Murray Comrie Collection. Building is on Commercial Road and in 2019 is a private residence. History to be confirmed.Monochrome photograph depicting a white double-fronted weatherboard shopfront, with six-post verandah, formerly located at 107 Commercial Road in Tarnagulla. Building has since been demolished.tarnagulla, buildings

Includes a list of Buninyong Cemetery Trust members from 1867 to 1930 and 1983 to 2019buninyong cemetery trust, cemeteries

Coloured photograph"Written on back of photograph" Replica antimony mine poppet head -Ringwood Lake Park -1987 Similar photographs -Reg 944, Re 118a located in NWD 02-07-08.

Colour photograph of Ballarat No. 40 southbound in Lydiard St. North, between Mair and Sturt St. photographed from a northbound bogie tram. Tram 40 has destination of Sebastopol. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/07" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.lydiard st nth., tram 40

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

This object relates to George Henry BARTLETT. He was born on 1/07/1877 in Beaufort, VIC. George Henry served in the aif (5975) enlisting on, 20/03/1918 in Ballarat, VIC before being discharged from duties with the 8 BATTN as a Army Non-Commissioned Private (PTE) on 14/07/1920. George Henry BARTLETT was not a prisoner of war. His next of kin is Catherine BARTLETT (Wife).second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

George and Dick Faram left Tom in charge of the shop and drove their Model T Ford around Australia in 1932. Tom and Nellie's son Allen is sitting on the bumper bar.Series of A4 copy photos given to the collection by Judy Faram, Illustrating the evolution of the 1856 building (see also #1516, 1522). The prints have been marked with dates. .07 - Ford car in front of shop, ready for round Australia trip 1932. Allen Faram as a young child sitting on the bumperIn ink, various information dates etc on surface of prints.business and traders - hardware, built environment - commercial, allen faram, faram brothers hardware

invoice dated 01/07/1958 from Friedrcih & Bassemir, Hygenic Vienna Bakery, for bread and freight (from 3rd June to 27 June) purchased for £1.15.04 from Mrs D. W. Clark. Friedrich & Bassemir, Owen Duffy Prop., Hygenic Vienna Bakery, at 226 Mitchell Street, Bendigo

Button distributed to and worn by Australian Nursing Federation (ANF) members during the bargaining process for Victorian nurses' wages and conditions in 2007. Enterprise bargaining is the process of negotiation generally between the employer and employees (often represented by a trade union, professional association or other bargaining representative) with the goal of making an enterprise agreement stipulating the wages and conditions of work. The 2007 public sector campaign entitled 'Fund nursing properly for a better state of health' involved the ANF bargaining for members employed in the public acute and aged care sector, public psychiatric services, the Australian Red Cross Blood Service and the Royal District Nursing Service. The 2007 campaign focused on improved workloads and skill mix and a minimum 18 per cent wage increase to address the wage disparity between Victorian nurses and nurses working in other Australian states.Circular red, white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'FUND NURSING PROPERLY FOR A BETTER STATE OF HEALTH', 'EBA 07' [enterprise bargaining agreement 2007] and the ANF [Australian Nursing Federation] website address of the time (www.anfvic.asn.au).nursing, nurses, unionism, trade unions, enterprise bargaining, badges, buttons, pins, staffing, wages, workforce, labour history, australian nursing federation, victoria, campaigning

This minute book records the reformed Science and Field Naturalists Club of the Ballarat School of Mines. Such a club had existed in 1888 and 1889. Final recorded meeting took place on 17th November 1918, resolved that "there would be no further meeting of the Club until further notice was given." (Ballarat School of Mines Annual Report of 1888, p.17. Also mentioned in Annual Report 1889, p.195)Dark blue hard-cover minute book with dark red spine. 186 numbered lined pages with left hand margin. Last entry on p.128. Courier Newspaper article 'Victorian National Park: Our Fauna and Fauna' by Charles Hoadley published 16/06/1915 Included: State Savings Bank of Victoria account booklet No. 128.155, issued to School of Mines Science and Field Naturalists Club.ballarat school of mines, smb, science and field naturalists club, fenner, charles fenner, albert w. steane, william baragwanath, john brittain, lal lal, lal lal excursion, science nad field naturalists club, ballarat field naturalists wild flower show, maurice copland, alfred mica smith, sunnyside woollen mill excursion, wilson's promontory, charles hoadley

Book: Bank Book Monument Hill Consolidated (Bgo) N/L. Cloth cover on cardboard - green from 17/4/1939 - 30/06/1944. Monument Hill Consolidated (Bgo) N.L. in account currant with The English, Scottish, and Australian Bank Limited on front cover. Page …MCCOLL RANKIN & STANISTREETorganization, business, gold mining banking, mccoll rankin & stanistreet

Bendigo Advertiser article from 03/06/1970 "School revisits Bendigo". A three days school, with a strong leaning to history based in Bendigo, will arrive here on Friday evening June 12. The school has been arranged by the council of Adult Education, Melbourne, for the Queen's Birthday weekend.newspaper, bendigo advertiser

Colour postcard of Melbourne trams A245, advertising the Melbourne Open Tennis tournament, January 2006, in the Docklands Area. Photo Ian Green. Postcard produced by Railcard for the Association of Railway Enthusiasts, ARE No. 8/06. Has ARE logo, shop details and hours, space for small message, address and stamp.trams, tramways, melbourne, a class, decorated trams, tram 245

Grave of William J. Hall (died 1883) in Plot# G7 Greensborough Cemetery. Photograph taken by Noel Withers 30/07/2009.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of grave/headstone [damaged].william j hall, greensborough cemetery

Obituary for Robert Lether (Lea) Fraser, 15/07/1901-21/01/2017, owner of the Bundoora general store and post officeBlack & white text and photographsfrasers store bundoora, robert lether fraser, lea fraser

The Grave of Amelia May Roy (died 27/12/1945) and William Roy (died 10/07/1950), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, roy family

The Grave of Katherine Wingrove (died 05/12/1907) and Charles Symons Wingrove (died 16/07/1905), St Helena CemeterySt Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, wingrove family

The Federation University RoadNats Championships held in Ballarat from 03-07 January 2018. The event attracts riders from around the world. Colour photographs of cyclists participating in RoadNats in Sturt Street Ballarat riding in front of a Federation University banner. roadnats, cycling, federation university, cycling australia, ballarat, sturt street ballarat, bicycle

Ernest Wesley BARRIE and Eva Edna MYERS's son Peter Ernest BARRIE was born on 07 November 1945 in Melbourne, Victoria, Australia. Peter Barrie in front of large piles of hayagriculture, local identities

Newspaper advertisement: Domain Review, 12-18 June 2019, Sale of 1102 Main Road.main road, eltham, property, shops, buckingham and company estate agent

Murray Comrie Collection. Building is still on Commercial Road and in 2019 is a private residence. History to be confirmed.Monochrome photograph depicting a cottage with wagon-wheel gate, which is located at 107 Commercial Road, Tarnagulla.tarnagulla, commercial road, buildings, houses

Murray Comrie Collection. Building is still on Commercial Road and in 2019 is a private residence. History to be confirmed.Monochrome photograph depicting a cottage with raised verandah, which is located at 96 Commercial Road, Tarnagulla.tarnagulla, commercial road, buildings, houses

Murray Comrie Collection. Building is still on Commercial Road and in 2019 is a private residence. History to be confirmed.Monochrome photograph depicting a latticed shopfront, which is located at 98 Commercial Road, Tarnagulla. Small portion of building visible at far right was demolished in the 1990s.tarnagulla, commercial road, buildings, houses

Murray Comrie Collection. Building is still on Commercial Road and in 2019 is used as the town's public hall.Monochrome photograph depicting former Victoria Hotel and Theatre, which is located in Commercial Road, Tarnagulla.tarnagulla, commercial road, victoria hotel and theatre, buildings, houses

Melton State School Photograph Junior Classes May 3rd 1917 Thomas Lang was the Head Teacher from 1896 - 1917 Back row: William Kilpatrick Bill D Whiting John Flynn Archibald MacDonald Arch Edward Radford Ted John Radford Jack Keith Beardemore Second Back Row: Percival Cook George Nixon Frederick Myers Bill ? Coburn Jim Coburn Bill ? Coburn [Arthur 06 Geo, William 06 Frdk Thomas 06 F James F] Second Front Row: Rita Wilson Mary Coburn Frdk Ivy Prickett - Winifred Barrie Marie Jongebloed Mary Phyllis Pearcey E. Waller Front Row: Kenneth Beaty John Parker Margaret McDonald Mary Kilpatrick Greta Jongebloed .. Norman Minns Francis Shelly Juniors classes with headmaster Thomas Lang. education, local identities