The Kew Festival was inaugurated in 1974. Since then, Festivals have been held annually.Four black and white Kew Festival badges promoting the concept of "I'm a Kewite'."I'm a Kewite"community festivals, badgaes, kew community festival

Pink and white enamel on tin badge promoting and sold at a Kew Festival.Circular tin badge with white lettering on pink background"I'm a Kewite"kew festival, souvenirs, badges

Brass and wood trophy shield awarded as a ‘Kew Festival Community Service Award' to the Kew Garden Club in 1983 by the City of Kew. The plaque includes the coat of arms of the former City of Kew.kew garden club, trophies, awards

This mounted and framed photograph of a group of friends punting on the River Yarra has a number of historic and artistic associations. The photograph is primarily important as an informal photograph of the Australian baritone John Donald Mackenzie Brownlee (1900-1969), whose international career at the world's major opera houses from 1927 until his retirement in 1958 included singing at Melba's Covent Garden farewell in 1926, to recordings in the 1930s of a major series of Mozart operas in Glyndebourne Festival productions, conducted by Fritz Busch. Brownlee, born in Geelong, won the gold medal as champion vocalist at the South Street competitions in Ballarat in 1921. Moving to Paris in 1923 he began study with the French baritone, Dinh Gilly, making his operatic debut at the Trianon Lyrique in Montmartre in 1926. The most significant periods of his operatic career were with the Paris Opera from 1927 to 1936, and at the Metropolitan Opera from 1937 to 1957. After his move to Paris in 1923, he is recorded as revisiting Australia in 1928 as a member of the Melba-Williamson Company, and 24 years later in 1952. The photograph of Brownlee and the Gardners in a punt on the Yarra, while putatively dated to 1925, must be from earlier in the 1920s before his move to Paris, or later during the Melba-Williamson Company season. Before his move to Paris in 1923, Brownlee had lived in Belmont Avenue, Kew, where he must have developed a friendship with the Gardners. The photograph has additional artistic significance as it was produced at 'The Artorium', James Beament's design studio next to the Hawthorn Town Hall at 362 Burwood Road. With a home at 33 Uvadale Road (designed by Eric Nicholls, who managed the architectural practice of Walter Burley and Marion Mahony Grifffin from 1924 to 1932), Beament painted a number of significant murals for the Griffin practice, including those at the Capitol Theatre in Melbourne.A photograph of recreational activities on the River Yarra. The photograph is historically significant as a professionally produced photograph of the Australian operatic baritone John Brownlee, either before his move to Paris in 1923, or in 1928 during the Melba-Williamson Company operatic tour of Australia. The photograph has additional aesthetic significance as it was produced in James Beament's Hawthorn Studio - The Artorium - at 362 Burwood Road, next to the Hawthorn Town Hall.Framed photograph of John Duncan Brownlee, the Australian tenor, with Enid Gardner and friend in a punt on the Yarra River. Brownlee was born in Geelong but before his move to Paris in 1923, he lived for a period in Belmont Avenue, Kew. Three labels on reverse. 1. "John Duncan Brownlee, Operatic Star, originally of Geelong later resident of Kew at Belmont Av, on the pole. Also in the punt - Edith Gardner a friend. The Gardners lived on the east corner of Edgevale Rd. & Cotham. Approx. 1925." 2. "This picture is the property of Kew Historical Society 1/4/79". 3. Tel. Hawthorn 842 THE ARTORIUM ...."john brownlee (tenor), punting, recreation - yarra river (kew), james beament, the artorium -- 362 burwood road -- hawthorn (vic.)

The first known use of the term 'Kew Festival'.The Kew Festival Gazette, 5 October 1895 is a four-page mock-up newspaper, published from the Boroondara Standard office to advertise and publicise a Kew Festival. The Festival was not associated with the current Kew Festival, which was founded in 1974, but was principally a bazaar held in the Kew Recreation Hall to raise money for the Kew Catholic Church Building Fund which was associated with the Jesuit Mission. Perhaps because of the recent economic depression, the Mission was in financial difficulties and it was hoped that the bazaar would raise enough money to ease the situation. According to the Gazette, ‘All Kew has been in a gentle simmer of excitement for some time past over the coming Sacred Heart Bazaar in aid of the Jesuit Mission funds. Wherever one goes the talk is of the bazaar, and whoever one meets is either a stallholder, an assistant or an intending purchaser.’ There are a few items in the Gazette about other local events, including a cake fair and sale of works, and a history of bazaars that traces them from the Middle East via Britain to Kew. One article contains some examples of nineteenth century humour, including ‘the lady stallholders will not have to pay income tax on their takings’. The advertisements reflect the goods and services available to Kew residents in 1895 – groceries, wine & spirits, hay, corn, chaff, ironmongery, timber, drapery, millinery, gas cookers, and an undertaker and embalmer. kew festival gazette, kew catholic church, boroondara standard

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Heart of Gold’ buttons were produced for the Homeopathic (Prince Henry’s) Hospital’s Button Day Appeal in 1921. Contemporary newspaper accounts noted that the slogan was of American origin. A variety of buttons were produced costing from 1/ to £1. In the campaign, button selling in Kew raised £77."Heart of Gold: Homeopathic Hospital Appeal 1921"homeopathic hospital, badges, fundraising buttons, prince henry's hospital - st kilda road - melbourne (vic.)

