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Bendigo Military Museum
Accessory - TOILETRY BAG, Department of Defence, 1967
Military issue. Peter Dodd collection refer cat No 2436.2PToiletry bag, water proof green colour, rectangular shape, top has a green cord draw string, inside is divided into two sections, stamped in black on one side.In black, “(arrow up) VQ 1976”toiletry bags, accessory -
Bendigo Military Museum
Accessory - FIRST FIELD DRESSING, Johnson & Johnson PTY LTD, C. 1942
The contents are 2 x dressings each consisting of a gauze pad stitched to a bandage and safety pin. Peter Ball collection, refer Cat No 4704First field dressing rectangular shape rounded all corners, khaki colour cotton, the contents are labelled, instructions for use all in black print, contents are in water proof covers.On one end in black pen, “P Ball”dressings, first field, accessory -
Bendigo Military Museum
Accessory - TIN, FOOT POWDER, Murphy Liebert Pty Ltd, C.1970’s
Peter Ball collection, refer Cat No 4704Foot powder tin green colour rectangular shape, top has a rotating cap with 6 holes in, two sides have details in black print re makers and content.Front side, “(arrow up) FOOT POWDER 2 oz Net weight”. On rear side “Formula, salicylic acid 3% starch 10% Talc 87%” On base in pen, “PBall”tins, foot powder, talc -
Bendigo Military Museum
Postcard - POSTCARD WW2, PHOTOGRAPHIC, 2009
Postcard style black & white photo of 12 Australian soldiers in front of tents. Desert in front of them has large quantity of beer bottles in the shape of letters V B. Stamped top right: “DATE: 1941, WHO: 13 Platoon, D Company 2/1st Machine Gun Battalion WHERE: Ikingi, Egypt” Rear: “Note re Legacy & VB”postcard, vb, eygpt, 2/1st -
Bendigo Military Museum
Accessory - BADGES, UNIFORM, 2) c.1939-45
Items relate to the HEWSTON Collection WWI & WWII..1) Cloth badge, outer off white colour oval with central oval shape purple sewn on. .2) Cloth shoulder lapel badge, khaki, with Australia sewn on in white.uniforms - badges, military history - army -
Bendigo Military Museum
Decorative object - BADGES, 1930s
Items souvenired by Frederick Ernest ADDLEM VX142253. Refer Cat No 432.2 for his service history and 937P. .1) Badge, Japanese, Metal, Rectangular shape with crossed swords, Anchor and chain, centre is a brass star. Rear has Japanese writing and pin clasp .2) Same as abovenumismatics -badges - military, japan -
Bendigo Military Museum
Accessory - SHOULDER FLASHES UNIFORM
Items issued to Dr Warwick Rosenthal, refer Cat No 622.3 for his service details..1) Shoulder flash, cloth , curved shape with white lettering sewn in. " Royal Australian Army Medical Corps." Background is purple .2) Same as .1 with background colour reduniforms, army, badges -
Bendigo Military Museum
Accessory - RANK BADGES ARMY, 1939-45
Belonged to Capt Warick Rosenthal No TX6321 AAMC. Refer 622.3, 775..1) Officers shoulder rank insignia, blackened pressed brass, square shape pyramid style. On rear two clips & pin. .2) Same as .1) except has no pin.numismatics, badges, military rank -
Bendigo Military Museum
Accessory - COLOUR PATCH WW2, C.1939 - 45
WW11 uniform patches all had the grey background. These belonged to Clarence W Curnow VX100151, 2nd AIF. Refer Cat No’s 1444, 1445.2..1) Colour Patch, felt. Rectangular shape, grey background. Dark Blue on the Left and White on the right. .2) Same as 1448.1 Both relate to The Australian Army Service Corps.badges, uniforms, army, curnow -
Bendigo Military Museum
Badge - BADGES AUSTRALIA, 1939-45
These uniform badges belonged to Clarence W Curnow VX100151 2nd AIF. Refer Cat No’s 1444, 1445.2.1) Badges "Australia" Curved shape, blackened brass, two lugs on rear for uniform attachment with two pins. .2) Same as 1451.1 except only has one pinnumismatics - badges, miltary, metalcraft - brassware, australai, curnow -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle, Prior to 1878
