These shark fishing hooks were collected by Geoff Beasley from QueenscliffFishing artefactsFour shark hooks mounted on a timber board with an embossed labelShark Hooks collected by Geoff Beazleyfishing, shark fishing, hooks, fishing equipment

Four coloured photos of couples in evening wear fancy dress.photo, group, couple, peter ellis collection, fancy dress

Copy of photograph: Grade 1 1927. Four rows of students.education, primary, golden square laurel st p.s.

Photos show the first AETA Provincial tram tour of 29-3-1948. The tour used Geelong tram 23. See also items 7234 to 7238 for other photos.Yields information about the AETA's first Geelong tour in 1948.Set of four Black and white photographs of the AETA tour to Geelong.Items 1 and 2 have the date on the rear in ink.tramways, trams, sec tramways, tram 23, geelong, geelong railway station

This item formed part of a large collection of items collected by Dorothy Rogers, a notable local historian and founding member of the Kew Historical Society.Collection of four decorative hair combs owned by Dorothy Rogers.A note included with the donation in the handwriting of the historian Dorothy Rogers states: "Old family keepsakes. The large comb when given to me fifty odd years ago was honey coloured. The tortoise shell gradually darkened. Mrs Dorothy Rogers"fashion accessories, combs

Throughout its history, the YCW movement produced numerous publications for members and for the wider community. Some of these were regular papers or newsletters with high production values. Others were short lived efforts, produced 'in house' on low budgets. Reading across the collections, these public expressions of YCW communication provide insight into the movement's methods, the concerns of young women and men of the period, and how these shifted over time and across location.This four page document reveals the key concerns of the YCW movement in Melbourne in 1971; internal migration from regional Australia to the cities and road safety. It features photographs taken by chaplain Jim Nippard. Black and white printed newsletter with photos over four pages.

Tin sign. Four men only to ride at one time.stawell

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Sleeveless beige vest with four front self covered buttons. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

David Rose (1936–2006) David Rose worked in New South Wales and produced etchings, lithographs, screenprints, and woodcuts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed and matted silkscreen printed in colour, from four stencils Lower left: 53/120 Radical Lower right: David Rose 1971art, artwork, printmaking, david rose, silkscreen, print council of australia

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting depicting four 'dancing' horses in a landscape. art, artwork, neville bunning, bunning, available, horses, animals

Women production workers at Queensland Industrial Institute for the Blind. 1 - Daphne Lawson, Eileen Henry, Barbara Harding and Rosemary Davis at their respective workstations making toilet brushes or caning chair. 2 - Another view of the room. Barbara Harding and Rosemary Davis sit making toilet brushes, whilst Daphne Lawson and Eileen Henry stand to make cane chairs.2 x B/W photographs of four women in workshopC2-6330, C2-6329queensland industrial institute for the blind, daphne lawson, eileen henry, barbara harding, rosemary davis, employment

Book - Title in large Blue Text and photograph of four amputees. non-fictionwar and literature australia, heroes in literature, australian literature, the 20th. century history and criticism

Section of metal link containing four expended blank cartridges.HP 5.56 223cartridges, link, disintegrating

Donald Clark Collection. Four blank business dockets of Geo. Ramm Bootmaker of Tarnagulla.

Photos from the 2004 Melbourne Legacy Christmas party for junior legatees. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo of four junior legatees at a Legacy Christmas party.Printed on the back 'No.002' which is the image number.junior legatee outing, leadership group, christmas party

Wedding gift to Mr and Mrs Thomas Sebire 1902.Silver cake dish with folding handle and four knobbed feet.Made in England E.P.N.S.baskets

A brochure explaining the benefits of gifting a donation to Legacy in a will. The benefactors club was later renamed the Torch Society. The Torch Society are people that have made substantial donations to Melbourne Legacy and/or have left a bequest to Legacy in their Will. An example of promotional material issued to encourage donations to Legacy via gifts in will.Four page brochure with blue print introducing the benefactors club.torch society, bequests

