Showing 2305 items
matching framed photo
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Yarrawonga and Mulwala Pioneer Museum
Framed Photograph, C Section Petrol Co. 8th Div AASC
Black and White photograph WW2 - 4 soldiers in uniform. Signatures of personnel placed on mount around the photo.Soldiers signatures -
Yarrawonga and Mulwala Pioneer Museum
Furphy Water Cart, 1910-1920
Furphy water carts were first made in 1895Furphy Water Cart, Three wheel tractor drawn tank on a wooden frame. Original wheels and body made by J. Furphy Foundry. Holds 180 gallons. Red ends has signature Furphy markings with indented writing. Refer to photos -
Yarrawonga and Mulwala Pioneer Museum
Framed Photograph, Mary Langdon (nee Edwards) and Samuel Parker (Wilby), 1930
Mary and Samuel Parker were residents at Booahhnoomoonah and grandparents of Gwen Hagger. Samuel (1857-1932) Mary (1869-1954) was his second wife.Sepia portrait of man and lady in gold oval frame. Has handwritten family tree on backSee photos -
Yarrawonga and Mulwala Pioneer Museum
Photograph - Yarrawonga Mulwala Photos - framed
... Yarrawonga Mulwala Photos - framed ...Four postcard sized black and white photos of Yarrawonga and Mulwala area late 1800’s early 1900’s. Belmore Street looking south, Exchange Hotel Mulwala, Palms along Belmore St, Yarrawonga and Belmore Street looking north in 1882. These are all prints of original photos and are placed in a contemporary frame with matte surroundings belmore street, exchange hotel -
Ukrainian Historical Society Sunshine
Photo, Dmitro Nosiara. 1st Principle of Ivan Franko school
Mr Dmitro Nosiara was the first principal of Ukrainian Saturday School 'Ivan Franko in Sunshine. Mr. Nosiara was principal from 1953 to 1960, and again from 1963 to 1964.Black and White photo, with dates typed under photo. Photo is attached to cardboard backing,is also framed with a light blue patterned border. Photo has be laminated.dmitro nosiara, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Gregory Vyshnevij. Principle of Ivan Franko school
Mr. Gregory Vyshnevij was principal of Ukrainian Saturday school 'Ivan Franko' in Sunshine from 1961 to 1962.Black and white photo, with dates typed under photo. Photo is attached to cardboard backing,is also framed with light blue patterned border. Photo has been laminated.gregory vyshnevij, principal, ukrainian, saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Ivan Brozntskyy. Principle of Ivan Franko school
Mr. Ivan Brozntskyy was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1965 to 1966.Black and white photo, with date typed under photo. photo is attached to cardboard backing, is also framed with light blue patterned border. photo has been laminated.ivan brozntskyy, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Stephen Lysenko. Principle of Ivan Franko school
Mr. Stephen Lysenko was principal of Ukrainian Saturday School 'Ivan Franko' Sunshine during 1967.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with a light blue patterned border. photo has been laminated.stephen lysenko, principal, ukrainiansaturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Maria Kowszyk. Principle of Ivan Franko school
Mrs. Maria Kowshek was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1968 to 1976.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. Photo has been laminated.maria kowshek, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Vlodymir Muc. Principle of Ivan Franko school
Mr. Vlodymir Muc was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1977 to 1983.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with a light blue patterned border. Photo has been laminatedvlodymir muc, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Olya Jursa. Principle of Ivan Franko school
Mrs Olya Jursa was principal of Ukrainian Saturday school, 'Ivan Franko' Sunshine from 1984 to 1989.Coloured photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. Mrs Jursa is wearing a red top and large framed black glasses.olya jursa, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Maria Tsikoya. Principle of Ivan Franko school
M/s Maria Tsikoya was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1990 to 1998Coloured photo , with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. M/s Tsikoya is wearing a light violet top and is standing in front of a green hedge.maria tsikoya, principal, ukrainian saturday school, ivan franko -
Ukrainian Historical Society Sunshine
Photo, Natalie Sakowskyj. Principle of Ivan Franko school
M/s Natalie Sakowskyj was principal of Ukrainian Saturday school 'Ivan Franko' during 1999.Coloured photo , with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. M/s Sakowskyj is wearing and orange top in the photo. Photo has been laminated. natalie sakowskyj, principal, ukrainian saturday school, ivan franko -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of man in Gold Frame and domed glass
Gray FamilyHand Coloured photograph in gold frame and domed glass. Man with brown hair and moustache blue eyes and European complexion. White buttoned collar shirt, black three piece suite and tie. Grey button hole flower. Studio portrait background. Young mans flower is identical to woman's collar attachment in accompanying photo.Frame has gilded floral painted red and blue at top, bottom and two sides -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of woman in Gold Frame and domed glass
