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Wangaratta Historical Society
Wangaratta Historical Society
The Wangaratta Historical Society Inc. (WHS) was established in 1959 and moved into its present home in the 1970s. Wangaratta in North East Victoria has a population of over 27 thousand people and is situated at the junction of the King and the Ovens Rivers. Agriculture has always been a big part of its history as well as education, health and manufacturing. The museum was originally a fire station built 1895 and included living quarters for its staff. The building is owned by the Rural City of Wangaratta who are great supporters of the WHS The museum was bequeathed 10,000 glass negatives from the late 1800s to the 1950s these were by the Vine & Thelma studios of mostly, portraits, weddings and historical photos. Also owned by the WHS is the Maianne Gibson crazy patchwork quilt made by a Wangaratta woman in the 1890s and now Heritage listed. This Quilt is housed in an specially controlled conditions. The Wangaratta Historical Society Museum was accredited in 2012 under the Museums Accreditation Program. -
Melbourne Tram Museum
Legal record, Melbourne & Metropolitan Tramways Board (MMTB), "Memorandum of Agreement ..... between MMTB and the Australian Tramway Employees Association", Apr. 2020
Set of two agreements dated 23/4/1920 between the MMTB and the Australian Tramway Employees Association .1 - two foolscap pages - pinned in top left hand corner - sets out that the MMTB has taken over from the Tramway Board, annual leave, wages, continuous service, pay rates, car repair sheds, variations, employees and signature block - Alex Cameron, H. Bell and W. O Strangward for the MMTB and John Abfalter and T. Jewell for the ATEA. .2 - three foolscap pages - pinned in top left hand corner - refers to the various Acts that formed the Board and Arbitration Act, the PMTT, Northcote council, MBCTT, carrying past agreements forward, minimum wages for cable trams workers, juniors, cost of living adjustments and application of the agreement. Signature block - Alex Cameron, Ernest Willis, and W. O Strangward for the MMTB and John Abfalter and T. Jewell for the ATEA.trams, tramways, mmtb, unions, agreements, legal agreements, tramway board, workshops, cable trams -
Warrnambool and District Historical Society Inc.
Document - William McJannet Probate 1898, 1898
Tait collection: item 44 of 62 This document gives details of the Will and Probate of William McJannet, a Warrnambool carpenter who died in 1898 at the age of 80. He and his wife and two of his children came to Australia from Scotland in the 1850s and at the time of his death he was living in Raglan Parade. He left real estate to the value of £400 and the beneficiaries were his children. The lawyer concerned with this document, H. Parrington, had legal offices in Kepler Street with the firm known as Higgins and Parrington but Mr Parrington was in partnership with Mr J.Tait when this document was drawn up. The document has been passed down to successive lawyers occupying the Kepler Street premises and located in this building in 2014. This document is of some importance as William McJannet was a well-known resident of Warrnambool in the 19th century. The document will be useful to researchers. This is a piece of white paper folded in two with printed red lines on the edges of three of the pages. Three pages have typed material and one page has handwritten material in black ink. It gives details of the Will and Probate of William McJannet who died in 1898. In the Supreme Court of Victoria In the Probate Jurisdiction In the Will and Codicil of William McJannet late of Warrnambool Victoria Carpenter deceasedwilliam mcjannet, h.r.parrington, warrnambool, tait collection -
Eltham District Historical Society Inc
Document - Folder, McMahon, Frank and P. J
Frank McMahon's father P J McMahon was Shire secretary in the 1930s, living at "Woodlands" in Kangaroo Ground, about 1 mile from the Shire offices. When a fire occurred at the Shire office, the records were safe in a fireproof strongroom. After the fire, the records were moved to "Woodlands" and several rooms were used for Council purposes; a special fireproof steel building was built to hold the records. When the office moved to Eltham, the list of records was checked and found certified correct. Contents Transcript of newspaper letter: from Frank McMahon, Diamond Valley News, 10 October 1961, rebutting stories that Eltham Shire records were burnt in a fire c1930. Newspaper clippings, A4 photocopies, etcfrank mcmahon, p j mcmahon, eltham shire records, "woodlands" kangaroo ground, tiny carroll, kangaroo ground memorial tower -
Eltham District Historical Society Inc
Slide - Photograph, Busst house, cnr of Kerrie Crescent and Silver Street, Eltham, 23 May 1993
Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street -
Eltham District Historical Society Inc
Slide - Photograph, Busst house, cnr of Kerrie Crescent and Silver Street, Eltham, 23 May 1993
Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street -
Eltham District Historical Society Inc
Slide - Photograph, Busst house, cnr of Kerrie Crescent and Silver Street, Eltham, 23 May 1993
Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street -
Eltham District Historical Society Inc
Slide - Photograph, Busst house, cnr of Kerrie Crescent and Silver Street, Eltham, 23 May 1993
Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street -
Eltham District Historical Society Inc
Slide - Photograph, Busst house, cnr of Kerrie Crescent and Silver Street, Eltham, 23 May 1993
Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street -
Eltham District Historical Society Inc
Slide - Photograph, Busst house, cnr of Kerrie Crescent and Silver Street, Eltham, 23 May 1993
Opposite No. 11 Kerrie Crescent, (actually 71 Silver street), a 1948 Knox designed mudbrick, with a delightful inglenook fireplace. Additional bedrooms have been added on the top verandah; up the narrow stairs a concrete bath The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, busst house, kerrie crescent, silver street -
Eltham District Historical Society Inc
Letter, Letter from Joh Ebeli to Shire of Eltham Historical Society Committee meeting regarding plans for the 1980 Eltham Festival, 11 July 1980, 1980
Notes from Joh Ebeli to the Society Committee meeting regarding plans for the use of horse drawn vehicles in the Society's entry for the 1980 parade, including whether Jock Read who opened the 1979 Parade could be asked to participate. Other notes included references to his salvaging (along with a couple of others) of the facade of the Old Bakery and plans to see if it could be incorporated into a new large room to be built at the Eltham Living and Learning Centre and following up Council. Also included a couple of photos, one for Ron Smith and one for Russell Yeoman from the story in the local paper, which had neglected to mention the Society (picture of wheelbarrow - catalogued separate from letter - EDHS_02303)Single page, typed on Ebeli and Associates letterhead1979, 1980, eltham festival, eltham living and learning centre, gwen baker, jock read, joh ebeli, kangaroo ground pony club, old eltham bakery, pavillion, ron smith, russell yeoman -
Greensborough Historical Society
Photograph - Photograph (copy), Partington and Price family photographs, 1860-1915
Four studio portraits of members of the Partington and Price family: 1] Grandma Gibbs of Kew who was the Grandma of Sarah Jane Gibbs (William Partington's first wife) who in turn was the Grandmother of Eva Partington. 2] Grandma Ellen Partington. Ellen was one of 7 children of Benjamin and Sarah Whatmough. She married Charles Partington and they migrated to Australia in 1857, living at Point Lookout, the Watsonia Toll Gates and Willis Vale. Their children include Prudence, Maria, Charles [Junior]; Ben, Tom, Joe, and Will. 3] Archibald Price of Williamstown and Doris and Ivy Partington. [The Funeral notice for Archibald Price appears in the Williamstown Chronicle Saturday 22 January 1876, page 2]Copy of 4 photographs, sepia studio portraits.partington family, ellen partington, archibald price -
Eltham District Historical Society Inc
Photograph, N. J. Tillings Timber Factory, 15 June, 1975, 15/06/1975
N. J. Tillings Timber Factory was part of the Brougham Street, Light industrial area, Eltham. Brick bulidings includes signage: Wakefield Pr... (printer?) No 17 Building C. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it."1 black and white photograph printed with white borderInscribed on back: "Weekend photograph of factories in Brougham Street surrounded by by residential zone. On weekdays cars surround premises - these have been built approx. two years - where is the landscaping? * Undeveloped light industrial land. Careful planning needed for future. Being on high elevations backs of future buildings will be seen from Main Road Eltham and future Art Centre complex. Also Bolton Street becoming heavily used arterial road. Off street parking facilities most important." . The front of the photo has pen marks indicating points of interest.industrial estate, brougham street, eltham -
