Items such as this cushion covers were purchased by Australian men and women serving during the First World War as souvenirs of their travels and gifts for their loved ones at home. BHS records indicate that this cushion cover belonged to Mary Crombie, an early Victorian dentist who lived in Brighton while she was studying at the Australian College of Dentistry in the mid-1900s, and later returned to the area in her retirement from 1949-1971. It is likely it was given to her as a gift by a friend of family member who served in Egypt.Pale pink satin cushion cover with pale blue fringe. Embroidered with the words "Souvenir From Egypt / Cairo / 1915", above the image of a crown flanked by crossed Australian and French flags. Below this is embroidered two pyramids and the Great Sphinx of Giza, bordered by flowers, with a red bow at the bottom.Written in blue pen on reverse side: "Memento of World War I / from Mary Crombie".cushion cover, 1910s, first world war, world war i, egypt, cairo

cardboard box5409 L/Cpl. S. R. McCarthy 14 BN. A. I. F. 36021/DECD

Assay is a process of metallurgy and chemical analysis used to determine proportions of precious metals in ores and other metallurgy substances such as silver or gold. The process helps identify pollutants present within a sample and can indicate a high level of pollution in a mining site. Stoneware crucibles are used in the fire assay process due to their ability to withstand high temperatures. Fire assay is a three step process where by samples from the mine are ground in a find powder and then mixed with dry powder chemicals. This mixture is heated in a crucible to extreme temperatures (crucible fusion) until all of the powers fuse into a glass like slag. Once this reaction is complete, the contents are poured into a mold and cooled. In step three (known as cupellation) the mixture is separated in a fire assay cupel and once this is complete the cupel with reveal a small bead of precious metals. Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running potteries in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. It has partnered with the City on various tourism promotions and the Civic Collection holds a number of important items within its collection.Two stoneware vessels of differing dimensions (0287.1 & .2). Unglazed and porous, showing extensive signs of use. Stamped and marked on the outside. 0287.2 has a shaped pouring lip. Six smaller items, coins, buttons (0287.3,.4,.5,.6,.7,.8) were found with the crucibles but their relationship to the assay items is unknown.0287.1; Large crucible; Bendigo Pottery / E. 0287.2; Small crucible: Pottery / C Icity of greater bendigo commerce, city of greater bendigo mining, making a nation exhibition

The Victory Medal (also called the Inter Allied Victory Medal) is a bronze medal that was awarded to all who received the 1914 Star or 1914-15 Star and, with certain exceptions, to those who received the British War Medal. It was never awarded alone. These three medals were sometimes irreverently referred to as Pip, Squeak and Wilfred. The medal of which the basic design and ribbon was adopted by Belgium, Brazil, Cuba, Czechoslovakia, France Greece, Italy, Portugal, Romania, Siam, Union of South Africa and the USA in accordance with the decision as taken at the lnter-Allied Peace Conference at Versailles but in a particular form of a historic Greek monument as determined by each nation, with the exception of the nations of the far east who issued the medal but with a different design. Eligibility for this award consisted of having been mobilized in any of the fighting services and having served in any of the theatres of operations, or at sea, between midnight 4th/5th August, 1914, and midnight, 11th/12th November, 1918. Women who served in any of the various organizations in a theatre of operations were eligible, such as nurses, members of the Women’s Royal Naval Service, Woman Army Auxiliary Corps, Women’s Royal Air Force, canteen staff and members of the many charitable services.Original medals issued to the Hoffman family post WWI and donated to the Beechworth RSL Sub Branch by his sister Miss Anna Hoffman with the Hoffman Family collection.British War Medal 1914 -1920 with ribbon and Victory Medal with ribbon court mounted and the recipients name inscribed on the rim. On the reverse side is red felt and the mounter's label629 PTE. F. HOFFMAN . 33 - BN . A . I . F . is inscribed on the rim of both medals.medal, medal wwi, victory medal, the war medal

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture drawing of old hotel"signed: C. Palmer (lower right) inscriberd: Stockyard Hill Hotel I (lower left)"

A black and white postcard of Roseleigh Guest House in Marysville that was produced by Murray Views as souvenir of Marysville.A black and white postcard of Roseleigh Guest House in Marysville that was produced by Murray Views as souvenir of Marysville.Where Katie & I/ stayed at Marysville/ Victoria./ April 1949. X Our bedroom window.marysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, murray views, postcard, souvenir

This is Item 26 of 27 items in the Daisy Vickers collection of World War One memorabilia. These items were sent or given to Daisy Ogier (nee Vickers) during World War One by Corporal Arthur Anderson who enlisted from Warrnambool in 1915 at the age of 21. He served in Egypt and France and returned to Australia in 1919. Daisy Ogier (1907-1987) was a student and then a teacher at Warrnambool Technical School with her early teaching years there from 1925 to 1936 and in 1949. She became the head mistress from 1950 to 1963 and in 1968. She officially retired in 1976. Daisy Vickers was one of the best loved and dedicated teachers that the school ever had. She married the Reverend Fred Ogier and continued her association with the school after her husband's deathDaisy Vickers collection: Item 19 of 27This card is interesting because of its association with World war One and two local people Daisy Vickers and Arthur Anderson This card features an embroidered mauve, silver and yellow centred flower, buds and green leaves and yellow embroidered words. The flower lifts to reveal a pocket in which is a smaller white card with an oval coloured scene of countryside and a town in the background. There is handwriting in ink on the back . Carte Postale - Postcard France 22-6-18 Dear Daisy, Just to let you know I have not forgotten you. I am out for a spell at present. Arthur Smaller card: A Kiss from France daisy vickers, arthur anderson, warrnambool technical school, world war 1 embroidered postcard

Ektachrome slide image. Photograph of 7 soldiers unloading an army helicopter (a stretcher)I was a chopper crewman in vietnam 1971. I remeber bringing in a gadly bloodstained chopper for a multi-casualty ARVN minefield and you cleaned it up for me. that has stuck with me as I'd had enough that day. Thanks again.1st australian field hospital, arvn

Postcard sent by a soldier serving in Northern France in 1916 to, it is believed, Miss Olive Appleton.White coloured postcard with a silk inset on the front that has been embroidered with a basket of multi-coloured flowers and the words 'A Kiss from France'. Handwritten message in blue in on the back.North France 18/4/16 Dear Olive Got this card to let you know where I am and that I am in the best of health and spirits. Remember me to all. From Yours Sincerely Fred. xxx wwi, world war i

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

Sent to Mrs A Terrill from son Dave while he was at army camps 1915.Postcard showing Army Base Camp at Broadmeadows. Has penny stamp"Fraser & Vallance Melbourne" Signed Dave. Addressed to Mrs A. Terrill. Message: "Dear Mother, Just a few lines to let you know that I am still kicking. Received your letter yesterday and am glad to hear you are all well, I got a heavy cold & had to go up to the doctor today. Ask dad if I could stay a few days at Keoghs after Camp as i could do with a spell. No more news. Will write tomorrow. Love to all. Dave"broadmeadows, world war 1, dave terrill

Seven assorted postcards addressed to Mrs. A. Stephens and having various themes. (a) Christmas theme card depicting a water wheel and the actress Billie Burke., (b) embossed card with an guitar and flower theme., (c) Card with a faded photograph of the Exhibition Buildings , Melbourne., (d) Cartoon with The caption ' I wish I was a dog ' (e) Embossed card with a classical Roman or Greek theme., (f) embossed card depicting a sailing ship., (g) Photograph of a child, 5 or 6 years old , in a bathing costume.postcard, various themes, water wheel , billie burke, guitar, exhibition buildings , melbourne, i wish i was a dog, roman theme, sailing ship, boy in bathing costume

Dr Gary Presland advised the following in October 2020: "In 1959 my parents bought a house in Church Street, Panton Hill. For about three and a half years previously, they had farmed a property 15 km south of Echuca, before moving, briefly to Melbourne. After moving to Panton Hill, I was enrolled at Eltham HS, in Form 2 (Year 8). I completed that year, and in 1960 was in Form 3A (at which time the photograph was taken). To reach the school, I caught a bus each day, from Panton Hill. Early in 1960, my parents decided to separate. My mother left with the youngest two of my three siblings, leaving me and a younger brother with our father in Panton Hill. My brother was in Year 7 at the High School. After a few months, my father and I had a falling out and my brother and I left home to join our mother in South Melbourne. For the remainder of the 1960 school year we travelled each day by train from Melbourne to Eltham. In 1961 I was enrolled at Melbourne Boys High School, which was the nearest secondary school to where I was then living."Written in pencil on back: "Gary Presland - 4th from left, back row Eltham HS, 1960" Also stamped in purple ink on back "Classic Photos"1960, class photo, eltham high school, gary presland

For a census of wealth and income during World War IPink coloured paper form, single sheet, printed in block on both sides1915 census

World War I ashtray made in Ypres, France'Trench Art' ashtray with coat of arms in centre. rectangular, made in brass with cigarette holder grooves at each corner Coat of arms, vertical rectangle with small point as base, surmounted by open crown. Top third of shield features Cross of Lorraine on burgundy background, lower two thirds contains textured cross. ashtray, trench art, wwi

Military Manual. Great Britain. World War I.267 p., hard cover, illus.world war i, military manuals, infantry

C.C. Thorold in the main classrooms with the Tasmanina blackwood honour board above the door. Lines written on the black board are from Richard II, Act IV, Scene 1: Mine eyes are full of tears, I cannot see: And yet salt water blinds them not so much But they can see a sort of traitors here. Nay, if I turn mine eyes upon myself, I find myself a traitor with the rest; For I have given here my soul's consent To undeck the pompous body of a king; Made glory base and sovereignty a slave, Proud majesty a subject, state a peasant.

A card given to Legatees by the Comradeship Committee in 1939. 'Dear Legatee, Another year of Legacy has passed, another year of Service has commenced. May it continue to bring you much happiness in the appreciation of a great Comradeship. Comradeship Committee, 1939. The poem on the reverse says: 'I shall pass through this world but once, Any good thing that I can do, or any kindness That I can show any human being, Let me do it now and not defer it, For I shall not pass this way again.' The notation H15 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record of the sentiment that Legatees felt towards their duty to Legacy.White card printed and given to Legatees with best wishes for 1939 and a poem.Handwritten H15 in red pen.comradeship, history

Shaun Tan is best known for his illustrated books and short films that deal with social, political and historical subjects through dream-like imagery and fantastic creatures. In addition to his book and film work, Tan is a respected and prolific painter. Tan’s paintings capture a sense of place and atmosphere, even when the specific location is not made explicit. Tan says of his practice: “Often I don’t know why I need to paint a certain scene, only that I do, as if to stop it from drifting away too quickly, to just allow a little more time to think about it. Or to just say ‘I saw this’”.

These items were owned and used by Alice Pow (nee McWilliam), known as Maccie. Maccie was a nurse who came to Orbost in 1936. She was highly respected in Orbost for her nursing skills particularly during the 1938 outbreak of polio, Most patients were cared for in their homes and Miss McWilliam was sent out to care for them. Over 14 months she travelled 9560 miles supervising their treatments. She eventually married Mr Hec Pow who had been left to bring up his three daughters after his wife died.. The Pows lived in Orbost where Hec Pow was worked with his father Fred at the saw mill in Cabbage Tree. Maccie Pow was a member of the Orbost Bowling Club, Red Cross and Orbost Golf Club.Three vase shaped pottery shakers. Each has a cork stopper i n the base and sprinkle holes on the top. They are pale green coloured to half way and the rest is pale green with pink flowers. The surface is dimpled. On the base : ANDOVER Made in Japanchina tableware shakers pow-maccie mcwilliam-alice

Vol I . Hard cardboard cover, red buckram, gold print on front & spine. Gold print round seal on front. 516 cut, plain, white, slightly glossy pages. Black / white photos & maps. Bookshop sticker on front end paper, title page: “D Hope, Bookseller, Devonport, Tas” Handwritten in black ink on front end paper: “Henry J Curwen Devonport Feb 27 1915” Handwritten in blue ink on title page: “Mary P Clancy”book, the times, 1914

Item relates to Reginald Charles ALLARDICE NO 418577 RAAF. Refer Cat No 3627.5 for his service history.Officers medical record card RAF form I 417, blue folded Royal Air Force re RC ALLARDICE No Aus/418577. Inside written in blue pen details re nature and number of vaccinations.On front “ALLARDICE REGINALD CHARLES AUS/418577”vaccinations, medical, officer

An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, foliage and a butterfly with the words "from your soldier boy".

"Heatherlie " homes have been extended and are still operated under the auspices of the Uniting Church Australia. Invitation retained by Absalom family members for 44 years. "Heatherlie" name originated from owners of wooden house built by EB Phillips, furniture store owner. Name taken from mrs Annie Phillips (nee Bone) family home in Stawell.Original document, invitation to dedication of "Heatherlie" by Mrs Ethel Mitchell, Moderator of Uniting Church in Victoria and the official opening By the R Hon Malcolm Fraser, PM of Australia and Member of Wannon. Significant as "Heatherlie" was a community and government funded building programRectangular white card with rounded corners. Black print with black and red logo, Uniting Church. Typewritten name, Mr. & Mrs. I. Absalom. Varied size print, copperplate, capital letters and typewritten name inserted.Logo of Uniting Churchmr archie graham, mr & mrs i absalom, uniting church, warrnambool, mrs ethel mitchell-moderator, malcolm fraser pm, of australia, koroit street, heatherlie council

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of a man standing against a railing near a terrestrial telescope at a viewing spot overlooking a pine tree clad terrain. The man who is dressed i a suit, with a briefcase beside him is Frank Wright. frank wright, terrestrial telescope, composer, musician, adjudicator

August Rietmann 1877-1951 and his wife Frieda 1878-1942 leased the Box Cottage in 1917 and raised 2 children Stefanie 1918-2006, and William 1920– 1997. August was a Monumental Mason / Potter / Sculptor and he was employed at Corbens Ltd Clifton Hill, to make the War Memorials for many towns post WW1. August purchased the property 1935,and established a pressed concrete business using the cottage as a workshop and storeroom After August died in 1951, William, his son, continued to work in the business from the site until the land was sold to Lewis Co. Ltd Timber Merchants in 1970. Rietman's Landscaping Ltd , managed by William's family, moved to Bay Road Highett 1953 and later to Carrum. The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England. The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks. There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The cottage was occupied by William Box and family from 1865 until 1914 when it was sold to August Rietman . The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage by Mr August Rietman, when he purchased the property in around 1915, for 1200 Pounds approximately. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin Council agreed and the cottage was rebuilt just about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee, plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. The re-constructed cottage plan has followed faithfully the original dimensions, and plan of the original pioneer cottage, and as many original items from that cottage’s long occupation have been incorporated. The photographs in Album 1 record the progress of the reconstruction from February 1984 to the First Public Open Day November 18th 1984After the death of Elisa Box in 1914 the house was leased to August Rietmann, a potter / sculptor who with his wife Fieda raised their family there 1917 - 1951. Stefanie Rennick nee Rietman lived at the house until she left to study teaching 1937. August's son, William Rietman and family managed Rietman's Landscaping Ltd after moving to Bay Road Highett 1953 and later to Carrum. The Lewis Timber Company Ltd purchased the land with The Cottage c1970. i) A laminated, black and white, photograph of August Rietmann and Family c1918 at Box Cottage, Ormond, Molly the house cow is in foreground ii) Colour photograph of Rietman's Landscaping Ltd. Bay Road Highett c 1990brighton, moorabbin, cottages, pioneers, ormond, colonial, mckinnon, dendy henry, box william, box elizabeth, reitman august, convicts lewis timber co. ltd., deam h, museums, box alonzo, smith a, rietmann august, rietman august, rietmann frieda, rietman frieda, stonnington city town hall, war memorials, world war 1 1914-1918, rietman stefanie, rennick stefanie, francis stefanie, rietman william, rietman ray, mountford paul, malvern city town hall, box cottage museum ormond, joyce park ormond, rietman's landscaping pty ltd, bay road highett, macrobertson pty ltd, coleraine soldier memorial 1921, dendy, rietman agust, convicts, macrobertson, war memorial

Diggers and miners. Diggers and Miners. R. W. I. L. S. R. Ck. Y. D H. W.P. New fields established 1858-1861. Markings: 4 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Black and white postcard of engine house, Garden Gully United mine after fire. James Lerk ' Engine house fire at the Garden Gully Mine ' Back, written I ' Garden Gully Mine after fire'organization, business, garden gully mine