Comprehensive histories of fighting aircraft and their crews, highlighting their vital role in the development of warfare in the 20th and 21st centuriesunited states. marine corps -- aviation -- history -- 20th century, united states. marine corps -- history -- vietnam war, 1961-1975., phantom ii (jet fighter plane), vietnam war, 1961-1975 -- aerial operations, american

There were four USAF and seven VNAF Skyraider units saw service in Vietnamhistory-military-vietnam war, history- asia-southeast asia, skyraider (attack plane)

1945 Slide Rule US Army Air Force from Prof. Allan Bromley.Works by adding Angular moments together to find centre of gravity (COG) of a plane (adds bombs, ammunition and crew on board).Brown Leather Case with 'Slide Rule' inner.Load Adjuster, Property of US Government. 102630 on case. 81629. Airplane serial No. 44-4-1195, Model B-24Jbomb load adjuster, a16

The War in vietnam has many faces. there is the face of armed conflict - of terror and gunfire - of bomb-heavy planes and campaing-weary soldiersvietnam war, 1961-1975 -- pictorial works, saigon, south east asia, president lyndon johnson, u., u.s. army

Yankee Station - where A-f Skyhawks catapult of the carriers and wing towards North Vietnam. Operation "Ranch Hand" - where planes make war against the land itself.vietnam war, 1961-1975 - aerial operations, american, opeation ranch hand

Wing Commander Martin Susans joined the FAAF as a trainee pilot in 1964. His flying experience has been mainly on fighter and strike aircraft including Sabre, Mirage, F4E and F111Caustralia - royal australian airforce, mirage (fighter planes)

The subjects of this book are not the greats, nor the near greats, of aviation history, but the black sheep that have embarrassed their builders.airplanes - design and construction, planes

The story of the US Navy A-1 Skyraider Unit serving in Vietnamskyraider (attack plane), vietnam war, 1961-1975 -- aerial operations, american

non-fictionthe A-4 was the backbone of the US Navy and Marine Corps' light strike force for much of the 1960s, and especially during the first half of the ten-year struggle in South-East Asia.skyhawk (jet attack plane), vietnam war, 1961-1975 -- aerial operations, american., us navy, united states - marine corps

Yankee Station - where A-f Skyhawks catapult of the carriers and wing towards North Vietnam. Operation "Ranch Hand" - where planes make war against the land itself.vietnam war, 1961-1975 - aerial operations, american, operation ranch hand

Circa WW2 1940 - 1945. Used for RAAF Trainee pilots for Wirraway and Tiger Moth training. This helmet belonged to Francis Robertson, trainee RAAF Pilot who crashed his aircraft into Nurse Carter's residence at Chiltern (May 30th, 1943) whilst on a training flight from Advanced Training Squadron Deniliquin NSW. The Helmet is associated with Francis Robertson WW2 RAAF Pilot, trained at Number 7 Flying School Deniliquin NSW. Khaki Canvas and metal helmet used in WW2 circa 1943 for trainee pilots of Wirrway's and Tiger moths. Made of sturdy heavy duty canvas with some metal underlay, leather and sheepskin straps, brass attachment buckles. Name of the trainee Pilot : "Robertson". nurse carter's chiltern residence plane crash 1943, ww2 raaf pilot francis robertson

These goggles belonged to RAAF Pilot Francis Robertson who crash landed his trainee solo flight tiger moth into Nurse Carters home at Chiltern in 1943. Pilot Officer Robertson then went on to serve in New Guinea whilst flying Tiger Moths and Wirraways. WW2 significance with Francis Robertson having served in the New Guinea Campaign, flying Tiger Moths and Wirraways. Francis Robertson was also the trainee pilot who crashed his plane into Nurse Carter's residence at Chiltern in 1943. Leather and perspex flying goggles belonging to RAAF Pilot Francis Robertson WW1. The goggles are made of leather, reinforced rubber and protective vision perspex. pilot, world world 2, raaf, frank robertson, goggles

George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure