in colours from the usual appearance of a Tawny Frogmouth, as the beak is usually a olive-grey to blackish tone and the plumage is generally more dominantly grey all over the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Tawny Frogmouth has a broad head and a creamy beige coloured wide triangular beak with a hooked tip. The plumage on the head and back of the bird is a combination of darker and rufous browns, mottled with streaks of cream and grey. The underside of the bird from the bottom of the beak to the tail tip is a lighter cream colour with streaks of rufous-brown. The feet are an orange-brown colour. This specimen is adopting the skyward looking pose associated with the species, mimicking dead tree branches.1a. / More-Park / See Catalogue, page 7 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tawny frogmouth, frogmouth

The Nankeen Kestrel, a small type of falcon, can be found all over Australia, usually in grassland or farmland areas. This falcon is carnivorous and hunts all manner of small prey including mice, lizards, insects, and other birds. When hunting, Nankeen Kestrels can be seen hovering in the air searching for prey. Nankeen Kestrels are generally monogamous, staying with the same breeding partner for multiple seasons. The Nankeen Kestrel is known for its reddish-brown feathers, spotted with a distinctive black pattern on its back, and have black-tipped wings and tail band, a stark contrast to its white chest. Females tend to be larger, and males will have a grey head and neck area. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Nankeen Kestrel is relatively small and slender. It is mostly reddish-brown, streaked with darker coloured areas. The tips of the wings and tail feathers are tipped in black. The chest is white with streaks of reddish-brown. The areas around its eyes, beak, and feet are a bright yellow. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 19. / Unnamed / Catalogue page, 5 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, nankeen kestrel, falcon

Red Headed Woodpeckers can be found in Southern Canada and a large portion of the United States of America, generally migrating to the south if they originated in the northern regions. Their habitat is open forests or savannahs. They are classed as omnivores, finding food from pecking at wood or in flight. The Red Headed Woodpecker is threatened in Canada and some areas of the United States due to deforestation, lack of deadwood for nesting, competition with other birds, and a lack of food. They are an important part of the ecosystem, controlling insect populations and pollinating flora. Red Headed Woodpeckers typically have a beautiful, vibrant red neck and head, a stark white chest, black back, and black wings with white secondary remiges. They have a large chisel-like beak, suitable for foraging for their food. Their heads are rounded and they have short tails. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Red Headed Woodpecker is a small to medium-sized bird found in North America. This specimen is tricoloured: it has a red head and neck, a white chest, a black back, and black wings with white secondary remiges. It has a large chisel-like beak. This specimen has pest or humidity damage on the neck and head area. This specimen is standing on a wooden mount with a swing tag attached to it's leg.Swing-tag: 151a. Unnamed / Catalogue page, 60 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, red headed woodpecker

The Barking Owl is a nocturnal, medium sized (390-440 mm) bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Males are generally slightly larger by weight than females and they are only one of small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from 'a 'woof woof' barking dog sounds to shrill, human-like scream sounds, which reportedly alarmed early European settlers. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The male call is slightly lower in pitch than the female, and males and females often duet, contrasting low and high pitches. The owls are brown-grey in colour with white spots on the wings and vertically streaked chest. Their eyes are large and yellow. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Barking Owl is average sized with brown, grey and white spots and vertical chest streaks. The face and breast are lighter in colour than the wings and dorsal plumage. The eyes are large and dark and the legs and feet are yellowish. The eyes are large and yellow irises and the legs and feet are yellowish. The specimen stands on a wooden perch pedestal with identification tags attached to its leg. 17. / Bookook Owl / See catalogue page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology