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National Vietnam Veterans Museum (NVVM)
Flag, More Flags program
South Korea flag represents contract to supply uniforms and equipment, military personnel bank rolled by the USA as part of the "more Flags" aid program. White flag with red and blue Yin and Yang black striped corner panelsflag, south korea -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn Weir, 1890
Taken by photographer for State Rivers and Water Supply Commission.Medium sized black and white photograph. Earthworks foreground, horse and dray lower right, men working on concrete weir structures, middle distance, - river with tree'd banks beyond, workmen's huts and house left of middle distancevictoria state rivers and water supply commission, goulburn weir -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn Weir, 1890
Taken by photographer for State Rivers and Water Supply Commission.Medium sized black and white photograph. View across weir - channel outlet left - earth and rubble wall separates two concrete and iron structures of weir. Trees on bank beyond beyond, buildings scattered amongst trees.victoria state rivers and water supply commission, goulburn weir -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1911
Black and white photograph showing P S Tanjil, S S Gippsland and dredge Pioneer at Bairnsdale wharf, steamer J C D at opposite bank. Early road bridge across Mitchell River. Bairnsdale Victoriaships and shipping, waterways, vegetation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Segerberg and Bulmer, 1909
S S Gippsland was launched at Paynesville 1908. Letter on back mentioning 'Our New Boat'Black and white postcard print showing S S Gippsland in Mitchell river at Bairnsdale, shows three pine trees, large house vegetation on eastern bank, ship leaving Bairnsdale newly painted. Lakes Entrance VictoriaS.S. Gippsland Leaving Bairnsdalevegetation, waterways, ships and shipping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920c
Copy same view but titled 'North Arm - Lakes Entrance' 11.5 x 18Black and white photograph of the North Arm. It shows the calm waters of the arm which twist and turn between high scrub covered banks. Distant view of township, two people in small boat in foreground. Lakes Entrance VictoriaLakes Scene North Arm Lakes Entrancevegetation, topography, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920
Black and white photograph showing two females and one male and car using punt to cross rive, Punt man loosening guide chains in preparation for crossing. Shows both banks of Tambo River at Tambo Upper Victoriaboats and boating, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1925
Rock obtained for works at the Entrance and around Gippsland Lakes.Black and white photograph of a tramway through bushland, steep bank above tramline, tree fern gully below. Tramway connected quarry to landing on Mississippi Creek, Colquhoun Forest north of Lakes Entrance. East Gippsland VictoriaMyer's Creek Tramwayvegetation, transport, room display -
Ballarat Tramway Museum
Negative, Wal Jack, late 1930's
Yields information about Ballarat 's tram operations and Stones Corner.Negative and Digital image of the Wal Jack Ballarat Negative file of No. 17 loading passengers at Stones Corner, the intersection of Victoria St and Main St. A Caltex service station is on the right hand side and the State Savings Bank of Victoria. trams, tramways, victoria st, bridge st, main st, stones corner, tram 17 -
Ballarat Tramway Museum
Negative, Wal Jack, 1956
Yields information about Ballarat trams and use for a full size advert panel on the front advertising 100 years of the State Savings Bank of Vic.Negative and Digital images of the Wal Jack Ballarat Negative file of No. 25 in the City Loop, during 1956 with a full size advert panel for the State Savings Bank of Victoria, 100 years serving the community. In the background is the Paterson's store. trams, tramways, city loop, sturt st, tram 25 -
Buninyong & District Historical Society
Photograph - Colour photograph, Buninyong and District Historical Society leads the 1991 Gold King Festival, 1991
The Gold King Festival was an important community event for Buninyong incorporating historical, sporting, social and commercial activities for a number of years between 1991 and the early 2000sThe Gold King Festival was a popular community event celebrating Buninyong's gold mining history.Colour photograph of the 1991 Gold King Festival with Bill Griggs of Wallace and his Clydesdales in the lead representing Buninyong and District Historical Society. View of the parade and spectators from Warrenheip Street, Old National Bank and roundabout in the background.Buninyong and District Historical Society leads the 1991 Festival. Bill Grigg of Wallace with his Clydesdales.buninyong and district historical society, gold king festival, procession, events, celebrations -
Buninyong & District Historical Society
Photograph - Original Photograph, Learmonth St from the east, Town Hall Precinct, early 1900's, 9/11/1991
historic buildingsB/W photograph, Learmonth St from the east, Town Hall Precinct, early 1900's, Refreshment Rooms, Fire Station, Town Hall, Whyke's Butchers, Allan's Store, Bank, Buninyong Inn, toll booth."Specially Produced For A.H. Dixon Learmonth St, from east, Buninyong 1543"buninyong, calf's refreshment rooms, fire station, town hall, whyke's butches, allan store, nab bank, buninyong inn, toll booth -
Tarnagulla History Archive
Telegram, 9th Sept 1872
A large lot of papers, including this and other telegrams, were apparently found in the ceiling cavity of the Sandy Creek/Tarnagulla Post and Telegraph Office in the later 20th Century, during building works. Donald Clark Collection. Telegram sent from Sandy Creek / Tarnagulla Telegraph & Post Office. From E N Warren to Colonial Bank of Australia, Tarnagulla. Message reads '______ Acceptance Return today dishonoured is now correct return by first post'. -
Tarnagulla History Archive
Draft for Telegram, 4th March 1862