Eltham District Historical Society Inc
Photograph, N. J. Tillings Timber Factory, 15 June, 1975, 15/06/1975
N. J. Tillings Timber Factory was part of the Brougham Street, Light industrial area, Eltham. Brick bulidings includes signage: Wakefield Pr... (printer?) No 17 Building C. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it."1 black and white photograph printed with white borderInscribed on back: "Photo taken from corner Bolton and Brougham Streets showing undeveloped light industrial land used as storage (of portable toilets!). In the best tradition of Robin Boyd's 'Great Australian Ugliness.' Infringement of zoning regulations." industrial estate, brougham street, eltham, portable tiolets, 1975, bolton street, dick crichton, n.j. tillings, timber factory, shire of eltham -
Orbost & District Historical Society
first day cover, Connell, Lee, June 1987
The Man from Snowy River" is a poem by Australian bush poet Banjo Paterson. It was first published in The Bulletin, an Australian news magazine, on 26th April 1890. The poem tells the story of a horseback pursuit to recapture the colt of a prizewinning racehorse that escaped from its paddock and is living wild with the brumbies (wild horses) of the mountain ranges. Eventually the brumbies descend a seemingly impassably steep slope, at which point the assembled riders give up the pursuit, except the young hero, who spurs his pony down the "terrible descent" to catch the mob.Two characters mentioned in the early part of the poem are featured in previous Paterson poems; "Clancy of the Overflow" and Harrison from "Old Pardon, Son of Reprieve".The town of Orbost is situated on the Snowy River and the town has always been "the heart of Snowy River country".A first day cover for "The Man From Snowy River" stamps. There is a picture of a saddle in the top left-hand corner. There is a strip 5 stamps on the envelope and it has been stamped at Orbost Post Office. This strip has 5 scenes based on the Banjo Patterson legendary poem by the same name. The stamps include: At The Station, Mountain Bend, The Terrible Descent, At Their Heels and Brought Them Back.first-day-cover man-from-snowy-river stamps philately -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, City of Moorabbin Historical Society No. 7 Vol. 12 December 1973, City of Moorabbin Historical Society No. 7 Vol. 12 December 1973, 1973
Topics ; Kyneton ; Living local history; Australian Childrens' Literature LaTrobe Library; The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961) The Original Newsletters reflect the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash. This is Newsletter No. 7 Vol. 12 of the CMHS December 1973 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 3 pages x L 26cm x W 21cm printed one side CITY OF MOORABBIN HISTORICAL SOCIETY / President / Mrs C Whitehead Secretary Mrs N. Blackman / NEWSLETTER / Vol 12 No 7 December 1973 city of moorabbin historical society 1961, sheehy t.a., newsletters, kyneton victoria, -
Nillumbik Shire Council
Ceramic: Clifton PUGH, technician: Geoffrey DAVIDSON, Leda and the Emu, c. 1975
Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton' -
Unions Ballarat
Minutes of meetings of Building Committee, 29 October 1886-15 May 1889
The 1889 London Dock Strike grew from unrest about poor living conditions as a result of the casualised labour force. Money raised in Australia (30,000 pounds) helped to support striking workers to continue the action and feed their families. The strike led to the formation of the General Labourers' Union and strengthened unionism amongst dockers. The 1890 Maritime Strike: marine officers walked out because shipowners would not negotiate terms and conditions of employment whilst the Mercantile Marine Officers' Association was affiliated with the Victorian Trades Hall Council. Union officials proposed to disaffiliate on the condition that employers would agree to meet and reach a compromise with union delegates. The shipowners refusal to meet triggered strike action.The London Dock Labourer's Strike correlates with significant National growth in the trade union movement. The Maritime Strike demonstrates an historical example of an employer's attempt to undermine workplace unionism. Parallels (i.e. employers attempting to weaken union power) have been drawn between this and the Australian waterfront dispute of 1998.Bound, paper, 1 volumebuilding committee, maritime strike, mercantile marine officers' association, general labourers' union, london dock strike, casualisation, strikes, unions, ballarat trades hall -