Artwork based on a Vietnamese custom called "Dancing Unicorn Festival" Occuring at the "TET" during New Years and Autumn's full moon. Typical scene would include boys dancing with a "unicorn" and others dancing around. Sometimes this festival can be seen in Victoria. Artist associated with The Living Museum of the West.Le Van Tai. Dancing Unicorn. Gouache on paper, 76 x 52cm. Blue painting in a cubist / futurist style.

A collection of stories about early Canterbury and Balwyn (Boroondara) compiled by Crosbie Morrison.A collection of stories about early Canterbury and Balwyn (Boroondara) compiled by Crosbie Morrison.Title page: top of page; "1Please return to/Jocelyn Hall/for Alec Martin" in Jocelyn's writing in lead pencil butchers, boot makers, railways, empire day, festivals and celebrations, pong quong, outer circle railway, cycle shop, crosbie morrison, natale b cerini, george robinson, walter gathercole, mr armstrong, alice camm, ethel pascoe, david staig, mr wahanel, mr cook, will tanners, james snedden, john morris, j w terry, j d mclean, j w lowe, c r swan, cr a d renton, a n hendy, t r b morton, morton & coghill, jack kenneally, albert nelson, j rasmussan, tom keating

Produced and acted by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company) . Various Heavens was performed on the opening night, the 27th October, 1954, in The Victorian Drama Leagues Third One Act Play Festival at Frankston in the Mechanics' Hall,.The Festival ran until the 6th November,1954. .The production and supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company).All items in good condition1954, 17, heidelberg theatre company, tony doogood

1986, htc general memorabilia, heidelberg festival, heidelberg theatre company inc.

1985, 231, director david small, waverley festival of theatre, heidelberg theatre company inc.

city of heidelberg repertory group, heidelberg theatre company inc, 120, 1969, director alice o'donnell, moomba festival of one act plays metropolitan elimainations

1967, 111, city of heidelberg repertory group, heidelberg theatre company inc, director alice o'donnell, vdl moomba one act play festival second prize, vdl award to lois connor - best actress, vdl award to alice o'donnell - best producer

1966, 101, city of heidelberg repertory group, heidelberg theatre company inc, director william (bill) cherrey, royal south street competitions (ballarat) 1966 adjuciation, royal south street competitions (ballarat) 1966 winner, mordialloc arts festival winner

1966, 102, city of heidelberg repertory group, heidelberg theatre company inc, director michael walker, brighton bay festival of one art plays

1965, 90, city of heidelberg repertory group, heidelberg theatre company inc, directed by alice o'donnell, moomba-caltex festival of one act plays

1964, 87, city of heidelberg repertory group, heidelberg theatre company inc, victorian drama league (vdl) festival entry

1962, 71, city of heidelberg repertory group, heidelberg theatre company inc, directed by elaine robinson, vdl victorian drama league metropolitan regional festival

1960, 59, city of heidelberg repertory group, heidelberg theatre company inc, directed by elaine robinson, vdl victorian drama league, ninth one-act play festival

1959, 51, city of heidelberg repertory group, heidelberg theatre company inc, directed by holly langford, vdl victorian drama league, eight one-act play festival

1956, 28, vdl junior festival, youth, city of heidelberg repertory group, heidelberg theatre company inc, directed by reg rudd

1956, 33, city of heidelberg repertory group, heidelberg theatre company inc, directed by patrick phillips, vdl victorian drama league one-act play festival

1955, 26, city of heidelberg repertory group, heidelberg theatre company inc, directed by mel morgan, vdl victorian drama league one-act play festival

For an event held for the 10th anniversary of the QVWC Trust. Thin carboard double sided document. Orange, purple and white colour scheme. On the front right side of item is a purple 'grey scape' of the QVWC building. on the back Provides details of the event. events and activities, festivals and celebrations

event report for the three events, cocktail hour launch 9 October 2006, curiosities and campaigns exhibition 9th-13th October 2006 and open day 12 October 2006A4 sized bound report. 18 pages plus appendix. colour photos throughout including colour copies of media. festivals and celebrations, historical building, official event

First time City of Heidelberg Repertory Group had entered a play in the Victorian Drama League One-Act Play Festival held at Frankston on Friday, 7th November, 1952.Original poster printed on ecru paper.. VDL Program, Heidelbeerg Repertory Program. Review, articles.Originals of all items.playbill – the browning version and harlequinade, terence rattigan, eisteddfod hall, 5, 6, city of heidelberg repertory group, heidelberg theatre company inc, directed by joyce carthew, directed by mel morgan, vdl victorain drama league

1996, 294, paul king, waverley festival awards

1995, 288, joan moriarty, waverley festival awards

2002, htc general memorabilia, 50th anniversary, banyule festival, heidelberg historical society

1992, htc general memorabilia, afternoon tea, costume ball, fashion parade, festival parade, 40th anniversary