Souvenir probably bought by an Australian soldier in the 2nd A.I.F., and brought back to Australia as a souvenir.Rectangular blue faded to grey velveteen water damaged textile with a plain white cotton backing with a red fringe. The front of the textile is embroidered in red, yellow, blue and white chain stitch. It shows two palms flanking the Mosque of Omar lower centre with three camels and a man on a horse below, Rachel's Tomb with tree upper left and David's Tower upper right."Souvenir of Palestine"; "Rachels tomb"; "Mosque of Omar"; "David's Tower"second world war 1939-1945, table cover, palestine, 2nd aif, souvenir, textiles - embroideries, wwi

When donated by Mrs Docherty in 1991 it was described as a Scottish sideboard runner dating from the 1860s.Embroidered textile formerly used as a table runner. When donated by Mrs Docherty in 1991 it was described as a Scottish sideboard runner dating from the 1860. The design and construction of the fabric is probably Indian in origin. It includes an extensive use of silver bullion on a cream silk ground to define the areas of abstract floral patterning. The warp or weft of the cream silk ground has disintegrated in sections.textiles - international, embroidery, table runners

A cotton bonnet belonging to the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn ivory cotton, embroidery anglaise child’s bonnet from the late 1800s. The bonnet fabric design combines features a combination of narrow pin tucking and embroidered flowers on a vine. The bonnet edge is finished with a double-layered delicate gathered lace ruffle around all the edges. The bonnet secures under the chin with a delicate tie made of a similar but plain fabric.george ward cole, st ninians, late 1800s, bonnet, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole, brighton

Local women made this quilt and book in 2004 over a period of four months. Meg Viney fibre artist and then director of Meeniyan Art Gallery initiated the project. Handmade and machine embroidered quilt with 16pp handmade book. The quilt celebrates the lives of local women in our rural environment. The quilt features cyanotype printed images of the women surrounded by blue floral-patterned fabric and gold/brown patterned trim. The book features handmade paper pages with images and stories on each of the women who were involved in the making of the quilt.

Silver silk, with a jacquard woven floral pattern. Long sleeves have pleated tops, forming a leg-o-mutton sleeve, which gathers in at the elbows, to a narrow fitted sleeve to the wrist. A 4cm wide band of cream satin embroidered and corded lace. Cream cording and lace trims the cuffs, the shoulder/arm hole seam, and two bands on each side of the V shaped cross-over bodice. Metal press-studs fasten the cross over bodice at the waistline. Cream satin with embroidered lace overlay forms a 5cm wide stand-up collar and a centre front panel at neckline. Twelve metal hooks and eyes fasteners fasten the grey cotton front lining of the bodice. The cotton lining of the bodice is part machine, and part hand stitched. Relocated to Clothing Box 176 10.2.2022costume, female, silver silk and lace trimmed bodice.

Ladies grey blazer worn by Heather Pain as Pipe Major of the Ladies Pipe Band Bendigo. Grey woollen single breasted blazer. Grey satin lining across shoulders at back. Long sleeves lined with yellow and black striped cotton fabric. Body of blazer unlined. Three pockets on front-one on either side at hip level. One LHS breast pocket with red embroidery shield containing thistles, leaves and crossed swords. The pocket has a 1cm tartan bans across the top. Hip level pockets and lower sleeves have 1.5cm bands of red corded ribbon. Front opening is fastened with two X 2cm grey plastic buttons. Internal seams edged with brown satin ribbon.Red embroidery on breast pocket ""Ladies Highland Pipe Band''.''Bendigo embroidered inside an embroidered banner.Label at back of neck- ''ASHMANS'' The Home of Better Suits, Hargreaves Street Bendigo''. Label attached to lining across shoulders (^cmX6.5cm).Picture of shield with tailor's tools and words, Ashmans, The Home of Better Suits, Hargreaves st Bendigo. Label stitched inside right front Ashmans Hargreaves St., The Home of Better Suits. Miss H. Pain 8141 6/9/55''.costume, female, ladies grey blazer.

Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. University of Ballarat Academic Procession at Mount Helen Campus, led by Rowena Coutts (University Lawyer).academic procession, mount helen campus, rowena coutts, academic regalia, graduation

In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Bib or feeder for a baby, cream coloured, crocheted in a circle with ends shaped to fit around the neck, satin ribbon threaded through crochet border. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, baby clothes, bib, feeder, crocheted bib, crocheted feeder

Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. A square metal box containing DVDs of videos of May 2011 Graduation Ceremonies. Includes the graduation hymn being played.university of ballarat, graduation, graduation ceremonies, andy smith, todd walker, r.t. smith, tim sullivan, david battersby, roger donaldson, mace, frank stagnitti, academic procession, founders hall, 1870 founders hall, strobe driver, robert t. smith

Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. University of Ballarat Vice Chancellor, Professor David Battersby, at the ecturn during a graduation ceremony. david battersby, graduations, academic regalia, vice chancellor

Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. graduations, academic regalia, robert h.t. smith, chancellor

Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. Colour photograph of University of Ballarat International Students and staff in academic regalia. international students, alumni, academic regalia, graduation, graham hood, gwenda mcmanus

This jacket would have been worn with a long black skirt by an elderly woman or by one in mourning, probably in early Edwardian times.This item is retained for display purposes.This is lady's black satin top with long sleeves. There are hooks and eyes for the full length of the front. with a fitted, boned waist. It has panels on each side of the opening on the front with black embroidered " frog" decorations. The sleeves are pleated with three bands of black velvet on the cuffs at the wrist. The garment is lined with black cloth. The cream lace around the neckline appears to have been added at a later time.vintage woman's clothing, edwardian era, warrnambool and district historical society collection

Silk embroidered postcard with purple, yellow & green flowers 7 wording Christmas Greetings & To My Deatest Darling. Back reads: ' To Dear May ? Wishing you a Merry Xmas and a bright and prosperous New Year. Your loving brother in law Forbes. Embroidery makes a pocket which holds a small card with an illustration of a lady arranging flowers. It has 'a happy Christmas' printed on it.communication, postal, postcards, malone collection, silk postcard

Made by MRS Harris for her daughter Norma (donor) in 1920Baby's Cream silk dress with round neck sleeves, opening down back of bodice with three press studs to waist. Waist band has 18 button holes for ribbon to be threaded through. Herringbone stitch insert 2/3 down skirt. Embroidered flowers on skirt and bodice. All edges finished with crochet edging. All embroidery and crochet in cream silk thread.costume, children's

Made by a Mrs Harris in 19141914 white cotton with short sleeves. Opening down the front with fly front. A short bodice, fuller at the front than the back. Round neck drawn up with pink ribbon. Waist has cotton tape to draw it up. Blue and white button hole embroidery around neck and down front. Blue butterflies embroidered each side of front opening with blue white flowerscostume, female underwear

A wedding bodice made for Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886 in Ceylon1886 satin bodice, boned and paneled to fit 24 ins waist. Closed at front with 18 pearl buttons. Long sleeves, beaded and embroidered cuffs also lace trimmed. Pocket on left side for watch. Peplum at back to sit on bustle of skirt. Beaded collar to fit over bodice neckline. See also Fan NA3582, shoes NA3578 and bridal headdress NA3489.costume accessories, clothes accessories

Part of a trousseau for Helen Zerbe (Girlie) for her marriage to Clarence Pratt. Part of a Trousseau set - see NA2737 for bloomers and NA2738 for petticoat. Cream tussor silk nightdress and boudoir jacket. Round neck, magar sleeve with shell crochet around edge. Gathers on hip, floral motif at neck edge on Nightdress. Motif on sleeve. Straight jacket, magar sleeve crochet all around edge of jacket. Motif embroidered on front, spokee stitching on sleeve and on front.costume, female nightwear

