Blackburn Road level crossing removal is underway with work expected to be completed mid - 2017 by lowering the rail line beneath the road.level crossing removal authority, blackburn railway crossing

Mounted photograph of the Ballarat No. 23 decorated for the centenary of European settlement in Ballarat district, 1838-1938. Tram decorated with paper flowers dipped in wax. Tram was able to be illuminated at night. See items 3911, 1362 and 266 for associated images.Yields information about tram 23 decorated for the Centenary of European Settlement.Block mounted photograph onto grey card with printed edges, Print embossed "Rialto Ballarat" in lower left hand corner.ballarat, ballarat centenary celebrations, celebrations, illuminated trams, tram 23, decorated trams

Wall mounted hand operated drill press. Flywheel on LHS. Drill lowering hand wheel on top. Painted green and black.Cast in relief on frame "Champion ......... & Forge Co./ Lancaster" on LHS, "Warranted" on RHS.trades, metal working

The Borough of Eaglehawk was a local government area which covered the northwestern suburbs of the regional city of Bendigo and covered an area of 14.54 square kilometres (5.6 sq mi). Eaglehawk was first incorporated as a borough on 29 July 1862. It had nine councillors, who represented the entire borough. Councillors met at the Town Hall (incorporating the Star Cinema) at the intersection of Sailors Gully Road and Loddon Valley Highway, Eaglehawk. The Town hall has always been the centre of the Borough's activities and was built in 1901 on the site of an earlier town hall which had stood on the location since 1865. The Victorian Heritage Database notes: "The present building replaced this earlier building and was opened on 14 August 1901. The architects were the Melbourne firm of Wilkinson and Permewan. As a much larger and more sumptuous building of brick and stone featuring a central clock tower, the new hall reflected prevailing architectural fashion and was a remarkable investment for a town consisting predominantly of poor mining families. The condition of the town hall is substantially as built. The design is almost identical to the Castlemaine Town Hall." On 7 April 1994, the Borough of Eaglehawk was abolished, and along with the City of Bendigo, the Rural City of Marong and the Shires of Huntly and Strathfieldsaye, was merged into the newly created City of Greater Bendigo.Brass bell with eaglehawk topper / handle on timber stand. The lower front section of the topper has the Borough of Eaglehawk seal attached. No hallmarks or makers stamps visible.borough of eaglehawk, star cinema

Part of Kyneton Fire Brigade trophy collection. Part of Kyneton Fire Brigade trophy collectionBakerlite base, lower section of base is round, upper section is octagonal. Base is topped with a silver mug, two decorative handles. SOVERIGN PLATE EPNS (other marks not clear)kyneton fire brigade, country fire authority, fire brigade demonstrations, trophy

World war 1 eraWorld war 1 eraWorld War 1 stitched brown leather field binoculars case with lid. The case has two belt loops attached to the rear with light brown coloured stitching and copper rivets. The case has a long thin leather and small steel buckle adjustable shoulder strap. The shoulder strap is attached to the case by short leather straps, stitched and riveted to the sides and bottom of the case. The lid pivots open to the rear, attached to the case by a leather strap which is stitched and riveted to the case and lid. The lid is secured closed by a short leather strap and brass buckle. The top of the lid has a thin leather carrying handle attached by rivets. The top of the lid has the maker's name and case pattern stamped on the top. Stamped on the lower front is the broad arrow mark.1917 G. Battle & Co H X The top of the lid has the numbers 709 and 49867 written in pencil. The lower front of the case has the broad arrow pattern.binoculars, case, leather, world war 1, military

CEMA Art collection Previously located in History HouseThe painting portrays a gorge from the perspective of being in the gorge and looking towards the shore. In the foreground is a small body of water with large brown rocks to the right. Yellow sand extends from the rocks around to the left of the water. The sand stretches from the water's edge to the large cliffs in the background that form the borders of the gorge. The work is mounted and framed in an ornate gilded frame with glass.Front: A.S.Murray (signature lower left) A ROCKY GORGE by A.S.MURRAY (sticker - lower centre on glass) Back: 3132 (small yellow sticker)

CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions)

CEMA Art Collection Winner of Portland Artists' Society Prize for category Oil.The painting portrays a standing female figure. She has straight black hair and wears a blue/green dress. She is depicted as looking at the observer and holds something in her right hand which is held across her body. The background is a mixture of purple, green and blue. The work has a thick wooden frame and exposed canvas.Front: - 63 AMOR (lower right, black paint) Back: ELMA AMOR HERBST "GIRL" (1963) (lower left, typed label)cema, portland artists society