This design of ink bottle was commonly referred to as a ‘penny ink well’ because it was very inexpensive to produce. It is also known as a dwarf ink bottle. Pen and ink has been in use for hand writing from about the seventh century up until the mid-20th century up until around the mid-19th century a quill pen made from a bird’s feather was used. In the 1850s the steel point pen was invented and could be manufactured on machines in large quantities. In the 1880s a successful portable fountain pen was designed, giving a smooth flowing ink and ease of use replacing the quill or dip pen. History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen, and candles, as well as a heavier load of railway irons, cement, lead, and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy that had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost families in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce, and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefact's have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.This ink well is historically significant as it represents methods of hand written communication that were still common up until the mid-20th century, when fountain pens and ballpoint pens took over in popularity and convenience. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefact's from Loch Ard and its collection is significant for being one of the largest accumulation of artefact's from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.Stoneware penny Ink bottle ironstone salt-glazed, stoneware cylindrical shape with small mouth and squat neck, broad shoulders brown colour, . with light coloured encrustation spots.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, penny ink well, writing equipment, domestic, stoneware, clay, ceramic, pottery, ink well, inkwell, ink bottle, dip pen, ink, hand writing, business, vintage, dwarf ink -
Derrinallum and Lismore Community Association - History Group
Telegraph Key
Lismore Post Office was opened in the year 1864. In the year 1883 a telegraph system was introduced to Lismore, this service carried on until 1888. In 1914 the Lismore Post Office was opened as an Official Post Office and the Morse system was reintroduced. This service functioned until the closure of the system in Victoria on Saturday June 30 1962. This key sent the last Morse Telegraph message in Victoria.Wooden "T" frame supporting a square bakelite shape. Mounted on this are two metal keys. The larger lever has a rounded handle, to operate the lever, controlled by a spring. The smaller lever communication, morse key, telegraph key, morsecode key, morse telegraph key -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Badge
The Silver War Badge was a First World War badge authorised for issue to members of the armed forces of the British empire. It was granted to those who had served since 4 August 1914. In the case of officers the badge was issued to those who had retired or relinquished their commissions. The badge was issued to other ranks who had been discharged on account of age, wounds or sickness, such as would render them permanently unfit for further service. During WW1, men not in uniform tended to be given white feathers by ladies who wanted them to enlist. The badge provided some protection against this. Since then, the Empire for which they were fighting has ceased to exist.The badge is circular in shape with the words "For King and empire" and "Services rendered" around the rim, and a voided cipher and crown of King George V in the centre. The reverse has a hinged vertical pinbadge, king and empire -
Warrnambool and District Historical Society Inc.
Functional object - Farming Equipment Branding Iron, Circa 1840
Armyne, George and Lemuel Bolden were original landholders of large parts of land in the Western district. Portions of it extended from Pirron Yallock in the East to almost as far as Portland. The head station was at Grasmere. They were noted breeders of shorthorn cattle in fact they were some of the first men to bring the breed to Victoria and thus helped to pioneer the Australian Shorthorn breeding Industry. This branding iron was found at Lyall Park, originally 640 acres selected by William Lyall at Cooramook. It is believed to be a branding iron dating from when the land was occupied by the Bolden Brothers. The Bolden Brothers were the first to erect considerable lengths of fencing in the Warrnambool area. If this item is an authentic Bolden piece of property then it is the oldest artefact from the time of white settlement that is held by the Warrnambool and district Historical society. The item itself while a common farming implement and which was found on a farm originally owned by the Bolden Brothers is a link with the earliest part of Warrnambool’s history.Short, round wooden handle with metal brand in the shape of the letter T with two thirds circle attached to vertical part of T. Daub of paint at end of handle . T 5Paper label attached with green tape with 931 in texta and hand written on back,” branding iron reputed to have been used by Bolden Bros Grasmere c 1840. warrnambool, bolden brothers, armyne bolden, george bolden, lemuel bolden, branding iron, shorthorn cattle -
Warrnambool and District Historical Society Inc.