Melbourne Legacy
Photograph, Widow and Children statue dedication 29 September 1998, 1998
Photos of gathering at the Legacy Garden of Appreciation for the installation of the ‘Widow and Children’ statue by Louis Laumen - a Melbourne artist. The statue dedication was held on 29 September 1998. The plaque at the garden says “A living tribute to the generous support of Victorians for the work of Legacy. The sculpture symbolises the work of Legacy caring for the widows and children of veterans. The Flanders Poppies which bloom around November have their origin on the World War I battlefields of Belgium and France.” 00498.3 is the sculptor Louis Laumen with President Tom Butcher 00498.4 shows the sculptor Louis Laumen and a lady 00498.5 Legatee David Cull and a lady in uniform. 00498.6 and 00498.7 show legatees Lucky Luscombe and Tom Butcher with a lady, perhaps a Legacy widow.A record of the unveiling of the ‘Widow and Children’ sculpture in the Legacy Garden of Appreciation.Colour photo x 7 of the dedication of the Widow and Children statue.00498.7 has label attached "The Legacy statue was dedicated in 75th year at the Shrine of Remembrance"widow and children statue, statue, garden -
Kew Historical Society Inc
Photograph, Floods in North Kew, 1971
Living with natural processes was frequently a challenge to early European settlers and later residents of what was in the 1850s administered by the Borondara Road Board. This was compounded by the area being bounded on three sides by rivers (Yarra River, Koonung Creek and Gardiner's Creek). In 1849, the historian James Bonwick recorded that "our district [Kew] suffered considerably. Mr Wade speaks of 80 acres, out of 100 acres of his cultivated paddock, covered by water." Newspapers continued to describe major flooding in Kew in 1863, 1869, 1878, 1880, 1889, 1891, 1916 and 1934. While the construction of the Upper Yarra dam in 1957 reduced the levels of flowing downstream, local and riverine floods continue.The Kew Historical Society's pictures and map collections testify to the impact of flooding in the district. They have historical importance in documenting the extent of flooding in the district and its affects on homes, services and recreation. Numerous photographs record flooding throughout the Twentieth Century.Floods in North Kew, 1971. Looking northeast towards Kilby Road from River Avenue. Annotation on reverse: map and date "8 Nov. 71 10.30am".floods (kew), yarra river, kew flood, kilby road flood -
Kew Historical Society Inc
Photograph, Floods in North Kew, 1934
Living with natural processes was frequently a challenge to early European settlers and later residents of what was in the 1850s administered by the Borondara Road Board. This was compounded by the area being bounded on three sides by rivers (Yarra River, Koonung Creek and Gardiner's Creek). In 1849, the historian James Bonwick recorded that "our district [Kew] suffered considerably. Mr Wade speaks of 80 acres, out of 100 acres of his cultivated paddock, covered by water." Newspapers continued to describe major flooding in Kew in 1863, 1869, 1878, 1880, 1889, 1891, 1916 and 1934. While the construction of the Upper Yarra dam in 1957 reduced the levels of flowing downstream, local and riverine floods continue.The Kew Historical Society's pictures and map collections testify to the impact of flooding in the district. They have historical importance in documenting the extent of flooding in the district and its affects on homes, services and recreation. Numerous photographs record flooding throughout the Twentieth Century.Floods in North Kew, 1934. Vicinity of Willsmere Park.floods (kew) -
Kew Historical Society Inc
Photograph, Flooding at Chipperfield's Boathouse, 1934