A large lot of papers, including this and many other telegrams, were apparently found in the ceiling cavity of the Sandy Creek/Tarnagulla Post and Telegraph Office in the later 20th Century, during building works. Donald Clark Collection. Handwritten draft for a telegram sent from Tarnagulla Telegraph Office from Henry Pouris to Thomas Miles Esq, 26 Regent St, Fitzroy. Text reads 'Voucher forwarded. Starting for Red Bank tomorrow. Alls well'. -
Tarnagulla History Archive
Photograph of Tarnagulla from Poverty Street, behind Bank, Tarnagulla from Poverty Street, behind Bank, Between 1886 and 1899
Murray Comrie Collection. Information collated by Murray Comrie: Photo after 1886 and before 1899. Shows bakers shop at corner of Commercial Rd and Poverty St, bakery stables and horse. Clouston's, Renshaw's Victoria House, Golden Age Hotel, Renshaw's Commerce House and Post Office. This is an original photographic postcard. Monochrome photographic postcard. View of part of Commercial Road and Poverty Streets, Tarnagulla, from a position on Poverty Street behind the Bank site. Premises on Commercial Road which are visible include the Golden Age Hotel and Renshaw's Drapers.Text near bottom edge: 'Johnsn & Co. Ararat' and 'Tarnagulla'.tarnagulla, commerce, shops, businesses, streetscapes, horses, stables, poverty street, commercial road, main street, golden age hotel, renshaw's, bakery, clouston's -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: BEAUTY CONTEST
BHS CollectionBendigo Advertiser ''The way we were'' from Tuesday, January 6, 2004. Beauty contest: is this bevy of bathers standing on the banks of the old Bendigo swimming pool and, if so, why? Is that an old diving platform in the background? The clip is in a folder.newspaper, bendigo advertiser, the way we were -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
The Beechworth Burke Museum
Photograph
This photograph was taken of Ford Street, Beechworth looking east showing the Post Office on the left and the Bank of Victoria on the right. Black and white rectangular postcard. The image is printed on matt photographic paper and mounted on cardboard.Obverse: NO INSCRIPTION Reverse: BMM7735 Beechworth beechworth, ford street, burke museum, horse, sepia -
Eltham District Historical Society Inc
Photograph, Looking north along the east side of Main Road from near Henry Street, Eltham, February 1968, Feb 1968
Shows the Commercial Bank of Australia on the Dudley Street intersection and part of the War Memorial on the left amongst the parked cars.In February 1968 an unknown person took a series of photos from the Eltham Hotel at Pitt Street heading north along Main Road through the shopping centre to just north of Elsa Court covering the length of the section of Main Road which was duplicated shortly thereafter. Shows the condition and environment of the streesscape of Main Road, Eltham immediately prior to the duplication between Pitt Street and Elsa Court through the shopping centre. Also shows a number of shops and businesses that operated at that time.Black and white photographduplication, eltham, main road, commercial bank, eltham, dudley street, shire of eltham war memorial, arthur street, shopping centre, eltham shire office -
Eltham District Historical Society Inc
Photograph, Kangaroo Ground School 1880s
Source: Mrs. E.M. Jackson, Pigeon Bank, Kangaroo Ground. (Small print, no neg.) Cross Ref: 0403This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kangaroo ground, kangaroo ground state school -
Federation University Historical Collection
Scientific Object, Globe
Used at Ballarat School of Mines in areas needing a lot of light as well as numerous globes in banks to test the generators.Osram large gas filled, standard shaped, Eddison screw 250 V 300 W light globe.bulbs, light bulbs, osram, gec osram, ballarat school of mines, globes, edison screw, lamps, electricity -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Hogan Street Tatura, 1989 copy
Photograph taken from Valentine series post card. Gippsland & Northern, Bank of New South Wales buildings.Black and white copy photograph of Hogan Street, Tatura, looking east. 1940 to 1950.on back: Hogan Street Taturahogan street tatura -
Uniting Church Archives - Synod of Victoria
Photograph, C1964
Rev. Graeme Gregory spoke at Yarra Bank, Voice of Methodism and his social work involved in the Department of Childcare.Gloss, black and white, head and shoulders, studio portrait of Rev. Graeme Gregory.gregory, g., methodist -
Uniting Church Archives - Synod of Victoria
Photograph, C1975
Rev. Graeme Gregory spoke at Yarra Bank, Voice of Methodism and his social work involved in the Department of Childcare.Gloss, black and white image of Rev. Graeme Gregory in situ.gregory, g., methodist -
Creswick Campus Historical Collection - University of Melbourne
Sample, 1957
River red gum (E.Camuldelensis) hitching post. Specimen removed from the front of the Bank of NSW Creswick, 1957Wood SpecimenNote the wasting and decay of wood within one foot of ground level. Date of installation unknown. -
Stawell Historical Society Inc
Photograph, Stawell lower Main Street looking towards Grampians 1960's
B/W 1960's Main Street, Town Clock, bank of Australia, Café and Grampians Mountains in background. streetscape -
Rutherglen Historical Society
Image, c1890
Featured in the photograph are: The Red Boot Shop, Victoria Hotel, Ah Quon Fruiterer, the Bank of Australasia, and the Rutherglen HotelBlack and white postcard photograph of Main Street Rutherglen looking west.Printed on photo across the front of a building on the right side of the photo: "Main St. Rutherglen"main street rutherglen, shops, hotels, red boot shop, victoria hotel, quon fruiterer, bank of australasia, rutherglen hotel -
Robin Boyd Foundation
Letter, T G Warr, ANZ to Robin Boyd, 19.03.1970
Letter to Robin Boyd regarding Patricia Boyd's bank bonds, in response to his letter on 17 March, 1970. -
Sunbury Family History and Heritage Society Inc.
Photograph
The Jacksons Creek and the Macedon Street stone arched bridge are the features in this postcard with a view of a vineyard on the LH river bank. The wine industry was one of the early industries caroused out in Sunbury by the early European settlers in the district.A sepia photograph in post card format of a waterway with overhanging trees and an arched bridge in the middl;e distance.JACKSONS CREEK, SUNBURYjacksons creek, macedon street bridge, vineyards.