Medal - 150 Years Warrnambool Fire Brigade, Circa 2013
The medallion commemorates 150 years service of the Fire Brigade. Over that time the Brigade has played an important role in the town, and fighting a number of significant fires in the town and district. Limited numbers produced.Red, white, black enamel on gold/ brass metal.Simplified picture of 2 firemen, hose and bell. The text, "1863 Warrnambool 2013" lies inside a banner. Medal is in shape of a shield."29" on the reverse.warrnambool fire brigade, 150 year anniversary -
Orbost & District Historical Society
magnifying glass
This was used by the father of Massey Coote on his visits to the mines at Bemm River. Robert Massey Coote was the second storekeeper in Orbost - a partner of Lancelot Herbert.Very small magnifying glass in the shape of a hammer. It has concave glass at both ends and comes in a small brown wooden hinged box. A small piece of sheet glass is included.magnifying-glass optical-instrument coote-massey -
Orbost & District Historical Society
brick
There is a slight ridge ridge along the side where the wet clay has been pushed up between the bricks as they have been stacked. Wooden press moulds were used to form the brick and lead shaped markers were used to brand a frog in the brick. The frog is the hollow in the centre of the face of the brick. This centre helps the bricks to adhere in construction.A hand-made brick. There is a slight ridge along the top side where it has been pushed up between the bricks as they dried. The frog (hollow in the centre) is an unusual elliptical shape. brick building construction -
Learmonth and District Historical Society Inc.
Photo - Feery, Richards & Co. Photos, J.M.Feery,Councilor 1906, "Circa 1906"
In 1899 Councilor J.M.Feery was elected to council ,he served until 1917.He was President in 1906-07 and 1915-16.Original Historic Photo.Sepia photo,oval in shape,of Councilor J.M.Feery,set in gery mount. It is situated at left of second row, and forms part of a composite collection of photos showing all councilors for 1906.Presented by The President to the Ballarat Shire Council. 1906.ballarat shire council, feery j m, 1899 1917 -
Learmonth and District Historical Society Inc.
Book, PROGRESS IN THE SHIRE OF BALLARAT, !963
In 1963 the Shire of Ballarat celebrated its Centenary. This book outlines the history and development of the Shire over the 100 years.Councilor Charles Edward (Ted) Brown was at the time Shire President.The District Roads Board was created on 7th October 1856 and on 24th November 1863 was proclaimed a Shire,thus making it the first Shire in Victoria. The book was compiled by James Mitchell(Shire Secretary) and the staff of the Shire of Ballarat and printed by local printers Waller and Chester.Celebrating 100 years of the Shire of Ballarat.A rectangular shaped book (landscape shape).Pale pink background on which is the title in black and,in shades of deeper pink, a photograph of the new Shire Office building and Clock tower in WendoureePROGRESS IN THE SHIRE OF BALLARAT.district roads board 1856.ballarat shire 1863 -
Flagstaff Hill Maritime Museum and Village
Textile - Doily, c. 1910
This pair of doilies is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doilies, a pair of two. Each white cotton doily is ovate in shape and has white floral embroidery and a scalloped edge with a crocheted border. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, pair of doilies -
Flagstaff Hill Maritime Museum and Village
Textile - Jug Cover, ca 1910
The jug cover was made by diagonally overlapping two squares of net fabric and stitching them together. The beads on the cover are used to weigh the cover down and keep it on the jug. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Jug cover; net fabric eight-point star shape, with white crocheted edges and red, white and green beads on each point. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, crochet, miss a.e. emery dressmaker, jug cover, beaded cover, beaded jug cover -
Flagstaff Hill Maritime Museum and Village
Brazier
Brazier, metal cone shape with lid and a chute at bottom. Brazier is raised by a single metal support. Swivel handle. Container is tilted by support under base. Metal is very corroded. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brazier, heater, household goods -
Flagstaff Hill Maritime Museum and Village
Hatchet
Hatchet, flat on upper edge and rounded on the lower, which carries a notch for nail pulling. The poll is on a hammer with an octagon shape. Has No 2 and Collins & Co Hamilton stamped on headflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Historical Society Inc.