An insert made to go with promotional material in the 2021 Anzac Day direct mail appeal. The recipes include a rosemary damper, a lemon and rosemary cake, traditional Anzac biscuits and a cocktail called rosemary fizz. The use of rosemary promotes the idea of remembrance. During the Covid pandemic in 2020 and 2021 there was an increase in time people spent at home, both during enforced lockdowns and with increased working from home, so these recipes were something different for people to try and make.A record that Legacy was promoting remembrance using recipes that included rosemary.Colour printed brochure with perforations that could be torn into four recipes.recipes, rosemary

Manufactured by Holden and Frost, used by civilian and Military equestrians Ca1900Manufactured and sold by Holden and FrostNickle plated horse bit made up of four ringsequine, civilian, military, snaffle bit

UNIDENTIFIED PHOTOGRAPH DONATED BY W. GAYFORD, 20 WOLSLEY STREET, MONT ALBERTFADED PHOTOGRAPH - FOUR GENTLEMEN AND A DOG STANDING OUTSIDE A SHEDlocal history, photography, photograph, ?

Article about unveiling of memorial for World War II nurses at the Nurses Memorial Centre by Vivian Bullwinkel. Also information on 1980 ANZAC Peace Prize and Victorian ANZAC of the year award recipients.Newspaper clipping, article across four columns including a photographvivian bullwinkel, nurses' memorial centre, world war ii, world war two

Report by Hugh Waldron, Senior Driver Kew Depot on his trip to Birmingham, London, Brussels, Dusseldorf, Hannover, Postsdam and Freiburg July/August 2000 to Bernie Carolan Operations Director Swanston Trams and Bayside trains. Details his visit, and his remarks on passenger information displays, doors, access, combino trams, seating, vandalism, video screens, and the use of the larger Combinio trams on route 69.Yields information about Hugh Waldon's visit to Europe in 2000Report - four pages, stapled in top left hand corner.national express, hugh waldron, tramways, new trams, combino, germany, siemens, overseas tours, swanston trams

Two issues of a short-lived newsletter issued by Yarra Trams in 2004, to its Tram Attendants, giving staff feedback, tram priority program (Clarendon St South Melbourne hook turns), Neil Mitchell 3AW, Revenue Protection, Luna Park, Essendon depot, Eastern Road Operations Centre, tickets, RMIT Bundoora RMIT Travel Pass and personal notes.Yields information about the tram attendants and revenue protection officers.Set of two four A4 page newsletters part colour.tramways, operations, newsletter, tram attendants, revenue protection, luna park, eroc

Enviromental Effects statement for the Stawell Gold Mine.Purple card cover with four colour photos in top halfThe Big Hil Development Project. Stawell Gold Mines Victoria Environment Effects Statement Volume 1 Main Report Resources Strategiesstawell gold mining

LtoR. Win, John, Andrew, Arthur Cunningham. Monument with four people beside it in front of stone building with verandahhotel

Shows the arrangement of the Weekdays Rosters, Saturdays and Sundays for all Ballarat routes - for the drivers or motormen. Gives the various run numbers, sign on location, trip take times, notes on what to do with trams, sign off times, interface with other runs. Shows the full or basic 20 min service during the day and 30 mins at night. Show how the various run or crew tables were arranged to provide the service overall. See Reg item 3428 for Conductors tables. Dated 3/1970. Demonstrates aspects of the Ballarat Tramways management system of Motorman's' rosters interfacing during the last full period of operation of the tramway from March 1970. Shows the services and how the various run or crew tables were arranged in relation to the overall timetable.Photo copy of a four-sheet handwritten document on graph paper. trams, tramways, timetables, sec, ballarat, crews, rosters

The voter's roll was printed on a regular basis especially when elections were about to take place. The voter's rolls listed the names of residents who were entitled to vote and the number of votes they were entitled to. It also gives their trade or occupation and the area where their property was located.Four-page document. Black lettering on cream coloured paper.VOTER'S ROLL/FOR THE/WEST RIDING/OF THE/SHIRE OF BULLA/For the Year ending the 12th of August 1909.civic, voter's rolls, shire of bulla, 1900s, west riding