Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This apron is very similar in style to the other children's clothing which indicates it could have been made in the early - mid 1900's. It is preventative of aprons which little girls wore over their dresses at the time. This items has good historical significance because it shows the style of aprons which little girls wore over their dresses in the Kiewa Valley during the early to mid 1900's. This is part of the children's clothes in the KVHS collections which gives this item more interpretive capacity. Natural coloured linen with red binding around the edges. 2 white buttons. Would fit a small child.clothing. children. apron.

Blouse white linen with vertical pintucking and appliquè on front frilled collar. Short frilled sleeve minus buttonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, blouse

Australian Army General Service buttons. Kings Crown.Gilt. (1 large 16 small)( 2 small to U118)badge/buttons, 1948-53, army

Worn by patients at Sunbury AsylumPyjama top in unbleached calico with blue stripe. Pocket on left breast, standing collar, three metal buttons."Pyjama Coat Male" handwritten above pocket in ink (faded to brown).costume, sunbury asylum, george evans collection

Worn by patients at Sunbury Asylum. The calico/flannel petticoats were standard issue up to the 1930s.Bodice unbleached cotton, sleeveless, fastened at back with four metal buttons (one missing), skirt grey flannel.Partially legible "F7" in black ink on left front shoulder - stamp or stencil.costume, sunbury asylum, george evans collection

Blouse was handmade by Judith Fry, the donor and Society member and Society PresidentCream cotton blouse with long sleeves. Collar edged with frill. Centre closing and cuffs have pearl buttonscostume, female

Small silver coated button hook used to catch buttons and pull them through eyelets of boots and shoes.costume accessories, footwear accessories

Dorothy Williams Receipt No 316Used by Dorothy William's family 1950'sMetal Boot Button Hook.Hook on one end for buttons, bent over loop on other end to form handle.T Campbell 250 Clarendon St South Melbournecostume accessories, footwear accessories

White cotton camisole with small pearl buttons. Scalloped edges and flower and cut out embroidery. Drawstring ties.costume, female underwear

acer PowerScroll Eye USB Computer Mouse white-grey body and cord with grey scroll wheel and buttonsAcer

Complete JacketImportant, This item forms part of the Gouge Family Collection. Khaki Dress Jacket with dark green lining and gold buttons. Size ?? Golden Army badge on right lapel ?? Gold coloured corporal stripes on both sleeves. Cloth parachute regiment patch on right shoulder

Set of 24 German buttons on retail card, each with crossed racquets motif. Materials: Metal, Cardboard, Inktennis

Dior-inspired suit jacket. Unlined. Six cloth buttons with bound button holes. Inside hip pads. Label, woven brown on cream acetate, centre back neck: "Ponce De Leon". Handwritten on label in black pen: "43 LANDELS".jacket, 1940s, rosalind landells

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red princess seam coat dress with ten self covered buttons down centre front and crew neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Full length black robe with large blue lapels. Sleeve detail includes buttons and matching blue ribbon.city of greater bendigo ceremonial item

Woollen, Dark Blue Size 40 GCCF Coat 1967 with flat black buttons and adjustable tabs on sleeves.Gallagher1967, great coat, defence

This Cash Register was used for the sale and production of lift tickets, lessons and packages during the 1990s at Falls Creek. The employees who operated the machine were called 'Ticket Tarts'. This item is significant because it was a critical part of the everyday operation of the chair lifts at Falls Creek.A large square cash and ticket machine with buttons and slots for the production of lift tickets. Long cable connected to the back. snow, ski season, ski pass, ski lessons, ticketing, sales

The Graham's Tannery in Buninyong was located on the western edge of town on the Midland Highway (Learmonth Street.). The location is now part of the De Soza Park walking track. Tan leather ankle height left foot boot with six leather finished buttons. Has a leather sole. Embossed shield on sole with the letters CRS entwined in a business identification. footwear, tanneries, industry

Jacket with black background and multi-coloured lurex flowers and leaves. 5 buttons on front 'Noel Wells Australia'. Noel Wells Australia

These two buttons are tailors' buttons for clothing made in Warrnambool. The brown one is from the firm of Frederick Williamson who had a tailoring business at 157-159 Liebig Street, Warrnambool. His father Edward had started the tailoring business with a shop in Timor Street in the second half of the 19th century. Frederick Williamson was a Warrnambool City Councillor on three occasions (1924-1930; 1934-1939; 1942 -1945) and Mayor 1942-1943. The black button came from the Liebig Street, Warrnambool clothing and haberdashery store of Cramond and Dickson who employed tailors and dressmakers to make clothing to order. John Cramond and James Dickson opened their Warrnambool store in 1855 and it was a dominant business in Warrnambool for 119 years, closing in 1974. It was common practice in the first half of the 20th century for tailors and large clothing stores to have their own buttons for their suits etc.These two buttons are of some interest as examples of buttons made specifically for two local Warrnambool businesses. .1 Round button, light-brown in colour with four holes in the centre, a curved back and imprinted letters around the edge. .2 Round black button with four holes in the centre, a curved back and imprinted letters around the edge..1 F. Williamson Warrnambool 2. Cramond & Dicksonfrederick williamson warrnambool tailor, cramond & dickson warrnambool