Worn by donor's baby boy in 1950sCream Vyella boys 'Shepherd' suit top. Yolk in lemon with one rabbit and a mushroom embroidered on each side. There is lemon and white smocking under the embroidery. 'Peter Pan' collar with lemon and white edging. Top has long sleeves with buttons on the cuffs. Top opens down the back with three button holes and buttons. There are two buttons on each the front and back to attach the pants.'Friedelle' Made in Australiacostume, children's

A Spalding 'Kro-Flite' model tennis racquet, featuring whipping around shoulders. Has a leather wrapped hand grip and embroidered butt cloth . Manufacter name features across base of head. Model name and 'flying bird with sun' symbol features across throat. Materials: Wood, Metal, Lacquer, Glue, Leather, Vinyl, Ink, String, Paint, Adhesive tape, Cloth, Threadtennis

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Beige silk theatre or opera jacket with multi-coloured guipure lace at the neck, on the front bordering the opening, and on the cuffs. The long sleeves have extensive old lace extending beyond the wide cuffs. The inside is lined with quilted pink silk, which has darker silk panels at the front. The jacket has a high neck. It is closed using three embroidered fabric buttons at the frontedith mary weir (nee betteridge), 84 princess street - kew, australian fashion, women's clothing, costumes, coats

Beryl SebireA dark brown wooden chair with a decorative carved back support at the top with four turned spindles for more support as well as two extra carved rails near the bottom. The seat has a pastel coloured covered embroidered cushion connected to the base of the seat. There is braid around the edge of the cushion attached by upholstery pins or studs. The chair has four decorative legs and no arm rests.chairs, mothering chair, furniture

Cream coloured taffeta wedding dress. Square yoke at front with spiral bead pattern and tassels of bead across lower edge of yoke. V shaped neckline at back with yoke and tassels. Short sleeves of double layer of net embroidered with flowers. Front and back of bodice of embroidered net. Neckline lined with 10cm cotton lace. Bodice fully lined with cotton fabric. Two vertical side panels of 5cm silk lace from shoulder to waist with triangular shaped tabs (12cm) extending to side seams. 5cm silk lace with 12cm triangular tabs across the waist at back of bodice. Taffeta floor length skirt 5cm lace with 12 cm triangular tabs extends from waist on LHS down to 3cm above hemline and extends across the front in a U shape to side on RHS and then across the back of the skirt in a U shape to the LHS. Triangular insert of embroidered net (45cm at hem) on LHS, from hem to 42 cm above hem. Centre back opening from neckline(25cm) fastened with seven metal hooks and eyes. Satin fabric belt with horizontal pin rtucks fastened with two metal hooks and eyes. Fabric circular buckle (5cm diameter). Lower edge of skirt lined with cotton fabric (14 cm wide). Semi-circular cotton padding stitched under arms.costume, female, cream coloured wedding dress

This shirt belonged to Dorothy May Mortlock (VF518245) who was part of the Australian Womens Army Service (AWAS). Dorothy Mortlock was born in Swan Hill and enlisted with the 3rd AUST AWS REC DEPOT.Light khaki-coloured shirt with detatchable collar (UA09.4.2), long sleeves. Shirt is fastened with five bakelite or plastic brown buttons. Three button holes along the collar line attach to detatchable collar, possibly via cufflink-style fasteners. Shoulders each carry an epaulette with a canvas badge, embroidered with the letters "A.W.A.S." in white' epaulette fastened by brown button. Light khaki to white topstitching throughout. Inscribed on interior of collar on label is "N 332 1943/Made in Australia/SIZE 13". Handwritten on interior collar "VF518245/PTE MORTLOCK, D/A.W.A.S."world war ii, second world war, wwii, women, australian women's army service

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.K14Photograph of twins Ray and Joyce Uebergang at approximately 3 years of age. Ray is standing beside a table and Joyce stands next to him. Ray is dressed in dark shorts and a light coloured shirt, tie and tiepin, long white socks and button-up shoes. Joyce is wearing a white embroidered frock with a scalloped hemline and short sleeves. She has short socks with garters and button-up shoes.allansford, uebergang, tooram park, ray uebergang, joyce uebergang, jordan studio, warrnambool, liebig street, photographs, children's costume, photography