Living with natural processes was frequently a challenge to early European settlers and later residents of what was in the 1850s administered by the Borondara Road Board. This was compounded by the area being bounded on three sides by rivers (Yarra River, Koonung Creek and Gardiner's Creek). In 1849, the historian James Bonwick recorded that "our district [Kew] suffered considerably. Mr Wade speaks of 80 acres, out of 100 acres of his cultivated paddock, covered by water." Newspapers continued to describe major flooding in Kew in 1863, 1869, 1878, 1880, 1889, 1891, 1916 and 1934. While the construction of the Upper Yarra dam in 1957 reduced the levels of flowing downstream, local and riverine floods continue.The Kew Historical Society's pictures and map collections testify to the impact of flooding in the district. They have historical importance in documenting the extent of flooding in the district and its affects on homes, services and recreation. Numerous photographs record flooding throughout the Twentieth Century.Floods in North Kew, 1934. Chipperfield's Boathouse and the adding Moorings was located beside the Yarra River near the corner of Willsmere and Kilby Roads. The flood reached the roof of the Moorings, which can be seen in the photo.floods (kew), floods (kew) 1934, yarra river -
Kew Historical Society Inc
Photograph, Floods in North Kew, 1934
Living with natural processes was frequently a challenge to early European settlers and later residents of what was in the 1850s administered by the Borondara Road Board. This was compounded by the area being bounded on three sides by rivers (Yarra River, Koonung Creek and Gardiner's Creek). In 1849, the historian James Bonwick recorded that "our district [Kew] suffered considerably. Mr Wade speaks of 80 acres, out of 100 acres of his cultivated paddock, covered by water." Newspapers continued to describe major flooding in Kew in 1863, 1869, 1878, 1880, 1889, 1891, 1916 and 1934. While the construction of the Upper Yarra dam in 1957 reduced the levels of flowing downstream, local and riverine floods continue.The Kew Historical Society's pictures and map collections testify to the impact of flooding in the district. They have historical importance in documenting the extent of flooding in the district and its affects on homes, services and recreation. Numerous photographs record flooding throughout the Twentieth Century.Floods in North Kew, 1934. Unidentified location on the Yarra Flood Plain at Kew.floods (kew) 1934, yarra river -
Kew Historical Society Inc
Photograph, Floods in North Kew, 1934
Living with natural processes was frequently a challenge to early European settlers and later residents of what was in the 1850s administered by the Borondara Road Board. This was compounded by the area being bounded on three sides by rivers (Yarra River, Koonung Creek and Gardiner's Creek). In 1849, the historian James Bonwick recorded that "our district [Kew] suffered considerably. Mr Wade speaks of 80 acres, out of 100 acres of his cultivated paddock, covered by water." Newspapers continued to describe major flooding in Kew in 1863, 1869, 1878, 1880, 1889, 1891, 1916 and 1934. While the construction of the Upper Yarra dam in 1957 reduced the levels of flowing downstream, local and riverine floods continue.The Kew Historical Society's pictures and map collections testify to the impact of flooding in the district. They have historical importance in documenting the extent of flooding in the district and its affects on homes, services and recreation. Numerous photographs record flooding throughout the Twentieth Century.Floods in North Kew, 1934. Chipperfield's Boat House under flood.floods (kew) 1934, yarra river, chipperfield's boat house -
Kew Historical Society Inc
Photograph, Floods in North Kew, 1934
Living with natural processes was frequently a challenge to early European settlers and later residents of what was in the 1850s administered by the Borondara Road Board. This was compounded by the area being bounded on three sides by rivers (Yarra River, Koonung Creek and Gardiner's Creek). In 1849, the historian James Bonwick recorded that "our district [Kew] suffered considerably. Mr Wade speaks of 80 acres, out of 100 acres of his cultivated paddock, covered by water." Newspapers continued to describe major flooding in Kew in 1863, 1869, 1878, 1880, 1889, 1891, 1916 and 1934. While the construction of the Upper Yarra dam in 1957 reduced the levels of flowing downstream, local and riverine floods continue.The Kew Historical Society's pictures and map collections testify to the impact of flooding in the district. They have historical importance in documenting the extent of flooding in the district and its affects on homes, services and recreation. Numerous photographs record flooding throughout the Twentieth Century.Floods in North Kew, 1934. Flood near the lagoon (Billabong?)floods (kew) 1934, yarra river -
Sunbury Family History and Heritage Society Inc.