Gray FamilyHand Coloured photograph in gold frame and domed glass. Woman with short curled brown hair parted to right and European complexion. Pale blue eyes. White blouse has collar with floral attachment. Blue jacket with white pattern. Collar attachment. Studio portrait background. Flower is identical to young mans collar attachment in accompanying photo. Related to Deep Lead and Cray family.Frame has gilded floral painted red and blue at top, bottom and two sides. Glass is convex. Has gilded boss between florals. -
Stawell Historical Society Inc
Photograph, Greenwood Family Group c 1920, c 1920
Stained Brown Frame. Sepia B/W. Photograph. Group in Natural Bush Setting. Back of Photo and Below Front Back Row L to R: Jeani white, James Paton, Doris, Dave Painter, Daisy Barnes, George M Painter, Miss Sweatman, Mabel McMuulin Miss Sweatman. Middle Row: Miss ?, Mrs & Mr Greenwood, George Annie, Miss Calder, Simon Calder (Father). Bottom Row: Uncle Pat, Ve, ev & Lilla Greenwood, Nett, Harry Greenwoodgreenwood family group -
Stawell Historical Society Inc
Photograph, Upper Main Street Stawell 1906, 1906
... B/W Photo: Stained wooden frame, Glass. Campbell's Barber... mining Upper Mains Street 1906 B/W Photo: Stained wooden frame ...Poppet Head horses used for transportB/W Photo: Stained wooden frame, Glass. Campbell's Barber shop. Gentleman in suit with hat leaning on barber pole. Horse and cart headed east 2 harnessed horsesUpper Mains Street 1906stawell streetscape, mining -
Stawell Historical Society Inc
Photograph, Women with Possum Skins Stoles Circa 1920
Two women with possum shins and stolesPhoto mounted by Big Hill Art and Framing -
Stawell Historical Society Inc
Photograph, Richards & Co, Mr Samuel Salter & Mary Salter -- 2 Photos -- Studio Portraits
Year taken 1912-1913. Married to Arthur Redding Brent. Born 1872 Died East Malvern 1956. Buried Brighton Cemetery.Two B/W photographs in brown frame with gold trim. Samuel wearing white shirt with jacket. Has beard. Mary is sitting at table. Details of Birth, Baptism & parents on back of photograph of Samuel. Details of Mary with birth - London 1849. Nee Rowe on back of the photo. portrait -
Stawell Historical Society Inc
Photograph, Grampians Community Health Centre photo of Rev David Fotheringham
B/W copy from Grampians Community Health Centre Book Rev Fotheringham is wearing striped shirt and trousers with a belt. Holding a frame over a tub. Background is brickwork, mirror on top of cupboard, painting on right hand wall and clothes line. In foreground two pillow slips hanging onclothes line. Tea chests with items on top. -
Stawell Historical Society Inc
Pamphlet, Aerial photo of North Western Woollen Mills
Framed Hand Coloured Aerial Shot of North Western Woollen Mills c1930 showing Pleasant Creek Hospital and Surgeons Residence in Background. Also Visible is train line and wood heap.industry, health, manufacturing -
Malmsbury Historical Society
Photograph (Item), "Boundy Family Tree With Photos, Framed", Malmsbury B/W Older Women Portrait, Malmsbury
... Associated with - Boundy Family "Boundy Family Tree With Photos ...People - Boundy Family Buildings - Birthday Villa Associated with - Boundy Family -
National Wool Museum
Functional object - Typewriter, Remington Typewriter Company, c.1925
This Remington No.12 typewriter is of the typebar, front-strike class. It was made by the Remington Typewriter Company of Ilion, New York, U.S.A. in about 1925. The Model No. 12 was introduced in 1922 and was one of the first 'visible writer' machines, in which the typed characters were visible to the operator. Previous models were of the upstrike class in which the characters were typed on the underside of the platen. To see what had been typed the operator had to raise the platen, meaning the typist was typing blind much of the time. This machine was used by Margaret Ganly née Burn in the 1930s. It was purchased for her by one of the sons of William Pride, a famous saddle maker in Geelong, William was Margaret’s grandfather. The typewriter was donated with original sales receipt and servicing tools. Margaret worked at Dennys for 7 years during the 1930s. The typewriter is accompanied with a story written by Margaret about her time working at the company. Margret married Jack Ganly, a fellow employee of Dennys. The Ganly name was well known within Dennys, with three generations of the Ganly family working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22.The typewriter has a black painted metal frame. The top section of the typewriter consists of a cylindrical platen on a carriage featuring plated metal fittings. A curved folding paper guide sits behind the platen and moves on the horizontal axis when the user types on the keyboard. A horizontal semicircular type basket with typebar links the top section to the lower keyboard. The ink ribbon is carried between two spools on a horizontal axis, one on each side of the type-basket. At the rear, a paper tray features gold lettering which reads ‘Remington’. At the front, a four-row QWERTY keyboard is found with 42-character keys total. 'SHIFT LOCK' and 'SHIFT KEY' are to the left of the keyboard, 'BACK SPACER' and 'SHIFT KEY' to the right. All keys are circular, white with black lettering. At the top of the keyboard are five circular red keys with the numbers 1-5 displayed behind their respective keys. A Spacebar is found along the front of the keyboard. The typewriter is accompanied by a cardboard box. This box contains the original sales receipt, on blue paper with grey lead handwriting. It also contains spare parts, a spare ribbon stretched between two spools, and cleaning tools such as brushes of differing sizes. Serial Number. Engraved. "LX45395" Gold lettering. Paper tray. “Remington” Gold Lettering. Behind keyboard. “Made in Ilion, New York, U.S.A. Gold Lettering. Mirrored both sides of type-basket. “12”remington, dennys lascelles ltd, worker conditions 1930s -
Queenscliffe Historical Museum
Portrait of James Baillieu, Foster and Martin, James Baillieu
Hand tinted photo print. One of two of 4 portraits of grandparents of Baillieu - Latham descendants: water colour portraits in plain wooden frame. Signed Foster and Martin. See bk288 - The Colony and its People in 1888, p.518. -
Malmsbury Historical Society
Photograph (Item), "M.H.S Exhibition, Stand For Framed Photos", Malmsbury 1991
... - "Keath, George" "M.H.S Exhibition, Stand For Framed Photos ...Associated with - M.H.S. Buildings - Town Hall People - "Keath, George" -
National Wool Museum
Photograph, Geelong Wool Brokers Picnic to Buyers at Barwon Heads, 14 February 1908
Photograph of Geelong Wool Brokers Picnic to Wool Buyers, Barwon Heads, 1908. (Supp. file contains a modern reproduction of this photo which gives the names and companies of all those pictured.)Sepia toned, mounted under glass and framed photograph of Geelong Wool Brokers Picnic to Wool Buyers at Barwon Heads, February 14th 1908. Photo shows a group portrait of buyers, brokers and guests including a small girl. -
National Wool Museum
Photograph
... was originally framed together with another similar photo (3122.... This photo was originally framed together with another similar photo ...Photo depicts the interior of the Strachan, Murray & Shannon Limited wool store in Geelong after a record price was reached for the wool shown. This occurred on 24 November, 1920. This photograph was owned by the donor's father, Mr Cyril Cameron. Mr Cyril Cameron came from the family property 'Burnside' near Glenthompson in the Western District. He joined Strachan & Co. as an office boy in Aug. 1914 and then joined the 8th Battalion, 1st AIF in January 1915. He returned to Australia in early 1920 and started work at Strachan's again. He did the wool classing course (one year, evening?) at the Gordon in 1920-21. He became Head Wool Valuer at Strachan's in 1938 and retired in 1970. His office at Strachan's was on the top floor, directly overlooking what is now the entrance to the National Wool Museum (formerly Dennys Lascelles woolstore). He died in 1983. This photo was originally framed together with another similar photo (3122) and a document (3123) detailing the wool sale and prices under the title "Record Sale 24 November 1920". The two photos focus on lot 372, one looking to the north and the other to the west. These three items may have been a requirement of Mr Cameron's wool classing course.Interior of Strachan, Murray & Shannon Ltd, Geelong in Nov. 1920....ORLAME / ... 7 1/2Dstrachan, murray and shannon ltd, cameron, mr cyril -
National Wool Museum
Photograph
... was originally framed together with a similar photo (3121) and a document.... This photo was originally framed together with a similar photo (3121 ...Photo depicts the interior of the Strachan, Murray & Shannon Limited wool store in Geelong after a record price was reached for the wool shown. This occurred on 24 November, 1920. This photograph was owned by the donor's father, Mr Cyril Cameron. Mr Cyril Cameron came from the family property 'Burnside' near Glenthompson in the Western District. He joined Strachan & Co. as an office boy in Aug. 1914 and then joined the 8th Battalion, 1st AIF in January 1915. He returned to Australia in early 1920 and started work at Strachan's again. He did the wool classing course (one year, evening?) at the Gordon in 1920-21. He became Head Wool Valuer at Strachan's in 1938 and retired in 1970. His office at Strachan's was on the top floor, directly overlooking what is now the entrance to the National Wool Museum (formerly Dennys Lascelles woolstore). He died in 1983. This photo was originally framed together with a similar photo (3121) and a document detailing the wool sale (3123) under the title "Record Sale 24 November 1920". The two photos focus on lot 372, one looking to the north and the other to the west. These three items may have been a requirement of Mr Cameron's wool classing course.Interior of Strachan, Murray & Shannon Ltd wool store, Nov. 1920.strachan, murray and shannon ltd, cameron, mr cyril -
Whitehorse Historical Society Inc.
Photograph - Frame
The frame belonged to the Till family and had a photo of Alwyn Till in Royal Australian Air Force uniform. The photo was removed and kept for safety in the photographic department of the Society. The frame is kept for Regimental display.Brass frame with RAAF insignia on top of the frame which has a leaf pattern stamped on it.photography, camera accessories -
Whitehorse Historical Society Inc.
Photograph, Raffle Prize 1999, 1/04/1999
Coloured photo of Raffle Prize 1999. Painting by Barbara Rogalski, Frame donated by Bruce Reynolds. Won by Society Member, Max Grant.nunawading and district historical society, rogalski, barbara, reynolds, bruce, grant, max