Beyond the postcard image...Mauritians & Rodriguans in Victoria - Souvenir Brochure produced by the Immigration Museum for the Exhibition held at their Community Gallery from 4 Nov 2006 to 18 March 2007.Immigration Museum Project - Immigration Museum 2006. Sponsored by the Victorian Government, Victorian Multicultural Commission, Scanlon Foundation and C.H.A.R.M. Vic.

Ernest Leviny (1818-1905) was born in Georgenberg (Szepes-Szombat) Hungary. He went to Budapest as a youth to become an apprenticed silversmith, then travelled as a 'journeyman' across Europe living and working in Vienna and Paris between 1843-1846. He then set up business in London for six years before embarking on journey to the Australian goldfields arriving in 1853. With a lack of success mining for gold, Leviny established business as a jeweller and watchmaker in Castlemaine and between 1854 and 1862 found time to create major decorative works in gold and silver for which he is best remembered. After retiring from business in 1863 he purchased the house, Delhi Villa, married Bertha Hudson (English-born Tasmanian) in December 1864 and together they had ten children, later renaming the family home Buda (after Budapest). He died in 1905 purported to be the wealthiest gentleman in Castlemaine at that time. Two works made by Leviny are held in the collection at the National Gallery of Victoria: the Silver Standing Cup with Cover c1859 (or Saint Cup), and a Gold Bracelet with inset garnet and diamonds c1860.Albumen, sepia toned 'carte-de-visite' photograph of Ernest Leviny in 1866. Black and white, full length, studio portrait of a gentleman wearing a dark jacket with light coloured pants,with a moustache and mutton chop side burns, standing with his right hand on the back of a chair.Verso, photographer's details printed in the centre "Batchelder & O'Neill, 41 Collins Street, East. Melbourne" Handwritten in pencil: "Ernest Leviny 1866"ernest leviny, silversmith, castlemaine, buda historic home, 1866, portrait, photograph, batchelder & o'neill

This original poster design was produced as entry in the First Australian Exhibition of Women's Work 1907 in Melbourne. Dorothy Leviny was studying art and design at the Bendigo School of Mines at this time, under the tutelage of Arthur T. Woodward, who was recognised as one of Australia's foremost proponents of the Arts and Crafts Movement. Reference: Castlemaine Art Gallery and Historical Society (2007): Catalogue. Portrait of an Exhibition. Centenary celebration of the first Australian exhibition of women's work 1907, p. 44.One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907.Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. Text top: 'Australian Exhibition', bottom 'of Womans' (sic) Work' and lower left corner 'Melbourne/1907/Oct, 23rd to Nov. 30.Lower right-hand of design - Dorothy Leviny's insignia: A 'B' inside a 'D' with and 'L'(bertha) dorothy leviny, first australian women's exhibition, 1907, exhibition building, carlton, australian women's work, watercolour design, poster, arts and crafts movement

Coloured lithographInscription beneath plate "WENTWORTH RIVER DIGGINGS / GIPPS.LAND / from a Picture by N. Chevalier - Printed and published by Charles Troedel, Melbourne Album Office, 73 Collins ST EAST."

Coloured linocutVerso: Signed and dated l.r. in pencil "E.L. Spowers 1933" Titled l.l. in pencil "The Works - Yallourn". Editioned: "4/30". Inscription l.r., pencil "Linocut L2 /2 /5"yallourn, power station

Watercolour on paperVerso: Signed and dated l.r. in pencil "E.L. Spowers 1933"yallourn, power station

Digital photograph. Printed 2018Not signed. Not dated.text, signage, freeway, intervention, melbourne freeway, documentative

Silkscreen print on paperSigned, dated 2014 and edition 2/5 on reverse, bottom left.screenprint, line, contours, abstract

Silkscreen print on paper.Signed, dated 2014 and edition 2/5 on reverse, bottom rightscreenprint, geometry, abstract, shape, line

Pencil on paperSignature and date on back of work. Tertiary inscription: '205888'sketch, drawing, landscape, trees

Hand coloured etching on paperEdition 39/50 - bottom left corner Titled 'Drought Spirit' on centre bottom of print Signed and dated 'Treahna Hamm '95' - bottom right corner.linework, drought, etching, spiritual, land

Coloured linocut printSigned and dated along bottom of print.yallourn, landscape, linocut

Hand coloured etching Edition 26/50 in lower left corner. Titled 'Paradise Overkill' on bottom centre. Signed and dated 'Treahna Hamm '95' lower right corner.etching, land, spiritual, environment, connection to land, disruption

LithographSigned 'Sibley '85' in lower right corner under printed image. Titled "PAPER GURU" centred bottom under printed image. Edition A/P, lower left corner under printed image.

LithographSigned and dated 'Paul Partos 1985' lower right corner under printed image. Edition A/P, lower left corner under printed image.

LithographSigned and dated 'Paul Partos 1985' lower right corner under printed image. Edition A/P, lower left corner under print.

LithographSigned and dated 'Paul Partos 1985' lower right corner under printed image. Edition Workshop Proof, inscribed under printed image to the right.

LithographSigned 'Franz Kempf 78' in lower right corner under printed image. Edition A/P, lower left under printed image.

Hand coloured etchingSigned and dated 'Treahna Hamm '96' lower right corner under printed image. Titled "Soul Freak" centred below bottom of printed image. Edition 28/50, numbered lower left corner under printed image.

Colour lithographSigned 'Leonard French 80' in lower right corner under printed image. Edition A/P, lower left corner under print.

Colour lithographSigned 'Leonard French 78' lower right corner under printed image. Titled 'Moon Turtle' centred under printed image Edition A/P, lower left corner under printed image.

Colour lithographSigned 'Arthur Boyd' in lower right corner under printed image. Edition 40/100, numbered lower left corner under printed image.

Colour lithographSigned 'Arthur Boyd' in lower right corner under printed image. Edition C/P, lower left corner of print.

ScreenprintSigned 'Arthur Boyd' lower right corner under printed image. Edition A/P, lower left corner under printed image.

Synthetic polymer paint on board-

Pigment inkjet print (diptych)Signed and dated 'Sophia Szilagyi 2005' lower right under printed image. Titled 'Where Shadows Lie' centred under printed image. Edition 35/40, numbered lower left corner under printed image.

Linocut print and silk on paper.-

Woodcut, paper cutoutInscribed in lower section of printed cutout: Signed 'Jonas Ropponen 2004' Titled 'In the Beginning' Edition 11/25

Etching and drypointSigned 'DW '04' lower right corner of print. Edition 11/25, numbered in lower left corner.