Photograph
The post card features a view of the two storey Rupertswood Mansion which was built in Sunbury by Sir William Clarke in 1874. It had 50 rooms as well as a cellar and outbuildings ands built of bluestone. The tower is 100'(38.5metres) high. The card was sent by Waddy Paterson to his sister, Gladys, who was living at 89 Stirling Street, Perth in WA. He wrote the following message: "Dear Gladys, Keith and Waddy are having a grand time and we are here with Grandma and Auntie Anne in Sunbury we will be home soon now we leave by the SS Caroola on Wednesday 7th Dec. So be good until we come home your loving Waddy & brother Keith." Rupertswood Mansion is an important historic building in Sunbury and has had many functions over the years. A sepia photograph in post card format of a large mansion with a tower in a garden setting. A message has been hand written on the back of the card.RUPERTSWOOD/ SUNBURYrupertswood mansion -
Brighton Historical Society
Headwear - Hat, Beret, circa 1956
This beret was worn by Marlene Austin, nee Trenberth in 1956 as part of the uniform of an official driver for the Melbourne Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as a driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs, including a Venezuelan pennant and a pair of earrings gifted by the Thai delegation. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.Green wool beret featuring an oval-shaped white patch embroidered with the five Olympic rings. Grey lining.Label in lining, cream with yellow text: "COMMONWEALTH GOVERNMENT CLOTHING FACTORY / MELBOURNE" Stamped on top of this text in black: "7⅛"marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, beret -
Brighton Historical Society
Earrings, circa 1956
These earrings were given to Marlene Austin, nee Trenberth by members of the Thai Olympic delegation when she drove them around Melbourne during the 1956 Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as an official driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.Six-sided bell-shaped silver screw-back earrings for non-pierced ears. Each of the six sides features a vine pattern with black inlays. Each earring has a hollow interior containing a small metal bead dangling on a chain, causing the earrings to jingle when the wearer moves.marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, earrings, jewellery -
Vision Australia
Image, Low Vision Clinic assistance, 1989
Plaques recognising the funds donated by AFB supporters as part of the Vision Victoria Appeal, that helped build the Vision Resource Centre at Kooyong 1987-1989. The need for services for people with low vision was recognised by the AFB, who undertook to provide a range of services including diagnosis of low vision, advisors on how people with low vision could best utilise their existing sight, and objects designed to assist in everyday living. Initially operating out of a flat facing Glenferrie Road, which the Association had purchased, the growing demand demonstrated that a larger dedicated area was required. Thus began the project to develop a Low Vision Clinic on the land previously occupied by flats eventually purchased by the Association. 2 digital images of wooden board with white etched writingIn recognition of the assistance given the to the Low Vision Clinic by the many generous friends of the Association for the Blind The Association for the Blind acknowledges with appreciation the contribution made to the Low Vision Clinic by the following major donors: The Victorian Government Springfield Auxiliary Kooyong Fair Committee Mr Claude Kingston O.B.E. Mr A.T. Marriott Mr W. P. Fleming Mr A.J. Jennings-Smith H. and L. Hecht Trust Collier Trust William Buckland Foundationassociation for the blind, h & l hecht trust, william buckland trust -
Bacchus Marsh & District Historical Society
Trophy, E. G. Morris Shield, 1921
Edgar Gordon Morris was a prominent sportsman in Bacchus Marsh from around 1909 to 1918. He was regarded as the best all-round cricketer in the district and was also Secretary of the Bacchus Marsh Cricket Association. He was also a playing member of local football and tennis clubs. From about 1919 to 1921 Morris had been living in Swan Hill. His death at the age of 35 was reported in the Bacchus Marsh Express on the 5th March 1921 and was received with great sadness in sporting circles in Bacchus Marsh and district. To perpetuate his memory a shield to be presented to the premiership team each season in the Bacchus Marsh Cricket Association. The E.G. MOrris Shield was first presented for the 1921-1922 season.This item is of historical significance because it is associated with a particular person, Edgar Morris, a prominent sportsman and sports administrator in the Bacchus Marsh area. It is of comparative significance because it is representative of a shield design for a perpetual sporting trophy. The Shield also provides some research value by preserving and commemorating the memory of a prominent individual sports person in the Bacchus Marsh area.A silver plated shield created to perpetuate the memory of E. G. Morris. Enclosed inside a timber frame and sealed with a glass top. The shield is ringed by smaller shields with inscriptions identifying the premiership winning teams in the Bacchus Marsh Cricket Association between 1921 and 1930.The E. G. Morris Shield presented by G. H. Anderson to the Bacchus Marsh Cricket Association as a tribute to the memory of Edgar Gordon Morris 1921cricket bacchus marsh, bacchus marsh cricket association, edgar gordon morris cricketer