5 girls in Winter uniforms with ties. 11 girls in Summer Uniforms, 4 Girls in Dresses. 25 boys Sumer Uniform short sleeve shirts + Shorts, 2 Boys with ties, 1 in winter uniform Long Sleeve Shirt & trousers no tie.B/W. Photograph. 5 Rows of Girls and Boys in front of brick buildingStudent written on back - See attachment. Stawell State School 11 April Grade 3 1967education, class photograph

Jack's Day Appeal was run during the first and second world war's to raise awareness and funds for naval personnel Button forms part of a collection of buttons from Frederick HyamsBadge, white ensign "Jack's Day Appeal 1945", pin on reverse White button with Jack's Day Appeal 1945 around the perimeter of the badge.

Illustration Black and white print of a group of ESCO employees in uniform in front of the tram depot with two tram behind. All wearing uniform caps except one wearing a straw hat. 35 men in uniform, one baby and in the back is a man not in uniform. Photo used in the 1986 - 1987 Annual Report on the rear cover. Original print not held by the Museum. Glenise Kellett advised 1/2020 that the man lying on the ground is Arthur Willem (Bill) Evan Gunn, tram conductor, buried 10/7/1919.trams, tramways, esco, employees, group photo

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A black and white photograph of a Brass Band in full uniform with their instruments. They appear to be in a Concert Hall. There are nine gentlemen without uniform, there is also a Trophy Cup and Shield. The band is the Ballarat City Band and Frank Wright is in the centre front. Written in pencil on the back - Ballarat City Bandfrank wright, ballarat city band

The photo is taken of the Northern Ithaca Platrethia school in 1932. Compulsory school education was introduced to Ithaca and the other Ionian Islands during the second half of the nineteenth century resulting in children gaining a basic education in literacy and numeracy. This is indicative of the value Greeks have placed on education.A black and white school photograph of a group of girls and boys of various ages standing in five rows. The boys are wearing striped shirts which seems to suggest they are wearing a school uniform while thew girls are not dressed in uniform.

Two photos mounted on purple board: top Grade 3a, 1965. Three rows of students, dressed in uniform. Bottom image : Graded 6B, four rows of students, male teacher at side. Some dressed in uniform.education, primary, golden square laurel st p.s.

An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Oval sepia studio portrait of Orlando Henry Beater Christian, dressed in uniform holding a cornet in his right hand. He has centre part, moustache and is seated on an elaborately carved chair. Uniform has epaulettes. orlando henry beater christian, hawthorn band, christian-washfold collection

Ribbons are = Reserve Forces Medal 2 Rosettes (15 years plus 2 x 5 year extras) and National Medal. "Joseph Thomas Jones" was in the Bendigo CMF Unit for many years. 6 Coy RAASC - 15th TPT Sqn.1. Jacket Black. Four pockets. Top pockets held shut with brass buttons. Gold Sgts stripes on arms. Sleeve cuffs have two brass buttons each. Chest parts held shut 5 brass buttons. Epaulettes have a brass button each. The vertical type collar has an RACT badge on each side. Ribbons - Qty 2. 2. Trousers, black. Two white stripes down outside of leg. Fly is zipper type.Jacket has "Jones" written in it. Trousers have "J.T. Jones" .cmf, transport corps, 15 tpt sqn, j. t. jones, passchendaele barracks trust

"James Locke BLUNDEN" R/33905 A33905. Enlisted 6/2/45. Discharged 21/1/64. Rank Chief Airman AHI, HMAS SYDNEY. Korea = rank Leading Airman on HMAS SYDNEY 31/8/1951 - 22/02/1952.1. Jacket - black colour wool twill with cotton sateen lining, double breasted with gold painted metal buttons with shank. Service Ribbons for WW2, Korea, Long Service. On lapels embroidered crown, aeroplane and letter "H". On sleeves - 3 gold buttons - denotes senior sailor ranks NCO. Buttons with Crown, Anchor and Australia". 2. Trousers - black colour wool twill, five button fly. Handwritten name on back pocket calico lining. 2. Back pocket lining - handwritten, black ink "J. BLUNDEN"uniform, ran, ww2, korea