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Wangaratta Art Gallery
Painting, Christopher Pyett, And Each For One Another, 1976
abstractRural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An abstract painting of an eatery dinning area painted in oil using a colour palette of predominantly blue alongside shades of green, pink, brown, and yellow.Pyett/ '76/ (bottom left corner)wangaratta art gallery, christopher pyett, painting -
Wangaratta Art Gallery
Painting, R. Spinner, The Pied Piper, c. 1968
Rural City of Wangaratta CollectionA still life painting of a band uniform alongside a trumpet and music stand, painted using red, blue, silver, gold, yellow, black, and white.Obverse: R SPINNER/ (bottom right corner)wangaratta art gallery, r spinner, band, still life, painting -
Whitehorse Historical Society Inc.
Article, Bark tells of History, 1992
An award winning Bark Mural made by local women has been entrusted to the City of Nunawading - tells the story of bark painting in Australia. With photo.bark murals, victorian art in bark association, burke, belle, gray, gloria -
Whitehorse Historical Society Inc.
Photograph, McCubbin Painting
Coloured photo of McCubbin painting of Box Hill Railway Station. Permission given by CEO, Dr. Shirley Randall to Friends of the Lake Education Unit.box hill railway station, mccubbin, frederick, meagher, dorothy -
Old School House Museum
Photograph
Rick Amor, previous student and artist , teaching students about art and painting, he later went on to paint the fisherman mural on FSS-1464 -
8th/13th Victorian Mounted Rifles Regimental Collection
Print - LAD Vietnam
Soldier tradesmen belonging to the Royal Australian Electrical and Mechanical Engineers Corps (RAEME) were attached to and Armoured Corps regiment as a Light Aid Detachment (LAD) to provide battlefield repairs to armoured vehicles. Captain Jim Farrelly joined 8/13 Victorian Mounted Rifles as a trooper. He rose through the ranks then as a consequence of his civilian trade as a mechanic he transferred to RAEME and took command of the regiment's LAD.Framed coloured print of painting of Light Aid Detachment making major repairs to a Centurion tank in the Vietnam battlefield. Helicopter gunships are providing protection.Presented to 8/13 VMR Officers Mess by OC RAEME att Capt Farrellyraeme, farrelly, lad, repairs, vmr, officer, mess -
South Gippsland Shire Council
Painting, Oil, The Great Southern Festival 1980/1981
Framed oil painting of the Great Southern Festival at Korumburra 1980/1981 featuring Karmai the Giant Earth Worm. Painted by artist Frank Smith. -
Bendigo Historical Society Inc.
Photograph - SANDHURST BOYS CENTRE COLLECTION: METAL FINISHING
Sandhurst Boys centre collection: A boy is spray painting a wrought iron object in a workshop. He is wearing a protective mask and using a spray gun.bendigo, institutions, sandhurst boys centre, sandhurst boys centre; occupations; metal work; painting and finishing; workshops -
Bendigo Historical Society Inc.
Artwork - JOHN HALL COLLECTION: WATER COLOUR PAINTING: CLARENCE UNITED MINE, 2013
JOHN HALL COLLECTION: Original WATER COLOUR PAINTING: Clarence United Mine Signed in bottom RH corner by John Hall. Dated 2013.John Hallartwork, water colour, gold mines -
Kew Historical Society Inc
Photograph, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola -
Tennis Australia
Print, Circa 1980
Reproduction of painting by Michael Zanzky depicting a tennis player in action. Swirling acid-coloured background. Materials: Ink, Paper, Metal, Glass, Cardboardtennis -
Tennis Australia
Print, Circa 1948
Print, after a painting, featuring a young woman, holding a tennis racquet and ball, walking fown some steps in a garden. Materials: Paper, Inktennis -
Freemasons Victoria - United Grand Lodge of Victoria
Painting, MWBro. Major General Sir Reginald Dallas Brooks K.C.B., K.C.M.C., D.C.M.C., D.C.V.O., D.S.O.K. St.J. Grand Master 1951-1963, 1960s
Sir Dallas Brooks, was Victoria's' longest serving Governor and Grand Master. Born in Cambridge England in 1896, his interest in becoming a Freemason was expressed whilst in England however he chose to wait until he became Governor of Victoria to be initiated. Sir Dallas Brooks held the position of Grand Master of the United Grand Lodge of Victoria from 1951 to 1963. He was a popular Grand Master and Governor and although he was unable to commit as much time as he would have like to Freemasonry, he participated where possible.This portrait was painted by Joshua Smith and the only painting created by this artist.Framed oil painting on canvas with stretcher/strainer. Frame is wood with a matte bronze paint. Gold-coloured metal placque attached to front of canvas. Signed: 'Joshua Smith'. Placque: 'M.W. Bro. General Sir Dallas Brooks / K.C.B., K.C.M.G., K.C.V.O., D.S.O., K.St.J. / Grand Master 1951 - 63' sir dallas brooks, freemasonry, freemasons, portraits, freemasons victoria -
Federation University Art Collection
Painting - Mixed Media, Mutch, Heather, 'After Tapies' by Heather Mutch, 1996
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting in mixed media including plaster on canvas. If you can provide information on this artist or artwork please use the email link below.art, artwork, horsham campus art collection, horsham available, abstract -
Lilydale RSL Sub Branch
Print - Framed Print, Spitfires over London
Framed print of painting by John Young entitled "Spitfires over London" showing three Spitfires flying over London with Tower Bridge in the background.Inscribed plaque reads " SPITFIRES OVER LONDON BY JOHN YOUNG PRESENTED TO LILYDALE RSL BY GORDON ANDERSON 1997. -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Painting - Painting WWII Pacific battle
A painting depicting "Taking Old Vickers Position, Bodubt Ridge, 28 July 1943" By Ivor Hale CBE. It was present to HQ 3 Div -
Sherbrooke Foothills Historical Society
Painting, Bullock Team in bush
Thick Walnut colour. Timber Frame Cream Cardboard Mount Water colour portrait format, landscape painting Subject: Bullock Team in bushSigned “Chas E Hammond” white paint lower left -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: DEMURE
BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Demure: Portrait of unknown girl standing in front of a painting depicting a castle. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Moorabbin Air Museum
Book - A biography of Major R S Dallas DSO, DSC, C de G avec Palme, AUSTRALIAN HAWK OVER THE WESTERN FRONT, Adrian Hellwig, AUSTRALIAN HAWK OVER THE WESTERN FRONT, 2006
A biography of Major R S Dallas DSO, DSC, C de G avec Palme, AUSTRALIAN HAWK OVER THE WESTERN FRONTCover jacket showing painting of British marked bi-plane over the sea with a German bi-plane sinking on the sea surface, blue backgroundnon-fictionA biography of Major R S Dallas DSO, DSC, C de G avec Palme, AUSTRALIAN HAWK OVER THE WESTERN FRONT -
Tatura Irrigation & Wartime Camps Museum
Photograph, Chapel in Camp 3, 1942
Colour photograph of a painting by an internee in Camp 2, and presented to Pastor Strellan of Bendigo who made frequent visits to the camp to take services for the internees. Painting of chapel constructed in Internment Camp 3, Tatura Group by R.T.BColour photograph of a watercolour depicting fabricated altar with bible, cross, candles and flowers. Light brown stained frame, glass front, sealed and mounted.R.T.B 1942pastor strelan, internment camp 3, camp 3 chapel -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Lagerbild Germalt von Glunkler
The painting is of Camp 3 painted by internee Glunkler.Water colour of two huts with the windows open. Another hut is partially in the picture. An item of washing is hanging on a clothes line between two of the huts. A garden of red flowers in is the foreground and two gum tree are in the paddock behind a wire fence. Wooden frame behind glass with dark green matt.Glunkler 1942 -
Stawell Historical Society Inc
Photograph, Mr Will Rees' Painting "Brookfield Belgrave" Vic
Photo of Will Rees Painting Brookfield Belgrave Vic stawell -
Stawell Historical Society Inc
Photograph, Christ Church Stawell West -- Painting
Photograph of Painting of Christ Church Stawell Weststawell -
Robin Boyd Foundation
Pamphlet
Information on Staatliche Museen Gemaldegalerie Berlin - paintings -
Stawell Historical Society Inc
Photograph, Mr Will J. Rees's water colour painting called "Near The End Of Spring" 1900
Will J. Rees Water colour painting 1900stawell -
Stawell Historical Society Inc
Photograph, Mr Will Rees' Painting "Cottage in bush scene"
Photo of Will Rees Painting Cottage in bush scenestawell -
Stawell Historical Society Inc
Photograph, Mr Will Rees' Painting "Gold Rush" poss 1916
Photo of Will Rees Painting Gold Rush 1916?stawell -
Federation University Art Collection
Artwork, Celia Rosser, Banksia caleyi by Celia Rosser, 1986
Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.celia rosser, gippsland campus, botanical, banksia -
Federation University Art Collection
Painting, Isabel Huntington, 'Sunflower' by Isabel Huntington, c1956
Isabel HUNTINGTON (1905 - 04 December 1971) Isabel McCausland was educated at Ballarat and married Robert Keith Huntington in 1931, and which time Isabel was living in the Melbourne suburb of Preston. Isabel Huntington was a painter, craft officer and craft worker. She studied at Ballarat High School, Ballarat Technical Art School (a division of the School of Mines) and RMIT, and was a member of the Victorian Artists' Society and the Contemporary Art Society. In 1945 she was appointed Director of Handcrafts for the Victorian Division of the Red Cross Society. Isabel Huntington had previously held the position of Supervisor of Handcrafts at Heidelberg Military Hospital for three and a half years. She was a member or the Arts and Crafts Society. Isabel Huntington had five 'one-man" shows, three in Melbourne, one in Ballarat and one in Hamilton, Victoria. The critics of the day described Isobel Huntington's work as Post Impressionist and Expressionist. 'Her enjoyment of the use of colour and her sense of vitality is obvious in her most original conception of the relationship of art to flowers.' Ursula Hoff judged the 1965 Albury awards for watercolour, and religious paintings in oils, awarding the prize to Isabel Huntington. In the same year Isabel Huntington travelled to Europe. In Ballarat's Crouch Prize Isabel Huntington was commended three times. After returning from overseas she taught at Rosanna High School, Victoria. Isabel Huntington lived at Montmorency, Victoria, and was there at the time of her death. Her studio was located at 10 Nokes Court, Montmorency, 3094. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007 in 1971.Framed painting of a sunflower. The signature at the lower right has been oversigned in white 'Huntington 1962". A note on the back of the work suggests it was more like to have been created in 1956, and it was first purchased between 1956 and 1958. If you can share information on this artist or artwork please use the email link below.A note on the back says "Sunflower 1962 Oil/Pastel Insurance Isobel Huntington Gouache 1956 Black Box. Huntingdon (sic) Isobel. Acquired between 1956 - 1958"art, artwork, gouache, painting, sunflower, isabel huntington, handcraft, arts and crafts society, crouch prize, ursula hoff, alumni, flora, ballarat teachers' college art collection, isobel huntington, isabel mccausland -
Bendigo Military Museum
Print - PRINT, FRAMED
Framed print of an original oil painting by Allan Waite FRAS, AWI - 1997 of The battle of Long Tan 18th Aug 1966, Print of painting - coloured scene of "The Battle of Long Tan" depicting various infantry and artillary during the battle. Frame - timber with decorated edge, mid brown colour stain - glass front. Mount - dark green coloured cardboard.Black print below print ÄLLAN WAITE, FRAS, AWI, 1997/ THE BATTLE OF LONG TAN/ 1st AUGUST 1966/ Print Number ...... of 150. Blue print below print copy of signature "Allan Waite".illustrations-prints, framed print, battle, vietnam