Published in Royal Auto, August 2002, pp. 34-.Watercolour painting of a large crowd sitting under a partial shed and on hay baler. Most are wearing dryzabones and hats, facing to image left. Unframed, in mount.Front: Kelpie Auction, Casterton (black pen, lower left). Haddon 04 (signature) (black pen, lower right). Back: (no inscriptions)casterton, watercolour, ke, pier

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem, flower and leaf details of flowering plant in colour pencil. On left is a stem view depicting a woody central stem with thin leaves and smaller leafed stems ending in clusters of buds or orange pea flowers. On bottom left is a side view of orange pea-flower. On right (t-b): front view of flower; side view of emergent bud; leaf detail; rear view of flower depicting petals and sepals. Mounted in double matt (white on apricot), framed under glass in gold wooden frame. All views numbered in pencil and typed letters and numbers on white paper affixed to paper surface.Front: Dillwynia hispida (lower left) (pencil). 15/?/77 (lower left) (pencil, erased). Back: 40 (top left) (pen)collin woolcock, botanical, woolcock collection, cema

Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees, a dirt road to the foreground right and a railway track visible between the trees.Front: THE ROSE SERIES P. 1113/ COPYRIGHT (typed, lower left) PANORAMA OF THE HARBOUR, PORTLAND (typed, lower centre) Back: (no incriptions)

Black and white photograph of a building with verandah and striped awnings. A large sign above the steps leading u the verandah reads "RICHMOND HOTEL". In the foreground is a garden with roses.Front: THE ROSE SERIES. P. 1114/ COPYRIGHT (typed, lower left) RICHMOND HOTEL, PORTLAND (typed, lower centre) Back: (no inscriptions)postcard, portland bay hotel

Black and white photograph of a large house with vines growing up the right side of teh building, and an enclosed front verandah with white steps leading up to it on the left.Front: THE ROSE SERIES. P. 10799/ COPYRIGHT (typed, lower left) "BURSWOOD," THE OLD HOME OF THE HENTYS, PORTLAND (typed, lower centre)

Black and white photograph of a building with verandah and striped awnings. A large sign above the steps leading u the verandah reads "RICHMOND HOTEL". In the foreground is a garden with roses.Front: THE ROSE SERIES. P. 1114/ COPYRIGHT (typed, lower left) RICHMOND HOTEL, PORTLAND (typed, lower centre) Back: (no inscriptions)postcard, portland bay hotel

Found in bible (3803.1) when catalogued (9 November 2006).Dried flowers afixed to card.Front: [Arabic words] (upper centre). F.K. King/-ican (ink, lower right). Flowers from Gethsemane (print, lower centre).

Black and white photograph of a harbour with two piers in the background on right of image. A long jetty runs into the harbour in centre of the mage, with a ship visible at the end. In front of it is a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees and a beach area.Front: THE DEEP WATER PIER, PORTLAND, VICTORIA (typed, lower left) REAL PHOTO SERIES. M. 1830 (typed, lower right)postcard, tourism, view, deep water pier, portland

Signed lower right under printed image 'Kees Hos '70' Title and edition 1/30 - lower left under image

Artist Proof.Signed and dated 'Kees Hos '66', lower left under printed image. Title and edition 'ALMA MATER A/P' lower right.

PrintTitle and edition 1/25 under lower left corner of printed image. Signed 'Kees Hos '66' in lower right corner.

PrintTitle and edition: 'Aeonisation II A 1/25', lower left corner. Signed and dated 'Kees Hos '66' in lower right corner.

ScreenprintSigned 'Sonia Lawson' lower right under printed image. Numbered XXIII (23), lower left corner under printed image.

LithographSigned 'Lanceley 78' in lower right of printed image. Edition 63/70, and title 'The Empire Builder' in lower left corner of print.

LithographSigned 'Franz Kempf 78' in lower right corner under printed image. Edition A/P, lower left under printed image.

Colour lithographSigned 'Leonard French 80' in lower right corner under printed image. Edition A/P, lower left corner under print.

ScreenprintSigned 'Jamie Boyd' in lower right corner under printed image. Edition A/P in lower left corner under printed image.

ScreenprintSigned 'Arthur Boyd' lower right corner under printed image. Edition A/P, lower left corner under printed image.

Three colour lithographSigned and dated 'W Rose '68' lower right corner of printed image. Edition 26/50, lower left of printed image.