Showing 1689 items
matching natural history
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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Le Cheminant, Marion, Barns of the Snowy River Orbost - Documenting the Slatted Barns of the Lower Snowy River, 1982
A basic chronology of the first 140 years of white settlement in Gippsland, Victoria 1840 - 1980land settlement, transport, natural disasters, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Orbost Historical Society Inc, Victoria Felix -A Celebration of the 50th. Parliament of Victoria 1856-1985, 2006
Documents the distinctive slatted barns of the Lower Snowy River, Orbost, Victoria. Includes sketch maps, barn plans, history of area and families and personal ineterviews.Ngaire Donald May Leatchland settlement, agriculture, natural disasters, transport -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, East Gippsland Catchment Management, The Watcher on the Cast Iron Balcony, 2007
A pictorial record in colour of the widespread damaging floods in East Gippsland in June 2007 . Spiral bound bookletnatural disasters, waterways, township -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Saunders Nicole, Advice to a Young lady in the Colonies being a letter sent from Mrs E of England to Maria Macarthur in the Colony of New South Wales in 1812, 2007
Research interpretation and recommendation for management of the World War 1 memorial carvings at Lakes Entrance, victoria, being the place of potential cultural significance component of diploma of natural resourcesworld war 1914-1918, memorials -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Glenvale School Committee, Monumental Memories - Bairnsdale Cemetery, 2007
A pictorial record which graphically represents the devastation caused by fire and flood in Gippsland during 2006-2007.natural disasters -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Department of Conservation and Natural Resources, Participants in Progress, 1995
Draft management plan inviting comments from all user groups of the Gippsland Lakes Victoriafishing industry, recreation, birds -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Mullett Collon, Draft Gippsland Lakes, Fisheries, Management Plan March 1995, 1994
A report commissioned by the Land Conservation Council for the Marine and Coastal special investigation, funded by the contract employment program for Aboriginals in natural and cultural recourse managementaboriginals -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Department of Conservation and Natural Resources, Celebrating CFA Women- Recognising Womens contributions to CFA
Draft management plan for sustaining the fisheries and fish resources of the Gippsland Lakes, considering both recreational and commercial activities and ecological impact on all other biological species of the lakes.fishing industry, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, The Bicentenary Pioneer Register, Second Edition Vol. 3, 2001
A souvenir booklet of the Rubicon Timber Workers reunion at Alexandra, Victoria. Contains short references to the workers, schools, and the hardships of life in this remote area especially for the women.timber industry, schools, natural disasters -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Parks Victoria Compiler, Gippsland Lakes Algal Bloom Seminar Discussion Papers, 2003
A draft plan for the startegies to manage the Macleod Morass and Jones Bay Wildlife reservesenvironment, fauna, natural resources, restoration, vegetation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Reverend George Cox, Heritage Rivers and Natural Catchment Areas Draft Management Plans Volume 3 Gippsland, 1997
History of Churches and Schools in Gippsland Victoriareligion, schools, gippsland -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Dept of Natural Resources and Environment Victoria Publisher, Fisheries Victoria Management Report Series Lake Tyers Fisheries Reserve Management Plan No 43, 1997
Draft Management Plans prepared under the Heritage Rivers Act set out the proposed basis for future management of Heritage Rivers and Natural Catchment Areas. Gippsland catchments are significant for the essential undisturbed conditionISBN 0730667936environment, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Ecological Vegetation Class Mapping 1:2500 Gippsland, 2002
310 printed pages, spiral plastic bound cover, inside rear cover has DVDClear plastic front cover, cardboard front page containing five colour photos superimposed over each other, cardboard rear coverdocuments, reports -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, A Study of Land in Catchment of the Gippsland Lakes Vol 2, 1992
504 printed pages, a map is included inside front coverBlue cardboard cover with title printed in gold, title also printed on spine in golddocuments, reports -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Perrott Lyon Mathieson Pty. Ltd, Journal of Australasian Mining History Vol. 8 - Mining for Oil in Victoria. The Lakes Entrance Shaft, 1991
A commissioned study of the Lake Tyers Beach and surrounding area prior to future planning with regard to urban development, tourism and conservation of natural beauty. Contains illustrations and a plan of proposed boat ramps.waterfront, township, tourism -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Land Conservation Council Victoria, The Gippsland Lakes Land Use Strategy Plan 1978, 1985
A review of public land use in the East Gippsland area, including natural resources, flora and fauna, recreation. Contains photographs, maps statistics.conservation, aboriginals, primary industry -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Department of Natural Resources and Environment, Request for Tender - Recreation Earthworks in Colquhoun Forest, 2002
Tender request for recreation building works in the Colquhoun Forest, especially bridges. Contains a location maprecreation, government -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Department of Natural Resources and Environment, Australian Natural Heritage Charter - Standards, 2002
Tender specifications for recreation earthworks in the Colquhoun Foret, including pathways and drainage. Contains location map.government, recreation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Australian Heritage Commission, Diploma of Natural Resource Management -Cultural Heritage Places, 1997
A charter defining conservation principles, processes and practice to assist everyone interested in significance and conservation of natural heritage.heritage, conservation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, T.A.F.E, Breaming With Knowledge, 2001
A learning resource accompanying the Cultural Resource Management component of the Diploma of Natural Resource Management.heritage, history -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, East Gippsland Catchment Management, Final Recommendations, East Gippsland Study Area, 1999
Outline of the three major strategic programs on which to focus long term actions and objectives for catchment management.waterways, natural resources -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Land Conservation Council, Victoria, A Smith-MacDonald Family Scrapbook, 1977
A summary of the final recommendation for the adequate management and protection of public land in East Gippsland.natural resources, recreation, agriculture -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Australian Heritage Commission, Guides - PRO and Archives, 1999
A guide for those communities involved in caring for heritage, both natural and cultural, from identification, conservation and ongoing protectionheritage, reference material -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Public Affairs Branch Victoria, Natural Heritages Places Handbook, 1996
A summary of the Victorian Governments achievements and aims, funded through the Government Heritage Restoration Program. Lists locations and costs of completed programs plus approvals for further fundingheritage, restoration -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Cairnes Lorraine, Draft Heritage Tourism Guidelines, 1998
An expansion of the principles in the Australian Natural Heritage Charter, explaining the processes for conserving natural heritage places through ten steps.heritage -
Clunes Museum
Programme - EXHIBITION CATALOGUE, BIGG PRINTING SERVICE, SHEPPARTON, LONGSTAFF, 1975
CATALOGUE OF WORKS OF JOHN LONGSTAFF FOR AN EXHIBITION AT SHEPPARTON ART GALLERY MAY 1 - JUNE 30,1975.CREAM COLOURE CATALOGUE WITH A COLOURED IMAGE OF A WOMAN SITTING UNDER TREES IN A NATURAL SETTING.FOR AN EXHIBITION OF SIR JOHN LONGSTAFF'S PAINTINGS AT SHEPPARTON ART GALLERY MAY 1 - JUNE30,1975. CATALOGUE WRITTEN BY PETER TIMMS.non-fictionCATALOGUE OF WORKS OF JOHN LONGSTAFF FOR AN EXHIBITION AT SHEPPARTON ART GALLERY MAY 1 - JUNE 30,1975. local history, catalogues, longstaff -
Nillumbik Shire Council
Painting: Penelope AITKEN (b.1967 Melb. AUS), Penelope Aitken, Mapping Mass & Void 10, 2008
Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015 -
Nillumbik Shire Council
Public Art: Edward GINGER (b.1951 Kegalle, Sri Lanka - arrived 1975 Aus), Edward Ginger, The Breeze, Location: Main Road, Research - opposite Eltham Little Theatre, 1990
The first sculpture awarded the Shire of Eltham 'Art in Public Places' Award/Commission. The Judges were Inge King, Jenny Zimmer and Daryl Jackson. The work deals with the juxtaposition of suburban and rural surroundings. This scupture is a typical example of the artist's oevre of the period. This sculptre is site specific and refers to the nature of the environment. The colour - bushfire red / sienna - alludes to the history of fire in the urban/rural fringe and the title, as well as the sculpture's shapes, forms and material refer to the natural and local elements. Judges report noted: "The most vital and expressive work for the site...with a great sense of dynamic movement and vibrant colour. Its' abstract forms will enliven the surroundings and the urban and natural environment. This work is the most appropriate for the site and expressive of the dynamics of an evolving community in which artistic discourse and debate has always thrived." The work has acquired the status of a major landmark from the National Trust. The Breeze is an abstract work made out of welded steel and painted in enamel in bush fire red / sienna. It comprises a series of flat, cut-out shapes, interlocking at different angles, giving the impression of being hinged together rather than fixed. The work references nature and the built environment. Its geometric shapes suggest man-made structures within industry and suburban life, while rural areas can be identified by the organic flame-like shapes fanned by the wind. The circular cut-out in the eye mimics the sun, symbolising the intense heat of the Australian climate, while the colour red alludes to the history of bushfire within the urban and rural fringe. N/Apublic art, ginger, red, sienna, elements, steel, abstract, breeze, fire, sculpture -
National Wool Museum
Poster, Sew natural: you can make it in wool
... Textile Design Textile Industry - history Sew natural: you can ...Sew natural: you can make it in wool, c1960'sSew natural: you can make it in wooltextile design textile industry - history, alexander lau pty ltd, textile design, textile industry - history -
National Wool Museum
Poster, Sew natural: you can make it in wool
... Textile Design Textile Industry - history Sew natural: you can ...Sew natural: you can make it in wool, c1960's.Sew natural: you can make it in wooltextile design textile industry - history, alexander lau pty ltd, textile design, textile industry - history