Clothing - LADIES BLACK WOOLLEN KNIT SWIMMING COSTUME
Clothing. Swimming costume.Ladies black woollen knit swimming costume. Two shoulder straps - width 2 cms. Skirted model with pants section attached. No bodice support or shaping.Jantzen Melb fabric label stitched inside left shoulder strap; Georges Melb fabric label stitched inside right shoulder strap; Jantzen diving girl label stitched on lower left of skirt.costume, female, swimwear -
Bendigo Historical Society Inc.
Award - JUG TROPHY BENOLA SINGERS, 1964
Benola Singers collection, EPNS trophy won by The Benola Singers in the shape of a jug with attached handle, barrell shaped. Engraved Bendigo Competitions 1964 First Prize Benola Singers.Silverware EPNS 12110trophies & awards, public events, music -
Bendigo Historical Society Inc.
Functional object - BOTTLES COLLECTION: GREEN GLASS BOTTLE
Green Torpedo Glass Bottle. On one side are some words that appear to be ''O.R.M.E 'HAWK.' The bottle is the shape of a torpedo and is approximately 7 cm in diameter in the centre and 23 cm in length.''O.R.M.E 'Hawk'' 'R. Oswald'food technology, bottling, soft drink bottle -
National Vietnam Veterans Museum (NVVM)
Model, Model Number 2
Huey helicopter carved out of bone mounted on a stone plinth. There ia a heart shape with v2 in red letters (standing for Victor 2company IRNZIR) over dates 67, 68V2 67 68model, nz, 'tribute 08' -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Hot water Bottle, Karl Wied, 1940's
Used by internees to warm their beds.Made from galvanized iron. Made in usual hot water bottle shape with all joins soldered. The stopper is a manufactured one (bought). Made in Camp 3 during internment.On Plug - Eyelets Pty Ltd Melbourne. Made in Australia.hot water bottle, camp internees, wied family, bissinger family -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Lee, Timothy and Turpin, Barrie, Portraits. Remarkable people of South Eastern Australia, 1991
Personal records of twenty-six residents of East Gippsland, Victoria, captured in print and photographs. Lives and legends from a vanishing breed of people that have helped shape the fact of Australia.settlers, agriculture, aboriginals -
Nillumbik Shire Council
Painting: Isobel CLEMENT, Isobel Clement, Two Vases and Two Cups, 2008
Isobel Clement has been practising since the 1980's. She completed her post graduate diploma at Phillip Institute (RMIT) in 1990. She paints, draws and uses installation for creative discourse. She has had more than ten solo exhibitions. Her work is included in collections such as National Gallery of Australia, the Australian Print Workshop Archive, Art Bank Australia and The Bundanon Trust. She has been shortlisted for the contemporary painting prize, the Bayside Art Award, on three occasions in recent years and was the winner of the Nillumbik Prize in 2009.Isobel Clement is a local artist who won the 2008 Nillumbik Prize. Painted in monochrome the artwork depicts two vases (with decorative edges) and two cups on a table in a row. Each of the four objects are slightly different in scale and shape and parallel to the picture plane. N/Astill life, nillumbik prize, painting, monochrome, vases, cups