Etched blind embossing, archival digital print.Signed 'Alexis Beckett 2004' bottom right of print. Titled 'Fleeting' bottom centre. Edition 12/40, numbered lower left corner of print.

LithographSigned and dated 'K. C. Mortensen 2000' lower right corner under printed image. Titled 'Crucifixion' bottom centre under print. Edition T/P 6th State, lower left corner under printed image.

Oil on composition board.-

Felt tip pen and ink on paperSigned 'Petty 1979' lower right of drawing. Titled 'Man and Machine' bottom centre of drawing.

Oil on canvas Signed 'Geo. Colville' lower right corner of painting.

Charcoal on paperSigned 'R Wallace-Crabbe 67' in lower right corner of drawing.

Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting.

Oil on canvas board Signed and dated 'T De Kessler 1962' in lower right corner of painting.

Pencil on paperSigned and dated lower right corner: T DeKessler 1963 10th July

Pen and ink drawing on paperDated '8.1.53 Melbourne' in lower left corner of image. Signed lower right.

Linocut printSigned and dated 'T de Kessler 1959' lower left corner under printed image.

Silkscreen printSigned and dated lower right corner beneath print, pencil "Leonard French 63" Titled and edition lower left beneath print, "Fish over Landscape" 2/50

Mezzotint printSigned and dated 'Graeme Peebles 84' in lower right corner under printed image. Titled 'Wilson's Prom' centred below printed image. Edition 22/40, inscribed lower left corner under print.

Watercolour and pastel on paperSigned and dated in bottom right corner of drawing

Jackie Kerin's (donor's) story. In 1973, I was in my late teens and while I’d moved to Sydney from Melbourne, to begin my first year of drama studies at the National Institute of Dramatic Art. My parents had moved to Lake Bunga, a few kilometers north of Lakes Entrance (Victoria). On my first holiday visit to Bunga, I called into the Jolly Jumbuck Country Craft Centre in Bairnsdale http://jumbukwool.com.au/history. I was entranced by the place and spent the following weeks learning to spin lumpy wool on an Ashford Wheel. By the end of the holidays, I had my own Ashford and it travelled with me back to Sydney. After graduation, I returned to Melbourne and the hippy “back to nature” movement was in full swing; there were many shops and galleries selling handmade woollen items and pottery etc. So I found an outlet for my pieces. Sometime in 1976-77, I met a spinner and weaver of Swiss origin (I think) – her name was Ingeborg Guber (not sure of the spelling). She had a small gallery/shop at Brighton Beach where she worked, with her pet duck for company. Ingeborg had an upright Philip Elford wheel; an Australian wheel crafted from Acacia melanoxylon (blackwood). I was smitten and ordered one. I have a memory of Philip driving to Hampton from Ballarat to make the delivery. I used this wheel for years but as time and enthusiasm for spinning waned, the wheel became a decorative item in the house. Then in the 90s, and with my drama training, I set myself up travelling to schools and festivals, museums and galleries as a storyteller. The spinning wheel had a new life accompanying me on my adventures. For many children, familiar with references to spinning in fairy tales, seeing the little Philip Elford upright was magical. The wheel was donated to the National Wool Museum in 2021.Vertical tripod leg spinning wheel. 6 spoke wheel with three bobbins. Inscription “Philip Elford Ballart” can be read in gold text stamped to the base of the wheel. Wording, stamped, gold. Philip / Elford / Ballartspinning wheel, textile production, hobby textiles, aciacia melanoxylon (blackwood)

This trophy was awarded to William Kermode of Mona Vale for the best pair of Merino ewes exhibited at the Southern Tasmanian Agricultural and Pastoral Society in October, 1879. William Kermode formed the Mona Vale flock in 1829 with VDL C. Saxons. In the early 1870s under Kermode, Ercildoun rams were tried, as was a St Johnstone ram. It is well documented that the famous Steiger-blood ram, Sir Robert (out of a Mona Vale ewe), had considerable impact on a number of Tasmania's influential studs. At its height in the late nineteenth century, Mona Vale was regarded as "... one of Tasmania's leading and parent studs, producing robust fine-wool sheep with quality, long-stapled and dense wool." (Massy 1990: p.406). The first agricultural society in Australia was formed in Hobart on 1 Jan. 1822. The trophy was retailed by Walsh Brothers, Melbourne in c.1875. The cup has no makers marks, but has been attributed by Christie's to Edward Fischer, a local Geelong silversmith. This attribution is based upon stylistic criteria. However, Ms Veronica Filmer of the Geelong Art Gallery (curator of "Geelong's Colonial Silversmiths", Geelong Art Gallery, 1988), has suggested that the lack of stamps is unusual (most of Fishcher's work was stamped) and also that it is somewhat heavy for Fischer's work. The trophy originated from the collection of Edward Clark, an antique dealer. Prior ownership of the trophy is uncertain, but it is believed that Clark purchased it in the mid 1990s from descendants of the original prize recipients.Trophy, sterling silver. Circular, stepped base and tapering stem decorated with cartouches of leaves on a matt background. The bowl of the trophy has an applied belt cartouche with an inscription. Within the belt cartouche is an engraved and embossed panel of two sheep with a cottage in the background. There are ribbon tied floral swags on either side of the cartouche, and a presentation inscription with a beaded border on the reverse of the bowl.SOUTHERN TASMANIAN AGRICULTURAL & PASTORAL SOCIETY Presented / to / Joseph Clarke Esq / and awarded to / W.A. Kermode Esq / of Mona Vale / for Best Pair Merino Ewes, / October 1879southern tasmanian agricultural and pastoral society, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), fischer, mr edward - silversmiths and jewellers kermode, mr william - mona vale stud clarke, mr joseph, mona vale stud, tasmania

Made by Anne Seeney née Berens who lives in Fuller Street, Mitcham. Made in her own pottery. Co owner of Laburnam Gallery in the 1970s and 1980s. Clay was purchased from Walker Pottery Ceramic Supplier - Refer to oral history NP3398.Bisque Pottery Bowl with English style village on the rim. When bowl is filled with water, it looks like a moat around the village.B encircled by a single linedomestic items, ornaments / decorative